Many of the labels for our past exhibitions, particularly the later years, are available in the library. Some of the labels are available as digital files. If you see "Get Full text" (as shown in the image below) in the catalog, click on it and a new window with a pdf of the labels will open.
Below is a list of the exhibitions held at the museum from 1876 through 2019. From 1974, descriptions of the exhibitions have been included, when available.
All of the PMA publications, including exhibition catalogues, are available in the library's reference section. You can browse the complete list in our PMA Publications LibGuide.
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1876 | The Centennial Exhibition; or “International Exhibition of Arts, Manufactures and Products of the Soil and Mine” | 1876 | ||
1877 | Gems, Cameos in Relief, and Other Engraved Stones, Ambers, Antique Pastes, Rings, etc | 1877 | ||
1877 | Gold Silver and Brass Work | 1877 | ||
1879 | Collection of Coins and Medals | 1879 | ||
1883 | Loan exhibition of Arms and Armor | 1883 | European Decorative Arts and Sculpture | |
1888 | Exhibition of American Pottery and Porcelain | 1888 | American Art | |
1889 | Exhibition of American Art Industry of 1889 | 1889 | ||
1903 | Pompeian Ruins, Restorations, and Scenes | 1903 | ||
1904 | The Great Seals of England and Some Others | September 1, 1904– | European Decorative Arts and Sculpture | |
1905 | Art Association of the Union League Exhibition | November 1, 1905– | ||
1908 | Some Rare Eastern Carpets from the J. Lees William Collection of Oriental Carpets | January 1908–April 1908 | East Asian Art | |
1908 | Capo di Monte Porcelain (Hard Paste Porcelain) | January 1908– | ||
1908 | Textiles: Mrs. William D. Frishmuth Collection of Colonial Relics | January 1908– | Costume and Textiles | |
1908 | Mexican Antiquities | January 1908– | ||
1908 | Antique Watches: Bloomfield Moore Collection and Fleisher Collection | April 1908– | European Decorative Arts and Sculpture | |
1908 | Hammered Sheet Iron Figures in the Collection of Japanese Metal-Work | April 1908– | East Asian Art | |
1908 | Textile Room Reinstalled | April 1908– | Costume and Textiles | |
1908 | The Lamborn Collection of Roman Glass Fragments | April 1908– | ||
1908 | Peruvian Figure Work in Lead, Three Examples | April 1908– | ||
1908 | Maiolica Tiles of Mexico | July 1908– | European Decorative Arts and Sculpture | |
1910 | New Installation of Furniture Collection | October 25, 1910– | ||
1911 | The Gardiner Collection of Antique Oriental Rugs | 1911 | East Asian Art | |
1915 | Exhibition of Tiles | October 1915– | ||
1915 | Loan Exhibition of Tapestries | October 25, 1915–November 7, 1915 | European Decorative Arts and Sculpture | |
1916 | Americanization through Art | January 19, 1916–February 22, 1916 | American Art | |
1916 | Exhibition of “Fakes” and Reproductions | April 1, 1916– | ||
1916 | Exhibition of American and English Furniture of the Sixteenth, Seventeenth, Eighteenth, and Early Nineteenth Centuries | November 1916–December, 1916 | ||
1917 | Exhibition of Old American and English Silver | May 1917 | ||
1919 | Loan Exhibition of Carpets and Other Textiles from Asia Minor | 1919 | East Asian Art | |
1920 | Temporary Exhibition of a Selection of Italian Paintings of the XIV and XVI Centuries from the John G. Johnson Collection | 1920 | European Painting before 1900, Johnson Collection | |
1920 | The Building of a Temple: A Pageant | April 19–23, 1920 | ||
1921 | Pilgrim Show | 1921 | ||
1921 | Loan Exhibition of Colonial Silver | June 1921 | ||
1922 | Exhibition of American Handicrafts Assembled and Circulated by the American Federation of Arts | December 5–25, 1922 | American Art | |
1923 | Paintings and Drawings of Persia and India (With Some Others), Illuminated Manuscripts in Persian, Arabic, Ethiopic, Sanscrit [sic], Armenian, Hindi, Burmese… | 1923 | ||
1923 | Graphic Art of Czechoslovakia: Exhibition of Prints from the Private Collection of Henry J. John | April 9–13, 1923 | Prints, Drawings, and Photographs | |
1923 | Early Printed Books | September 1923 | ||
1923 | The Napoleonic Table Service by Irene Sargent | September 15–30, 1923 | ||
1923 | Philadelphia Etchers and Engravers | October 1–22, 1923 | Prints, Drawings, and Photographs | |
1923 | The Crofts Collection: An Exhibition of Chinese Pottery | October 15, 1923– | East Asian Art | |
1923 | Philadelphia Illustrators | November 1–26, 1923 | Prints, Drawings, and Photographs | |
1923 | Early English Prints | December 3–31, 1923 | Prints, Drawings, and Photographs | |
1924 | Bookplates | January 7, 1924– | Prints, Drawings, and Photographs | |
1924 | Exhibitions of Daguerreotypes | February 1, 1924–March 1, 1924 | Prints, Drawings, and Photographs | |
1924 | Persian Miniatures | February 1, 1924–April 1924 | East Asian Art | |
1924 | Nineteenth Century Etchings and Engravings | March 1924 | Prints, Drawings, and Photographs | |
1924 | Print Room Exhibition: American Drawings | April 1, 1924– | Drawings, and Photographs | |
1924 | Exhibition of Furniture of the Chippendale Style | April 28, 1924–September 24, 1924 | American Art | |
1924 | Exhibition of Etchings and Engravings by Old Masters from the Collection of Dr. Charles B. Penrose | October 1, 1924–November 10, 1924 | Prints, Drawings, and Photographs | |
1924 | New Installation of Stained Glass | October 1, 1924– | ||
1924 | Exhibition of Chinese Paintings, Sculpture and Antiquities | October 20, 1924– | East Asian Art | |
1924 | Philadelphia Illustrators | November 1–30, 1924 | Prints, Drawings, and Photographs | |
1924 | Pennsylvania Horticultural Society Chrysanthemum Exhibition | November 7–9, 1924 | ||
1924 | Retrospective Exhibition of Illustrations by Philadelphia Artists | November 12, 1924–January 1, 1925 | Prints, Drawings, and Photographs | |
1925 | Exhibition of Prints by Contemporary Dutch Artist | January 12, 1925–March 7, 1925 | Prints, Drawings, and Photographs | |
1925 | Embroideries, Velvets, Damasks, Satins, and Other Silk Fabrics (15th to the 18th century) | March 1925– | Costume and Textiles | |
1925 | Modern Textiles: Textiles and Designs in the American Federation of Arts Exhibition | March 1925– | Costume and Textiles | |
1925 | Exhibition of Illuminations, a collection of illuminations by members of the Society of Scribes and Illuminators of England | March 3, 1925– | Prints, Drawings, and Photographs | |
1925 | French Chintzes of the 18th and 19th Centuries | April 1, 1925– | Costume and Textiles | |
1925 | Inaugural exhibition of a circulating gallery of pictures | April 20, 1925–May 31, 1925 | ||
1925 | Colonial Craftsmen of Philadelphia | July 1925– | American Art | |
1925 | Mestrovic Exhibition | October 1, 1925– | ||
1925 | Hungarian Prints | November 1, 1925–December 1, 1925 | Prints, Drawings, and Photographs | |
1925 | Loan Exhibition of Windsor Chairs from the Collection of J. Stogdell Stokes, and Pennsylvania German Chests from the Collection of Clarence Wilson Brazer | November 10, 1925–December 18, 1925 | American Art | |
1926 | John D. McIlhenny Memorial Exhibition of Paintings, Sculpture, Rugs, Textiles, and Furniture | March 2, 1926–April 10, 1926 | European Decorative Arts and Sculpture | |
1926 | Recent Accessions in the Field of Chinese Art | April 7, 1926– | East Asian Art | |
1926 | Loan Exhibition of Works by William Blake (from the collection of Mr A. Edward Newton) | April 17, 1926–May 16, 1926 | European Painting before 1900, Johnson Collection | |
1926 | Cassatt Show | April 30, 1926–May 29, 1926 | ||
1926 | Loan Exhibition of Paintings from the Lea Collection | May 15, 1926–October 6, 1926 | ||
1926 | Exhibition of Designs by Gordon Craig, English designer of theatrical scenery and costume | May 17, 1926– | ||
1926 | American Furniture from the Collection of Mrs. Francis P. Garvan | June 1926– | ||
1926 | Sartain Exhibition (from the collection of Miss Harriet Sartain | June 2, 1926–October 6, 1926 | ||
1926 | Development of American Art | June 8, 1926– | American Art | |
1926 | Mount Pleasant Open to Public: American Art on the Eve of the Revolution | July 1, 1926–November 1, 1926 | American Art | |
1926 | Exhibition of Works of Engraved Ornament of 18th Century England from the Collection of Howard Reifsnyder | July 1, 1926–November 1, 1926 | ||
1926 | Industrial Exposition of Modern Decorative and Industrial Arts | October 1, 1926–October 31, 1926 | ||
1926 | Memorial Exhibition of the Works of the Late Joseph Pennell | October 1, 1926–October 31, 1926 | ||
1926 | Loan Exhibition of Persian Art from the 9th to the 18th Century | October 11, 1926–January 1, 1927 | Indian and Himalayan Art | |
1926 | Exhibition of Contemporary European Industrial Arts from the Industrial Arts from the International Exposition of Modern Decorative and Industrial Arts, held in Paris summer 1925 | November 15, 1926–December 13, 1926 | European Decorative Arts and Sculpture | |
1926 | Etchings by John Wright | November 23, 1926–Christmas 1926 | Prints, Drawings, and Photographs | |
1927 | American, English, and European Pewter | 1927– | ||
1927 | William L. Elkins and George W. Elkins Collections at Memorial Hall (Sesqui-Centennial) | 1927– | ||
1927 | Loan Collection of Paintings from Flemish and Dutch Schools | 1927– | ||
1927 | Early Italian Engravings and Woodcuts | January 28, 1927–April 1927 | Prints, Drawings, and Photographs | |
1927 | Exhibition of Tapestries | January 28, 1927–April 1, 1927 | Costume and Textiles | |
1927 | Portraits | April 1, 1927– | ||
1927 | Loan Exhibition of the Works of Robert Nanteuil and Other French Line Engravers of the 18th Century | April 4, 1927–October 1927 | ||
1927 | Memorial Exhibition of the works of the late Mary Cassatt | April 30, 1927–May 30, 1927 | American Art | |
1927 | Silver Room Open to the Public after Reinstallation | May 1927 | ||
1927 | Religious Art of Mexico from the 17th and 18th Centuries | Summer 1927 | ||
1927 | Fine and Decorative Art of China from the 3rd Century B.C. to the Present | Summer 1927 | East Asian Art | |
1927 | European Etchers of the Last Half Century lent by Ellis Ames Ballard | Through June 26, 1927 | Prints, Drawings, and Photographs | |
1927 | Dutch Etchings by Marius Bauer | July 1, 1927–October 1, 1927 | Prints, Drawings, and Photographs | |
1927 | Exhibition of Northern Primitive Paintings | October 1, 1927–November 30, 1927 | Prints, Drawings, and Photographs | |
1927 | South Indian Sculpture of the Medieval Period | November 21, 1927– | Indian and Himalayan Art | |
1927 | Exhibition of Laces from the Philadelphia Collections | November 21, 1927– | Costume and Textiles | |
1927 | Engravings from the J. Drexel Collection | November 21, 1927– | Prints, Drawings, and Photographs | |
1927? | English Engraved Ornament of the Nineteenth Century | |||
1927? | Engraved Maps of Asia | |||
1927? | Exhibition of Painted Pennsylvania Chests from the Permanent Collection | |||
1927? | French Engraved Portraits of the Eighteenth Century | |||
1928 | Cedar Grove Opens to the Public | After January 6, 1928 | American Art | |
1928 | Portraits by Early American Artists of the Seventeenth, Eighteenth, and Nineteenth Centuries Collected by Thomas B. Clarke | February 28, 1928– | American Art | |
1928 | Ten Period Rooms Open to the Public | Mid-March, 1928 | ||
1928 | The New Museum of Art Inaugural Exhibition | March 26, 1928– | ||
1928 | Memorial Exhibition of the Collection of Far Easter Sculpture and Painting formed by the Late Charles H. Ludington | May, 1928 | ||
1928 | International Exhibition of Ceramic Art | November 14, 1928–December 12, 1928 | ||
1928 | Exhibition of Ecclesiastical Objects | December 1928– | ||
1928 | A hundred Prints of the Old Masters, 1450–1750: Inaugural Exhibition of the Charles M. Lea Collection of Prints | December 21, 1928–January 27, 1929 | ||
1928? | Engravings of the Early German School | |||
1928? | Exhibition of Mexican Church Vestments and Ivories | |||
1928? | Japanese Prints of the Henry LaBarre Jayne Memorial Collection | |||
1928? | Exhibition of the Arts of Early India | |||
1928? | German Little Masters | |||
1928? | The Joseph Lees Williams Memorial Collection of Oriental Carpets and Rugs | |||
1928? | Heinrich Aldegrever | |||
1928? | Water Colors and Drawings of Contemporary French Artists | |||
1929 | American Paintings | January 1, 1929– | American Art | |
1929 | Early German Woodcuts | February 1929– | Prints, Drawings, and Photographs | |
1929 | Exhibition of English Clocks | March 1929– | European Decorative Arts and Sculpture | |
1929 | James F. Ballard Collection of Oriental Carpets | March 1929– | East Asian Art | |
1929 | Loan Exhibition of the Engravings of William Hogarth | Summer 1929–Fall, 1929 | Prints, Drawings, and Photographs | |
1929 | The Little Masters | June 1929–October 1929 | ||
1929 | English Colour Prints by George Baxter | November 1–31, 1929 | Prints, Drawings, and Photographs | |
1929 | Selected Chinese Paintings from the Robinette Collection | November 15, 1929–December 5, 1929 | East Asian Art | |
1929 | Marcantonio and his School | December 1929 | Prints, Drawings, and Photographs | |
1929 | Exhibition of Contemporary Belgian Painting, Graphic Art, and Sculpture | December 11, 1929–January 12, 1930 |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1930 | Exhibition of Modern Engraving Processes and Methods | Through April 30, 1930 | Prints, Drawings, and Photographs | |
1930 | Mantegna and other Early Italian Masters | January 1930–February 1930 | ||
1930 | Second International Exhibition of the American Federation of the Arts: Exhibition of Contemporary Glass and Rugs | January 31, 1930–February 27, 1930 | European Decorative Arts and Sculpture | |
1930 | The Processes of Engraving | March 1930–April 1930 | Prints, Drawings, and Photographs | |
1930 | Works by Thomas Eakins | March 5, 1930–April 7, 1930 | American Art | |
1930 | Later Italian Masters | May 1930 | ||
1930 | American Paintings from the Collection of John F. Braun | May 2, 1930–September 1930 | American Art | |
1930 | The Foulc Collection | May 11, 1930–June 1, 1930 | ||
1930 | Japanese Art from the Museum Collections, English Watercolors and Drawings, Watercolors by the Late Charles E. Dana | May 11–18, 1930 | ||
1930 | De Gheyn and Goltzius from the Lea Collection | June 1930–September 1930 | ||
1930 | British Watercolors | September 1, 1930–July 22, 1931 | Prints, Drawings, and Photographs | |
1930 | Dutch and Flemish Masters of the 16th and 17th Centuries | October 1930–November 1930 | ||
1930 | Flemish Prints of the 16th, 17th, and 18th centuries from the Charles M. Lea Collection | November 1930–December 1930 | Prints, Drawings, and Photographs | |
1930 | Chinese Painting | November 15, 1930–December 5, 1930 | East Asian Art | |
1930 | Dutch Genre Etchers from the Lea Collection | December 1930–January 1931 | Prints, Drawings, and Photographs | |
1930 | Lessing J. Rosenwald Collection of Rembrandt Etchings | December 1, 1930–December 31, 1930 | Prints, Drawings, and Photographs | |
1931 | Early Woodcut Books lent by Boies Penrose | Through January 1, 1932 | Prints, Drawings, and Photographs | |
1931 | Philadelphia Chippendale Furniture | 1931 | American Art | |
1931 | Philadelphia International Salon of Photography | 1931–1932 | Prints, Drawings, and Photographs | |
1931 | French Portraits from the Lea Collection | January 1931–February 1931 | ||
1931 | Georgian Art: An Exhibition of English and American Furniture and Glass of the Period of George III | January 8, 1931–February 26, 1931 | European Decorative Arts and Sculpture | |
1931 | Nanteuil from the Lea Collection | February 1931–March 1931 | ||
1931 | Dutch Animal Etchers from the Lea Collection | March 1931–April 1931 | Prints, Drawings, and Photographs | |
1931 | The Art of the Middle Ages—Inaugural Exhibition | March 16, 1931– | ||
1931 | Guelph Treasure | March 16, 1931– | ||
1931 | Ploos van Amstel | April 1931–May 1931 | ||
1931 | American Paintings of the Nineteenth Century | May 8–29, 1931 | American Art, 69th Street Branch | SIX, box 2, folder 16 |
1931 | Delaware County Public School Exhibit | May 30, 1931–June 8, 1931 (?) | 69th Street Branch | SIX, box 2, folder 21 |
1931 | French Impressionists and Post-Impressionists loaned by Mr. Davis | June 9–24, 1931 | 69th Street Branch | SIX, box 2, folder 17 |
1931 | Exhibition of Metal Work: Medieval and Early Renaissance Metal Work | June 25, 1931–July 29, 1931 | European Decorative Arts and Sculpture, 69th Street Branch | |
1931 | Paintings by Baum, Ranken, Carles, Sherwood, Tieme, Gruppe, Johnson, Eashington, Cochran, from McClees Galleries | July 30, 1931–September 7, 1931 | 69th Street Branch | |
1931 | America of the Early Republic, 1776–1830: Furniture and Furnishings | September 8, 1931–October 1, 1931 | American Art, 69th Street Branch | SIX, box 2, folder 19 |
1931 | Prints after the Old Master Ploos van Amstel | October 1931– | Prints, Drawings, and Photographs | |
1931 | Oils and Water Colors in the Modern Idiom | October 1–21, 1931 | 69th Street Branch | |
1931 | Chinese Art | October 22, 1931–November 17, 1931 | East Asian Art, 69th Street Branch | SIX, box 2, folder 19 |
1931 | Modern Etchings (included are works by Legros, Blampied, Davies, Sarrat, and Laurencin) | November 1931– | Prints, Drawings, and Photographs | |
1931 | Paintings by Members of the Delaware County Artists’ Association | November 17, 1931–December 1, 1931 | 69th Street Branch | |
1931 | Living Artists: Contemporary Painting and Sculpture | November 20, 1931–January 1, 1932 | Modern and Contemporary Art | |
1931 | Engraved portraits after Van Eyck from the Charles M. Lea Collection | December 1931 | Prints, Drawings, and Photographs | |
1931 | Japanese Color Prints from the Henry LaBarre Jayne Memorial Collection and from recent gift by Miss Elsie Biddle Robinson | December 1931–January 3, 1932 | Prints, Drawings, and Photographs | |
1931 | Powel Exhibition | December 1931–November 1932 | ||
1931 | Religious Art of Gothic and Early Renaissance Periods (Religious Art of Gothic and Renaissance Europe from the Collection of the Pennsylvania Museum of Art) | December 1, 1931–January 2, 1932 | 69th Street Branch | SIX, box 3, folder 1 |
1931? | The Foulc Collection | December 20, 1931–January 1, 1932 | ||
1932 | Chain of Colonial Houses, Fairmount Park, Philadelphia | 1932 | American Art | |
1932 | Engravings by Lucas van Leyen from the Lea Collection | Summer 1932 | Prints, Drawings, and Photographs | |
1932 | The Sea | Summer 1932 | ||
1932 | Indian Art of North and South America | January 4–25, 1932 | 69th Street Branch | SIX, box 3, folder 2 |
1932 | Etchings of the 19th Century, lent by W. S. Pilling | January 5–31, 1932 | Prints, Drawings, and Photographs | |
1932 | The Willard H. Wheeler Collection of Antique Watches | January 9, 1932–February 8, 1932 (postponed) | ||
1932 | Paintings by Woodstock Artists | January 25, 1932–February 12, 1932 | 69th Street Branch | SIX, box 3, folder 3 |
1932 | Engravings by Heinrick Aldegrever in the Lea Collection | February 1932 | Prints, Drawings, and Photographs | |
1932 | Loan Exhibition of Etchings from the Collection of William S. Pilling | February 1932 | Prints, Drawings, and Photographs | |
1932 | Oils and Murals by the Mexican Painter, Diego Rivera | February 3, 1932–March 1, 1932 | European Painting before 1900, Johnson Collection 69th Street Branch |
SIX, box 3, folder 4 |
1932 | Design for the Machine: Contemporary Industrial Art | February 20, 1932–March 20, 1932 | European Decorative Arts and Sculpture | |
1932 | University Museum: Caribbean Archaeology | February 29, 1932–May 31, 1932 | ||
1932 | Engravings and Woodcuts by Albrecht Durer in the Lea Collection | March 1932 | Prints, Drawings, and Photographs | |
1932 | Fellowship of the Pennsylvania Academy of the Fine Arts | March 1–24, 1932 | 69th Street Branch | SIX, box 3, folder 5 |
1932 | Museum of Modern Art: Modern Architectural Exhibition | March 20, 1932–April 30, 1932 | Modern and Contemporary Art | |
1932 | First Philadelphia International Salon of Photography | March 24, 1932–April 11, 1932 | Prints, Drawings, and Photographs, 69th Street Branch | |
1932 | The Little Masters in the Lea Collection | April 1932 | Prints, Drawings, and Photographs | |
1932 | Paintings and Sculpture by Swedish Women Artists | April 11, 1932–May 2, 1932 | 69th Street Branch | SIX, box 3, folder 6 |
1932 | German Woodcuts from the Lea Collection (Other Early Engravings) | May 1932– | Prints, Drawings, and Photographs | |
1932 | American Industrial Art | May 2–23, 1932 | American Art | SIX, box 3, folder 6 |
1932 | Children through the Centuries | May 7, 1932–June 8, 1932 | ||
1932 | Delaware County School Exhibition | May 23, 1932–June 6, 1932 (?) | 69th Street Branch | SIX, box 2, folder 21 |
1932 | Contemporary American Painters | June 6–30, 1932 | American Art 69th Street Branch |
SIX, box 3, folder 8 |
1932 | Mr. and Mrs. Edward T. Stotesbury Collection | June 15, 1932–December 1932 | ||
1932 | Twelfth International Watercolor Exhibition | August 8–25, 1932 | Prints, Drawings, and Photographs, 69th Street Branch 69th Street Branch |
SIX, box 3, folder 10 |
1932 | Chinese Wood–Block Prints of the 17th and 18th Centuries | September 1932 | Prints, Drawings, and Photographs | |
1932 | Egyptian Art | September 19, 1932–October 6, 1932 | 69th Street Branch 69th Street Branch |
SIX, box 3, folder 12 |
1932 | Chicago Painters | October 6–16, 1932 | 69th Street Branch 69th Street Branch |
SIX, box 3, folder 11 |
1932 | Jean-Louis Forain from the Collection of Lessing J. Rosenwald | October 8, 1932–November 7, 1932 | ||
1932 | Persian Art and Its Influences | November 19, 1932–December 31, 1932 | Indian and Himalayan Art | |
1932 | Some Living Pennsylvania Painters | December 17, 1932–January 12, 1933 | ||
1933 | Victorian Art | January 7–30, 1933 | European Painting before 1900, Johnson Collection | |
1933 | Some Living Philadelphia Artists–The Younger Generation of Painters | January 21, 1933–February 15, 1933 | ||
1933 | American Folk Art | February 4–27, 1933 | American Art | |
1933 | Print Makers of the Present | February 18, 1933–March 15, 1933 | Prints, Drawings, and Photographs | |
1933 | The Art of China | March 4–27, 1933 | East Asian Art | |
1933 | Watercolors by Philadelphia Artists | March 18, 1933–April 12, 1933 | Prints, Drawings, and Photographs | |
1933 | Flowers in Art | April 1, 1933–May 1, 1933 | European Painting before 1900, Johnson Collection | |
1933 | The Art of Portraiture (The Portrait in Pennsylvania) | April 15, 1933–May 17, 1933 | American Art | |
1933 | Second Philadelphia International Salon of Photography | May 6, 1933–June 26, 1933 | Prints, Drawings, and Photographs | |
1933 | International Exhibition of Sculpture | May 14, 1933–September 17, 1933 | ||
1933 | Sculpture in the Open Air | May 14, 1933–September 16, 1933 | ||
1933 | Modern Art from the Museum | May 20, 1933–October 25, 1933 | Modern and Contemporary Art | |
1933 | Prints by Albrecht Durer from the Boies Penrose Collection | June 24, 1933–October 11, 1933 | ||
1933 | American Art from the Museum Collections | July 1, 1933–October 2, 1933 | American Art | |
1933 | Porcelain | October 7, 1933–November 20, 1933 | European Decorative Arts and Sculpture | |
1933 | Contemporary British Etchings from the William S. Pilling Collection | October 14, 1933–November 15, 1933 | Prints, Drawings, and Photographs | |
1933 | Contemporary Painting and Sculpture from the Collections of Anna Warren Ingersoll and Mr. and Mrs. R. Sturgis Ingersoll | November 4, 1933–December 6, 1933 | Modern and Contemporary Art | |
1933 | Five Centuries of Prints, from the Collection of Lessing J. Rosenwald | November 18, 1933–December 20, 1933 | Prints, Drawings, and Photographs | |
1933 | Manet and Renoir | November 29, 1933–January 1, 1934 | European Painting before 1900, Johnson Collection | |
1933 | Collection of Samuel S. White III | December 9, 1933–January 10, 1934 | Modern and Contemporary Art | |
1933 | Whistler, from the Collection of Lessing J. Rosenwald | December 23, 1933–January 24, 1934 | Prints, Drawings, and Photographs | |
1934 | Durer Prints: New Print Room at Fairmount | Summer 1934 | Prints, Drawings, and Photographs | |
1934 | Mexican Art | January 6, 1934–February 19, 1934 | European Painting before 1900, Johnson Collection | |
1934 | Contemporary Painting from the Maurice J. Speiser Collection | January 13, 1934–February 14, 1934 | Modern and Contemporary Art | |
1934 | Lucas van Leyden, from the Collection of Lessing J. Rosenwald | January 27, 1934–February 28, 1934 | Prints, Drawings, and Photographs | |
1934 | Earl Horter Collection | February 17, 1934–March 14, 1934 | Modern and Contemporary Art | |
1934 | Horses in Art | February 24, 1934–March 26, 1934 | ||
1934 | Piranesi, from the Collection of Lessing J. Rosenwald | March 3, 1934–April 4, 1934 | Prints, Drawings, and Photographs | |
1934 | La France Art Institute–Bernard Davis Collection | March 17, 1934–April 18, 1934 | Modern and Contemporary Art | |
1934 | Blake from the Collection of Lessing J. Rosenwald | April 7, 1934–May 9, 1934 | Prints, Drawings, and Photographs | |
1934 | Prints from Lessing J. Rosenwald: Piranesi, Blake, van Leyden | April 7, 1934–May 9, 1934 | Prints, Drawings, and Photographs | |
1934 | Modern Drawings | April 21, 1934–May 23, 1934 | Prints, Drawings, and Photographs | |
1934 | Prints from the Charles M. Lea Collection | May 12, 1934–September 12, 1934 | ||
1934 | French Engravings from the Charles M. Lea Collection | May 14, 1934–October 24, 1934 | Prints, Drawings, and Photographs | |
1934 | Miniature Exhibition | May 23, 1934– | European Painting before 1900, Johnson Collection | |
1934 | Contemporary Painting in Philadelphia (Public Works of Art Project) | May 28, 1934–September 22, 1934 | ||
1934 | Contemporary American Paintings | May 31, 1934–June 4, 1934 | American Art | |
1934 | Philadelphia Painters: Recent Accessions (Public Works of Art Project) | June 2, 1934–September 12, 1934 | Modern and Contemporary Art | |
1934 | The Art of Soviet Russia | June 9, 1934–September 17, 1934 | ||
1934 | French Painting, 19th and 20th Centuries (Lea Collection of French Prints) | June 16, 1934–September 24, 1934 | European Painting before 1900, Johnson Collection | |
1934 | Exhibition of Prints | September 15, 1934 | Prints, Drawings, and Photographs | |
1934 | Still Life | September 29, 1934–November 5, 1934 | ||
1934 | The Romanticists and the Realists: 1860 | September 29, 1934–October 24, 1934 | European Painting before 1900, Johnson Collection | |
1934 | Impressionist Figure Painting at 1870 | October 27, 1934–December 5, 1934 | European Painting before 1900, Johnson Collection | |
1934 | The Old Testament | October 27, 1934–November 28, 1934 | Prints, Drawings, and Photographs | |
1934 | Cezanne | November 3, 1934–December 10, 1934 | European Painting before 1900, Johnson Collection | |
1934 | Impressionist and Neo-Impressionist Landscape | November 10, 1934–December 10, 1934 | European Painting before 1900, Johnson Collection | |
1934 | The New Testament I: The Nativity | December 1, 1934–December 26, 1934 | Prints, Drawings, and Photographs | |
1934 | Impressionists and Neo-Impressionists of 1880 | December 8, 1934–January 30, 1935 | European Painting before 1900, Johnson Collection | |
1934 | Russian Art | December 15, 1934–January 21, 1935 | ||
1934 | The New Testament II: Christ’s Ministry | December 29, 1934–January 30, 1935 | Prints, Drawings, and Photographs | |
1935 | Works from the collections of the Museum | Summer 1935 | Modern and Contemporary Art | |
1935 | Adolphe Borie | January 26, 1935–March 4, 1935 | American Art | |
1935 | The New Testament III: Passion and Resurrection | February 2, 1935–March 6, 1935 | Prints, Drawings, and Photographs | |
1935 | The Post Impressionists of 1890 | February 2, 1935–March 13, 1935 | European Painting before 1900, Johnson Collection | |
1935 | English Oak: Carving and Furniture | March 9, 1935–April 8, 1935 | European Decorative Arts and Sculpture | |
1935 | Etchings by Joseph Pannell: Collection of Ellis Ames Ballard | March 9, 1935–April 10, 1935 | Prints, Drawings, and Photographs | |
1935 | The Fauves: 1900 | March 16, 1935–May 8, 1935 | Modern and Contemporary Art | |
1935 | Prints from the Collection of Staunton B. Peck | April 13, 1935–May 15, 1935 | Prints, Drawings, and Photographs | |
1935 | Great Philadelphia Furniture Makers | April 16, 1935–May 13, 1935 | American Art | |
1935 | Philadelphia on Parade (Commercial Museum) | May 1, 1935– | ||
1935 | Abstract Painting | May 11, 1935–June 19, 1935 | Modern and Contemporary Art | |
1935 | English Mezzotints — Collection of Mr. and Mrs. Frank G. Thomson | May 18, 1935–June 19, 1935 | Prints, Drawings, and Photographs | |
1935 | Art of Japan: Prints from the Collection S. S. White III | May 26, 1935–September 23, 1935 | East Asian Art | |
1935 | American Painting | June 22, 1935–September 11, 1935 | American Art | |
1935 | Prints by Ploos Van Amstel from the Charles M. Lea Collection | June 22, 1935–September 18, 1935 | Prints, Drawings, and Photographs | |
1935 | Figure Painting | September 14, 1935–October 16, 1935 | Modern and Contemporary Art | |
1935 | Etchings by Charles Meryon and Anders Zorn from the William S. Pilling Collection | September 21, 1935–October 30, 1935 | Prints, Drawings, and Photographs | |
1935 | The Sea | October 5, 1935–November 8, 1935 | European Painting before 1900, Johnson Collection | |
1935 | Landscape | October 19, 1935–November 27, 1935 | European Painting before 1900, Johnson Collection | |
1935 | Prints by Wenzel Hollar from the Collection of Boies Penrose | November 2, 1935–December 11, 1935 | Prints, Drawings, and Photographs | |
1935 | The Nativity | November 23, 1935–January 7, 1936 | ||
1935 | Etchings by F.L. Griggs from the William S. Pilling Collection | December 14, 1935–January 22, 1936 | Prints, Drawings, and Photographs | |
1936 | Vincent Van Gogh | January 15, 1936–February 10, 1936 | European Painting before 1900, Johnson Collection | |
1936 | Aeronautical Prints from the Collection of Mr. and Mrs. William G. Gerhard | January 25, 1936–March 7, 1936 | ||
1936 | English Glass from the Collection of George Horace Lorimer | February 15, 1936–March 23, 1936 | European Decorative Arts and Sculpture | |
1936 | Eleven Contemporary American Print Makers | March 12, 1936–April 22, 1936 | Prints, Drawings, and Photographs | |
1936 | Pottery–Its Technique and History | March 28, 1936–April 27, 1936 | American Art | |
1936 | Etchings of India from the William S. Pilling Collection | April 25, 1936–June 10, 1936 | Prints, Drawings, and Photographs | |
1936 | Winslow Homer–Centenary Exhibition | May 2, 1936–June 8, 1936 | American Art | |
1936 | Paintings from the Elkins Collections | June 13, 1936–September 28, 1936 | ||
1936 | German Art | October 5, 1936–November 1, 1936 | European Painting before 1900, Johnson Collection | |
1936 | Degas | November 7, 1936–December 7, 1936 | European Painting before 1900, Johnson Collection | |
1936 | Cadwalader Artistic Heirlooms | November 14, 1936– | ||
1936 | American Art | December 12, 1936–January 18, 1937 | American Art | |
1937 | Surrealism: Art of the Marvelous | January 30, 1937–March 1, 1937 | Modern and Contemporary Art | |
1937 | William Rush | March 6, 1937–April 5, 1937 | American Art | |
1937 | French Art | March 20, 1937–April 18, 1937 | European Painting before 1900, Johnson Collection | |
1937 | Masters of Spanish Painting | April 10, 1937–May 10, 1937 | European Painting before 1900, Johnson Collection | |
1937 | Forms of Art Exhibition | April 29, 1937–May 24, 1937 | ||
1937 | Chinese Art in the Philadelphia Collections | May 15, 1937–September 20, 1937 | East Asian Art | |
1937 | 150th Anniversary of the Signing of the Constitution | May 28, 1937–August 9, 1937 | ||
1937 | Portraits and Relics of Commodore John Barry (works from the Barry-Hayes Collection) | September 12, 1937–October 31, 1937 | ||
1937 | Panoramas: French Scenic Wallpaper from the Carlhian Collection | October 2, 1937–October 31, 1937 | European Decorative Arts and Sculpture | |
1937 | Problems of Portraiture | October 16, 1937–November 28, 1937 | ||
1937 | Daumier | November 6, 1937–December 12, 1937 | European Painting before 1900, Johnson Collection | |
1937 | Spanish Renaissance Room given by Mrs. Robert Thorne Patterson opens to the public | December 2, 1937– | European Decorative Arts and Sculpture | |
1937 | Ship Pictures | December 18, 1937–January 16, 1938 | ||
1938 | Federal Arts Project of Pennsylvania | January 22, 1938–February 27, 1938 | ||
1938 | Benjamin West Bicentenary | March 5, 1938–April 10, 1938 | American Art | |
1938 | The Ballet | March 5, 1938–April 13, 1938 | ||
1938 | Renoir: Later Phases | April 16, 1938–June 19, 1938 | European Painting before 1900, Johnson Collection | |
1938 | Flowers in the Museum | May 1938 | ||
1938 | Swedish Art | May 28, 1938–July 4, 1938 | ||
1938 | Swedish Tercentenary | June 29, 1938–July 14, 1938 | ||
1938 | Gustavus Hesselius | June 29, 1938–July 17, 1938 | ||
1938 | Chinese Painting | July 20, 1938–October 29, 1938 | ||
1938 | Glass: The Lorimer Collection | November 12, 1938– | ||
1939 | Arts of the East | January 6, 1939– | East Asian Art | |
1939 | Lines that Live | February 1, 1939– | ||
1939 | William Blake | February 10, 1939–March 20, 1939 | European Painting before 1900, Johnson Collection | |
1939 | Flemish Painting | March 25, 1939–April 26, 1939 | ||
1939 | The Age of Louis XIV: Prints by Robert Nanteuil bequeated by Ellis Ames Ballard | April 1, 1939–May 1, 1939 | Prints, Drawings, and Photographs | |
1939 | Puppets Old and New | April 1, 1939–May 15, 1939 | ||
1939 | Old English Watercolours | May 6, 1939–June 4, 1939 | Prints, Drawings, and Photographs | |
1939 | Chinese Art | July 25, 1939–November 15, 1939 | East Asian Art | |
1939 | New York World’s Fair Painting | November 1939–1940 | Modern and Contemporary Art | |
1939 | French Art — Past and Present | November 22, 1939–April 15, 1939 | ||
1939 | The Rice Collection | December 16, 1939– |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1940 | The Technical Show | 1940 | ||
1940 | French Silver of the Old Regime: The Helft Collection | February 1, 1940–March 15, 1940 | European Decorative Arts and Sculpture | |
1940 | Oriental Art | April 1940– | East Asian Art | |
1940 | The Ballet: History, Art Practice | April 25, 1940–May 16, 1940 | ||
1940 | Life in Philadelphia: An Exhibition in Conjunction with the Bicentennial Celebration of the University of Pennsylvania | May 1, 1940–September 22, 1940 | American Art | |
1940 | Sculpture International: Exhibition of Contemporary Sculpture | May 18, 1940–October 1, 1940 | American Art | |
1940 | Lines that Live | June 1940–October 1940 | Division of Education | |
1940 | Self-Portraiture through the Ages | June 1940–October 1940 | Division of Education | |
1940 | Art and Life in the Middle Ages | October 1940–March 1941 | Division of Education | |
1940 | Art of Games | October 1940–March 1941 | Division of Education | |
1940 | Art of Weaving | October 1940–April 1941 | Division of Education | |
1940 | American Furniture and Decorative Arts (bequest of R. Wistar Harvey) | October 1, 1940– | American Art | |
1940 | English and American Glass (the George H. Lorimer Collection) | November 1, 1940 | ||
1940 | Gothic Woodwork given by Mr. and Mrs. Roland L. Taylor | December 1, 1940– | Print Galleries | |
1940? | Pennsylvania-German Art | |||
1940? | Children at Work | September 1940–January 1941 | ||
1940? | Projects in Design, Record, Education | |||
1940? | Dutch Masters | |||
1940? | Durer Engravings | |||
1940 | Prints by S. Arlent Edwards | |||
1940? | Hogarth Engravings | |||
1941 | Art Directors Club of Philadelphia | 1941–1942 | ||
1941 | Paintings from the W.P. Wilstach Collection | January 1, 1941– | ||
1941 | Selections from the Permanent Collection | January 12, 1941–February 28, 1941 | Prints, Drawings, and Photographs | |
1941 | Art in Advertising in Collaboration with the Art Directors Club | February 1, 1941–March 2, 1941 | ||
1941 | Furniture from Moor Park by Robert Adam bequest of Alma V. Lorimer | March 15, 1941– | ||
1941 | The Walter P. Chrysler Jr. Collection–Contemporary and Primitive Art | March 29, 1941–May 11, 1941 | Prints, Drawings, and Photographs | |
1941 | Paintings of Asiatic Costumes | May 6–20, 1941 | Costume and Textiles | |
1941 | England before the War from the William S. Pilling Collection | May 24, 1941–June 24, 1941 | Prints, Drawings, and Photographs | |
1941 | Recent Accessions | May 24, 1941–June 24, 1941 | Prints, Drawings, and Photographs | |
1941 | Art and Collecting in the 19th Century | May 27, 1941– | Memorial Hall | |
1941 | Victorian Installation | June 1941 | Memorial Hall | |
1941 | Chinese Bronzes from the Collection of Mrs. Christian R. Holmes | June 1, 1941– | East Asian Art | |
1941 | Hand-woven Coverlets | June 1, 1941–March 1, 1942 | Costume and Textiles | |
1941 | Selections from the Permanent Collection | July 12, 1941–November 23, 1941 | Prints, Drawings, and Photographs | |
1941 | Opening of New Galleries of the John G. Johnson Collection | November 1, 1941 | European Painting before 1900, Johnson Collection | |
1941 | Russian Graphic Art, The Christian Brinton Collection | November 16, 1941–February 11, 1942 | Prints, Drawings, and Photographs | |
1941 | Christmas in Prints | December 6, 1941–January 3, 1942 | Prints, Drawings, and Photographs | |
1941 | Prints by Great French Painters | December 6, 1941–January 3, 1942 | Prints, Drawings, and Photographs | |
1941 | Pictures by Mexican Children | March 15, 1941–March 29, 1941 | held in the Education Galleries | |
1941 | Work of Children’s Classes | June 1, 1941–May 30, 1941 | held in the Education Galleries | |
1942 | Prints by Great French Painters of the 19th Century | January 6, 1942–February 8, 1942 | Prints, Drawings, and Photographs | |
1942 | Organic Design in Collaboration with Messrs. Gimble Brothers | January 10, 1942–February 16, 1942 | ||
1942 | Prints by Great French Painters of the 20th Century | February 14, 1942–March 10, 1942 | Prints, Drawings, and Photographs | |
1942 | Art in Advertising in Collaboration with the Art Director´s Club of Philadelphia | February 28, 1942–March 29, 1942 | ||
1942 | Cave Paintings of India lent by Sarkis Katchadourian | March 7, 1942–April 19, 1942 | Indian and Himalayan Art | |
1942 | Paintings of Asiatic Costumes lent by the Vicomtesse D’Aunale | March 14, 1942–May 15, 1942 | Costume and Textiles | |
1942 | Philadelphia Watercolor Club | March 21, 1942–April 16, 1942 | Prints, Drawings, and Photographs | |
1942 | Russian Arts | April 4, 1942–March 7, 1946 | ||
1942 | Tapestries by Contemporary French Painters lent by Madame Marie Cuttoli | April 18, 1942–June 14, 1942 | Costume and Textiles | |
1942 | Silk Screen Prints by Contemporary American Artists | April 25, 1942–May 31, 1942 | Prints, Drawings, and Photographs | |
1942 | Near Eastern Art | June 6, 1942– | Indian and Himalayan Art | |
1942 | Philadelphia Print Makers | June 6, 1942–September 13, 1942 | Prints, Drawings, and Photographs | |
1942 | Art in the United States: Paintings, Prints, and Crafts | June 20, 1942–September 12, 1942 | ||
1942 | Early French Soft-Paste Porcelain (Collection of Mrs. Morris Hawkes) | June 20, 1942– | European Decorative Arts and Sculpture | |
1942 | Chinese Prints | October 1942–Early 1943 | Prints, Drawings, and Photographs | |
1942 | The Art of Puppetry | November 15, 1942– | ||
1942 | Emblems of Unity and Freedom | November 26, 1942–December 24, 1942 | ||
1942 | Design This Day | December 26, 1942–April 18, 1943 | ||
1942 | Self-Portraiture through the Ages | December 26, 1942– | ||
1942 | Stoneware | December 29, 1942 | ||
1942 | Wedgewood Medallions | December 29, 1942– | European Decorative Arts and Sculpture | |
1942 | Paintings by Latin-American Children | January 10, 1942–February 16, 1942 | held in the Education Galleries | |
1943 | Prints of Artists at Work | January 6, 1943–February 14, 1943 | Prints, Drawings, and Photographs | |
1943 | Photography is an Art | January 13, 1943–May 31, 1943 | Prints, Drawings, and Photographs | |
1943 | Silver: English, American, and Continental | January 26, 1943– | European Decorative Arts and Sculpture | |
1943 | Art in Advertising in Collaboration with the Art Director´s Club of Philadelphia | February 14, 1943–March 15, 1943 | ||
1943 | French 18th Century Illustration: Collection of Dr. A. S. W. Rosenbach | February 17, 1943–March 16, 1943 | Prints, Drawings, and Photographs | |
1943 | Mexican Art Today | March 27, 1943–May 10, 1943 | ||
1943 | Modern Chinese Painting | April 9, 1943–June 2, 1943 | East Asian Art | |
1943 | Children of War | April 23, 1943–May 21, 1943 | ||
1943 | English Pottery, 1750–1850 | April 26, 1943– | European Decorative Arts and Sculpture | |
1943 | Print Accessions | May 14, 1943–October 17, 1943 | Prints, Drawings, and Photographs | |
1943 | The A.E. Gallatin Collection: Inaugural Exhibition | May 14, 1943–November 3, 1943 | ||
1943 | Ephrata Cloisters | June 1, 1943–September 10, 1943 | ||
1943 | Brazil Builds | September 23, 1943–October 14, 1943 | ||
1943 | Paintings from the Chester Dale Collection | October 10, 1943– | ||
1943 | Welcome to Wings: Army Air Corps Photographs and Models | October 16, 1943–November 30, 1943 | Prints, Drawings, and Photographs | |
1943 | Print Accessions of 1943 | October 23, 1943–December 10, 1943 | Prints, Drawings, and Photographs | |
1943 | War Art: Paintings for Life Magazine | December 9, 1943–December 29, 1943 | American Art | |
1944 | American Impressionists | 1944–1945 | American Art | |
1944 | Eakins Traveling Exhibition | 1944–April 1950 | American Art | |
1944 | Photographs of Greece | January 1944–March 5, 1944 | ||
1944 | Our Navy in Action | January 3, 1944–February 14, 1944 | American Art | |
1944 | The McIlhenny Collection: Rugs, Furniture, Paintings, Prints | January 8, 1944–March 26, 1944 | ||
1944 | Wax Miniatures: Collection of Mrs. Edgar Munson | February 26, 1944– | ||
1944 | Navy Combat Artists | March 10, 1944–April 4, 1944 | ||
1944 | Humorous Prints and Drawings | March 18, 1944–May 18, 1944 | Prints, Drawings, and Photographs | |
1944 | Thomas Eakins Centennial | April 8, 1944–May 14, 1944 | American Art | |
1944 | Art of the Comic Strip | April 15, 1944–May 14, 1944 | Prints, Drawings, and Photographs | |
1944 | Belgian Congo at War | April 24, 1944–June 15, 1944 | Division of Education | |
1944 | Advertising in War | May 27, 1944–June 25, 1944 | ||
1944 | Art in Advertising | May 27, 1944–July 25, 1944 | ||
1944 | Architectural Prints | June 1, 1944– | Prints, Drawings, and Photographs | |
1944 | History of an American: Alfred Stieglitz, “291” and After | July 1, 1944–November 1, 1944 | Prints, Drawings, and Photographs | |
1944 | Stieglitz: Prints from His Collection | July 1, 1944–November 1, 1944 | ||
1944 | American Counterpoint: Photographs by Alexander Alland | October 3, 1944–December 7, 1944 | Prints, Drawings, and Photographs | |
1944 | Anne Goldwaithe: & Prints Given by Mrs. Leiberman | November 1944–January 1945 | Prints, Drawings, and Photographs | |
1944 | Two Great Mexicans: Paintings by Velasco, Prints by Posada | November 11, 1944–December 10, 1944 | ||
1944 | Looking at Latin America: Photographs from the Congressional Library | December 14, 1944–Feburary 4, 1945 | Prints, Drawings, and Photographs | |
1944 | Dutch Landscape Prints | December 20, 1944–February 11, 1945 | Prints, Drawings, and Photographs | |
1944 | 17th Century Landscape Prints | December 20, 1944–February 20, 1945 | Prints, Drawings, and Photographs | |
1945 | Picasso-Leger: Paintings from the Collection of Mrs. Meric Callery | January 10, 1945–February 20, 1945 | Modern and Contemporary Art | |
1945 | America Explains Itself: History, Culture, and Art in Picture | February 8, 1945–April 8, 1945 | ||
1945 | Modes and Manners: French Eighteenth Century Prints | February 21, 1945–April 8, 1945 | Prints, Drawings, and Photographs | |
1945 | Eight by Eight: Painting by Eight American Abstract Artists | March 7, 1945–April 1, 1945 | American Art | |
1945 | U.S. Railroads: Photographs Assembled in the Library of Congress | April 11, 1945–May 10, 1945 | Prints, Drawings, and Photographs | |
1945 | Prints–Recent Accessions | April 16, 1945–May 24, 1945 | Prints, Drawings, and Photographs | |
1945 | American Paintings–Recent Accessions | April 28, 1945–September 1945 | American Art | |
1945 | Wings Over the Pacific: The Army Air Force in Action | May 15, 1945–June 15, 1945 | ||
1945 | Josiah Wedgewood: The Oster Collection | May 19, 1945–September 1945 | ||
1945 | Picasso-Braque | May 26, 1945–November 1, 1945 | Modern and Contemporary Art | |
1945 | Architectural Prints | June 1, 1945–September 30, 1945 | Prints, Drawings, and Photographs | |
1945 | Mexican Paintings: Inaugural Showing of the Museum’s Permanent Collection | September 29, 1945– | ||
1945 | Artists of the Philadelphia Press: William Glackens, George Luks, Everett Shinn, John Sloan; | October 14, 1945–November 18, 1945 | Prints, Drawings, and Photographs | |
1945 | Artists Look Like This: Portrait Photographs by Arnold Newman | October 20, 1945–January 28, 1946 | Prints, Drawings, and Photographs | |
1945 | Color Prints and Color Printing: Original Works by Old and Modern Masters | November 27, 1945–January 1, 1946 | Prints, Drawings, and Photographs | |
1945 | The Barnard Collections: Sculpture and Crafts of the Middle Ages | December 18, 1945– | ||
1946 | Kaethe Kollwitz Memorial: Prints and Drawings, Collection of Erich Cohn | January 8, 1946–February 10, 1946 | Prints, Drawings, and Photographs | |
1946 | Architecture of New Orleans: Photographs by Clarence John Laughlin | February 2, 1946–March 10, 1946 | Prints, Drawings, and Photographs | |
1946 | Arthur B. Carles — Franklin C. Watkins: Paintings by Two Living Philadelphians | February 17, 1946–March 17, 1946 | American Art | |
1946 | Drawings by Philadelphia Artists | February 17, 1946–March 17, 1946 | Prints, Drawings, and Photographs | |
1946 | China Old and New: Photographs and Illustrative Original Works | March 9, 1946–May 26, 1946 | ||
1946 | Penny Plain, Tuppence Colored: Popular Prints from the Charles G. Shaw Collection | March 27, 1946–May 1, 1946 | Prints, Drawings, and Photographs | |
1946 | Styles in Silver: Period Silver in Period Settings | April 13, 1946–May 19, 1946 | European Decorative Arts and Sculpture | |
1946 | Corot: Paintings Drawings and Prints | May 11, 1946–June 16, 1946 | European Painting before 1900, Johnson Collection | |
1946 | Popular Favorites: Paintings Selected from the Permanent Collection | July 1, 1946–October 20, 1946 | ||
1946 | Print Accessions of the Year | July 4, 1946–October 6, 1946 | Prints, Drawings, and Photographs | |
1946 | Convention of Episcopal Bishops | September 1946 | ||
1946 | Wanda Gag Memorial: Prints, Drawings, and Books | November 1946–November 24, 1946 | ||
1946 | War’s Toll on Italian Art: Original works and Photographic Enlargements | December 1–22, 1946 | European Painting before 1900, Johnson Collection | |
1946 | Japanese Prints: Rockefeller, Archbold, Crozier, and Other Collections | December 4, 1946–February 9, 1947 | Prints, Drawings, and Photographs | |
1947 | Carroll Tyson—George Biddle: Paintings and Graphic Art | January 11, 1947–February 16, 1947 | ||
1947 | Survey of Watercolor: East and West, Old and New | February 19, 1947–April 30, 1947 | Prints, Drawings, and Photographs | |
1947 | Wax Miniatures | March 1947 | ||
1947 | Engravings by Nanteuil (Bequest of Ellis Ames Ballard) | March 1, 1947–May 15, 1947 | Prints, Drawings, and Photographs | |
1947 | Fine Arts under Fire: Photographic Survey of the Ordeal of Art in Europe | March 9, 1947–April 30, 1947 | ||
1947 | Paintings in France, 1939–1946: Work of the War Years Selected by Leading French Authorities | March 29, 1947–April 27, 1947 | ||
1947 | Troubled Waters: The Inner Life of a Girl Seen in her Paintings and Drawings | April 7, 1947–May 25, 1947 | ||
1947 | Matisse: Paintings, Sculpture, Drawings, Prints | May 3, 1947–June 8, 1947 | ||
1947 | Masters of the Philadelphia Private Collections: French and American Paintings, Drawings, and Prints | May 31, 1947–September 28, 1947 | ||
1947 | Six to Sixteen: Work by Children in the Museum Classes | June 1947–May 1948 | ||
1947 | Costume Prints | October 11, 1947–December 1, 1947 | ||
1947 | A Pageant of Fashion | October 11, 1947–February 28, 1948 | Costume and Textiles | |
1947 | Houses, U.S.A.: History of American Domestic Architecture (Life Magazine) | November 1, 1947–January 31, 1948 | American Art | |
1947 | Folk Prints of France, Italy, and Spain from the Collection of Frank Osborn | December 15, 1947–January 25, 1948 | Prints, Drawings, and Photographs | |
1948 | French Posters of the 1890's | Late 1948–January 1949 | Prints, Drawings, and Photographs | |
1948 | The Mediaeval World: Religious and Secular Aspects (Life Magazine) | January 1, 1948–February 15, 1948 | ||
1948 | Collectors’ Choice: Prints from 25 Philadelphia Collections | February 8, 1948–March 14, 1948 | Prints, Drawings, and Photographs | |
1948 |
Matisse: Recognition, Patronage, Collecting (Henri Matisse: Retrospective Exhibition of Paintings, Drawings and Sculpture, organized in collaboration with the Artist) |
April 1, 1948–May 10, 1948 | Modern and Contemporary Art | |
1948 | 150 Years of Lithography | May 1, 1948–September 1948 | Prints, Drawings, and Photographs | |
1948 | Stephen Girard’s Silver | May 13, 1948–September 28, 1948 | ||
1948 | Permanent Collection of the Print Club of Philadelphia | May 24, 1948–September 1948 | Prints, Drawings, and Photographs | |
1948 | Paintings from Berlin Museums | June 19, 1948–July 7, 1948 | European Painting before 1900, Johnson Collection | |
1948 | Prints and Drawings by Sculptors | Summer 1948 | ||
1948 | Catalogue | November 1948– | ||
1948 | Glass | November 13, 1948–December 5, 1948 | European Decorative Arts and Sculpture | |
1948 | Recent Accessions | November 17, 1948–December 31, 1948 | Prints, Drawings, and Photographs | |
1949 | Franklin Portraits | January 17, 1949–February 27, 1949 | American Art | |
1949 | Man and Machine in Graphic Art | February 14, 1949– | Prints, Drawings, and Photographs | |
1949 | Folk Prints from the Collection of Mrs. Frank C. Osborn | February 26, 1949–May 6, 1949 | American Art | |
1949 | 3rd Scupture International | May 14, 1949–October 11, 1949 | ||
1949 | Henry P. McIlhenny Collection | May 15, 1949–September 11, 1949 | European Painting before 1900, Johnson Collection | |
1949 | Prints and Drawings by Sculptors | May 15, 1949–September 15, 1949 | Prints, Drawings, and Photographs | |
1949 | Rouault's Miserere | May 15, 1949–September 15, 1949 | Prints, Drawings, and Photographs | |
1949 | Stieglitz Photographs | July 1949–Summer 1949 | Prints, Drawings, and Photographs | |
1949 | Goethe as a Print Lover | September 20, 1949–November 13, 1949 | ||
1949 | Faces and Fashions | October 15, 1949–November 1949 | Costume and Textiles | |
1949 | Ming Blue and White: An Exhibition of Blue-Decorated Porcelain of the Ming Dynasty | October 29, 1949–December 4, 1949 | ||
1949 | Color Prints of the 18th and Early 19th Centuries | November 23, 1949–January 16, 1950 | Prints, Drawings, and Photographs |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1950 | Fashion Group | 1950 | Costume and Textiles | |
1950 | Collection of Mr. and Mrs. Samuel S. White, III: Paintings, Drawings, and Objects of Art | February 4, 1950–April 16, 1950 | ||
1950 | Photographs of Medieval Indian Sculpture | March 10, 1950–September 15, 1950 | Prints, Drawings, and Photographs | |
1950 | Masterpieces of Philadelphia Private Collections, Part II | May 20, 1950–September 15, 1950 | European Painting before 1900, Johnson Collection | |
1950 | Society of Wood Engravers | June 1950–September 1950 | Prints, Drawings, and Photographs | |
1950 | Diamond Jubilee Exhibition: Masterpieces of Drawing | November 4, 1950–February 11, 1951 | ||
1950 | Samuel H. Kress Collection | November 4, 1950 | ||
1950 | Jewish Ceremonial Art | November 21, 1950–December 17, 1950 | ||
1951 | The Staunton B. Peck Collection | March 9, 1951–May 12, 1951 | ||
1951 | The Lisa Norris Elkins Collection | March 9, 1951–June 3, 1951 | ||
1951 | Diamond Jubilee Accessions | March 9, 1951–June 3, 1951 | ||
1951 | Prints and Drawings, Recent Accessions | May 28, 1951–September 16, 1951 | Prints, Drawings, and Photographs | |
1951 | Masterpieces of Philadelphia Private Collections, Part III: Decorative Arts | June 22, 1951–September 16, 1951 | ||
1951 | Architecture of the City Plan | June 27, 1951–July 16, 1951 | ||
1951 | Art Director’s Club: Advertising and Editorial Art | October 6, 1951–November 4, 1951 | ||
1951 | Three Photographers: Photographs by Siegel, Van Vechten, and Wright | October 6, 1951–December 6, 1951 | Prints, Drawings, and Photographs | |
1951 | Costumes and Textiles of Asia | November 7, 1951–December 26, 1951 | Costume and Textiles | |
1951 | Victorian Costume: Fashion Group Opening | November 16, 1951– | ||
1951 | Fire and Water: Life of Fireman and Sailor from Prints and Models from the Collection of the Insurance Company of North America | December 1, 1951–January 20, 1952 | ||
1952 | Gauguin Exhibition Correspondence | 1952 | European Painting before 1900, Johnson Collection | |
1952 | Goya Exhibition Correspondence | 1952 | European Painting before 1900, Johnson Collection | |
1952 | Greek Exhibition | 1952 | ||
1952 | Manet Exhibition Correspondence | 1952 | European Painting before 1900, Johnson Collection | |
1952 | 100 Masterpieces of the Print | February 2, 1952–March 23, 1952 | Prints, Drawings, and Photographs | |
1952 | Art Treasures from Vienna | February 9, 1952–March 30, 1952 | European Decorative Arts and Sculpture | |
1952 | Ars Medica: The Healing Art | April 5, 1952–May 25, 1952 | ||
1952 | Leon Karp Memorial Exhibition | May 3, 1952–June 1, 1952 | ||
1952 | Modern American Printmakers (A Decade of American Printmaking) | June 7, 1952–November 9, 1952 | Prints, Drawings, and Photographs | |
1952 | Parkway and Expressway: Views and Models, in cooperation with the City Planning Commission | June 15, 1952–August 31, 1952 | Prints, Drawings, and Photographs | |
1952 | Growth of an Artist: Claire Berwinger | July 29, 1952– | ||
1952 | American Weather Vanes: Collection of Handmacher and Vogel | September 12, 1952–October 22, 1952 | ||
1952 | Work of Young People and Adults in Museum Art Classes | September 13, 1952–October 19, 1952 | ||
1952 | Works of Distinguished Amateur Artists | October 7–21, 1952 | ||
1952 | Sculpture of the Twentieth Century | October 11, 1952–December 7, 1952 | Modern and Contemporary Art | |
1952 | Graphic Art by Twentieth Century Sculptors | October 11, 1952–December 7, 1952 | Prints, Drawings, and Photographs | |
1952 | International Exhibition: Professional Art Schools | October 23, 1952–November 9, 1952 | ||
1952 | Cultural Olympics Exhibition | October 24, 1952–November 9, 1952 | ||
1952 | Work of Young People and Adults in Museum Art Classes | November 17, 1952–September 1953 | ||
1952 | Themes and Variations | November 21, 1952–January 11, 1953 | Prints, Drawings, and Photographs | |
1952 | An Artist at Work: Ralston Crawford | December 20, 1952–January 25, 1953 | ||
1952 | Contemporary French Prints | December 22, 1952–February 8. 1953 | Prints, Drawings, and Photographs | |
1953 | Artists Look Like This: Photographs by Arnold Newman | Through January 17, 1953 | Prints, Drawings, and Photographs | |
1953 | Self Portraiture through the Ages | To January 17, 1953 | ||
1953 | The Materials of Sculpture | Through September 1953 | Division of Education | |
1953 | Toulouse-Lautrec Posters | Through September 1953 | Prints, Drawings, and Photographs | |
1953 | Homer—Eakins—Cassatt: Oils, Water Colors, Drawings, Prints | January 17, 1953–March 1, 1953 | American Art | |
1953 | Wanda Gag: Prints and Drawings, Recently Acquired | January 17, 1953– | Prints, Drawings, and Photographs | |
1953 | Primer of Glass Design | January 31, 1953–March 15, 1953 | Division of Education | |
1953 | Art as Psychotherapy | January 31, 1953–February 22, 1953 | ||
1953 | Toulouse-Lautrec, Bonnard, and Vuillard: Lithographs and Posters | February 1953–June 1953 | Prints, Drawings, and Photographs | |
1953 | Kynett Collection of Philadelphia Views and Other Americana | February 24, 1953–April 5, 1953 | ||
1953 | Art Teachers Association of Philadelphia | February 27, 1953–March 15, 1953 | ||
1953 | Connelly & Haines, Cabinetmakers: Philadelphia Sheraton Furniture | March 20, 1953–April 19, 1953 | American Art | |
1953 | Art of Weaving | March 21, 1953–April 26, 1953 | Division of Education | |
1953 | Art in Your Neighborhood | March 21, 1953–April 26, 1953 | ||
1953 | Two Spanish Printmakers: Goya and Picasso | April 15, 1953–May 31, 1953 | Prints, Drawings, and Photographs | |
1953 | Pennsylvania Dutch Folk Art: Collection of Titus C. Geesey | May 23, 1953–August 23, 1953 | American Art | |
1953 | Prints and Drawings: Recent Acquisitions | June 15, 1953–September 1953 | Prints, Drawings, and Photographs | |
1953 | Before Columbus: Pre-Columbian Sculpture from the Arensberg Collection | October 3, 1953–December 5, 1953 | ||
1953 | Art Treasures of Bavaria | October 3, 1953–November 22, 1953 | European Decorative Arts and Sculpture | |
1953 | Work by Philadelphia Artists | October 10, 1953– | ||
1953 | Ephrata Cloisters: Photographs by Luke Swank and Lithographs by Earle Miller | October 10, 1953– | ||
1953 | Whistler’s Prints after Fifty Years | October 20, 1953–November 29, 1953 | Prints, Drawings, and Photographs | |
1954 | "The Forbidden City": Chinese Nationalist Art Treasures | 1954 | East Asian Art | |
1954 | Gallatin Collection | Fall 1954 | ||
1954 | Italian Manuscript Show | 1954 | ||
1954 | Paintings and Drawings by Vincent Van Gogh | January 3, 1954–February 28, 1954 | European Painting before 1900, Johnson Collection | |
1954 | Work by Members of the Art Teachers Association of Philadelphia | March 5–28, 1954 | ||
1954 | French Prints, Drawings, and Books of the 17th–18th Centuries | March 22, 1954– | Prints, Drawings, and Photographs | |
1954 | Nanteuil | March 22, 1954–September 28, 1954 | Prints, Drawings, and Photographs | |
1954 | Japanese Kabuki Dancers | April 5, 1954– | ||
1954 | Work from Classes: Philadelphia Association of Settlements and Neighborhood Centers | April 1954–November 1954 | ||
1954 | Rouault "Miserere" | October 2, 1954– | Prints, Drawings, and Photographs | |
1954 | Painting and Sculpture by Instructors in Our Adult Classes | October 1954–November 1954 | ||
1954 | Modern Prints by Artists of the Arensberg and Gallatin Collections | October 16, 1954– | Prints, Drawings, and Photographs | |
1954 | Prints for Christmas | November 1954–December 1954 | ||
1955 | Royal Society of Painter-Etchers and Engravers | January 7, 1955–January 23, 1955 | Prints, Drawings, and Photographs | |
1955 | Dali Jewels | January 15, 1955–February 13, 1955 | Costume and Textiles | |
1955 | Art Festival Exhibition: Paintings, Graphic Works, and Sculpture | February 26, 1955–March 27, 1955 | ||
1955 | Art in Your Neighborhood: Third Annual Exhibition | April 1955 | ||
1955 | Selections from the Permanent Collection of the Print Club of Philadelphia in Honor of its Fortieth Anniversary | April 14, 1955–May 28, 1955 | Prints, Drawings, and Photographs | |
1955 | French Paintings from the American Collections | April 20, 1955–July 3, 1955 | European Painting before 1900, Johnson Collection | |
1955 | English 18th Century Prints | April 22, 1955–September 28, 1955 | Prints, Drawings, and Photographs | |
1955 | Curt Valentin Memorial: Prints, Drawings, Sculpture Given and Bequeathed by Him to the Museum | April 23, 1955–June 1955 | ||
1955 | Philadelphia Art Teachers Associations: Members Exhibition | April 25, 1955–May 13, 1955 | ||
1955 | From Our Classes: Paintings and Sculpture by Young People and Adults in Museum Classes | May 20, 1955–Summer 1955 | ||
1955 | Recent Accessions | June 22, 1955–September 4, 1955 | Prints, Drawings, and Photographs | |
1955 | Prints Pertaining to the Law | August 14, 1955–September 4, 1955 | Prints, Drawings, and Photographs | |
1955 | European Folk Prints from the Osborn Collection | September 14, 1955–October 9, 1955 | Prints, Drawings, and Photographs | |
1955 | Painting and Sculpture by Instructors in the Adult Classes | October 1955 | ||
1955 | Toulouse-Lautrec | October 29, 1955–December 11, 1955 | European Painting before 1900, Johnson Collection | |
1955 | Paintings by British Children | November 1955 | ||
1955 | Women Fashion Designers: Paintings and Drawing | November 18–20, 1955 | ||
1955 | Exhibition and Sale of Prints for Christmas | mid-November 1955–December 1955 | Division of Education | |
1956 | Chrysler Collection Exhibitions | 1956 | ||
1956 | Paintings by Braque | January 1956– | Modern and Contemporary Art | |
1956 | John Sloan Memorial: The Complete Graphic Work | January 4, 1956–March 11, 1956 | Prints, Drawings, and Photographs | |
1956 | 250th Anniversary of the Birth of Benjamin Franklin | January 17, 1956– | ||
1956 | Brancusi Sculpture | January 27, 1956–February 26, 1956 | Modern and Contemporary Art | |
1956 | Sports in Art | February 15, 1956–March 10, 1956 | ||
1956 | Women Printmakers, Past and Present | March 16, 1956–May 20, 1956 | Prints, Drawings, and Photographs | |
1956 | Family of Man: An Exhibition of Photographs Assembled by Edward Steichen | March 24, 1956–April 29, 1956 | Prints, Drawings, and Photographs | |
1956 | Philadelphia Silver | April 14, 1956–September 9, 1956 | American Art | |
1956 | Art in Your Neighborhood: Fourth Annual Exhibition | April 22, 1956–May 13, 1956 | ||
1956 | Recent Accessions | June 1, 1956–September 16, 1956 | Prints, Drawings, and Photographs | |
1956 | Fashion Group Reception: Grace Kelly Wedding Gown | June 4, 1956– | Costume and Textiles | |
1956 | Fuller Fabrics Exhibition | June 22, 1956–July 15, 1956 | East Asian Art | |
1956 | Fine Prints from Five Centuries | September 19, 1956–November 4, 1956 | Prints, Drawings, and Photographs | |
1956 | The Alfred and Margaret Caspary Memorial Gift of Chinese Porcelain | October 6, 1956–May 1957 | ||
1956 | Great Prints 1440–1940: The Collections of the Pennsylvania Academy of Fine Arts | November 17, 1956–January 17, 1957 | Prints, Drawings, and Photographs | |
1957 | Exhibition of 19th Century Painting | Summer 1957 | ||
1957 | Expressionists: Works from the Museum’s Collections | Summer 1957 | Prints, Drawings, and Photographs | |
1957 | Wintersteen, Tyson, and McIlhenny Collections | Summer 1957 | ||
1957 | T. Edward Hanley Collection | February 8, 1957–April 28, 1957 | ||
1957 | AIA's Centennial Exhibition | May 1957–July 1957 | ||
1957 | Tucker China, 1825-1838: An Exhibition of Examples of The Porcelain Made in Philadelphia by William Ellis Tucker, Tucker and Hulme, Tucker and Hemphill, Joseph Hemphill, and Thomas Tucker | May 3, 1957–September 9, 1957 | ||
1957 | Collection of Henry P. McIlhenny | June 15, 1957–September 15, 1957 | ||
1957 | Collection of Maurice Wertheim | June 15, 1957–September 15, 1957 | ||
1957 | Collection of Mrs. Carroll S. Tyson | June 15, 1957–September 30, 1957 | European Painting before 1900, Johnson Collection | |
1957 | Chinese and Japanese Prints | October 10, 1957–December 10, 1957 | Prints, Drawings, and Photographs | |
1957 | Fashion Group: Crystal Ball | October 23, 1957 | Costume and Textiles | |
1958 | Picasso 75th Anniversary Exhibition | January 9, 1958–February 23, 1958 | ||
1958 | Picasso Ceramics | January 9, 1958–February 23, 1958; March 28, 1958–May 10, 1958 |
Modern and Contemporary Art | |
1958 | Second Philadelphia Arts Festival Regional Exhibition | January 30, 1958–March 8, 1958 | ||
1958 | Graphic Arts of the Southwest | March 8, 1958–April 6, 1958 | Prints, Drawings, and Photographs | |
1958 | Child Guidance Clinic, Rodin | April 11, 1958–May 18, 1958 | ||
1958 | Masterpieces of Philadelphia Private Collections | April 11, 1958–May 18, 1958 | ||
1958 | Maillol | April 15, 1958–May 15, 1958 | ||
1958 | Paintings from the Collection of Mr. and Mrs. Henry Clifford | May 1958–Summer 1958 | ||
1958 | Collection of Mrs. John Wintersteen | June 1958– | ||
1958 | Recent Accessions, Prints and Drawings | June 2, 1958–September 22, 1958 | Prints, Drawings, and Photographs | |
1958 | American Art from the Sonia and Michael Watter Collection lent by Dr. Michael Watter | June 13, 1958–October 5, 1958 | ||
1958 | Synthetic Fibers | June 15, 1958– | Costume and Textiles | |
1958 | 19th-Century French Paintings from the Carroll S. Tyson Collection | June 17, 1958–September 25, 1958 | European Painting before 1900, Johnson Collection | |
1958 | Special Exhibition of Americana | October 1958 | ||
1958 | Federal Arts Project: Twenty Years After | October 3, 1958–November 23, 1958 | Prints, Drawings, and Photographs | |
1958 | Second Crystal Ball | October 23, 1958– | Costume and Textiles | |
1958 | Collection of Prints and Drawings by Charles Nicolas Cochin | December 5, 1958–January 5, 1959 | Prints, Drawings, and Photographs | |
1959 | Philadelphia Arts Festival Folder | January 23, 1959–February 15, 1959 | ||
1959 | Second Philadelphia Arts Festival Regional Exhibition | January 30, 1959–March 8, 1959 | ||
1959 | Recent Print Sequences | March 20, 1959–May 3, 1959 | Prints, Drawings, and Photographs | |
1959 | Ars Medica | April 28, 1959–May 10, 1959 | Prints, Drawings, and Photographs | |
1959 | Gleanings of a Traveler in the Orient | May 15, 1959–July 12, 1959 | Prints, Drawings, and Photographs | |
1959 | Summer Loan Exhibition of Masterpieces from Philadelphia Private Collections | June 1959–September 1959 | ||
1959 | Collection of Henry P. McIlhenny | June 26, 1959–September 30, 1959 | European Painting before 1900, Johnson Collection | |
1959 | Collection of Mr. and Mrs. Henry Clifford | June 26, 1959–September 30, 1959 | ||
1959 | Paintings from the Collection of Mrs. John Wintersteen | June 26, 1959–September 30, 1959 | ||
1959 | Collection of Mrs. Carroll S. Tyson | July 15, 1959–September 19, 1959 | European Painting before 1900, Johnson Collection | |
1959 | Recent Accessions, Prints and Drawings | July 24, 1959–August 31, 1959 | Prints, Drawings, and Photographs | |
1959 | American Prints Today | September 15, 1959–October 25, 1959 | Prints, Drawings, and Photographs | |
1959 | Courbet’s Contemporaries in Prints and Drawings | November 17, 1959–February 22, 1960 | Prints, Drawings, and Photographs | |
1959 | Gustave Courbet | December 16, 1959–February 14, 1960 | European Painting before 1900, Johnson Collection |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1960 | Chapel of the Chauteau of Pagny | 1960 | ||
1960 | Collection of Mr. and Mrs. Henry Clifford | Summer 1960 | ||
1960 | Sculpture at Penn Center / City Planning Commission | Summer 1960 | ||
1960 | The World of Prints: 1960 | March 2, 1960–May 31, 1960 | Prints, Drawings, and Photographs | |
1960 | Mary Cassatt | April 22, 1960–May 29, 1960 | Prints, Drawings, and Photographs | |
1960 | Korean Monuments of Architecture and Sculpture (color photographs) | May 18, 1960–June 18, 1960 | ||
1960 | Carroll S. Tyson Collection | June 1960–September 19, 1960 | European Painting before 1900, Johnson Collection | |
1960 | Collection of Henry P. McIlhenny | June 1960–September 26, 1960 | European Painting before 1900, Johnson Collection | |
1960 | Collection of the Reverend and Mrs. Theodore Pitcairn | June 17, 1960–September 18, 1960 | ||
1960 | Recent Accessions | June 17, 1960–August 28, 1960 | Prints, Drawings, and Photographs | |
1960 | Lithography: Senefelder to Picasso | September 8, 1960–October 30, 1960 | Prints, Drawings, and Photographs | |
1960 | Renaissance Prints: French and Italian | November 16, 1960–January 8, 1961 | Prints, Drawings, and Photographs | |
1961 | Collection of Mr. and Mrs. Henry Clifford | Summer 1961 | ||
1961 | Collection of Mrs. John Wintersteen | Summer 1961 | ||
1961 | Masterpieces of Oriental Art | Fall 1961 | ||
1961 | Aspects of Winter | January 27, 1961–March 12, 1961 | Prints, Drawings, and Photographs | |
1961 | Rosenwaldiana: Prints and Books Given During 20 Years by Lessing J. Rosenwald | March 24, 1961–April 30, 1961 | Prints, Drawings, and Photographs | |
1961 | Ars Medica | May 12, 1961–June 11, 1961 | Prints, Drawings, and Photographs | |
1961 | Collection of Henry P. McIlhenny | May 29, 1961–September 25,1961 | ||
1961 | Carroll S. Tyson Collection | June 5, 1961–September 27, 1961 | European Painting before 1900, Johnson Collection | |
1961 | Recent Accessions | June 23, 1961–September 3, 1961 | Prints, Drawings, and Photographs | |
1961 | Arthur Flory and his Lithograph Workshop in Japan | September 16, 1961–October 15, 1961 | Prints, Drawings, and Photographs | |
1961 | Fashion Wing: Third Crystal Ball | October 20, 1961– | ||
1961 | Guggenheim Museum Exhibition | November 1, 1961–January 7, 1962 | Prints, Drawings, and Photographs | |
1962 | Collection of S. S. White 3rd and Vera White | Summer 1962 | ||
1962 | Thomas Eakins, A Retrospective Exhibition | February 1, 1962–March 18, 1962 | American Art | |
1962 | Eakins in Perspective | February 1, 1962–March 18, 1962 | Prints, Drawings, and Photographs | |
1962 | Mexico, Geyelin Tour | February 9, 1962–March 7, 1962 | ||
1962 | Charleston in the Spring | March 1–4, 1962 | ||
1962 | England and France Observe Each Other in Prints and Drawings | April 19, 1962–May 20, 1962 | ||
1962 | The Shakers: Their Arts and Crafts | April 19, 1962–May 20, 1962 | American Art | |
1962 | Summer Loan Collections | June 1962–September 1962 | ||
1962 | Third Philadelphia Arts Festival Exhibition | June 9, 1962–June 24, 1962 | Prints, Drawings, and Photographs | |
1962 | Collection of Mr. and Mrs. Henry Clifford | June 15, 1962–September 11, 1962 | ||
1962 | Collection of Mr. and Mrs. William Coxe Wright | June 15, 1962–September 11, 1962 | ||
1962 | Collection of Mrs. Carroll S. Tyson | June 15, 1962–September 11, 1962 | European Painting before 1900, Johnson Collection | |
1962 | Collection of Mrs. Herbert C. Morris | June 15, 1962–September 11, 1962 | ||
1962 | Collection of Mrs. John Wintersteen | June 15, 1962–September 11, 1962 | ||
1962 | 20th Anniversary Print Club Permanent Collection | July 6, 1962–September 15, 1962 | Prints, Drawings, and Photographs | |
1962 | American Prints Today: 1962 | September 20, 1962–October 15, 1962 | Prints, Drawings, and Photographs | |
1962 | Edward Hopper’s Complete Graphic Work | October 24, 1962–November 18, 1962 | Prints, Drawings, and Photographs | |
1962 | Christmas Cards You Cannot Buy | December 5, 1962–January 6, 1963 | Prints, Drawings, and Photographs | |
1962 | Leonard Baskin’s Drawings for Homer’s Iliad | December 15, 1962–January 15, 1963 | Prints, Drawings, and Photographs | |
1963 | Collection of Mrs. John Wintersteen | Summer 1963 | ||
1963 | Graphik: German Prints at Mid-century | February 2, 1963–March 17, 1963 | Prints, Drawings, and Photographs | |
1963 | Fashion Wing: Fourth Crystal Ball | April 22, 1963– | Costume and Textiles | |
1963 | A World of Flowers: Five Centuries of Flower Prints | May 1, 1963–June 9, 1963 | Prints, Drawings, and Photographs | |
1963 | Collection of Henry P. McIlhenny | May 13, 1963–September 19, 1963 | European Painting before 1900, Johnson Collection | |
1963 | Philadelphia Private Collections | June 1963–September 1963 | ||
1963 | Collection of Mrs. Herbert C. Morris | June 27, 1963–September 1963 | ||
1963 | Recent Accessions: 1963 | June 27, 1963–September 15, 1963 | Prints, Drawings, and Photographs | |
1963 | Mr. and Mrs. Walter H. Annenberg Collection | July 1, 1963–September 3, 1963 | European Painting before 1900, Johnson Collection | |
1963 | Philadelphia Collects Twentieth Century | October 3, 1963–November 17, 1963 | Modern and Contemporary Art | |
1963 | Sir Joshua Reynolds / Duke of Devonshire and the Trustees of the Chatsworth Settlement | October 11, 1963–November 21, 1963 | ||
1964 | Asger Jorn’s Graphic Work | January 8, 1964–February 9, 1964 | Prints, Drawings, and Photographs | |
1964 | 101 Masterpieces of Primitive Paintings from the Collection of Edgar William and Bernice Chrysler Garbisch | January 16, 1964–February 16, 1964 | American Art | |
1964 | Two Centuries of Philadelphia Architectural Drawings | January 27, 1964–February 24, 1964 | ||
1964 | Picasso in Japan | February 1964–May 1964 | ||
1964 | Tamarind Lithographs | February 26, 1964–March 29, 1964 | Prints, Drawings, and Photographs | |
1964 | Franklin C. Watkins Retrospective Exhibition | March 4, 1964–April 5, 1964 | American Art | |
1964 | 7000 Years of Iranian Art | April 1964– | ||
1964 | Eakins Gross Clinic | April 1964–September 1964 | ||
1964 | Eighteenth Century Venetian Drawings from the Museo Correr | April 7, 1964–May 10, 1964 | Prints, Drawings, and Photographs | |
1964 | Nine Centuries of Chessmen | April 15, 1964–May 17, 1964 | ||
1964 | A Regional Drawing Exhibition | April 17, 1964– | ||
1964 | Jacques Lipchitz | April 21, 1964–June 7, 1964 | Modern and Contemporary Art | |
1964 | Collection of Henry P. McIlhenny | May 11, 1964–October 13, 1964 | European Painting before 1900, Johnson Collection | |
1964 | Tuscany in the 19th Century: Macchiaoli Exhibition | May 20, 1964–June 14, 1964 | ||
1964 | Mr. and Mrs. Carroll S. Tyson Jr. Collection | May 21, 1964– | European Painting before 1900, Johnson Collection | |
1964 | Collection of Mrs. Herbert C. Morris | June 1964–September 24, 1964 | ||
1964 | Youth Paints Cars–Germany, 1964 | June 1–21, 1964 | ||
1964 | Lunar Madness | June 1, 1964–July 15, 1964 | Prints, Drawings, and Photographs | |
1964 | Collection of Mr. and Mrs. Henry Clifford | July 1, 1964–September 13, 1964 | ||
1964 | Collection of Mrs. John Wintersteen | July 1, 1964–September 13, 1964 | ||
1964 | Michener Foundation Collection | July 1, 1964–September 21, 1964 | ||
1964 | Arrangement in Gray and Black, No. 1 | July 3, 1964–July 29, 1964 | ||
1964 | New Dimensions in Printmaking | July 27, 1964–August 30, 1964 | Prints, Drawings, and Photographs | |
1964 | Philadelphia Discovered: Photographs by Joseph Nettis | September 21, 1964–October 18, 1964 | ||
1964 | Carl Zigrosser: Curatorial Retrospective | September 21, 1964–November 1, 1964 | Prints, Drawings, and Photographs | |
1964 | Constantine the Great: The Tapestries, the Designs | October 1, 1964–November 1, 1964 | Costume and Textiles | |
1964 | Children’s Drawings from 70 Countries: “Art for World Friendship” | October 30, 1964–November 15, 1964 | ||
1964 | The Louis E. Stern Collection | November 6, 1964–January 3, 1965 | European Painting before 1900, Johnson Collection | |
1964 | Instructors’ Exhibition | November 16, 1964–December 13, 1964 | ||
1964 | Lithographs by Jean Dubuffet | November 19, 1964–January 10, 1965 | Prints, Drawings, and Photographs | |
1964 | Curator’s Choice | November 23, 1964–December 23, 1964 | ||
1965 | Adult Students’ Exhibition | January 8, 1965–January 31, 1965 | ||
1965 | Alfred Bendiner: Lithographs | January 21, 1965–March 4, 1965 | Prints, Drawings, and Photographs | |
1965 | Art USA: The S.C. Johnson and Son, Inc. Collection | February 5, 1965–March 7, 1965 | ||
1965 | Recent London County Council Architecture Photographic Exhibition | February 26, 1965–March 14, 1965 | Division of Education | |
1965 | Fakes and Originals | March 18, 1965–March 21, 1965 | ||
1965 | Eastern Regional Drawing Exhibitions | March 18, 1965–May 2, 1965 | Prints, Drawings, and Photographs | |
1965 | English 18th and 19th Century Paintings and Costumes | March 18, 1965–May 2, 1965 | ||
1965 | Work from the Young People’s Classes | March 19, 1965–April 4, 1965 | ||
1965 | Advanced Studio Art Classes | April 9, 1965–April 25, 1965 | ||
1965 | 19th to 20th Century European Drawings | April 28, 1965– | ||
1965 | Collection of Henry P. McIlhenny | May 3, 1965–October 7, 1965 | European Painting before 1900, Johnson Collection | |
1965 | Rosenwald Collection | May 3, 1965–October 7, 1965 | ||
1965 | Children in Art: Paintings, Sculpture, and Prints Drawn from the Museum’s Collections | May 4, 1965–June 27, 1965 | ||
1965 | Mr. and Mrs. R. Sturgis Ingersoll Collection | May 6, 1965–June 6, 1965 | ||
1965 | Master Prints from the Rosenwald Collections | May 6, 1965–June 6, 1965 | Prints, Drawings, and Photographs | |
1965 | Collection of Mrs. Herbert C. Morris | May 13, 1965–September 22, 1965 | ||
1965 | Recent Accessions: Prints and Drawings, 1963–1965 | May 13, 1965–June 24, 1965 | Prints, Drawings, and Photographs | |
1965 | Collection of Mr. and Mrs. Louis C. Madeira | May 25, 1965–October 6, 1965 | European Painting before 1900, Johnson Collection | |
1965 | Collection of Mrs. John Wintersteen | June 1965–September 1965 | ||
1965 | Collection of Mrs. Josiah Marvel | June 1965–September 9, 1965 | ||
1965 | Artists of 1 Cent Life | July 1, 1965–August 31, 1965 | Prints, Drawings, and Photographs | |
1965 | Collection of Mr. and Mrs. Henry Clifford | July 1, 1965–September 23, 1965 | ||
1965 | Anonymous Private Collection | July 5, 1965–August 15, 1965 | ||
1965 | Epstein Exhibition | August 1965 | ||
1965 | The Art of Philadelphia Medicine | September 15, 1965–December 10, 1965 | ||
1965 | The Crystal Ball: Fashion Group of Philadelphia | October 1, 1965– | Costume and Textiles | |
1965 | Art Israel | October 23, 1965–November 15, 1965 | ||
1965 | The Animal in Contemporary Art: Samuel S. Fleischer Art Memorial | October 28, 1965–November 13, 1965 | ||
1965 | Instructors’ Exhibition | November 19, 1965–December 12, 1965 | ||
1965 | Marino Marini: Graphics and Related Works | December 3, 1965–January 16, 1966 | Prints, Drawings, and Photographs | |
1965 | The Romance of Paper Art | December 17, 1965–January 17, 1966 | Division of Education | |
1966 | Collection of Mr. and Mrs. Louis C. Madeira | Summer 1966 | European Painting before 1900, Johnson Collection | |
1966 | Future Exhibitions of Australian Artists | 1966 | ||
1966 | Philadelphia Photographers’ Exhibition | Spring 1966 | Prints, Drawings, and Photographs | |
1966 | Adult Students’ Exhibition | January 28, 1966–February 4, 1966 | ||
1966 | Victorian Milwaukee Rediscovered: One Hundred Photographs of John McLaughlin | February 11, 1966–March 6, 1966 | Division of Education | |
1966 | Art Treasures from Japan | February 16, 1966–March 27, 1966 | ||
1966 | Japanese Prints from the Permanent Collections | February 16, 1966–March 27, 1966 | Prints, Drawings, and Photographs | |
1966 | Work from the Young People’s Classes | March 12, 1966–April 3, 1966 | ||
1966 | Piet Mondrian | April 2, 1966–May 9, 1966 | Modern and Contemporary Art | |
1966 | Three Graphic Artists: Feldman, Maitin, Mavignier | April 8, 1966–May 11, 1966 | Prints, Drawings, and Photographs | |
1966 | Advanced Students’ Exhibition | April 22, 1966–May 15, 1966 | ||
1966 | Rodin Drawings and Watercolors Lent by the Mastbaum Family | April 28, 1966–September 8, 1966 | Rodin Museum | |
1966 | Rodin Photographs by Edward Steichen: Rodin Museum | April 28, 1966–September 8, 1966 | Rodin Museum | |
1966 | Threads of History: The Romance of Fibers in Decorative Textiles, 2500 B.C.–2000 A.D | May 20, 1966–June 19, 1966 | Costume and Textiles | |
1966 | The Bride in Fashion: Three Centuries of Weddings Gowns | May 20, 1966–June 30, 1966 | Costume and Textiles | |
1966 | Collection of Henry P. McIlhenny | May 23, 1966–September 30, 1966 | European Painting before 1900, Johnson Collection | |
1966 | Prints and Drawings by Masters Old and New: Recent Acquisitions | May 27, 1966–September 5, 1966 | Prints, Drawings, and Photographs | |
1966 | Studio Art Classes | July 22, 1966–August 21, 1966 | ||
1966 | Exhibition of the Private Collections of Henry P. McIlhenny and Three Anonymous Lenders | July 1966–September 1966 | ||
1966 | World Fairs (1851–1903): Prints, Drawings, and Photographs from the Library of Congress | September 2, 1966–September 25, 1966 | Division of Education | |
1966 | Masterpieces from Montreal | September 15, 1966–October 23, 1966 | ||
1966 | Joan Miro: Prints and Books | September 15, 1966–October 23, 1966 | Prints, Drawings, and Photographs | |
1966 | Empire Profiles | October 15, 1966–November 13, 1966 | Division of Education | |
1966 | Edouard Manet Retrospective | November 3, 1966–December 11, 1966 | European Painting before 1900, Johnson Collection | |
1966 | Instructors’ Exhibition | November 19, 1966–December 12, 1966 | ||
1966 | Le Supreme Bon Ton | December 16, 1966–January 9, 1967 | Division of Education | |
1966 | Splendid Occassions | December 20, 1966–February 27, 1967 | Prints, Drawings, and Photographs | |
1967 | Collection of Mr. and Mrs. Henry Clifford | Summer 1967 | ||
1967 | Collection of Mrs. John Jay Ide | Summer 1967 | ||
1967 | Maricio Lasansky: Nazi Drawings | January 16, 1967–February 19, 1967 | Prints, Drawings, and Photographs | |
1967 | Treasures from Poland | January 20, 1967–February 26, 1967 | ||
1967 | Adult Students’ Exhibition | January 27, 1967–February 26, 1967 | ||
1967 | The Friends Collect | January 27, 1967–March 12, 1967 | ||
1967 | Young People’s Classes | March 10, 1967–March 27, 1967 | ||
1967 | Drawings and Pastels of Edgar Degas | March 10, 1967–April 30, 1967 | Prints, Drawings, and Photographs | |
1967 | Colorful Era of Degas (Prints) | March 10, 1967–April 30, 1967 | Prints, Drawings, and Photographs | |
1967 | Les Enfants de Paris | April 1–23, 1967 | Division of Education | |
1967 | Light 7 | April 1, 1967–May 11, 1967 | ||
1967 | Selections from the Collection of Dr. and Mrs. T. Edward Hanley | April 6, 1967–May 28, 1967 | ||
1967 | Salute to the University Hospital | April 17–24, 1967 | ||
1967 | Friends of Acquisition Exhibition | May 1967 | ||
1967 | Collection of Henry P. McIlhenny | May 4, 1967–October 26, 1967 | European Painting before 1900, Johnson Collection | |
1967 | Adult Students’ Exhibition | May 5, 1967–June 5, 1967 | ||
1967 | Paintings by Peter Hurd-Henriette Wyeth | May 12, 1967–June 11, 1967 | ||
1967 | Prints of Two Worlds: Stampe di due Mondi | May 15, 1967–June 25, 1967 | Prints, Drawings, and Photographs | |
1967 | Philadelphia Arts Festival: Contemporary Sculpture | May 19, 1967–June 6, 1967 | ||
1967 | Collection of Mr. and Mrs. Louis C. Madeira | June 19, 1967–September 21, 1967 | European Painting before 1900, Johnson Collection | |
1967 | Collection of Mrs. Francis Vogel Spitzer | June 20, 1967–September 6, 1967 | ||
1967 | Collection of Mr. and Mrs. William Coxe Wright | June 22, 1967–September 12, 1967 | ||
1967 | Collection of Mrs. John Wintersteen | June 23, 1967–September 8, 1967 | ||
1967 | When Reason Dreams | July 1, 1967–August 27, 1967 | ||
1967 | Anonymous Private Collection | July 20, 1967–September 18, 1967 | ||
1967 | Master E.S.: Five Hundredth Anniversary | September 5, 1967–October 3, 1967 | ||
1967 | Sculptures and Drawings by Henry Moore | September 9, 1967–October 10, 1967 | Rodin Museum | |
1967 | American Sculpture of the Sixties | September 15, 1967–October 29, 1967 | Modern and Contemporary Art | |
1967 | Clarence Kennedy Photographs | September 23, 1967–October 15, 1967 | Division of Education | |
1967 | 101 American Primitive Watercolors and Pastels from the Edgar William and Bernice Chrysler Garbisch Collection | October 10, 1967–November 7, 1967 | American Art | |
1967 | Young Painters with Real Problems: Works from the Youth Study Center School Art Classes | October 21, 1967–November 11, 1967 | ||
1967 | Crystal Ball | October 28, 1967– | Costume and Textiles | |
1967 | Seventy Artists Celebrate: The Samuel S. Fleischer Art Memorial | November 9, 1967–November 27, 1967 | Samuel S. Fleisher Art Memorial | |
1967 | The Graphic Work of Ben Shahn | November 15, 1967–December 31, 1967 | ||
1967 | Vincent Van Gogh: Drawings/Watercolors | November 17, 1967–December 31, 1967 | Prints, Drawings, and Photographs | |
1967 | Instructors’ Exhibition | November 24, 1967–December 17, 1967 | ||
1968 | Flower Show | 1968 | ||
1968 | Drawings by the Bibiena Family | January 10, 1968–February 28, 1968 | Prints, Drawings, and Photographs | |
1968 | Adult Students’ Exhibition | January 12, 1968–February 10, 1968 | ||
1968 | Unknown India: Ritual Art in Tribe and Village | January 20, 1968–February 26, 1968 | Indian and Himalayan Art | |
1968 | Paul Klee, 1879–1940: A Retrospective Exhibition | January 20, 1968–February 26, 1968 | Modern and Contemporary Art | |
1968 | Children’s Classes | February 10, 1968–March 9, 1968 | ||
1968 | Eight Artists | March 5, 1968–March 27, 1968 | Samuel S. Fleisher Art Memorial | |
1968 | Romantic Art in Britain: Paintings and Drawings, 1760–1860 | March 14, 1968–April 21, 1968 | ||
1968 | Architectural Drawings from the Royal Institute of British Architects | March 14, 1968–April 21, 1968 | Division of Education | |
1968 | Hanga: Contemporary Japanese Prints | April 5, 1968–April 30, 1968 | The Samuel S. Fleisher Art Memorial | |
1968 | Collection of Henry P. McIlhenny | May 1, 1968–October 24, 1968 | European Painting before 1900, Johnson Collection | |
1968 | Art of World Friendship: Children’s Work | May 3, 1968–May 31, 1968 | ||
1968 | Collection of Emily McFadden Staempfli | May 24, 1968–September 2, 1968 | ||
1968 | The Graphic Art of Mary Cassatt | May 24, 1968–July 7, 1968 | Prints, Drawings, and Photographs | |
1968 | The Dorothy Norman Collection | May 24, 1968–September 2, 1968 | Prints, Drawings, and Photographs | |
1968 | Collection of Mr. and Mrs. Henry Clifford | May 27, 1968–October 28, 1968 | ||
1968 | Victorian Chicago: Photographs by Charles Laughlin | June 7, 1968–July 7, 1968 | ||
1968 | Collection of Mr. and Mrs. Louis C. Madeira | June 17, 1968–October 3, 1968 | European Painting before 1900, Johnson Collection | |
1968 | Collection of Mrs. John Wintersteen | June 27, 1968–September 27, 1968 | ||
1968 | The Philadelphia Lawyer (Portraits) | July 19, 1968–September 15, 1968 | ||
1968 | Adults’ and Children’s Art Classes | July 23, 1968–August 30, 1968 | ||
1968 | Moby Dick: The Passion of Ahab–Color Lithographs by Benton Spruance | September 30, 1968–November 3, 1968 | Prints, Drawings, and Photographs | |
1968 | Sculpture: Gift of R. Sturgis and Marion B.F. Ingersoll | October 4, 1968–December 24, 1968 | ||
1968 | Mexican Art | October 4, 1968–December 24, 1968 | European Painting before 1900, Johnson Collection | |
1968 | Chagall at PMA | November 1968– | ||
1968 | Philadelphia Now | November 2, 1968–November 28, 1968 | The Samuel S. Fleisher Art Memorial | |
1968 | The Pure and Clear: American Innovations | November 13, 1968–January 21, 1969 | ||
1968 | Recent Acquisitions: Prints and Drawings Department | November 15, 1968–December 22, 1968 | Prints, Drawings, and Photographs | |
1968 | Adrian Siegl Photographs | November 25, 1968–December 11, 1968 | Prints, Drawings, and Photographs Division of Education |
|
1968 | Instructors’ Exhibition | December 16, 1968–January 2, 1969 | ||
1969 | Collection of Henry P. McIlhenny | Summer 1969 | European Painting before 1900, Johnson Collection | |
1969 | Collection of Jefferson Medical College and Medical Center | Summer 1969 | ||
1969 | Collection of Mr. and Mrs. Henry Clifford | Summer 1969 | ||
1969 | Collection of Mr. and Mrs. Louis C. Madeira | Summer 1969 | European Painting before 1900, Johnson Collection | |
1969 | Collection of Mrs. Albert Greenfield | Summer 1969 | ||
1969 | Collection of Mrs. Earle Horter | Summer 1969 | ||
1969 | Collection of Mrs. John Wintersteen | Summer 1969 | ||
1969 | Collection of Mrs. Marcel Duchamp | Summer 1969 | ||
1969 | Collection of Mrs. Sidney Biddle | Summer 1969 | ||
1969 | Collection of St. Charles Borromeo Seminary | Summer 1969 | ||
1969 | Charles Sheeler Memorial Exhibition | January 10, 1969–February 16, 1969 | American Art | |
1969 | John Marin: Etchings and Related Works | January 10, 1969–February 16, 1969 | ||
1969 | Impact Africa: African Art and the West | January 10, 1969–June 30, 1969 | ||
1969 | Recent Acquisitions by the Norton Simon Foundation | January 24, 1969–June 23, 1969 | ||
1969 | Stewart Chaney Stage Designs | February 6, 1969–February 25, 1969 | Division of Education | |
1969 | Adult Students’ Exhibition | February 28, 1969–March 23, 1969 | ||
1969 | And Gladly Teach | March 6–25, 1969 | Samuel S. Fleisher Art Memorial | |
1969 | The Animal Kingdom | March 13, 1969–May 4, 1969 | ||
1969 | Children’s Art Classes | March 28, 1969–April 6, 1969 | ||
1969 | Light to the Seventh Power | April 1, 1969–May 11, 1969 | Prints, Drawings, and Photographs | |
1969 | Picasso’s Linocuts, 1958–1963 | April 8–25, 1969 | Samuel S. Fleisher Art Memorial | |
1969 | Volunteer Guides Exhibition | April 10, 1969–May 4, 1969 | ||
1969 | Sculptor’s Drawings | April 10, 1969–June 30, 1969 | Prints, Drawings, and Photographs | |
1969 | Changing Attitudes Towards War: Evolution of Japanese Woodcut | May 15, 1969–June 26, 1969 | Prints, Drawings, and Photographs | |
1969 | Film-makers Class Exhibition | May 16, 1969–June 30, 1969 | Division of Education | |
1969 | Robert Frank Photographs | May 20, 1969–September 15, 1969 | ||
1969 | Annual Student Exhibition | June 8–30, 1969 | Samuel S. Fleisher Art Memorial | |
1969 | Parkway School Students | June 8, 1969–July 14, 1969 | ||
1969 | Recent Graphics from Prague Smithsonian Institute | September 13, 1969–October 12, 1969 | Division of Education | |
1969 | Constantin Brancusi, 1876–1957: A Retrospective | September 26, 1969–November 2, 1969 | Modern and Contemporary Art | |
1969 | Friends Photography–Purchase | September 26, 1969–November 16, 1969 | Prints, Drawings, and Photographs | |
1969 | Recent Acquisitions: Ars Medica Collection | September 29, 1969–October 12, 1969 | ||
1969 | Icons and Glass Paintings | October 6–30, 1969 | Samuel S. Fleisher Art Memorial | |
1969 | Handicrafts of the Southwest, Smithsonian Institute | October 17, 1969–November 9, 1969 | Division of Education | |
1969 | Recent Acquisitions: Costumes and Textiles | October 24, 1969–December 31, 1969 | Costume and Textiles | |
1969 | Saga Prints from the Philadelphia Museum of Art Collection | November 5–28, 1969 | Samuel S. Fleisher Art Memorial | |
1969 | Selections from the Samuel S. Fleisher Art Memorial Print Collection | November 5, 1969–November 28, 1969 | Samuel S. Fleisher Art Memorial | |
1969 | Children of Monaco | November 14–30, 1969 | ||
1969 | French Primitive Photography | November 15, 1969–December 31, 1969 | Prints, Drawings, and Photographs | |
1969 | Rembrandt Etchings | November 18, 1969–January 2, 1970 | Prints, Drawings, and Photographs | |
1969 | The Campbell Museum Collection | November 22, 1969–December 30, 1969 | ||
1969 | Philadelphia Collects Rodin; Sculptures and Drawings | December 3, 1969–January 18, 1970 | Rodin Museum | |
1969 | Old Master Drawings from Chatsworth | December 16, 1969–January 18, 1970 | Prints, Drawings, and Photographs | |
1969 | Saturday Afternoon Children’s Annuals Including Workshop by a Group of Parents | December 2–21, 1969 | Samuel S. Fleisher Art Memorial |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1970 | Christo Wraps a Staircase; Ferrer Deflects a Fountain | 1970 | ||
1970 | Far Eastern Acquisitions | January 14, 1970–February 15, 1970 | East Asian Art | |
1970 | Photographs of Minor White | January 14, 1970–February 15, 1970 | Prints, Drawings, and Photographs | |
1970 | Friends Oriental–Purchase | January 20, 1970–February 1, 1970 | East Asian Art | |
1970 | Selections from the Print Collection | February 1, 1970–March 27, 1970 | Samuel S. Fleisher Art Memorial | |
1970 | Prints and Drawings of the Danube School and South German Art: 1500–1550 | February 10, 1970–March 24, 1970 | Prints, Drawings, and Photographs | |
1970 | The Mind’s Eye | February 15, 1970–June, 1971 | Division of Education | |
1970 | Vincent van Gogh: Paintings | February 28, 1970–April 5, 1970 | European Painting before 1900, Johnson Collection | |
1970 | Made in Philadelphia | February 28, 1970–June 30, 1970 | American Art | |
1970 | Drawings from the Accademia Carrara of Bergamo | March 3, 1970–March 31, 1970 | Prints, Drawings, and Photographs | |
1970 | Multiple Exposures | April 7–30, 1970 | Samuel S. Fleisher Art Memorial | |
1970 | Jasper Johns: Prints 1960–1970 | April 15, 1970–June 14, 1970 | Prints, Drawings, and Photographs | |
1970 | Craftsmen in the City, Smithsonian Institution | April 28, 1970–May 17, 1970 | Division of Education | |
1970 | Peace | May 19, 1970–June 21, 1970 | ||
1970 | The Machine in the Garden: Portrait of the Artist | May 29, 1970–September 20, 1970 | ||
1970 | Impressions of Music in Art, Holyoke Museum | June 2, 1970–July 5, 1970 | Division of Education | |
1970 | Collection of Mr. and Mrs. Henry Clifford | June 7, 1970–August 30, 1970 | ||
1970 | Collection of Mr. and Mrs. Jack L. Wolgin | June 7, 1970–August 30, 1970 | ||
1970 | Collection of Mr. and Mrs. Louis C. Madeira | June 7, 1970–August 30, 1970 | European Painting before 1900, Johnson Collection | |
1970 | Collection of Mrs. John Wintersteen | June 7, 1970–August 30, 1970 | ||
1970 | The Drawing Society: Second Eastern Central Regional Drawing Exhibition | June 30, 1970–August 30, 1970 | Prints, Drawings, and Photographs | |
1970 | Recent Acquisitions: Paintings | July 1, 1970–September 15, 1970 | ||
1970 | Vision and Expression: Photographs from George Eastman House | July 7, 1970–August 30, 1970 | Prints, Drawings, and Photographs | |
1970 | Paintings | July 14, 1970–September 20, 1970 | ||
1970 | Suzuki Harunobu: Bicentenary Exhibition of Prints and Illustrated Books | September 18, 1970–November 29, 1970 | ||
1970 | Product Environment: New Furniture | September 30, 1970–November 10, 1970 | ||
1970 | The Art of Henry O. Tanner | November 24, 1970–January 3, 1971 | American Art | |
1970 | Jerry N. Uelsmann | December 12, 1970–February 7, 1971 | Prints, Drawings, and Photographs | |
1970 | Albrecht Durer: A Study Exhibition in Print Connoisseurship | December 21, 1970–February 21, 1971 | Prints, Drawings, and Photographs | |
1970 | Young People’s Art Classes | January 24, 1970–February 24, 1970 | Division of Education | |
1970 | Adult Student Exhibition | March 6, 1970–April 19, 1970 | Division of Education | |
1970 | Philadelphia Department of Recreation | April 13–26, 1970 | Division of Education | |
1970 | Philadelphia Parkway School Students | May 19–31, 1970 | Division of Education | |
1970 | Summer Students’ Exhibition | July 7–28, 1970 | Division of Education | |
1970 | Museum Studio Workshop Group | August 3, 1970–September 6, 1970 | Division of Education | |
1970 | Mini-Museum Mobile | October 5, 1970–November 15, 1970 | Division of Education | |
1970 | Instructors’ Exhibition | November 23, 1970–January 3, 1971 | Division of Education | |
1970 | Philadelphia Museum Faculty Exhibition | December 4, 1970–January 18, 1971 | Division of Education | |
1970 | Annual Faculty Exhibition | January 13–29, 1970 | Samuel S. Fleisher Art Memorial | |
1970 | 73rd Annual Student Exhibition | June 8–30, 1970 | Samuel S. Fleisher Art Memorial | |
1971 | Picasso Etchings: 1968 (or Picasso: 347 Suite) | January 4, 1971–February 22, 1971 | Prints, Drawings, and Photographs | |
1971 | Nuclear Energy: Evolution of a Sculpture by Henry Moore | January 5–29, 1971 | Samuel S. Fleisher Art Memorial | |
1971 | Folk Art of the Cuna Indians | January 14, 1971–February 14, 1971 | Division of Education | |
1971 | Recent Acquisitions: Gifts from the Collection of Mrs. Wharton Sinkler and the Late Mr. Sinkler | January 19, 1971–March 31, 1971 | ||
1971 | Gifts from the Collection of Edgar William and Bernice Chrysler Garbisch | Ferbruary 19, 1971–March 28, 1971 | American Art | |
1971 | The Story of Samplers: Whitman Samplers | February 19, 1971–August 21, 1971 | Costume and Textiles | |
1971 | Multiples: The First Decade | March 5, 1971–April 4, 1971 | ||
1971 | Ingres in Rome | March 11, 1971–April 11, 1971 | European Painting before 1900, Johnson Collection | |
1971 | Samuel Maitin: His Work, 1956–1971 | March 25, 1971–April 30, 1971 | Samuel S. Fleisher Art Memorial | |
1971 | Recent Acquisitions: 20th Century Decorative Arts | April 6, 1971–December 26, 1971 | ||
1971 | From Realism to Symbolism: Whistler and His World | April 17, 1971–May 23, 1971 | American Art | |
1971 | Jasper Johns | April 15, 1971–June 14, 1971 | Modern and Contemporary Art | |
1971 | Recent Acquisitions: Photographs | April 22, 1971–June 13, 1971 | Prints, Drawings, and Photographs | |
1971 | Old Master Drawings | April 22, 1971–May 5, 1971 | Prints, Drawings, and Photographs | |
1971 | Friends Purchase: Old Master Prints | May 3, 1971–May 9, 1971 | ||
1971 | City/2 | June 10, 1971–January 2, 1972 | ||
1971 | Recent Acquisitions: Prints and Drawings | June 30, 1971–August 29, 1971 | Prints, Drawings, and Photographs | |
1971 | Collection of Henry P. McIlhenny | July 27, 1971–September 6, 1971 | European Painting before 1900, Johnson Collection | |
1971 | Collection of Mr. and Mrs. Henry Clifford | July 27, 1971–September 6, 1971 | ||
1971 | Collection of Mr. and Mrs. Hugo Perls | July 27, 1971–September 6, 1971 | ||
1971 | Collection of Mr. and Mrs. Louis C. Madeira | July 27, 1971–September 6, 1971 | European Painting before 1900, Johnson Collection | |
1971 | Collection of Mr. and Mrs. Robert Crompton III | July 27, 1971–September 6, 1971 | ||
1971 | Collection of Mrs. Eric de Spoelberch | July 27, 1971–September 6, 1971 | ||
1971 | Collection of Mrs. John Wintersteen | July 27, 1971–September 6, 1971 | ||
1971 | Giovanni Benedetto Castiglione: Master Draughtsman of the Baroque | September 17, 1971–November 28, 1971 | Prints, Drawings, and Photographs | |
1971 | Chinese Calligraphy | September 25, 1971–November 7, 1971 | East Asian Art | |
1971 | 1492: An Exploration of Seven Cities | October 12, 1971–May 31, 1972 and October 12, 1972–June 30, 1973 | ||
1971 | Recent Acquisitions: Sculpture | October 13, 1971–January 2, 1972 | ||
1971 | Eighteenth Century French Prints | October 15, 1971–November 30, 1971 | Prints, Drawings, and Photographs | |
1971 | Faces at Fleisher | November 2–24, 1971 | Samuel S. Fleisher Art Memorial | |
1971 | Paul Strand Photographs | November 24, 1971–January 30, 1972 | Prints, Drawings, and Photographs | |
1971 | Under 500 | December 3, 1971–January 23, 1972 | Division of Education | |
1971 | Silkscreen: History of a Medium | December 17, 1971–February 27, 1972 | Prints, Drawings, and Photographs | |
1971 | Gifts from the Collection of Mrs. Wharton Sinkler and the Late Mr. Sinkler | December 17, 1971–February 27, 1972 | Prints, Drawings, and Photographs | |
1971 | Adult Students’ Exhibitio | February 19, 1971–March 28, 1971 | Division of Education | |
1971 | Young Students’ Exhibition | April 3–18, 1971 | Division of Education | |
1971 | Philadelphia Department of Recreation Inner-City Group | April 23, 1971–May 23, 1971 | Division of Education | |
1971 | Philadelphia Parkway School | May 28m 1971–June 20, 1971 | Division of Education | |
1971 | Highlights of Annual Student Exhibition, 1970–1971 | October 4, 1971–October 27, 1971 | Samuel S. Fleisher Art Memorial | |
1971 | Saturday Afternoon Children’s Classes Exhibition | December 1–18, 1971 | Samuel S. Fleisher Art Memorial | |
1972 | The Cubist Vision | 1972 | Modern and Contemporary Art | |
1972 | Mummers´ Costumes | January 7, 1972–February 7, 1972 | Costume and Textiles | |
1972 | Dutch Masterpieces from the Eighteenth Century | February 17, 1972–March 19, 1972 | ||
1972 | 23 Sculptors | February 18, 1972–April 15, 1972 | Division of Education | |
1972 | Latin American Graphics | February 24, 1972–April 30, 1972 | ||
1972 | The Best from Two Great Collections: 15th- and 16th-Century Woodcuts and Hogarth Prints | February 24, 1972–March 12, 1972 | Prints, Drawings, and Photographs | |
1972 | Foreigners in Japan: Yokohama and Related Woodcuts | March 17, 1972–May 14, 1972 | Prints, Drawings, and Photographs | |
1972 | Notable Architecture in Philadelphia | March 17, 1972–August 30, 1972 | ||
1972 | Recent Acquisitions: William Blake and Renaissance Decorative Arts | March 28, 1972–August 31, 1972 | ||
1972 | Cheltenham Art Center | April 3, 1972–May 1, 1972 | Gallery ‘72 | |
1972 | Gericault | April 5, 1972–May 14, 1972 | European Painting before 1900, Johnson Collection | |
1972 | Friends Purchase Party and Exhibition: Twentieth-Century Painting and Sculpture | April 27, 1972 | Modern and Contemporary Art | |
1972 | Lee Cultural Center | May 1–21, 1972 | Gallery ‘72 | |
1972 | Contemporary Selections: Paintings | May 15, 1972–August 31, 1972 | Modern and Contemporary Art | |
1972 | Victor Vasarely: Silkscreen Prints | May 19, 1972–August 19, 1972 | Prints, Drawings, and Photographs | |
1972 | Third Annual Inner City Festival | May 23, 1972–June 4, 1972 | Gallery ‘72 | |
1972 | Ile-Ife Black Humanitarian Center | June 7, 1972–July 2, 1972 | Gallery ‘72 | |
1972 | Eighteenth Century Enamels | June 11, 1972–October 29, 1972 | ||
1972 | Community Arts Center in Wallingford | July 3–30, 1972 | Gallery ‘72 | |
1972 | Anonymous Private Collection | July 18, 1972–September 3, 1972 | ||
1972 | Collection of Mr. and Mrs. Henry Clifford | July 18, 1972–September 3, 1972 | ||
1972 | Collection of Mr. and Mrs. Louis C. Madeira | July 18, 1972–September 3, 1972 | ||
1972 | Collection of Mr. and Mrs. William Coxe Wright | July 18, 1972–September 3, 1972 | ||
1972 | Collection of Mrs. John Wintersteen | July 18, 1972–September 3, 1972 | ||
1972 | Photographic Society of Philadelphia | July 31, 1972–August 27, 1972 | Gallery ‘72 | |
1972 | Chess | August 15, 1972–September 17, 1972 | ||
1972 | Ocean City Art Center | August 28, 1972–September 24, 1972 | Gallery ‘72 | |
1972 | The North American Indians: Photographs by Edward S. Curtis | September 7, 1972–October 15, 1972 | Prints, Drawings, and Photographs | |
1972 | American Art since 1945: A Loan Exhibition from the Museum of Modern Art | September 15, 1972–October 22, 1972 | Modern and Contemporary Art | |
1972 | Wayne Art Center | September 25, 1972–October 22, 1972 | Gallery ‘72 | |
1972 | Recent Acquisitions: Benjamin West’s Agrippina | October 2, 1972–November 30, 1972 | European Painting before 1900, Johnson Collection | |
1972 | Philadelphia in New York: 90 Modern Works from the Philadelphia Museum of Art | October 16, 1972–January 7, 1973 | Modern and Contemporary Art | |
1972 | Chester County Art Association | October 23, 1972–November 19, 1972 | Gallery ‘72 | |
1972 | Old Master Drawings from Christ Church, Oxford | November 4, 1972–December 17, 1972 | Prints, Drawings, and Photographs | |
1972 | Painting and Photography: Something in Common | November 6–29, 1972 | Samuel S. Fleisher Art Memorial | |
1972 | Claes Oldenburg: Object into Monument | November 17, 1972–December 27, 1972 | Modern and Contemporary Art | |
1972 | Prints in Progress | November 20, 1972–December 12, 1972 | Gallery ‘72 | |
1972 | Edward Lear in Greece | December 15, 1972–January 14, 1973 | Prints, Drawings, and Photographs | |
1972 | Sculpture to Touch | March 4, 1972–April 7, 1972 | Division of Education | |
1972 | Student Exhibition | April 21, 1972–May 13, 1972 | Division of Education | |
1972 | Philadelphia Parkway School | May 26, 1972–June 18, 1972 | Division of Education | |
1972 | Young People’s Prints | May 26, 1972–July 2, 1972 | Division of Education | |
1972 | Form in Art | May 26, 1972–July 9, 1972 | Division of Education | |
1972 | Children’s Summer Program | August 1, 1972–September 15, 1972 | Division of Education | |
1972 | Sculpture: Graduate Students of the University of Pennsylvania and Tyler School of Fine Arts | October 16, 1972–November 16, 1972 | Division of Education | |
1972 | Philadelphia Museum of Art Staff | December 18, 1972–January 14, 1973 | Division of Education | |
1972 | Being and Nothingness | January 6–27, 1972 | Samuel S. Fleisher Art Memorial | |
1972 | Annual Faculty Exhibition | February 1–25, 1972 | Samuel S. Fleisher Art Memorial | |
1972 | Micro-Museum: An Environment for Kids | March 4, 1972–April 28, 1972 | Samuel S. Fleisher Art Memorial | |
1972 | Annual Student Exhibition | June 5–29, 1972 | Samuel S. Fleisher Art Memorial | |
1972 | Highlights of the Students Exhibition | October 2–27, 1972 | Samuel S. Fleisher Art Memorial | |
1972 | Children’s Saturday Afternoon Art Classes | December 2–16, 1972 | Samuel S. Fleisher Art Memorial | |
1973 | Patterns: American Nineteenth-Century Painting and Literature | January 4–29, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | Mummers Costumes | January 6, 1973–February 2, 1973 | ||
1973 | A Sense of Style: Two Hundred Years of Philadelphia Fashion | January 19, 1973–February 25, 1973 | Costume and Textiles | |
1973 | Sculpture of the Inuit: Masterworks of the Canadian Arctic | January 25, 1973–March 4, 1973 | ||
1973 | Philadelphia Philateleia | January 26, 1973–February 11, 1973 | ||
1973 | Special Stamps for Someone Special | January 26, 1973–February 11, 1973 | ||
1973 | Upper Merion Cultural Center | January 29, 1973–February 25, 1973 | Gallery ‘72 | |
1973 | Norman McLaren Film Event | February 2, 1973–March 17, 1973 | Division of Education | |
1973 | Bastille Art League | February 26, 1973–March 25, 1973 | Gallery ‘73 | |
1973 | Recent Acquisitions: American Paintings and Drawings | March 1, 1973–April 30, 1973 | American Art | |
1973 | Three Centuries of Chiaroscuro Woodcuts | March 10, 1973–April 8, 1973 | Prints, Drawings, and Photographs | |
1973 | Paul Gauguin: Monotypes | March 23, 1973–May 13, 1973 | Prints, Drawings, and Photographs | |
1973 | Philadelphia Wall Art | March 26, 1973–April 22, 1973 | Gallery ‘73 | |
1973 | Philadelphia Architecture I: Frank Furness | April 5, 1973–May 27, 1973 | Division of Education | |
1973 | James Rosenquist: Slush Thrust | April 6–30, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | West Oak Lane Art League | April 23, 1973–May 20, 1973 | Gallery ‘73 | |
1973 | Images of Women in the Performing Arts | May 1, 1973–May 26, 1973 | ||
1973 | Recent Acquisitions: Twentieth Century Art | May 1, 1973–July 31, 1973 | Modern and Contemporary Art | |
1973 | English and American Watercolors and Drawings | May 8, 1973–October 24, 1973 | Prints, Drawings, and Photographs | |
1973 | A Decade of Gifts | May 12, 1973–June 16, 1973 | ||
1973 | Main Line Center for the Arts | May 21, 1973–June 14, 1973 | Gallery ‘73 | |
1973 | Friends Purchase Exhibition: Nineteenth- and Twentieth-Century Decorative Arts | May 30, 1973–June 13, 1973 | ||
1973 | The Theatrical World of Osaka Prints | June 7, 1973–September 2, 1973 | Prints, Drawings, and Photographs | |
1973 | Inner-City Arts Festival | June 15, 1973–July 1, 1973 | Gallery ‘73 | |
1973 | Dubois and His Circle | June 22, 1973–September 27, 1973 | European Painting before 1900, Johnson Collection | |
1973 | The Delaware Valley Guild of Professional Photographers | July 3–29, 1973 | Gallery ‘73 | |
1973 | The Woodward Foundation | July 20, 1973–July 29, 1973 | ||
1973 | The Arts and Crafts League of Delaware Valley | July 31, 1973–September 30, 1973 | Gallery ‘73 | |
1973 | Philadelphia Museum Summer Programs | August 6, 1973–September 28, 1973 | ||
1973 | Painted Bride Art Center | September 5–30, 1973 | Gallery ‘73 | |
1973 | Marcel Duchamp | September 22, 1973–December 9, 1973 | Modern and Contemporary Art | |
1973 | Perkiomen Valley Art Center | October 1–29, 1973 | Gallery ‘73 | |
1973 | Recent Acquisitions: Battista Dossi’s Venus and Cupid | October 22, 1973–December 31, 1973 | ||
1973 | The Invisible Artist | October 31, 1973–June 30, 1974 | Division of Education | |
1973 | Clarence John Laughlin: The Personal Eye | November 8, 1973–January 6, 1974 | Prints, Drawings, and Photographs | The Museum paid tribute to the remarkable photographic achievement of Clarence John Laughlin in an exhibition, The Personal Eye, on view from November 8 to January 6. Organized and installed by Michael Hoffman, Advisor to the Alfred Stieglitz Center of Photography, with the assistance of Curatorial Assistant Caroline Wistar, the exhibition of some 200 photographs distilled the essence of Laughlin's life work, from scenes of his native New Orleans to the poetic fantasies that reveal the scope of his creative abilities. In December the Museum was privileged to welcome Mr. Laughlin who discussed his work at a Wednesday Lecture. A monograph of his work, published in cooperation with Aperture magazine, was available in the Museum Shop. Curators: Michael E. Hoffman and Caroline Wistar |
1973 | Old York Road Art Guide | November 26, 1973–December 21, 1973 | Gallery ‘73 | |
1973 | Graterford Prison Artists | December 21, 1973–January 21, 1974 | Gallery ‘73 | |
1973 | Museum Faculty | January 21, 1973–February 23, 1973 | Division of Education | |
1973 | Children’s Classes | March 4–28, 1973 | Division of Education | |
1973 | Adult Students | April 5–27, 1973 | Division of Education | |
1973 | Form in Art | May 3–16, 1973 | Division of Education | |
1973 | Philadelphia Parkway School | May 24, 1973–June 8, 1973 | Division of Education | |
1973 | Philadelphia Museum Young People’s Prints | July 2–31, 1973 | Division of Education | |
1973 | Philadelphia Museum Summer Programs | August 6, 1973–September 28, 1973 | Division of Education | |
1973 | Daily News Weather Report | October 8, 1973–November 21, 1973 | Division of Education | |
1973 | Studio Classes Faculty | December 3, 1973–Jaunuary 18, 1974 | Division of Education | |
1973 | A Child’s Garden of Art | February 6–28, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | Annual Faculty Exhibition | March 6–30, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | Annual Student Exhibition | June 4–29, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | Highlights of the Annual Student Show | October 1–15, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | Philadelphia Flash/LA Flash | October 24, 1973–November 21, 1973 | Samuel S. Fleisher Art Memorial | |
1973 | Annual Children’s Exhibition | December 1–15, 1973 | Samuel S. Fleisher Art Memorial | |
1974 | Mummers’ Costumes | January 12–20, 1974 | Department of Urban Outreach | |
1974 | Recent Acquisitions: American Art | January 29, 1974–April 30, 1974 | American Art | Selected examples of American art new to the Museum's collections, ranging from paintings and furniture to decorative arts of the eighteenth through twentieth centuries, were installed in the Recent Acquisitions Gallery in January by Darrel Sewell and Beatrice Garvan, Curator and Associate Curator, respectively, of American Art. |
1974 | Doylestown Art League | February 4, 1974–March 3, 1974 | Gallery ‘74 | |
1974 | Camera Work: 1903–1917 | February 21, 1974–April 14, 1974 | Prints, Drawings, and Photographs | |
1974 | Old Master Drawings from the Academy Collection | March 1, 1974–April 14, 1974 | Prints, Drawings, and Photographs | |
1974 | Manayunk Art Center | March 4–31, 1974 | Gallery ‘74 | |
1974 | Ukranian National Women’s League | April 1, 1974–May 27, 1974 | Gallery ‘74 | |
1974 | In Her Own Image | April 5, 1974–May 10, 1974 | Samuel S. Fleisher Art Memorial | |
1974 | Miniatures | April 22–27, 1974 | European Painting before 1900, Johnson Collection | |
1974 | Images of Women in the Performing Arts | May 1–26, 1974 | ||
1974 | A Decade of Gifts | May 12, 1974–June 16, 1974 | The Friends of the Museum celebrated their tenth anniversary this year with the exhibition A Decade of Gifts from May 12 to June 16. Installed in the Special Exhibition Galleries by Michael Botwinick, Assistant Director for Art, the objects represented the superb and varied works acquired through the Friends since the organization was founded in 1964 with the goal of providing supplementary funds for the enrichment of the collections. Curator: Michael Botwinick | |
1974 | Inner City Arts Festival | May 28, 1974–June 10, 1974 | Gallery ‘74 | |
1974 | Greater Northeast Art Alliance | June 11, 1974–July 8, 1974 | Gallery ‘74 | |
1974 | American Watercolors and Drawings from the Museum Collection | October 4, 1974–December 10, 1974 | Prints, Drawings, and Photographs | In conjunction with the publication of the Museum's 1975 Engagement Calendar featuring American watercolors and drawings from the Museum's collections, the originals were exhibited in the A Level corridor from October 4 through December 10. These were supplemented with other works from the collection chosen by Ann Percy, Associate Curator of Drawings. |
1974 | Massimo Stanzione: The Massacre of the Innocents | October 12, 1974–February 18, 1975 | European Painting before 1900, Johnson Collection | A recently acquired masterpiece of the Baroque style in Europe, The Massacre of the Innocents, by the seventeenth century Neapolitan artist Massimo Stanzione, was the inspiration for a small didactic exhibition from October 12 to February 18. Organized by Deborah M. McGuire, Research Assistant in the Department of Painting before 1900, the exhibition in the first Special Exhibition gallery also included prints, drawings, and paintings by other seventeenth century Neapolitan artists. |
1974 | Recent Acquisitions: 20th Century Art Department | October 30, 1974–February 18, 1975 | Modern and Contemporary Art | Displayed through December in the Special Exhibition Galleries were a group of major recent acquisitions in twentieth century art. Philip Pearlstein's Two Female Models with Drawing Table, acquired by the Museum through a grant from the National Endowment for the Arts for the purchase of work by a living American artist, shared the spotlight with impressive works by Italo Scanga, Roy Lichtenstein, Sidney Goodman, Rafael Ferrer, and Walter Darby Bannard. Curator: Anne d'Harnoncourt |
1974 | The Albert M. Greenfield and Elizabeth M. Greenfield Collection | October 30, 1974–February 18, 1975 | Modern and Contemporary Art | Art of the twentieth century was the prominent attraction when Members were invited on October 29 to a preview of The Albert M. Greenfield and Elizabeth M. Greenfield Collection, given to the Museum through the generous bequest of Mr. Greenfield and as a result of the decision of his widow, Mrs. Donald A. Petrie, a Vice-President of the Museum. Joining Mrs. Petrie at the preview were Museum President George M. Chetson, Honorary Trustee Mrs. ssell Richardson, and Museum Vice-President Henry P. McIlhenny. Some fifty paintings, drawings, and sculptures by such artists as Jackson Pollock, Willem de Kooning, and Larry Rivers, many previously unrepresented in the Museum's collections, were installed in the Special Exhibition Galleries by Anne d'Harnoncourt, Curator of Twentieth Century Painting. Special events at the preview included a lecture by Miss d'Harnoncourt and films on contemporary art. |
1974 | Collab ’74: British Contemporary Design | November 20, 1974–December 31, 1974 | European Decorative Arts and Sculpture | The best of British contemporary design was displayed from November to December in the Collab 1974: British Contemporary Design exhibition sponsored by the Museum's Inter-Society Committee for 20th-Century Decorative Arts. Some forty of Britain's top designers of the last decade were represented in the exhibition in the Print Gallery, handsomely installed by Collab members in cooperation with Kathryn B. Hiesinger, Curator of Decorative Arts after 1700 |
1974 | A Touch of Gold: Exhibition and Sale | November 23, 1974–December 15, 1974 | ||
1974 | Displacement Project: A Public Event | December 3, 1974–January 3, 1975 | Department of Urban Outreach | |
1974 | Durham Experience | January 23, 1974–Febraury 14, 1974 | Division of Education | |
1974 | Form in Art | February 18, 1974–March 15, 1974 | Division of Education | |
1974 | Saturday Young People’s Classes | March 18, 1974–April 12, 1974 | Division of Education | |
1974 | Philadelphia Museum Adult Students | April 19, 1974–May 18, 1974 | Division of Education | |
1974 | Philadelphia Museum Employees | May 27, 1974–June 8, 1974 | Division of Education | |
1974 | Summer Young People’s Exhibit: Studio Classes | July 1–30,1974 | Division of Education | |
1974 | Summer Program Children’s Exhibit | August 5, 1974–September 13, 1974 | Division of Education | |
1974 | Construction Murals by Children | October 7, 1974–November 22, 1974 | Division of Education | |
1974 | Story of Chanukah | December 9, 1974–January 3, 1975 | Division of Education | |
1974 | Open Studio/Work in Progress | January 22, 1974–February 23, 1974 | Samuel S. Fleisher Art Memorial | |
1974 | Annual Faculty Exhibition | March 5–26, 1974 | Samuel S. Fleisher Art Memorial | |
1974 | Annual Student Exhibition | June 3–29, 1974 | Samuel S. Fleisher Art Memorial | |
1974 | Highlights of the Annual Student Exhibition | October 1, 1974–November 22, 1974 | Samuel S. Fleisher Art Memorial | |
1974 | Annual Children’s Exhibition | December 1–13, 1974 | Samuel S. Fleisher Art Memorial |
Year | Title | Dates | Department | Additional Info |
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1975 | Form in American Silver | January 15, 1975–April 13, 1975 | American Art | |
1975 | Mummers Costumes | January 17, 1975–February 2, 1975 | Department of Urban Outreach | |
1975 | La Première Pose | February 18, 1975–April 13, 1975 | European Painting before 1900, Johnson Collection | Howard Robert's nineteenth century American sculpture, La Première Pose, was the focus of an exhibition in the Armory from February 18 to April 13, installed by Richard G. Dorment, Assistant Curator of Painting before 1900. Also on view were works by Thomas Eakins and William Rush. The exhibition was inspired by the publication of a Museum Bulletin featuring an article by noted art historian David Sellin about the efforts of nineteenth century Philadelphia artists to study the nude model in the face of criticism from the conservative art establishment. |
1975 | Museum Treasures at Rodin | April 14, 1975–June 30, 1975 | European Painting before 1900, Johnson Collection | |
1975 | Seahorses by Sam Gilliam | April 25, 1975–May 26, 1975 | American Art | Creating excitement during the Philadelphia Festival, a project of the Greater Philadelphia Cultural Alliance, was Seahorses, a dramatic draped fabric environment by artist Sam Gilliam. Adorning the two exterior walls of the Museum's East Façade, Seahorses evolved from the artist's inspiration that the large bronze rings circling the Museum building were, in Greek mythology, used to tie seahorses to Neptune's temple. |
1975 | Rites of Marriage | April 25, 1975–May 21, 1975 | Samuel S. Fleisher Art Memorial | |
1975 | Centennial Fair: In Celebration of the Philadelphia Museum of Art’s 100th Birthday | October 18–20, 1975 | ||
1975 | Atelier | January 13, 1975–February 27, 1975 | Samuel S. Fleisher Art Memorial | |
1975 | Annual Faculty Exhibition | March 13, 1975–April 15, 1975 | Samuel S. Fleisher Art Memorial | |
1975 | Annual Student Exhibition | June 2–28, 1975 | Samuel S. Fleisher Art Memorial | |
1976 | Terminal Iron Works: Photographs of David Smith by Dan Budnik, 1962–1963 | February 1976–January 1978 | Prints, Drawings, and Photographs | An exhibition circulated by The American Federation of Arts, New York. |
1976 | Old Master Drawings: Museum and Academy Collections | February 27, 1976–July 6, 1976 | Prints, Drawings, and Photographs | In April, Associate Curator for Drawings Ann Percy mounted an exhibition of superb Old Master drawings from the collections of the Museum and the Pennsylvania Academy of the Fine Arts, on deposit here. |
1976 | American Family Portraits, 1730–1976 | February 28, 1976–December 31, 1976 | Division of Education | |
1976 | Philadelphia: Three Centuries of American Art | April 11, 1976–October 10, 1976 | American Art | Opening on April 11, the Bicentennial exhibition Philadelphia: Three Centuries of American Art presented over 550 magnificent objects created in the Philadelphia area, ranging from paintings, prints, and photographs to sculpture, decorative arts, costumes, and architecture. Designed by the Philadelphia architectural firm of Venturi and Rauch, the installation was arranged chronologically in 50-year periods. |
1976 | Eagles, Flags, and Heroes: Signs and Symbols of Patriotic Pride | July 19, 1976–October 4, 1976 | Prints, Drawings, and Photographs | From July 19 through mid-autumn the exhibition Eagles, Flags, and Heroes: Signs and Symbols of Patriotic Pride, organized by Ann Percy, Associate Curator for Drawings, considerably enlivened the Ground Floor Corridor. Popular American emblems ranging from eagles to Uncle Sam adorned a colorful variety of approximately 50 objects in diverse media. |
1976 | Ars Medica | October 22, 1976–January 2, 1977 | Prints, Drawings, and Photographs | A unique asset of the Museum's Prints, Drawings and Photographs Department is its large Ars Medica Collection, consisting of prints dating from the 15th century to the present, all illustrating some aspect of medical history or practice. Prior to touring major European museums, 137 works from the Collection were installed in the Museum's Ground Floor Corridor. |
1976 | First Impressions: The Fine Art of Printmaking | November 27, 1976–January 30, 1977 | Prints, Drawings, and Photographs | |
1976 | Form in Art | May 6, 1976–June 13, 1976 | Division of Education | |
1976 | Highlights of the Student Annual | October 4–30, 1976 | Samuel S. Fleisher Art Memorial | |
1976 | South Philadelphia Viewpoint | October 4–30. 1976 | Samuel S. Fleisher Art Memorial | |
1976 | Saturday Afternoon Children’s Classes | December 4–11, 1976 | Samuel S. Fleisher Art Memorial | |
1977 | Southeast Asian Ceramics | January 3, 1977–February 6, 1977 | East Asian Art | The Museum was privileged to play host to the first major exhibition of Southeast Asian Ceramics ever presented in the United States. The exhibition included 109 of the finest examples of Khmer, Thai, and Vietnamese ceramics dating from the 9th to the 17th centuries, on loan from museums and private collections. |
1977 | Looking at Style | February 1, 1977–May 1, 1978 | Division of Education | |
1977 | Gifts to Mark a Century: An Exhibition Celebrating the Centennial of the Philadelphia Museum of Art | February 18, 1977–March 20, 1977 | European Decorative Arts and Sculpture | The Museum's centennial anniversary culminated in the impressive exhibition Gifts to Mark a Century. More than 500 works of art were received as gifts in celebration of this important milestone. They ranged from European masterworks of painting to American furniture and decorative arts to treasures from India and the Far East. |
1977 | Recent Acquisitions: Made in Philadelphia | March 18, 1977–September 1, 1977 | Prints, Drawings, and Photographs | Recent Acquisitions: Made in Philadelphia recognizes the extraordinary range of accomplishment of artists living and working in the Philadelphia area. The exhibition presents some 30 paintings, drawings, and prints and reflects the Museum's efforts over the past five years to add to its collections the work of contemporary Philadelphia artists. |
1977 | Photographs from the Museum’s Collection I: America | April 1, 1977–July 24, 1977 | Prints, Drawings, and Photographs | |
1977 | American Presidential China | April 2, 1977–May 21, 1977 | American Art | American Presidential Chinapresents 115 ceramic objects used by the nation's First Families from George and Martha Washington to Gerald and Betty Ford. These works reflect the personal style of each President as well as changing tastes in ceramic arts |
1977 | La Belle Epoque: 1880–1915 | June 4, 1977–September 30, 1977 | Costume and Textiles | La Belle Epoque: 1800–1915 is an exhibition of 30 magnificent costumes, complemented by furniture and decorative arts of the period. |
1977 | Photographs from the Museum’s Collection II: Europe | June 18, 1977–August 30, 1977 | Prints, Drawings, and Photographs | |
1977 | European Drawings from the Fitzwilliam | September 1, 1977–October 16, 1977 | Prints, Drawings, and Photographs | |
1977 | Creative Growth | September 10, 1977–October 2, 1977 | Division of Education | |
1977 | American Crafts 1977 | October 3–30, 1977 | American Art | |
1977 | Islamic Art | October 8, 1977–January 28, 1978 | East Asian Art | To draw attention to the Museum's reserve collection Jean Gordon Lee, Curator of Far Eastern Art, developed the exhibition Islamic Art, a beautiful selection from our Near Eastern holdings. |
1977 | Italian Renaissance Majolica and the Three Books of the Potter’s Art | October 8, 1977–February 15, 1978 | Division of Education | |
1977 | American Prints of the Twentieth Century | November 5, 1977–January 9, 1978 | Prints, Drawings, and Photographs | This exhibition seeks to trace development of American printmaking from the turn of the century to the present. In the center are works of our immediate time, the 1970s, while spread along the peripheral walls are their forerunners, arranged by decades. At any moment one can turn to the work of another decade to make comparisons. |
1977 | Fashions of Embroidery | December 10, 1977–April 30, 1978 | Costume and Textiles | Elsie McGarvey, Curator Emeritus of the Department of Costume and Textiles, demonstrated the variety of our holdings in the charming exhibition Fashions of Embroidery. |
1977 | Eye on the Seventies | December 16, 1977–February 25, 1978 | ||
1977 | Form in Art | May 6, 1977–June 13, 1977 | Division of Education | |
1977 | Faculty Exhibition | April 5–21, 1977 | Samuel S. Fleisher Art Memorial | |
1977 | Adult Student Exhibition | June 6–30, 1977 | Samuel S. Fleisher Art Memorial | |
1977 | Highlights of the 1977 Student Exhibition | October 3–22, 1977 | Samuel S. Fleisher Art Memorial | |
1977 | Lou Hirsham: Caricatures and Constructions, 1936–1977 | October 25, 1977–November 23, 1977 | Samuel S. Fleisher Art Memorial | |
1977 | Children’s Exhibtion: Works from Saturday Classes | December 3–17, 1977 | Samuel S. Fleisher Art Memorial | |
1978 | The Stamp of Whistler | January 22, 1978–March 15, 1978 | Prints, Drawings, and Photographs | |
1978 | Turner Watercolors from the British Museum | March 4, 1978–April 30, 1978 | Prints, Drawings, and Photographs | |
1978 | Life with Dada: Beatrice Wood Drawings | March 11, 1978–April 9, 1978 | Modern and Contemporary Art | This exhibition includes drawings by Beatrice Wood ranging in date from 1917 to 1950, as well as a small selection of works and portraits of artists whom she knew in New York in the years 1916 to 1921 |
1978 | Incomplete Plans: Decorative Sculpture from the Museum | March 26, 1978–August 8, 1978 | Division of Education | |
1978 | The Face of China: 1860–1912 | April 15, 1978–June 15, 1978 | Prints, Drawings, and Photographs | The Face of China As Seen by Photographers & Travelers 1860–1912 is an exhibition presented by the Philadelphia Museum of Art from April 15 to June 25, 1978 |
1978 | Eight Artists | April 29, 1978–June 25, 1978 | Modern and Contemporary Art | |
1978 | Himalayan Art | June 3, 1978–July 30, 1978 | Indian and Himalayan Art | To close the year, Stella Kramrisch, Curator Emeritus of Indian Art, building on the strength and tradition of her department, exhibited Himalayan Art, an intense evocation of the beauty of Tibetan and Nepalese artistic tradition. |
1978 | Currier and Ives | June 6, 1978–October 15, 1978 | ||
1978 | The Jeweler’s Art: European and American Jewelry | July 1, 1978–October 22, 1978 | European Decorative Arts and Sculpture | Attracted by the artistic potential rather than the intrinsic value of their materials, such as the emphasis on precious gems in joaillerie, the jewelers whose work is exhibited here made inventive use of enameling, a craft revived in the nineteenth century as a result of renewed interest in Renaissance design. |
1978 | Contemporary Drawings: Philadelphia I | September 15, 1978–November 26, 1978 | Prints, Drawings, and Photographs | |
1978 | A Graphic Side of the Second Empire | September 16, 1978–November 19, 1978 | Prints, Drawings, and Photographs | A group of Second Empire prints from the collection shown in the Director's Corridor supplemented the exhibition The Second Empire: Art in France under Napoleon III |
1978 | The Second Empire: Art in France under Napoleon III | October 1, 1978–November 26, 1978 | ||
1978 | Thomas Eakins Memorabilia | October 18, 1978–December 20, 1978 | n 1929 and 1930, Mrs. Thomas Eakins and Miss Mary Adeline Williams gave the Philadelphia Museum of Art more than seventy paintings, drawings and sculptures by Thomas Eakins, establishing a collection that is vivid evidence of the artist's talent and working methods. Since then, others fascinated by Eakins' work and personality have donated additional examples of his art and a great variety of material related to his career. As a result, the Thomas Eakins Collection at the Philadelphia Museum of Art is unparalleled as a record of the life and the artistic achievement of one of America's greatest artists. This exhibition of works and documents of Eakins, his students and friends, celebrates the publication of the handbook to the Thomas Eakins Collection. |
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1978 | Paul Strand: Discoveries | November 12, 1978–July 15, 1979 | Prints, Drawings, and Photographs | |
1978 | Eye on the Seventies | December 2, 1978–February 11, 1979 | Prints, Drawings, and Photographs | |
1978 | The Charlotte Dorrance Wright Collection | December 16, 1978–January 21, 1979 | European Painting before 1900, Johnson Collection | In December, an exhibition was opened of the works of art bequeathed to the Museum by Charlotte Dorrance Wright. This collection gave the Museum seven flower paintings by FantinLatour, the first Gauguin to enter the collection, a group of eleven paintings by the English animal painter Munnings, a Degas, the beautiful Monet view of Antibes, three Pissarros, and a Sisley. |
1978 | Ornamental Icing: Cake Decorating Contest | April 1–9, 1978 | Department of Community Programs | |
1978 | Mechanical Music Machines | November 24, 1978–January 7, 1978 | Department of Community Programs | |
1978 | The Collecting Instinct | January 18, 1978–February 18, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Annual Fleisher Faculty Exhibition | March 7–30, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Maxim B. Gottlieb: A Retrospective Exhibition | April 4–27, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Frank Chinnici: A Sicilian’s Art in Philadelphia | May 1–4, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Annual Student Exhibition | June 6–29, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Highlights of the 81st Annual Adult Student Exhibition | October 2–14, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Kenley Gardner: A Photographic Essay | October 22, 1978–November 2, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Challenge Exhibition: Frank Galuszka, Lucy Glick, Mary Sentner | November 7–30, 1978 | Samuel S. Fleisher Art Memorial | |
1978 | Annual Children’s Exhibit | December 2–16, 1978 | Samuel S. Fleisher Art Memorial | |
1979 | Treasures of Early Irish Art | February 25, 1979–May 27, 1979 | European Decorative Arts and Sculpture | Treasures of Early Irish Art opened at the Museum on February 25. Comprising works from the National Museum of Ireland, the Royal Irish Academy, and Trinity College, Dublin, and organized in collaboration with the Metropolitan Museum of Art, the exhibition toured the United States for two years, ending in Philadelphia. |
1979 | Twentieth Century Design: Recent Acquisitions | March 10, 1979–May 6, 1979 | European Decorative Arts and Sculpture | While craftsmen and industrial designers often express different concerns, they share an understanding of the nature of materials and the limitations and capabilities of available techniques. The diversity of forms created by hand and by machine enrich the Museum's collections of the decorative arts of this century. |
1979 | Contemporary Drawings: Philadelphia II | March 24, 1979–May 20, 1979 | Prints, Drawings, and Photographs | Contemporary Drawings: Philadelphia is an involvement in and a thorough look at drawings by Philadelphia-area artists as presented in an unusual cooperative exhibition by the Pennsylvania Academy of the Fine Arts and the Philadelphia Museum of Art. |
1979 | Johnson Collection Drawings | May 1979–July 1979 | ||
1979 | The Imprint of a Patron: Lessing J. Rosenwald | May 5, 1979–August 5, 1979 | Prints, Drawings, and Photographs | |
1979 | Twentieth Century Drawings from the Collection | May 18, 1979–July 1, 1979 | Prints, Drawings, and Photographs | |
1979 | The Architecture of Sir Edwin Landseer Lutyens [1869–1944] | June 9, 1979–August 12, 1979 | European Painting before 1900, Johnson Collection | The Architecture of Sir Edwin Landseer Lutyens (1869–1944) is an exhibition of 30 architectural photographs and models installed in the Special Exhibitions Gallery. |
1979 | Violet Oakley (1874–1961) | June 30, 1979–August 12, 1979 | Modern and Contemporary Art | Violet Oakley (1874–1961) is an exhibition of 175 paintings, drawings, and objects installed in the Special Exhibitions Gallery. A special issue of the Museum Bulletinwith a checklist has been published. |
1979 | Photographs: Recent Acquisitions | August 4, 1979–November 4, 1979 | Prints, Drawings, and Photographs | |
1979 | William Klein Retrospective, or Meatyard Siskin | August 5, 1979–December 31, 1979 | ||
1979 | The University of Pennsylvania: Collector and Patron of Art, 1779–1979 | August 11, 1979–September 16, 1979 | American Art | This year, the University of Pennsylvania celebrates its two hundredth anniversary as the first seat of learning in the United States to be named a university. The present exhibit of works owned by, or otherwise associated with, the University is the result of a close cooperation in which the Museum joins the University in celebrating its bicentenary. |
1979 | Fashion Plate: Modes and Manners | September 1, 1979–December 2, 1979 | Costume and Textiles | Fashion Plate: Modes and Manners is an exhibition of 105 prints installed in the Print Gallery. |
1979 | Collab Auction | September 20, 1979 | ||
1979 | The Delights of Fine Fashion | September 29, 1979–February 10, 1980 | Costume and Textiles | Delights of Fine Fashion is an exhibition of 48 costumes and 74 accessories installed in the Costume and Textile Gallery (inaugural exhibition), supported by the installation of 49 costumes and 45 samplers throughout the Museum. |
1979 | Snuff Bottles | October 1979 | ||
1979 | Noguchi’s Imaginary Landscapes | October 20, 1979–Janaury 6, 1980 | Modern and Contemporary Art | Noguchi's Imaginary Landscapesis an exhibition of 80 sculptures, 119 photo panels, and 33 charts installed in the Special Exhibitions Gallery. The Walker Art Center has published an accompanying catalogue. |
1979 | Ansel Adams: 100 Photographs | November 17, 1979–March 2, 1980 | Prints, Drawings, and Photographs | Ansel Adams: 100 Photographs is an exhibition of 96 photographs installed in the Stieglitz Center Gallery |
1979 | On the Move: The Art of Transportation | December 15, 1979–March 23, 1980 | On the Move: The Art of Transportation is an exhibition of 105 prints installed in the Print Gallery. | |
1979 | Liturgy in Gaelic: Irish Mass in memory of Matthew H. McClosky from their Children | May 13, 1979 | ||
1979 | Challenge Exhibition: Frieda Fehrenbacher, Barry Lehr, Michael Williamson | January 16, 1979–February 3, 1979 | Samuel S. Fleisher Art Memorial | |
1979 | Challenge Exhibition: Kathy Halton, Larry Spaid, Ruth Wolf | February 6, 1979–March 1, 1979 | Samuel S. Fleisher Art Memorial | |
1979 | Fleisher Faculty Annual | March 6–31, 1979 | Samuel S. Fleisher Art Memorial | |
1979 | Challenge Exhibition: Anita Charney Harris, Diane Piere, Bruce Pollack | April 3–28, 1979 | Samuel S. Fleisher Art Memorial | |
1979 | 82nd Annual Adult Student Exhibition | June 4–28, 1979 | Samuel S. Fleisher Art Memorial |
Year | Title | Dates | Department | Additional Info |
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1980 | Norman/Stieglitz | February 1, 1980–July 6, 1980 | Prints, Drawings, and Photographs | |
1980 | Sports in Art | February 3, 1980–March 2, 1980 | European Painting before 1900 Johnson Collection |
European Painting before 1900, Johnson Collection Recognizing that comprehensiveness is not possible in an exhibition of this scale, Sports in Art features a sampling of Olympic sports and related athletic activities. Just as certain sports have had great popular appeal without finding wide representation in art, others have captured artists' imaginations while failing to win a large following in the sporting world. Clearly artists have had their own criteria for representation. Nonetheless their legacy is an eloquent testament to the beauty and achievement of the athlete. |
1980 | Far Eastern Art Department: Recent Acquisitions (Oriental Acquisitions, 1970-1980) |
February 8, 1980–April 20, 1980 | East Asian Art | Far Eastern Art Department: Recent Acquisitions is an exhibition of 217 paintings and objects installed in the Special Exhibitions Gallery. |
1980 | Collab: Masterpieces of Design | February 23, 1980–April 20, 1980 | European Decorative Arts and Sculpture | |
1980 | August Sander: Photographs of an Epoch | March 1, 1980–May 25, 1980 | Prints, Drawings, and Photographs | August Sander: Photographs of an Epoch is an exhibition of 248 photographs installed in the Special Exhibitions Gallery |
1980 | The Eighties: The Daring Decades | March 8, 1980–August 3, 1980 | Costume and Textiles | The Eighties: The Daring Decadesis an exhibition of 26 costumes and 24 accessories and textiles installed in the Costume and Textiles Gallery. |
1980 | Brancusi as Photographer | March 22, 1980–May 18, 1980 | Prints, Drawings, and Photographs | Brancusi as Photographer is an exhibition of 73 photographs from the Centre Georges Pompidou, Paris, installed in the Stieglitz Center Gallery and the small Arensberg Gallery. |
1980 | Closer Look at Paintings from the Johnson Collection: Related works and Reconstructions | March 29, 1980–August 3, 1980 | European Painting before 1900 Johnson Collection |
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1980 | Carl Zigrosser: The Curator as Collector | April 12, 1980–July 6, 1980 | Prints, Drawings, and Photographs | Carl Zigrosser: The Curator as Collector is an exhibition of 190 prints and objects installed in the Print Gallery. |
1980 | Copley from Boston: Paintings by John Singleton Copley, Furniture and Silver of His Time, from the Museum of Fine Arts, Boston | April 19, 1980–June 15, 1980 | American Art | Copley from Boston is an exhibition of 42 paintings, furniture, and decorative arts installed in the Special Exhibitions Gallery. |
1980 | Wedgwood and His Contemporaries | May 3, 1980–September 14, 1980 | European Decorative Arts and Sculpture | Wedgwood and His Contemporaries is an exhibition of 97 objects installed in the Decorative Arts Gallery |
1980 | Mexican Art from the Collections | June 7, 1980–August 24, 1980 | European Painting before 1900 Johnson Collection |
Mexican Art from the Collectionsis an exhibition of 176 paintings, sculptures, prints, and decorative arts installed in the Special Exhibitions Gallery. |
1980 | Paul Caponigro Retrospective | June 21, 1980–August 17, 1980 | Prints, Drawings, and Photographs | |
1980 | Ars Medica: Selected Works and New Acquisitions | June 25, 1980–August 17, 1980 | Prints, Drawings, and Photographs | Ars Medica: Selected Works and New Acquisitions is an exhibition of 150 prints, drawings, and photographs installed in the Special Exhibition Gallery. |
1980 | The New Vision: Forty Years of Photography at the Institute of Design | July 12, 1980–October 26, 1980 | Prints, Drawings, and Photographs | The New Vision: Forty Years of Photography at the Institute of Design is an exhibition of over 100 photographs by former students and teachers of the Institute of Design in Chicago. Among the 32 photographers represented in the exhibition are the school's famous mentors and several younger artists whose work matured during the sixties and seventies. |
1980 | Crosscurrents: French and Italian Neoclassical Drawings and Prints from the Cooper Hewitt Museum | July 19, 1980–August 27, 1980 | Prints, Drawings, and Photographs | Crosscurrents: French and Italian Neoclassical Drawings and Prints from the Cooper-Hewitt Museum is an exhibition of 135 prints and drawings installed in the Print Gallery. The exhibition is circulated by Smithsonian Institution Traveling Exhibition Service and installed in Philadelphia by Ann Percy, Associate Curator for Drawings. |
1980 | The Roman Forum | August 2, 1980–January 4, 1981 | European Painting before 1900, Johnson Collection | |
1980 | Footprints of the Buddha: Japanese Buddhist Prints from the American and Japanese Collections | August 23, 1980–October 26, 1980 | Prints, Drawings, and Photographs | The Philadelphia Museum of Art has assembled over 80 Japanese Buddhist woodblock prints for display in Footprints of Buddha, the first exhibition in this country devoted exclusively to this religious art form. The selected prints, on loan from American and Japanese collections, trace the development of Buddhist art in Japan from the 12th to the 20th century. |
1980 | A Tribute to the Print Club: 65th Anniversary Exhibition | September 13, 1980–November 9, 1980 | Prints, Drawings, and Photographs | |
1980 | Lucas van Leyden | September 13, 1980–November 9, 1980 | European Painting before 1900, Johnson Collection | |
1980 | Origins of Abstraction | September 27, 1980–January 4, 1981 | Modern and Contemporary Art | |
1980 | A Scholar Collects: Selections from the Anthony Morris Clark Bequest | October 2, 1980–January 4, 1981 | Prints, Drawings, and Photographs | The Philadelphia Museum of Art was fortunate to have received in 1978 378 old master drawings, 204 prints, 114 coins, medals, and plaquettes, 24 sculptures, and 13 miscellaneous objets d'art from the estate of the late Anthony Morris Clark. As the leading connoisseur of and specialist in eighteenth-century Roman painting, Anthony Clark assembled the finest collection of the art of that city and period in private hands in America. |
1980 | Seventeenth-Century Dutch Landscape | October 11, 1980–January 18, 1981 | European Painting before 1900, Johnson Collection | |
1980 | Futurism and the International Avant-Garde | October 26, 1980–January 4, 1981 | Modern and Contemporary Art | Futurism and the International Avant-Garde is an exhibition of 134 paintings, drawings, and sculpture installed together with manifestos and archival material in the Special Exhibitions Gallery. An installation of 24 works by Raymond Duchamp-Villon is installed concurrently. |
1980 | Children’s Clothing 1760–1980 | November 8, 1980–April 15, 1981 | Costume and Textiles | Costumes from the Museum's collection have been selected for this exhibition to show the main lines of development of children's costume over the past 200 years and also to illustrate the way well-to-do Philadelphia children have been dressed. |
1980 | Spirit of an American Place: Photographs by Alfred Stieglitz | November 22, 1980–March 29, 1981 | Prints, Drawings, and Photographs | Spirit of an American Place: Photographs by Alfred Stieglitz is an exhibition of 86 photographs installed in the Stieglitz Center Gallery. The Philadelphia Museum of Art has published a special issue of the Museum Bulletin with a checklist. |
1980 | Sets and Costumes of the Florence Opera: Designs for the Maggio Musicale 1933–1980 | November 30, 1980–January 25, 1981 | European Decorative Arts and Sculpture | Sets and Costumes of the Florence Opera: Designs for the Maggio Musicale, 1933–1980 is an exhibition of 219 drawings and paintings installed in the Print Gallery, and 12 costumes installed on the West Balconies. |
1981 | American Crafts | January 3, 1981–March 15, 1981 | ||
1981 | Drawings from van Gogh to Matisse | February 21, 1981–May 10, 1981 | Prints, Drawings, and Photographs | Drawings from van Gogh to Matisse is an exhibition of 106 drawings, watercolors, and collages installed in the Print Gallery. |
1981 | Manifestations of Shiva | March 29, 1981–June 7, 1981 | Indian and Himalayan Art | Manifestations of Shiva is an exhibition of 129 sculptures and 64 paintings installed in the Special Exhibitions Gallery. |
1981 | The New West: Photographs by Robert Adams | April 25, 1981–July 12, 1981 | Prints, Drawings, and Photographs | Robert Adams is a contemporary master of the photographic medium whose subtle, luminous images provide subjects for contemplation and the possibility for a broadened perspective of the new world or reality which we inhabit. The core of the exhibition is drawn from Adams' portfolio From the Missouri West, including landscapes from Colorado, Nebraska, Wyoming, Arizona, California, Oregon, and Utah. |
1981 | Venice and the Grand Tour | April 25, 1981–November 1, 1981 | European Painting before 1900, Johnson Collection | |
1981 | Form in Art | May 15, 1981–June 7, 1981 | ||
1981 | Mamlulu | May 23, 1981–July 19, 1981 | ||
1981 | From the Collections: American Themes on European Ceramics | June 1981– | European Decorative Arts and Sculpture | |
1981 | Picasso from the Collections | June 6, 1981–August 23, 1981 | Modern and Contemporary Art | Picasso from the Collections is an exhibition of 22 paintings and sculpture installed in the Twentieth-Century Galleries. |
1981 | Picasso as Printmaker | June 6, 1981–August 23, 1981 | Prints, Drawings, and Photographs | |
1981 | One Hundred Master Drawings by Picasso | July 11, 1981–August 23, 1981 | Prints, Drawings, and Photographs | The exhibition was drawn from 50 museums and private collections throughout the world, including the new Musée Picasso in Paris, the Museo Picasso in Barcelona, and the artist's heirs. The emphasis is on unfamiliar works, works from important periods, and finished drawings rather than preparatory studies. It is the first major display of Picasso's works on paper since the 1911 exhibition mounted by Alfred Stieglitz in New York. |
1981 | Henri Cartier-Bresson: Photographer | August 1, 1981–October 4, 1981 | Prints, Drawings, and Photographs | Henri Cartier-Bresson, one of the most widely respected photographers of the 20th century, has chosen over 100 of his most significant images for this traveling exhibition, which was organized by the International Center of Photography, New York. |
1981 | English Eighteenth Century Decorative Arts from the Collections | September 1981– | European Decorative Arts and Sculpture | |
1981 | From the Collections: Griffen, Smith, and Hill Majolica | September 1981– | American Art | |
1981 | Recent Acquisitions of American Decorative Art | September 1981– | American Art | |
1981 | American Presidential China | September 5, 1981–January 31, 1982 | American Art | American Presidential China is a collection of official and personal tableware used by presidents from George Washington to Ronald Reagan. The exhibit consists of one hundred objects from a private Philadelphia collection supplemented by pieces lent by Set Charles Moynihan. |
1981 | A Penny Plain, Tuppence Colored: European Popular Prints | September 12, 1981–November 15, 1981 | Prints, Drawings, and Photographs | |
1981 | American Frontiers: The Photographs of Timothy O’Sullivan | October 2, 1981–January 3, 1982 | Prints, Drawings, and Photographs | Chicago to present the exhibition and publication American Frontiers: The Photographs of Timothy O'Sullivan. The exhibition will include over 200 photographs from the work accomplished during the Civil War, the King and Wheeler expeditions to the American West, and the Selfridge expedition to Panama. |
1981 | Sir Edwin Landseer | October 25, 1981–January 3, 1982 | European Painting before 1900, Johnson Collection | |
1981 | Public Pomp and Private Pleasures: French Prints of the Eighteenth Century | December 4, 1981–February 14, 1982 | Prints, Drawings, and Photographs | |
1981 | The Unnatural History of Dragons | December 12, 1981–June 27, 1982 | European Painting before 1900, Johnson Collection | |
1981 | Marius de Zayas: Conjuror of Souls | December 18, 1981–February 14, 1982 | Modern and Contemporary Art | |
1982 | Animals of Japan | January 1982– | East Asian Art | |
1982 | Treasures of Ancient Nigeria | February 21, 1982–April 18, 1982 | European Decorative Arts and Sculpture | Treasures of Ancient Nigeria, a loan exhibition from the Nigerian National Museum, was organized by the Detroit Institute of Arts and made possible by grants from the Mobil Companies Nigeria, the National Foundation on the Arts and Humanities, and the National Endowment for the Arts. |
1982 | Nigerian Art from the University Museum | February 21, 1982–April 18, 1982 | European Decorative Arts and Sculpture | of the 19th century and by now has one of the largest collections in the United States. The twenty-seven sculptures that appear in this exhibition of Nigerian Art from the University Museum constitute some of the finest objects in the collection. |
1982 | Danny Lyon: Pictures from the New World | February 27, 1982–May 2, 1982 | Prints, Drawings, and Photographs | In 1962 Danny Lyon, armed with a camera, set off like thousands of his contemporaries on a voyage of discovery across America. He was a born wanderer and fearless observer who developed into an extraordinary recorder of the tumultuous events of the 1960s and '70s. This display of some 130 works forms an unusual autobiography of an artist who shows an intense and profound identification with his subjects. |
1982 | Pertaining to Philadelphia | March 5, 1982–October 20, 1982 | Modern and Contemporary Art | |
1982 | Frederick H. Evans: “The Desired Haven” | May 15, 1982–July 18, 1982 | Prints, Drawings, and Photographs | Frederick H. Evans, friend of George Bernard Shaw and Aubrey Beardsley, retired from his successful business as a London bookseller in 1898 to devote himself entirely to photography. His exquisite platinum prints of English and French cathedrals, parish churches, chateaux, woodlands, and landscapes established his lasting reputation as a pure photographer at a time when the manipulated gum print was the accepted medium of the London photographic salons and clubs. |
1982 | Form in Art: Works by Blind and Partially Sighted Adults | May 21, 1982–June 20, 1982 | ||
1982 | Thomas Eakins: Artist of Philadelphia | May 29, 1982–August 1, 1982 | American Art | Thomas Eakins: Artist of Philadelphia was organized by Darrel Sewell, Curator of American Art. It was supported by grants from the IBM Corporation and The Pew Memorial Trust. |
1982 | Great Ideas | July 24, 1982–August 15, 1982 | ||
1982 | From the Collections: Nineteenth Century French Drawings | August 14, 1982–November 28, 1982 | Prints, Drawings, and Photographs | |
1982 | From the Collections: Twentieth Century Artists’ Books | September 11, 1982–October 31, 1982 | Prints, Drawings, and Photographs | Many 20th-century artists have experimented with the book form, which allows them to express their interest in multiples and reach a wider audience. In conjunction with Bookworks: 1982, the international conference of artists, writers, and publishers being held in Philadelphia in October, the Museum has selected nine artists' books which reveal a range of approaches to the artistic medium. |
1982 | John Cage: A Portrait Series by Robert Mahon | September 11, 1982–October 31, 1982 | Prints, Drawings, and Photographs | ohn Cage: A Portrait Series by Robert Mahon is an exhibition of 216 photographs by Robert Mahon installed in the Director's Corridor by the artist. |
1982 | John Cage: Scores and Prints | September 11, 1982–October 31, 1982 | Prints, Drawings, and Photographs | This exhibition presents the first comprehensive review of John Cage's scores, print editions, and books, which have added a visual dimension to his international reputation as a composer. Cage's link with the art and thought of Marcel Duchamp makes the Philadelphia Museum of Art, with its great holdings of Duchamp's work, a particularly apt site for this exhibition. |
1982 | Fraktur Exhibit | October 1982 | ||
1982 | The Pennsylvania Germans: A Celebration of Their Arts, 1683–1850 | October 17, 1982–January 9, 1983 | American Art | German-speaking peoples began to arrive on these shores in 1682 with William Penn, drawn by the promise of religious liberty and economic opportunity. Known world-wide as the Pennsylvania Dutch, they brought with them the artistic traditions of such regions as the Palatinate in southern Germany, the Netherlands, Switzerland, Austria, Northern Germany, Moravia in Czechoslovakia, and Silesia in Poland. This exhibition brings together over 300 objects selected from the organizing museums and nearly 100 other institutions and private collections. |
1982 | Pertaining to Philadelphia II | October 29, 1982–August 21, 1983 | Modern and Contemporary Art | Pertaining to Philadelphia II is an exhibition of 23 contemporary prints, drawings, and sculptures installed in the Twentieth-Century Art galleries. |
1982 | American Graphics, 1860–1940, Selected from the Collection of the Philadelphia Museum of Art | November 20, 1982–January 16, 1983 | Prints, Drawings, and Photographs | This exhibition of 115 works drawn from the Museum's permanent collection suggests the full range of artistic approaches found in America over a period of eight decades. Included are etchings, engravings, woodcuts, and lithographs by Edward Hopper, John Singer Sargent, Mary Cassatt, John Marin, Rockwell Kent, and other significant printmakers. |
1982 | Dance in Pennsylvania: The Nation’s First Steps | December 11, 1982–February 20, 1983 | Dance in Pennsylvania: The Nation's First Steps was an exhibition of 77 eighteenth- to twentieth-century objects, including drawings, prints, costumes, models, and photographs, installed in the Director's Corridor. | |
1982 | Flora and Fauna in Oriental Art | December 1982– | East Asian Art | |
1983 | From the Collections: Paintings by Jan Steen | January 15, 1983–July 3, 1983 | European Painting before 1900, Johnson Collection | The Museum and Johnson Collections own ten paintings by or attributed to the famous 17th-century Dutch painter Jan Steen, comprising the wealthiest collection outside Holland. |
1983 | Minor White, Photographs | February 5, 1983–April 3, 1983 | Prints, Drawings, and Photographs | Minor White (1908–1976), photographer, theoretician, editor, critic, and teacher, was one of the most influential American photographers from the 1950s until his death. Some 100 of White's photographs from the Museum's collection have been selected for display, arranged, as the artist intended, in sequences so that individual prints borrow significance from each other to make a unified statement. |
1983 | Tibet: The Sacred Realm, Photographs 1880–1950 | March 20, 1983–May 22, 1983 | Prints, Drawings, and Photographs | This exhibition of some 180 photographs, most of which have never before been on public view, give a rare glimpse of the dramatic landscape of Tibet, the massive forts and monasteries that dominate its towns, its varied peoples, and the Buddhist rituals which form the basis of their spiritual life. |
1983 | Julius Bloch: Portrait of the Artist | March 20, 1983–April 29, 1983 | Modern and Contemporary Art | Julius Bloch (1888–1966) had a natural empathy for working people, whom he captured in moving portraits. He approached the subject of a stevedore, a prisoner, a factory worker, or a dispossessed farmer with the dignity and formality usually reserved for commissioned portraits. Julius Bloch: Portrait of the Artist presents approximately forty paintings, drawings, and prints that survey the range of the artist's career from 1912 to the early 1950s. |
1983 | The Friends of the Philadelphia Museum of Art: Two Decades of Publications | April 1983– | Prints, Drawings, and Photographs | |
1983 | Impressions of the Front: Woodcuts of the Sino-Japanese War, 1894–1895 | April 23, 1983–June 26, 1983 | East Asian Art | The war between Japan and China over the control of Korea, while lasting less than a year, was oneof the first wars to be covered by reporters, whose daily dispatches created a huge demand for war pictures. Japanese artists responded by producing over 3,000 wood-block prints at the rate of about ten a day. This exhibition presents 87 wood-block prints drawn from the Museum's permanent collection. |
1983 | 100 Years of Acquisitions | May 7, 1983–July 3, 1983 | American Art | To celebrate the centennial of the Women's Committee, the Museum will draw upon its vast collections to present a visual record of its growth during the last century. The exhibition will consist of 100 objects, one acquired each year. |
1983 | Form in Art: Works by Blind and Partially Sighted Adults | May 20, 1983–June 19, 1983 | ||
1983 | Cezanne in Philadelphia Collections | June 19, 1983–August 21, 1983 | European Painting before 1900, Johnson Collection | Philadelphia has long been a center for the collecting of works by Paul Cézanne (1839–1906). The Barnes Foundation in nearby Merion houses the most extensive gathering of his works in the world. The Museum will gather together its holdings and add to them some ten paintings and ten watercolors from local private collections. The exhibition, while not large in scale, will present the artist in all the variety of his subjects—figures, portraits, still lifes, and landscapes. |
1983 | Pennsylvania Modern: Charles Demuth of Lancaster | July 16, 1983–September 11, 1983 | Prints, Drawings, and Photographs | Pennsylvania Modern: Charles Demuth of Lancaster is an exhibition of 38 paintings, drawings, and watercolors installed in the Prints and Drawings Gallery. |
1983 | Motion, Time, Pattern, Sequence | September 1, 1983–November 1, 1983 | Prints, Drawings, and Photographs | |
1983 | Pertaining to Philadelphia III: Motion and Sequence | October 1–30, 1983 | Prints, Drawings, and Photographs | Pertaining to Philadelphia III: Motion and Sequence is an exhibition of 36 nineteenth- and twentieth- century photographs installed in the Twentieth-Century Art galleries. |
1983 | Particulars: Selections from the Miller-Plummer Collection of Photography | October 1, 1983–November 27, 1983 | Prints, Drawings, and Photographs | Particulars: Selections from the Miller-Plummer Collection of Photography is an exhibition of 168 nineteenth- and twentieth-century photographs installed in the Prints and Drawings Gallery. |
1983 | Design Since 1945 | October 16, 1983–January 8, 1984 | European Decorative Arts and Sculpture | Design Since 1945 is an exhibition of 418 objects (appliances, ceramics, glass, furniture, lighting, metalwork, plastics, textiles, and wood) installed in the Special Exhibition Galleries. |
1983 | Embroidered Pictures and Samplers | October 22, 1983–January 3, 1984 | Costume and Textiles | |
1983 | ABU DADA: Jean Crotti & Suzanne Duchamp, 1915–1922 | November 19, 1983–January 29, 1984 | Modern and Contemporary Art | Tabu Dada: Jean Crotti and Suzanne Duchamp, 1915–1922 is an exhibition of 69 paintings, drawings, and watercolors, supplemented with photographs and documents, installed in the Twentieth-Century Art galleries |
1983 | Paintings from Siena | December 3, 1983–May 6, 1984 | European Painting before 1900, Johnson Collection | From the Collections: Paintings from Siena is an exhibition of 24 fourteenth- and fifteenth-century paintings installed in the John G. Johnson Collection Special Exhibition Gallery. |
1984 | Henry Tanner | January 23, 1984–July 15, 1984 | American Art | Henry Tanner is an exhibition of 8 paintings and 1 drawing lent by Mrs. Sadie T. M. Alexander installed in the American Collections galleries. |
1984 | Pertaining to Philadelphia IV | February 11, 1984– | Modern and Contemporary Art | Pertaining to Philadelphia: Part IVis an exhibition of 22 drawings, prints, paintings, and sculptures installed in the Twentieth-Century Art galleries. |
1984 | Selections from the Whitman Sampler Collections | February 11, 1984–April 29, 1984 | Costume and Textiles | Selections from the Whitman Sampler Collection is an exhibition of 39 American and European seventeenth- to twentieth-century samplers installed in the Director's Corridor. |
1984 | Dutch Tiles | March 18, 1984–May 13, 1984 | European Decorative Arts and Sculpture | The natural world of animals, flowers, and landscapes, the mythological realm of sea creatures, scenes of everyday life, and stories from the Bible all found their way into 17th-and 18th-century Dutch homes on colorful ceramic wall tiles. This exhibition presents some 1500 tiles dating from 1570 to 1850. |
1984 | Masters of Seventeenth-Century Dutch Genre Painting | March 18, 1984–May 13, 1984 | European Painting before 1900, Johnson Collection | As no other people before them, the 17th-Century Dutch left a detailed visual record of their society, land, and possessions. The richness and beauty of Dutch genre painting—scenes of everyday life—is revealed in 120 paintings lent by museums and private collections in Europe and the United States, the first major exhibition of the subject ever mounted in this country. |
1984 | Dutch Paintings from the Collection | March 18, 1984–July 30, 1984 | European Painting before 1900, Johnson Collection | Dutch Paintings from the Collections is an exhibition of 43 seventeenth-century genre paintings installed in the John G. Johnson Collection Study Gallery. |
1984 | Form in Art | May 18, 1984–July 18, 1984 | ||
1984 | John Marin: Prints and Watercolors from the Collection | June 23, 1984–August 26, 1984 | Prints, Drawings, and Photographs | John Marin (1870–1953), perhaps best known for his innovative city and seascapes in watercolor, first gained recognition for his accomplishments as a graphic artist. Some 60 etchings and 27 watercolors will be displayed in this exhibit. |
1984 | Beyond a Portrait: Photographs by Alfred Stieglitz and Dorothy Norman | June 23, 1984–October 28, 1984 | Prints, Drawings, and Photographs | Perhaps no other individual in the first half of this century did as much to foster a truly American expression of the modern world, to encourage and promote other artists who shared his vision, as Alfred Stieglitz. Dorothy Norman was one visitor who happened on his gallery and they began a deep, enduring companionship which found expression in their work. This exhibition of some 60 photographs covers the years between their first meeting in 1927 and Stieglitz's death in 1946. |
1984 | Philadelphians and the China Trade, 1784–1844 | July 1, 1984–September 23, 1984 | East Asian Art | To celebrate the 200th anniversary of the sailing of the first American ship to China, the Museum will examine Philadelphia's position in the trade through an exhibition of over 300 objects which were commissioned by Philadelphians or which arrived on ships at the city's port. These represent some of the finest objects produced by Chinese artists for the American market. |
1984 | The Canton Collection: Ships, Captains, and Cargoes | July 1, 1984–September 16, 1984 | American Art | |
1984 | From the Collections: Painting by John Constable | August 4, 1984–January 6, 1985 | European Painting before 1900, Johnson Collection | From the Collections: Paintings by John Constable features 15 paintings spanning the English landscape artist's career, drawn from the Museum's holdings and those of the John G. Johnson Collection, together one of the richest collections of Constable's work in the country. |
1984 | Old Master Drawings, 1550–1850 | September 15, 1984–January 30, 1985 | Prints, Drawings, and Photographs | This exhibition celebrates the recent acquisition by the Philadelphia Museum of Art of the John S. Phillips Collection of old master drawings from the Pennsylvania Academy of the Fine Arts. |
1984 | Ansel Adams | September 22, 1984–April 28, 1985 | Prints, Drawings, and Photographs | This exhibition features 29 photographs, including Adams’ celebrated images of the American West, shown as a memorial to this master photographer. |
1984 | Jonathan Borofsky | October 7, 1984–December 2, 1984 | Modern and Contemporary Art | Jonathan Borofsky surveys at mid-career the work of one of the most eclectic contemporary American artists, who, while working in a highly personal fashion, creates an art of universal recognition. |
1984 | The Golden Age of British Photography, 1839–1900 | October 27, 1984–January 6, 1985 | Prints, Drawings, and Photographs | The Golden Age of British Photography, 1839–1900 features 240 extraordinary 19th-century photographs, many of them newly discovered and previously unexhibited, by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron. |
1984 | All American: Photographs by Burk Uzzle | November 17, 1984–May 19, 1985 | Prints, Drawings, and Photographs | This exhibition features 77 photographs by this irreverent social documentarian. |
1984 | Dreadful Fire!: The Burning of the Houses of Parliament | November 23, 1984–January 6, 1985 | European Painting before 1900, Johnson Collection | The first reunion of a pair of masterpieces, one from the Museum's collection and one belonging to the Cleveland Museum of Art, painted by J.M.W. Turner in response to the disastrous fire in the Houses of Parliament in 1834, shown with watercolor studies and documents. |
1985 | Pertaining to Philadelphia V: Sidney Goodman | January 5, 1985–May 12, 1985 | Modern and Contemporary Art | This exhibition features recent paintings by Sidney Goodman on the subject of the Four Elements—earth, water, fire, and air—with a fifth canvas in the series representing the human component. |
1985 | From the Collections: Spanish Gothic Painting | January 19, 1985–July 14, 1985 | European Painting before 1900, Johnson Collection | Drawn from an area of particular strength in the collections, this exhibition features 15 paintings giving full expression to the geographic and cultural diversity of 15th-century Spain and its interpretations of the international Gothic style. |
1985 | Edgar Degas: The Painter as Printmaker | February 17, 1985–April 14, 1985 | Prints, Drawings, and Photographs | This exhibition for the first time surveys the full range of Edgar Degas's etchings and lithographs, including the numerous preparatory drawings, monotypes, and working proofs that record his constant and restless search to push printmaking to new frontiers of expressiveness. |
1985 | Edgar Degas in Philadelphia Collections | February 17, 1985–April 14, 1985 | European Painting before 1900, Johnson Collection | Edgar Degas, unlike his Impressionist peers, had little interest in landscape painting, choosing instead to concentrate on figures in contemporary society. The Museum has assembled some 25 paintings, pastels, sculptures, and drawings from its permanent collection and from private lenders in the Philadelphia area to provide a rich comparative context for the major traveling exhibition of his prints. |
1985 | Mary Cassatt and Philadelphia | February 17, 1985–April 14, 1985 | European Painting before 1900, Johnson Collection | This exhibition confirms Mary Cassatt's important artistic achievements and also examines her role in encouraging Philadelphians to acquire Impressionist paintings at a time when critical disparagement was widespread. |
1985 | Fleeting Moments: Japanese Prints from the Collection | March 23, 1985–May 19, 1985 | East Asian Art | |
1985 | Marc Chagall | May 12, 1985–July 21, 1985 | Modern and Contemporary Art | The first major retrospective of Chagall's work to be mounted in this country in many decades, this exhibition emphasizes the profoundly Russian aspects of his approach both to style and content and explores the tragic side of his art which has often been overlooked. |
1985 | Form in Art: Works by Blind and Partially Sighted Adults | May 24, 1985–July 21, 1985 | ||
1985 | Contagion (Ars Medica — Kyoto, Japan) | May 29, 1985–June 30, 1985 | Prints, Drawings, and Photographs | |
1985 | Bill Brandt: Behind the Camera, 1928–1983 | June 15, 1985–September 22, 1985 | Prints, Drawings, and Photographs | Bill Brandt: Behind the Camera, 1928–1983 features approximately 140 photographs organized around his major series of photographs, beginning with European street scenes and progressing to his unique record of English life between the wars, images of wartime London, portraits of artists and intellectuals, romantic landscapes of Britain, and his pictorial exploration of the nude. |
1985 | From the Collections: Italian Renaissance Portraits | August 10, 1985–October 27, 1985 | European Painting before 1900, Johnson Collection | This exhibition features eleven paintings and one portrait bust, including works by Dosso Dossi, Bronzino, Tintoretto, and Titian. |
1985 | Ars Medica: Art, Medicine, and the Human Condition | September 22, 1985–December 1, 1985 | Prints, Drawings, and Photographs | |
1985 | From the Collections: Nineteenth and Early Twentieth Century Medicine and Pharmacy Posters | September 28, 1985–February 2, 1986 | Prints, Drawings, and Photographs | |
1985 | W. Eugene Smith: “Let Truth Be the Prejudice” | October 19, 1985–January 5, 1986 | Prints, Drawings, and Photographs | W. Eugene Smith (1918–1978) created images so powerful that they have shaped our perception of recent history. His photographic essays—whether chronicling the daily cares of an individual nurse-midwife, the plight of lepers in an African village, or the many elements which comprise a modern industrial city-established a new mode of in-depth, concerned photojournalism. |
1985 | Unknown Territory: Photographs by Ray K. Metzker | October 20, 1985–January 5, 1986 | Prints, Drawings, and Photographs | The work of Ray Metzker, a distinguished contemporary photographer long associated with Philadelphia, has been concentrated into over a dozen extended series of images, each radically different from one another. He has worked primarily in urban areas, drawn to ordinary people going about their day-to-day business. |
1985 | A Tribute to J.S. Bach (1685–1750) | November 23, 1985–January 26, 1986 | Prints, Drawings, and Photographs | In celebration of the tercentenary of the birth of Johann Sebastian Bach (1685–1750), the Museum will present a small exhibition devoted to the composer and his times. |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1986 | Dutch Porcelain | 1986 | European Decorative Arts and Sculpture | |
1986 | Painted Delight: Indian Paintings from Philadelphia Collections | January 26, 1986–April 20, 1986 | Indian and Himalayan Art | During three centuries of princely patronage, Indian artists produced luminous paintings for books and albums which continue to enchant viewers today. Painted Delight: Indian Paintings from Philadelphia Collectionsincludes some 140 masterworks of the Mughal and Rajput schools, many of which have never before been exhibited or published. |
1986 | From Mantenga to Goya: Selections from the Muriel and Philip Berman Gift of European Old Master Prints | February 1, 1986–March 29, 1986 | Prints, Drawings, and Photographs | This exhibition celebrates a noteworthy event in the history of the Museum: the acquisition of an encyclopedic collection of European prints, made possible by the extraordinary generosity of Muriel and Philip Berman. |
1986 | Benjamin West in Pennsylvania Collections | March 1, 1986–April 13, 1986 | American Art | This exhibition consisted of 37 paintings and 50 drawings assembled from public and private collections in Pennsylvania in celebration of the publication by Yale University Press of the catalog Paintings of Benjamin West, by Helmut von Erffa and Allen Staley. |
1986 | Pertaining to Philadelphia VI: Works on Paper from the Seventies and Eighties | March 9, 1986–May 6, 1986 | Prints, Drawings, and Photographs | |
1986 | Richard Hamilton: Image and Process | April 19, 1986–June 22, 1986 | Prints, Drawings, and Photographs | More than works in any other medium, prints enable a viewer to explore the creative process leading to a finished work of art. Successive stages of a print—working proofs, states, and pen-and-ink studies—permit us to follow the artist's thoughts and to scrutinize his working methods. The work of Richard Hamilton (born 1922), structured on the additive principle of collage, is particularly suited to such penetrating analysis, as demonstrated by this exhibition of eighteen images seen in various states of their development. |
1986 | Form in Art: Works by Blind and Partially Sighted Adults | May 16, 1986–July 6, 1986 | ||
1986 | Diego Rivera: A Retrospective | June 1, 1986–August 10, 1986 | American Art | This exhibition celebrates the one-hundredth anniversary of the birth of Mexican-born Diego Rivera (1886–1957), whose bold and powerful paintings brilliantly convey his passionate concern for social and political issues, drawing upon Mexican history, and celebrating peasants and workers. |
1986 | Diego Rivera and His Mexico: Through the Camera’s Eye | June 1, 1986–August 10, 1986 | ||
1986 | American Naïve Paintings from the Garbisch Collection | August 1, 1986–October 5, 1986 | American Art | |
1986 | Black Sun: The Eyes of Four | August 9, 1986–October 26, 1986 | Prints, Drawings, and Photographs | Black Sun: The Eyes of Fourpresents four artists whose works form a vital core of post-war Japanese photography: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. The 160 photographs chosen for the exhibition range from the metaphoric to the documentary, from the presentation of the horrific legacy of Nagasaki to visually dense cityscapes. |
1986 | Philadelphia Collects: Art Since 1940 | September 28, 1986–November 30, 1986 | Modern and Contemporary Art | |
1986 | From the Collections: British Drawings and Watercolors | October 11, 1986–January 11, 1987 | Prints, Drawings, and Photographs | |
1986 | Martha Graham: Sixty Years in Photographs | October 11, 1986–November 30, 1986 | Prints, Drawings, and Photographs | A first-time exhibit of prints of Martha Graham and her dance company will be on exhibit at the Philadelphia Museum of Art October 11–November 30, 1986.The exhibit will be a part of a tribute to Martha Graham on the sixtieth anniversary of her dance company, in conjunction with their performances at Annenberg Center November 12–15. |
1986 | From the Collections: British Paintings | October 14, 1986–January 18, 1987 | European Painting before 1900, Johnson Collection | |
1986 | Modern Jewelry 1964–1984: The Helen Williams Drutt Collection | November 1, 1986–February 1, 1987 | American Art | Modern Jewelry 1964–84: The Helen Williams Drutt Collection, an exhibition of more than 150 pieces by 75 artists from the United States, Europe, and Japan, will be on view at the Philadelphia Museum of Art from November 1, 1986 to February 1, 1987. Contemporary work in jewelry, like other craft arts, has enjoyed a particularly innovative period over the past 25 years. This exhibition traces the creative evolution of several key figures in the field. |
1986 | African Sculpture from the University Museum, University of Pennsylvania | November 23, 1986–February 8, 1987 | European Decorative Arts and Sculpture | African Sculpture from The University Museum, University of Pennsylvania is an exhibition of 88 masks, sculptures, magic figures, and objects of everyday use. The exhibition is grouped into sections according to three principal factors that underlie the creation of much of African art: the transmission of laws and traditions to the young, communication with the spiritual world, and material evidence of wealth and prestige. |
1986 | Diane Arbus: Magazine Work 1960–1971 | December 6, 1986–January 18, 1987 | Prints, Drawings, and Photographs | Diane Arbus: Magazine Work 1960–1971 is an exhibition of over 60 photographs originally published in Esquire, Harper's Bazaar, London Sunday Times Magazine, Saturday Evening Post and other mass circulation periodicals. |
1987 | Hendrik Goltzius (1558–1617); Virtuoso Printmaker | January 10, 1987–March 22, 1987 | European Painting before 1900, Johnson Collection | Hendrik Goltzius was the leading Dutch printmaker of his day. His fame was assured not only by his own prolific output of almost 400 prints and his remarkable capacity for stylistic and technical innovation but also by over 500 works produced by generations of followers. His remarkable 25-year career as a graphic artist is represented here by over 70 of his finest engravings and woodcuts. |
1987 | Design 1900–1940: From the Collections | January 31, 1987–December 9, 1987 | European Decorative Arts and Sculpture | Design 1900–1940: From the Collections consists of an installation of over 50 objects in the South Auditorium Gallery. |
1987 | European Sculpture and Decorative Art: Acquisitions by David DuBon, 1958–1985 | March 3, 1987–September 30, 1987 | European Decorative Arts and Sculpture | David DuBon joined the staff of the Philadelphia Museum of Art as Assistant Curator of Decorative Arts in 1958 and became Curator of Medieval and Renaissance Decorative Arts in 1966. He retired in 1985 but continued his affiliation with this institution as a Consulting Curator until his death in 1986. |
1987 | The Quest for Eternity: Chinese Ceramic Sculpture from the People’s Republic of China | March 22, 1987–May 24, 1987 | East Asian Art | Philadelphia will be the only East Coast showing of The Quest for Eternity: Chinese Ceramic Sculpture from the People's Republic of China, which is the first to be mounted in the West tracing the full evolution of Chinese ceramic sculpture from the Neolithic period (beginning c. 8000 B.C.) to the end of the Ming dynasty (1644 A.D.). |
1987 | Twelve Photographers Look at US | April 11, 1987–July 5, 1987 | Prints, Drawings, and Photographs | Twelve Photographers Look at USis being planned as part of We the People 200, Philadelphia's year-long celebration of the Bicentennial of the Constitution. The exhibition will show the work of twelve contemporary photographers who photograph the American people in the context of present-day American society. |
1987 | Pertaining to Philadelphia VII: Videodisc Installation by Peter D’Agostino | April 18, 1987–July 5, 1987 | Modern and Contemporary Art | |
1987 | Form in Art: Works by Blind and Partially Sighted Adults | May 15, 1987–June 12, 1987 | ||
1987 | Claude Monet: Philadelphia | June 20, 1987–August 30, 1987 | European Painting before 1900, Johnson Collection | Claude Monet: Philadelphiapresents 30 paintings from the Museum and private collectors in the Philadelphia area for a dazzling summer exhibition. |
1987 | Masterpieces in the McIlhenny Collection | June 26, 1987–August 31, 1987 | ||
1987 | Federal Philadelphia, 1785–1825: The Athens of the Western World | July 5, 1987–September 20, 1987 | American Art | The high level of artistic achievement which occurred in Philadelphia in the years following the American Revolution will be revealed in a major exhibition of furniture, silver, costumes, paintings, and architectural elements at the Philadelphia Museum of Art. |
1987 | Recent Acquisitions of Prints, Drawings, and Photographs Part I: The Twentieth Century | July 15, 1987–September 20, 1987 | Prints, Drawings, and Photographs | |
1987 | Pertaining to Philadelphia VIII: “Rockin’” by Maurie Kerrigan | August 8, 1987–October 4, 1987 | Prints, Drawings, and Photographs | Artist Maurie Kerrigan provided rocking chairs for visitors to enjoy the oil pastels and "sound drawings" in her Rockin' installation, the eighth display in the Pertaining to Philadelphia series. |
1987 | The Arts of Edo | September 1987–July 1988 | East Asian Art | |
1987 | Apropos of Marcel Duchamp 1887/1987 | October 1, 1987–January 3, 1988 | Modern and Contemporary Art | A major installation of works by Marcel Duchamp (1887–1968), mounted in celebration of the 100th anniversary of the artist's birth, Apropos of Marcel Duchamp 1887/1987 reveals the depth of his creative genius. |
1987 | The Captured Imagination: Drawings by Joan Miro from the Fundacio Joan Miro, Barcelona | October 3, 1987–November 29, 1987 | Prints, Drawings, and Photographs | The great modern Spanish master Joan Miró (1893–1983) has often been characterized as a spontaneous and childlike Surrealist whose paintings emerged unrehearsed and fully formed. Over 150 works on paper never before seen in this country dispel that myth and furnish proof that reflection, rather than impulse, informed his work. |
1987 | Miró in the Philadelphia Collections | October 3, 1987–November 29, 1987 | Modern and Contemporary Art | Miró in Philadelphia Collectionspresents a splendid group of paintings, drawings, and sculpture from the Museum and local private collections. |
1987 | Paul Klee in Philadelphia Collections | October 3, 1987–January 3, 1988 | Prints, Drawings, and Photographs | Paul Klee in Philadelphia Collections draws from the Museum's unusually strong collection of works on paper by Paul Klee, most of which are from his fertile Bauhaus period. |
1987 | Richard Misrach: The American Desert | October 24, 1987–January 3, 1988 | Prints, Drawings, and Photographs | Richard Misrach (born 1949), one of the bright talents of the new generation of color photographs in the United States, has been "chasing the light" in western deserts since 1982, recording fires and flooded landscapes, the land of the space shuttle, roads, train tracks, and other aspects of wilderness imprinted with the signs and artifacts of human habitation. |
1987 | Philadelphia Craft Show | November 4–8, 1987 | American Art | |
1987 | The Henry P. McIlhenny Collection | November 22, 1987–January 17, 1988 | European Painting before 1900, Johnson Collection | It is rare for a single gift to markedly transform a museum's collection. The receipt of the bequest of the Henry P. McIlhenny Collection, one of the finest private collections assembled in this country during this century, is such an event. |
1987 | Henry P. McIlhenny: Photographs by Gloria Braggiotti Etting | November 22, 1987–January 31, 1988 | European Painting before 1900, Johnson Collection | |
1987 | Contemporary American Crafts from the Collection | December 23, 1987– | American Art | |
1987 | From the Collections: The Hague School | December 23, 1987–November 20, 1988 | European Painting before 1900, Johnson Collection | The group of Dutch artists active in and around the Hague from about 1870 until after the turn of the century were drawn to that small city, surrounded by woodland and close to the seashore, because it remained relatively untouched by industrialization. |
1988 | Recent Acquisitions, II: Prints, Drawings, and Photographs before 1900 | January 30, 1988–March 27, 1988 | Prints, Drawings, and Photographs | It is rare for a single gift to markedly transform a museum's collection. The receipt of the bequest of the Henry P. McIlhenny Collection, one of the finest private collections assembled in this country during this century, is such an event. |
1988 | Anselm Kiefer | March 6, 1988–May 1, 1988 | Modern and Contemporary Art | The first Anselm Kiefer retrospective to tour the United States was jointly organized by the Philadelphia Museum of Art and the Art Institute of Chicago, followed by exhibitions in Los Angeles and New York. Mark Rosenthal, Curator of Twentieth Century Art, co-curated the exhibition with A. James Speyer and Neal Benezra of Chicago, selecting approximately 70 works, ranging from painting and sculpture to books and photography. |
1988 | New Art on Paper: Acquired with Funds from the Hunt Manufacturing Co. | April 16, 1988–July 3, 1988 | Prints, Drawings, and Photographs | New Art on Paper: The Hunt Manufacturing Co. Collection was the culmination of an eight-year grant program from Hunt which allowed the Museum to acquire “adventurous and risk-taking” work on paper by contemporary artists. |
1988 | Fans from the Collection | April 23, 1988–July 24, 1988 | Costume and Textiles | This exhibition displays fans from the Museum's collection dating back to the fifteenth century to present day. |
1988 | Form in Art: Works by Blind and Partially Sighted Adults | May 13, 1988–June 12, 1988 | ||
1988 | Cubism | May 23, 1988 | ||
1988 | Jasper Johns: Venice Biennale | June 1988–September 1988 | ||
1988 | Masters of the 17th Century Dutch Landscape Painting | June 5, 1988–July 31, 1988 | European Painting before 1900, Johnson Collection | Masters of 17th-Century Dutch Landscape Painting, drawn from public and private collections in eleven countries, revealed the consummate skill of Jacob van Ruisdael, Aelbert Cuyp, Rembrandt, and other artists of Holland's "Golden Age." |
1988 | Picasso, Braque, Leger, Gris: Drawings from the Douglas Cooper Collection | June 16, 1988–July 31, 1988 | Modern and Contemporary Art | The Philadelphia Museum of Art presented the only American showing of Picasso, Braque, Léger, Gris: Drawings from the Douglas Cooper Collection, a comprehensive group of works by the Cubist masters. |
1988 | The Fairmount Waterworks, 1812–1911 | July 23, 1988–September 25, 1988 | American Art | The Fairmount Waterworks, 1812–1911, is an exhibition organized by Darrel Sewell of some 150 paintings, watercolors, drawings, and prints of the celebrated Philadelphia architectural and engineering landmark. |
1988 | Flowers for Every Season | September 1988–July 1989 | East Asian Art | The delicate nature of works on paper and silk necessitates the frequent rotation of paintings. The current installation features the art of flower painting. Through the centuries, Chinese artists have delighted in depicting the flowers of every season. |
1988 | The Arts of Tea | September 1988–July 1989 | East Asian Art | Sixty years ago, in the fall of 1928, a shipment of crates arrived here from Japan containing the elements of a teahouse. The teahouse and its waiting room had originally been built in 1917 by a Japanese architect for his private residence in Tokyo. It would be nearly thirty years before the plan of another architect, then director of this museum, Fiske Kimball, was completed, with the opening of the Museum's Far Eastern wing in 1957. |
1988 | Art Nouveau in Munich: Masters of Jugendstil | September 25, 1988–November 27, 1988 | European Decorative Arts and Sculpture | The first German exhibition of decorative arts in the "new" style was held in the Munich Glaspalast in 1897. Critics immediately recognized the importance of this exhibition and praised the "Munich accomplishment" as the "way of the future." |
1988 | Jasper Johns: Work Since 1974 | October 23, 1988–January 8, 1989 | Modern and Contemporary Art | The Philadelphia Museum of Art has organized a survey of recent paintings and drawings by Jasper Johns, one of the most celebrated and influential artists working today, for the United States Pavilion of the 43rd Venice Biennale. |
1988 | Pietro Testa, 1612–1650: Prints and Drawings | November 5, 1988–January 1, 1989 | Prints, Drawings, and Photographs | Pietro Testa, one of the most remarkable artists in the circle of Nicolas Poussin, was an enigmatic and melancholic painter active in Rome from about 1630 until his early death in 1650. During his short career he became famous for the inventiveness and technical brio of his prints and drawings, which constitute his most important artistic contribution. Following the seventeenth-century, however, Testa's reputation suffered a decline. The exhibition and catalogue should reestablish Testa's rightful reputation among the premier draftsmen and etchers of Baroque Italy. |
1988 | John G. Johnson: Collector of Contemporary Art | December 17, 1988–March 26, 1989 | European Painting before 1900, Johnson Collection | This exhibition presents a selection from the paintings in Johnson's catalogue of 1892 and traces the first decade of his illustrious career as an art collector. The fourteen artists represented were all active in the 1880s and 1890s. Works from eleven countries are exhibited, showing Johnson's breadth of vision, while the inclusion of three French paintings reflects his preference. |
1989 | A Visual Testimony: Judaica from the Vatican Library | January 29, 1989–April 2, 1989 | Prints, Drawings, and Photographs | The fascinating literary tradition which has linked the Jewish and Catholic faiths throughout the ages is demonstrated by an exhibition of 56 manuscripts from the Vatican Library. It is the first major public showing of the Vatican Library's Hebrew illuminations, chosen from the Library's collection of 801 Hebrew manuscripts. |
1989 | Selection on African-American Works from the Collections | February 1, 1989–April 9, 1989 | Modern and Contemporary Art | Selection of African-American Works from the Collections is a show mounted by the Department of Twentieth Century Art in honor of Black History month. |
1989 | Robert Adams: To Make It Home—Photographs of the American West, 1965–1986 | February 19, 1989–April 16, 1989 | Prints, Drawings, and Photographs | This exhibition of approximately 250 photographs celebrates Robert Adams' mastery in recording the changing appearance as well as the enduring qualities of the American landscape. |
1989 | The Charlotte Dorrance Wright Collection from the Philadelphia Museum of Art | March 17, 1989–April 19, 1989; August 29, 1989–December 27, 1989 | European Painting before 1900, Johnson Collection | |
1989 | Twenty-Five Years of Gifts from the Friends of the Philadelphia Museum of Art: Prints Drawings, and Photographs | March 18, 1989–June 4, 1989 | Prints, Drawings, and Photographs | This display is part of a year-long celebration of the 25th anniversary of the Friends of the Museum, who raise funds for the acquisition of works of art for the Museum's collections. Many of the approximately 40 prints, drawings, and photographs in the exhibitions are 20th century. |
1989 | The Sadelers: Engravers from the Golden Age of Antwerp and Prague | April 15, 1989–July 9, 1989 | Prints, Drawings, and Photographs | This exhibition features Flemish engravers, Jan, Raphael, and Aegidius Sadeler, who were prominent figures in the world of prints and book publishing in the late 16th century. |
1989 | Robert Adam and Kendleston: The Making of a Neo-Classical Masterpiece | April 22, 1989–July 2, 1989 | Prints, Drawings, and Photographs | This exhibition, among the first ever to be devoted to a single country house, chronicles the designing of one of Great Britain's key monuments of Neoclassical architecture. Kedleston, the country seat in Derby, was largely designed by Britain's most distinguished eighteenth-century architect, Robert Adam (1728–1792). |
1989 | Contemporary Photographs: Recent Acquisitions | April 29, 1989–July 30, 1989 | Prints, Drawings, and Photographs | |
1989 | Form in Art: Works by Blind and Partially Sighted Adults | May 13, 1989–June 12, 1989 | ||
1989 | Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection | May 21, 1989–September 17, 1989 | European Painting before 1900, Johnson Collection | This extraordinary collection of paintings by the leading artists of Impressionism and Post-Impressionism—Manet, Monet, Renoir, Morisot, Degas, Seurat, Toulouse-Lautrec, Gauguin, Cézanne, Vuillard—will have its first public showing at the Philadelphia Museum of Art. |
1989 | Paul Cezanne: Two Sketchbooks | May 21, 1989–September 17, 1989 | Prints, Drawings, and Photographs | |
1989 | American Prints of the 1970’s | June 20, 1989–September 3, 1989 | Prints, Drawings, and Photographs | |
1989 | Theme and Variation: Japanese Design Motifs | September 1989–July 1990 | East Asian Art | Japanese art is distinguished by the inventiveness and style of its traditional design motifs. This installation features art in all media from all periods to provide a sampling of the Japanese genius for decorative style. |
1989 | Jasper Johns, “Between the Clock and the Bed”: Preparatory Stages for the Lithograph | September 7, 1989–December 31, 1989 | Prints, Drawings, and Photographs | |
1989 | Building the City Beautiful: The Benjamin Franklin Parkway and the Philadelphia Museum of Art | September 9, 1989–November 26, 1989 | Prints, Drawings, and Photographs | Between 1871 and 1929 Philadelphia planned and substantially executed a grand scheme to build a broad Parkway. The Philadelphia Museum of Art still houses 170 architectural drawings that document Philadelphia's important contribution to the "City Beautiful" movement, tracing the development of the Parkway (Philadelphia's "Champ-Elysee") as the intended site of major cultural and commercial monuments which literally culminated in the building of the Philadelphia Museum of Art, completed in 1928. |
1989 | Dorrance Collection | September 28, 1989–October 4, 1989 | European Painting before 1900, Johnson Collection | |
1989 | As Pieces Here to Pieces Join: American Appliqué Quilts, 1800–1900 | October 19, 1989–December 31, 1989 | Costume and Textiles | This group of fine, nineteenth-century appliqué quilts, many of them from the Philadelphia area, has never been the subject of a specific study, and several are now exhibited for the first time. The exhibition coincides with the one hundredth annual meeting of the American Folklore Society, which occurs in Philadelphia. |
1989 | Perpetual Motif: The Art of Man Ray | October 22, 1989–January 7, 1990 | Modern and Contemporary Art | Over 250 works in all media traced the career of the artist, who was born in Philadelphia, and a lively program of lectures, films, and performances celebrated the spirit of the pioneer of Dada and Surrealism. |
1989 | From the Collections: Rubens and the Oil Sketch | November 4, 1989–February 21, 1990 | European Painting before 1900, Johnson Collection | The Philadelphia Museum of Art is fortunate to be able to show many aspects of the protean genius that was Peter Paul Rubens (1577–1640), one of the artistic giants of the seventeenth century. In addition to the splendid Constantine tapestries woven after designs by Rubens (and Pietro da Cortona) that surround the Great Stair Hall, Ruben's impressive Prometheus Bound is displayed in one of the second-floor painting galleries. The focus of the present exhibition, however, is on an earlier stage in Ruben's creative process, one in which he formulated his compositional ideas—the oil sketch. |
1989 | Early 20th Century Works from the Collection | November 20, 1989–January 8, 1990 | Modern and Contemporary Art | |
1989 | Etching in France, 1850–1900: The Art of the Entrepreneur and the Painter-Etcher | December 16, 1989–February 11, 1990 | Prints, Drawings, and Photographs | |
1989 | Nineteenth-Century French Photographs from the Collection | December 16, 1989–February 11, 1990 | Prints, Drawings, and Photographs |
Year | Title | Dates | Department | Additional Info |
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1990 | Liberty Belle Cape from “The Honeymoon Project” by Miralda | January 10, 1990–February 4, 1990 | Modern and Contemporary Art | Miralda's Honeymoon Project celebrates the 500th anniversary of Columbus' voyage to the New World through a series of installations, performances, and exhibitions happening around the world and based upon the theme of the symbolic courtship and marriage of the Statue of Liberty to the Columbus Column in Barcelona's harbor. |
1990 | African-American Art from the Collections | January 20, 1990–April 1, 1990 | Modern and Contemporary Art | |
1990 | Figure Drawings from the Collection | January 27, 1990–April 15, 1990 | Prints, Drawings, and Photographs | |
1990 | Fabric and Fashion: A Decade of Acquisitions | February 11, 1990–March 25, 1990 | Costume and Textiles | During the years 1979 to 1989, the Costume and Textiles Department made over three hundred acquisitions by gift and purchase. Approximately thirty to forty of the finest of these will be included in the exhibition, which will illustrate the depth and richness of the collections. |
1990 | Josef Sudek, Poet of Prague: Photographs 1911–1976 | March 3, 1990–May 6, 1990 | Prints, Drawings, and Photographs | |
1990 | Contemporary Crafts | March 21,1990–June 20, 1990 | American Art | |
1990 | From the Collection: Designs of the 1950s | April 1, 1990–October 14, 1990 | European Decorative Arts and Sculpture | |
1990 | Contemporary Philadelphia Artists: A Juried Exhibition | April 22, 1990–July 8, 1990 | Modern and Contemporary Art | The Philadelphia Museum of Art takes pride and pleasure in the organization of a major juried exhibition of works in a variety of media by Philadelphia area artists. This is one of three exhibitions sponsored by Philadelphia Art Now, a three-year program funded by The William Penn Foundation to increase the visibility of area artists. |
1990 | Images of Benjamin Franklin | May 5, 1990–September 23, 1990 | Prints, Drawings, and Photographs | Images of Franklin is a small exhibition drawn from the Museum's collections of portraits of Philadelphia's most famous citizen. The exhibition is presented in connection with the city-wide commemoration this year of the 200th anniversary of Franklin's death in 1790. |
1990 | Form in Art: Works by Blind and Partially Sighted Adults | May 11, 1990–July 1, 1990 | ||
1990 | Legacy in Light: Photographic Treasures from Philadelphia Area Public Collections | May 26, 1990–August 12, 1990 | Prints, Drawings, and Photographs | Legacy in Light: Photographic Treasures from Philadelphia Area Public Collections, organized by The Photography Sesquicentennial Project, draws from the literally hundreds of institutional photography collections in the Delaware Valley. |
1990 | Children’s Costumes and Accoutrements from the 19th Century | July 23, 1990–Summer 1991 | Costume and Textiles | |
1990 | Japanese Buddhist Art | August 1990–August 1991 | East Asian Art | The great Asian religion of Buddhism reached Japan in several successive waves from the continent. Japanese historical records describe the arrival of Buddhist texts and artifacts in Japan in 552, brought by an embassy from the Korean kingdom of Paekche. As with later influxes of Buddhist teaching from the mainland, it was the Buddhist art that had the greatest impact on Japanese culture. |
1990 | Selections from the Ars Medica Collection | August 5, 1990–October 21, 1990 | Prints, Drawings, and Photographs | |
1990 | Renoir: The Great Bathers | September 9, 1990–November 25, 1990 | European Painting before 1900, Johnson Collection | Renoir: The Great Bathers is on display from September 9 through November 25, 1990. The exhibition, organized by Christopher Riopelle, Associate Curator of European Painting before 1900, includes over fifty paintings, drawings, and sculptures by Renoir. These works provide a survey of the artist's career, and specifically focus on Renoir's art of the 1880s |
1990 | European Master Prints, 1900–1940 | September 22, 1990–November 18, 1990 | Prints, Drawings, and Photographs | |
1990 | Eighteenth-Century French Silver from the Collection of Rodolphe and Williamina Meyer de Schauensee | September 29, 1990–January 20, 1991 | ||
1990 | Francesco Clemente: Three Worlds | October 21, 1990–December 23, 1990 | Prints, Drawings, and Photographs | Francesco Clemente: Three Worlds brings together more than 100 works on paper—watercolors, pastels, gouaches, folding screens, and books—by the contemporary Italian artist Francesco Clemente |
1990 | Contemporary American Crafts | November 7, 1990–March 22, 1991 | American Art | |
1990 | Drawings by Auguste Rodin | November 10, 1990–February 17, 1991 | Prints, Drawings, and Photographs | To honor the 150th anniversary of the birth of the great French Romantic sculptor Auguste Rodin (1840–1917), the Philadelphia Museum of Art presents an exhibition of drawings by Rodin. Philadelphia is fortunate in being the repository of a major collection of works by Rodin (second only to that of the Musée Rodin in Paris) which was formed by the movie-theater mogul and philanthropist Jules Mastbaum. |
1990 | Park House Christmas Tours | November 30, 1990–December 9, 1990 | American Art | |
1990 | Emmet Gowin: Photographs | December 8, 1990–February 24, 1991 | Prints, Drawings, and Photographs | Emmet Gowin is unquestionably one of the master photographic printmakers working today. This retrospective exhibition of 120 photographs will survey Gowin's career |
1990 | American Modernism: Paintings from the Collection | December 15, 1990–February 8, 1991 | Modern and Contemporary Art | |
1991 | Henry Ossawa Tanner | January 20, 1991–April 14, 1991 | American Art | Including works lent by public and private collections throughout the U.S. and France, the exhibition the work of Henry Ossawa Tanner (1859–1937), the foremost African-American artist at the turn of the century. Born in Pittsburgh and raised in Philadelphia, Tanner studied at the Pennsylvania Academy of the Fine Arts under the renowned artist Thomas Eakins. |
1991 | Pop Art Prints | February 16, 1991–May 12, 1991 | Prints, Drawings, and Photographs | The spirited revival of printmaking in the 1960s was closely tied to the emergence of Pop Art. The Philadelphia Museum of Art has assembled some 50 prints by 13 American artists, including Andy Warhol, Jim Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg and James Rosenquist, to document this important and provocative era in printmaking |
1991 | Chinese Painting Gallery Installation | March 1, 1991–June 30, 1991 | East Asian Art | |
1991 | Form and Figure: Fourteen Philadelphia Printmakers, 1910–1950 | March 23, 1991–May 19, 1991 | Prints, Drawings, and Photographs | Drawn from the Museum's permanent collections, Form and Figure: Fourteen Philadelphia Printmakers, 1910–1950 reveals the influences on Philadelphia artists and printmakers of a variety of modern art movements, including Post-Impressionism, Expressionism and abstract art, Surrealism, and Social Realism |
1991 | John G. Johnson (1841–1917): A Celebration of his 150th Year | March 30, 1991–July 14, 1991 | European Painting before 1900, Johnson Collection | April 4 marks the 150th birthday of John G. Johnson, renowned Philadelphia lawyer and avid collector of European painting from the 15th through the 19th centuries. To celebrate the anniversary, the Museum has mounted a display of biographical and archival materials that document the patterns of Johnson's emerging taste and the decisions he made to acquire some of the most important works to come to this country at the turn of the century. |
1991 | Master Drawings from Leipzig (Five Centuries of Drawings: Pieces from The Museum of Fine Arts, Leipzig) | April 20, 1991–June 23, 1991 | Prints, Drawings, and Photographs | One of the great European collections of prints and drawings, the Graphic Collection of the Museum of Fine Arts, Leipzig is justifiably famous among scholars and connoisseurs but not well known to the public at large, which is more familiar with the collection in Vienna, Paris, London, Berlin, and Dresden. This exhibition will introduce American audiences to 125 of the finest drawings from the Leipzig Museum. |
1991 | Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of Narrative Paintings | May 4, 1991–June 30, 1991 | Modern and Contemporary Art | The Frederick Douglass and Harriet Tubman series of paintings by Jacob Lawrence and owned by the Hampton University Museum in Virginia, are presented together in their entirety for the first time in this exhibition, which opens at the Philadelphia Museum of Art on May 4, 1991. |
1991 | Form in Art: Works by Blind or Partially Sighted Adults | May 10, 1991–June 30, 1991 | ||
1991 | Recent Acquisitions: Prints, Drawings, and Photographs | May 18, 1991–August 11, 1991 | Prints, Drawings, and Photographs | This exhibition includes works selected by the Prints, Drawings, and Photographs Department of the Philadelphia Museum of Art. Acquisitions included from the last three years are a set of prints by Jasper Johns, Untitled, 1972; a drawing by 18th century Roman, Giuseppe Cades, Armida Abducting the Sleeping Rinaldo, (1774–85); and a group of photographs and prints by Man Ray. |
1991 | Picasso: The Vollard Suite | June 8, 1991–August 25, 1991 | Modern and Contemporary Art | This exhibition presents one hundred of the most powerful and important prints Picasso created during the 1930s. In 1931, Ambroise Vollard, the great Parisian art dealer and publisher, persuaded Picasso to exchange the etched plates for this Suite for certain paintings that the artist wanted for his own collection. |
1991 | By the Sea: Paintings by Eugene Boudin and His Fellow Impressionists | July 13, 1991–September 1, 1991 | European Painting before 1900, Johnson Collection | The sea has been a source of inspiration for generations of French artists. This exhibition, drawn from the Museum's extensive 19th-century collections and augmented by important loans from private collectors in the area, reveals a variety of approaches to the subject by French artists from the 1850s to the 1890s. |
1991 | William Christenberry: Photographs | July 20, 1991–Augst 25, 1991 | Prints, Drawings, and Photographs | William Christenberry was born in 1936 in Hale County, Alabama, across a corn field from the farm family then being immortalized by Walker Evans and James Agee for the book Let Us Now Praise Famous Men. Some 20 years later, pursuing a career as a painter and sculptor, Christenberry returned to Hale County with a box Brownie camera he had borrowed from his parents. William Christenberry: Photographs is drawn from a group of images acquired by the Museum in 1982. |
1991 | Japan at the Crossroads: Art of the Meiji Period, 1868–1911 | August 1991–July 1992 | ||
1991 | Art Beyond Sight: The 8th National Exhibit by Blind Artists | August 10, 1991–September 8, 1991 | ||
1991 | Perfect Little Ladies: Fashion Dolls and the Art of Dress in the 1870s | August 24, 1991–February 2, 1992 | Costume and Textiles | This exhibition will display three fashion dolls from the Museum's permanent collection, along with a dozen of their elaborate outfits which will include hats, gloves, shoes, jewelry, parasols, and other accoutrements. |
1991 | Fabric and Fashion | Fall 1991 | Costume and Textiles | |
1991 | The Picture of Health: Images of Midicine and Pharmacy from the William H. Helfand Collection | September 21, 1991–December 1, 1991 | Prints, Drawings, and Photographs | This exhibition is a selection from the large collection of printed images of medicine and pharmacy formed over the past twenty-five years by William H. Helfand, who has generously donated or promised these objects to the Philadelphia Museum of Art, thereby significantly enriching its renowned Ars Medica collection in the area of popular and commercial art. |
1991 | Louis I. Kahn: In the Realm of Architecture | October 20, 1991–January 5, 1992 | Prints, Drawings, and Photographs | Considered by many as the most important architect of his time, Louis Kahn will be the subject of a major international exhibition which will premiere in Philadelphia, his home town. Organized by The Museum of Contemporary Art, Los Angeles, the exhibition will include over 125 drawings, 48 models and 125 photographs and archival material, and will focus on 56 notable public buildings and projects. |
1991 | 15th Annual Craft Show | November 7–10, 1991 | ||
1991 | A Masterpiece in Focus: Hendrick Goltzius’ Without Ceres and Bacchus, Venus would Freeze | November 16, 1991–February 2, 1992 |
European Painting before 1900, Johnson Collection |
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1991 | Ian Hamilton Finlay: The Garden and the Revolution | December 21, 1991–March 1, 1992 | Modern and Contemporary Art | The first one-person exhibition in the United States devoted to the Scottish artist, poet, and garden designer focuses on Finlay's magnum opus, the four-acre garden in Scotland called "Little Sparta." |
1992 | Camera Work | January 2, 1992– | Prints, Drawings, and Photographs | This painting of great rarity and superb quality by Hendrick Goltzius is the most important old master work to enter the collections in the past two decades. In celebration of its coming to Philadelphia, the Museum has organized an ambitious and intensely focused international loan exhibition of works by Goltzius that relate to this remarkable painting and clarify its unique position in Northern Mannerist art. |
1992 | Art and Nature: German Printmaking from 1750–1850 | January 4, 1992–March 29, 1992 | Prints, Drawings, and Photographs | This exhibition will present 125 prints by artists working during the late 18th-century and early 19th-century in the German-speaking regions of Europe, including Germany, Austria and Switzerland. Drawn entirely from the Museum's own collections, the exhibition will reveal the exceptional accomplishments of artists celebrated in the past, but little known today. |
1992 | Loves of the Gods: Mythological Painting in 18th Century France | February 23, 1992–April 26, 1992 | European Painting before 1900, Johnson Collection | The greatest authors of the ancient world including Ovid and Virgil told sensuous and compelling tales of the lives and loves of the gods. Centuries later, the leading French painters of the 18th century, including Watteau, Boucher, and Fragonard, used these stories as subjects for charming, poignant, and passionate paintings. Many are among the most ambitious and beautiful paintings of the period. Some 65 of these, never seen before in America, are included in this exhibition, which was first shown in Paris. |
1992 | An Examination of Renaissance Maiolica | February 29, 1992–May 1992 | European Decorative Arts and Sculpture | To celebrate the NCECA (National Council on Education in the Ceramic Arts) meeting in Philadelphia, the department of European Arts is preparing a new display of Italian Renaissance majolica (tin-enamelled earthenware) from the permanent collection. |
1992 | American Ceramics | February 29, 1992–June 21, 1992 | American Art | American Ceramics presents outstanding examples of pottery, porcelain and stoneware from the Museum's collection of porcelain by the Tucker and Hemphill China Factory of Philadelphia. |
1992 | Modes of Memory in Ninetheenth-Century French Painting | March 28, 1992–July 26, 1992 | European Painting before 1900, Johnson Collection | |
1992 | Albert Renger-Patzsch | April 1992–June 1992 | Prints, Drawings, and Photographs | |
1992 | Photographs by Nick Waplington: The “Living Room” and “Circles of Civilization” Series | April 25, 1992–June 28, 1992 | Prints, Drawings, and Photographs | The young British photographer Nick Waplington (born 1965), whose striking and idiosyncratic color images have already won him wide recognition, will have his first one-person museum exhibition in the U.S. at the Philadelphia Museum of Art. |
1992 | Form in Art: Works by Blind and Partially Sighted Adults | May 8, 1992–June 7, 1992 | ||
1992 | Pertaining to Philadelphia: Contemporary Acquisitions from the Julius Bloch Memorial Fund | May 16, 1992–August 16, 1992 | Prints, Drawings, and Photographs | Julius Bloch (1888–1966) was a Philadelphia artist who left a poignant record of the sad spectacle of Depression life and its effect on the working-class poor. Pertaining to Philadelphia: Contemporary Acquisitions from the Julius Bloch Memorial Fund presents a selection of works the Museum has acquired with a fund created in Bloch's memory. |
1992 | Contemporary Works by African American Artists | May 16, 1992–August 16, 1992 | Modern and Contemporary Art | A selection of work by 20th-century artists of African-American heritage will be on view May through August in the American and 20th-Century galleries. |
1992 | African American Folk Art | May 16, 1992–August 30, 1992 | American Art | An installation in the American galleries features works by late 19th and early 20th-century African American craft artists. Although self-taught and completely outside academic art circles, the power of perception and directness of observation shown by these artists have attracted the attention of a wide contemporary audience. |
1992 | Picasso and Things: The Still Lifes of Picasso | June 9, 1992–August 30, 1992 | Modern and Contemporary Art | Pablo Picasso (1881–1973), widely regarded as the greatest artist of this century, consistently turned to the genre of still life throughout his long and amazingly varied career. This exhibition of over 100 paintings, reliefs, constructions, collages, drawings, and sculptures from museums and private collections throughout the world is the first to focus on Picasso's extraordinary contribution to still life. |
1992 | The Modern Still Life: Drawings, Watercolors, and Collages from the Collection | June 20, 1992–September 6, 1992 | Prints, Drawings, and Photographs | Pablo Picasso worked within an early modern tradition that, following Cézanne, found the still life the ideal tool for exploring spatial relationships. In conjunction with the major exhibition, Picasso and Things: The Still Lifes of Picasso, the Museum will display over 50 works from the collections to demonstrate how different modern artists have approached the still life. |
1992 | Colonial Mexican Pottery, 1650–1750 | Summer 1992 | The production of glazed earthenware pottery was one of the earliest and most developed industries of New Spain, as colonial Mexico was called. The principal center of production, Puebla de Los Angeles, located south of Mexico City, was making wares by 1573. By the mid-seventeenth century, the Spanish had established a number of workshops in Puebla, and a potters' guild was formed to control quality. | |
1992 | Women’s Work: American Printmakers in the 1930s | July 18, 1992–August 23, 1992 | Prints, Drawings, and Photographs | Women's Work: American Printmakers in the 1930s is an exhibition of some 85 works drawn from the permanent collections. Among the artists represented are Peggy Bacon, Isabel Bishop, Lucienne Bloch, Caroline Durieux, Mabel Dwight, Wanda Gág, and Helen Lundeberg. |
1992 | Recent Acquisitions in Japanese Art | July 18, 1992–July 1993 | East Asian Art | The three Japanese galleries on the second floor will be installed with paintings, sculpture, ceramics, lacquer, and metalwork acquired over the past five years. |
1992 | Doing Your Part for Fairmount Park, Fairmount Park Commission Art and Essay Contest Winners | August 8, 1992–September 11, 1992 | ||
1992 | Delacroix: Studio Practices | August 15, 1992–November 8, 1992 | European Painting before 1900, Johnson Collection | Eugéne Delacroix (1798–1863) was the leader of the Romantic Movement in French painting. His innovations in subject matter and richness as a colorist will be explored in seven oil paintings from the Museum's collection, supplemented by several works on paper, excerpts from the artist's own writings and the methods of the restorer. |
1992 | John Cage, 1912–1992: “Paying Attention” | August 25, 1992–January 31, 1993 | Prints, Drawings, and Photographs | |
1992 | Leonardo da Vinci: The Anatomy of Man, Drawings from the Collection of Her Majesty the Queen Elizabeth II | September 19, 1992–November 29, 1992 | Prints, Drawings, and Photographs | Leonardo da Vinci's accomplishments in architecture, painting, drawing, sculpture, engineering, and scientific studies are legendary. Leonardo da Vinci: The Anatomy of Man: Drawings from the Collection of Her Majesty Queen Elizabeth II will present a selection of the great Renaissance artist's considerable output of anatomical drawings, among his finest creations on paper. |
1992 | Martin Puryear | November 1, 1992–January 3, 1993 | Modern and Contemporary Art | This exhibition represents a major mid-career retrospective of the American sculptor Martin Puryear. It surveys his work up to the present, focusing on forty of his relief and three-dimensional indoor pieces. |
1992 | Life/Loss | November 2–22, 1992 | The theme of life and loss recognizes both the losses to the AIDS epidemic and the increasing number of individuals living with AIDS and HIV. The art works in this exhibition reflect individual responses to the emotional impact of AIDS. They were created by the participants in the Museum’s Form in Art classes and the Older Adult Workshops. | |
1992 | Philadelphia Craft Show | November 5–8, 1992 | ||
1992 | Kids Care: A Children’s Art Exhibit, mounted in conjunction with citywide A Day without Art | November 25, 1992–January 4, 1993 | ||
1992 | Art in Mourning | November 29, 1992–January 31, 1992 | Modern and Contemporary Art | The exhibition will feature about ten works chosen from several of the Museum's departments, focusing on art's role in the process of mourning: its capacity to remind, to honor, to celebrate, to lament—in short, to memorialize. Art in Mourning is being organized as part of an annual nationwide commemoration of the shared loss due to AIDS. |
1992 | Contemporary Prints from the Collections | December 26, 1992–May 2, 1993 | Prints, Drawings, and Photographs | |
1992 | Beauty and Violence: Woodblock Prints by Yoshitoshi (1839–1892) | December 19, 1992–February 14, 1993 | Prints, Drawings, and Photographs | Organized by the Society for Japanese Arts in the Netherlands, this exhibition of Yoshitoshi's work is presented in honor of the centennial of the artist's death. The foremost Japanese printmaker of the Meiji era, Yoshitoshi worked as a newspaper illustrator, achieving tremendous popularity. |
1993 | Beatrice Wood at 100 | February 13, 1993–May 16, 1993 | Prints, Drawings, and Photographs | This exhibition presents a small group of works by the American artist, Beatrice Wood, drawn from the Museum's collection of over sixty works and the collection of the Fabric Workshop. It celebrates the artist's one-hundredth birthday on March 3, 1993. |
1993 | The Impressionist and the City: Pissarro’s Series Paintings | March 7, 1993–June 6, 1993 | European Painting before 1900, Johnson Collection | Impressionist painter Camille Pissarro (1830–1903) produced more than 300 views of Paris and the ports of Normandy, often painting several versions of a scene from the same spot in varying light and weather. For the first time since the artist's death, this exhibition assembles his finest paintings of turn-of-the-century French urban life and explores his particular vision in creating series of favorite subjects. |
1993 | The Image of the City at the Time of Pissarro | March 7, 1993–June 13, 1993 | European Painting before 1900, Johnson Collection | In conjunction with Pissarro's Series, the Museum is mounting a focus exhibition on the theme of the city in late 19th and early 20th century French art. |
1993 | From Court to Academy: Charles-Nicolas Cochin, Royal Draughtsman and Printmaker | March 20, 1993–May 23, 1993 | Prints, Drawings, and Photographs | This exhibition will examine every major aspect of Charles-Nicolas Cochin's career, from his early work showing the pomp and splendor of the French Rococo style, to his later shift to the NeoClassic. |
1993 | Gertrude Käsebier, Photographer | March 27, 1993–May 30, 1993 | Prints, Drawings, and Photographs | Gertrude Käsebier (1852–1934) was a key figure in the American fine-art photography movement at the turn of the century. This exhibition of approximately forty prints, organized by The Museum of Modern Art, New York, surveys the range and variety of Käsebier's achievement, giving new emphasis to the work she made after 1910. |
1993 | Workers, An Archaeology of the Industrial Age: Photographs by Sebastiao Salgado | April 18, 1993–July 11, 1993 | Prints, Drawings, and Photographs | This exhibition is comprised of images from Sebastião Salgado's current project, devoted to the epic theme of "the end of manual labor." In these magnificent photographs taken throughout the world, Salgado has brought together an archeological view of the activities that have defined labor from the Iron Age through the Industrial Revolution to the present. |
1993 | American Still Lifes from the 20th Century Collections | May 9, 1993–June 25, 1993 | Modern and Contemporary Art | |
1993 | Form in Art: Works by Visually Impaired Adults | May 14, 1993–June 27, 1993 | ||
1993 | Joy before the Object: The Photographs of Albert Renger-Ratzsch | July 24, 1993–September 26, 1993 | Prints, Drawings, and Photographs | The Philadelphia Museum of Art presents for the first time in North America a retrospective of the work of Albert Renger-Patzsch (1897–1966), one of Germany's most influential photographers. The exhibition is comprised of approximately 120 photographs from important museum and private collections in Europe and the United States. |
1993 | Ahead of Fashion: Hats of the 20th Century | August 21, 1993–November 28, 1993 | Costume and Textiles | The Philadelphia Museum of Art will celebrate the art and craft of 20th-century millinery in the first major survey of its kind to be mounted in the United States. "Ahead of Fashion: Hats of the 20th Century" presents some 100 of the Museum's most spectacular women's hats, supplemented by an equal number borrowed from the costume collections of leading Museums throughout the country and private collectors. |
1993 | Surrealism on Paper | August 24, 1993–February 12, 1993 | Prints, Drawings, and Photographs | |
1993 | Drawing Sounds: An Installation by William Anastasi in Honor of John Cage | August 28, 1993–September 19, 1993 | Prints, Drawings, and Photographs | William Anastasi has organized an installation of sixteen drawings which are exhibited along with recordings of the sounds that accompanied and were created by the drawing process. |
1993 | Thinking is Form: The Drawings of Joseph Beuys | October 10, 1993–January 2, 1994 | Modern and Contemporary Art | This retrospective exhibition comprises approximately 200 drawings by Joseph Beuys (1921–1986), the central figure in postwar German art. It focuses on the most intimate and revealing aspects of Beuys' work, one little known to American audiences. |
1993 | Design for the Tabletop | October 13, 1993–January 1994 | European Decorative Arts and Sculpture | |
1993 | Museum Studies I: Sherrie Levine | October 23, 1993–November 28, 1993 | Modern and Contemporary Art | The "Museum Studies" program is designed as an ongoing series of new works and installations created by artists specifically for the Philadelphia Museum of Art. Sherrie Levine plans to exhibit six new sculptures in translucent white glass based on Brancusi's marble sculpture The Newborn in the Museum's collection. |
1993 | Visions of Antiquity: Neoclassical Figure Drawings | October 30, 1993–January 2, 1994 | Prints, Drawings, and Photographs | Visions of Antiquity: Neoclassical Figure Drawings presents 125 old master drawings from public and private collections in Europe, the United States, and Canada, many of which have never before been exhibited in this country. |
1993 | Arnold Newman: Artists’ Portraits, Photographs from the 1940s | November 5, 1993–January 16 1994 | Prints, Drawings, and Photographs | |
1993 | In Observance of World AIDS Day and Day Without Art | November 29, 1993–January 12, 1994 | Prints, Drawings, and Photographs | Many artists' lives have been lost to AIDS. Each year on December 1, as part of World AIDS Day, artists and art organizations throughout the world observe Day Without Art to pay tribute to those who have died, to recognize the loss to our society of creative power and future artistic contributions, and to express support to those living with AIDS and HIV. |
1993 | Videos by and about Lawrence Weiner | December 7, 1993–February 5, 1994 | Modern and Contemporary Art | |
1994 | A Severe Selection: Modern Works on Paper from the A. E. Gallatin Collections | January 29, 1994–March 27, 1994 | Prints, Drawings, and Photographs | This Museum's celebrated holdings of early 20th century art owe much to the adventurous and discerning taste of a small number of pioneer collectors, including Albert Eugene Gallatin. The important avant-garde paintings Gallatin assembled in the early decades of this century—by Mondrian, Miro, Picasso, Braque, Klee, Leger, and Demuth, among others—are familiar to visitors to the 20th-century galleries. This exhibition of some 100 rarely exhibited works on paper reveals for the first time in many years the full range of Gallatin's legacy. |
1994 | Brandywine Workshop Prints: Recent Acquisitions | February 1, 1994–March 6, 1994 | Prints, Drawings, and Photographs | Promoting printmaking as a fine art from the year of its founding in Philadelphia in 1972, the Brandywine Workshop has assumed a national role in its efforts to broaden the cultural mainstream through the involvement of artists and audiences from all ethnic backgrounds. The seven prints shown here, produced at the Brandywine Workshop between 1982 and 1991, were acquired in 1992 for the permanent collection of the Philadelphia Museum of Art. |
1994 | Images of Discord: A Graphic Interpretation of The Netherlands’ War of Independence | February 5, 1994–April 19, 1994 | Prints, Drawings, and Photographs | The Eighty Years' War between Spain and the Low Countries, which began in 1568, was the first major European conflict fought in significant measure with paper propaganda. The works of art in this exhibition, beautiful and intriguing in their own right, document not only political history but also religious, economic, and social developments, affording lively insights into 16th-century Netherlandish life. |
1994 | Community Fabric: African American Quilts and Folk Art | February 13, 1994–April 10, 1994 | American Art | This exhibition examines the dynamics of community traditions and aesthetics using a group of important, recently documented quilts, carvings, drawings, and other decorative arts produced by African American artisans working in the rural South from 1900 to 1980. These examples are discussed in light of the contexts and inspirations of their makers and the communities which played a role in their creation. |
1994 | Matisse’s “The Dance”: The Barnes Foundation Mural | March 27, 1994–June 12, 1994 | Prints, Drawings, and Photographs | |
1994 | Museum Studies 2: Richard Long | April 12, 1994–August 7, 1994 | Modern and Contemporary Art | Richard Long is scheduled to make a monumentally-scaled drawing directly on the vast wall facing the Museum's West Entrance foyer. Long (born 1945), is arguably the most important British artist of his generation. He has never exhibited in Philadelphia before, although Museum audiences are familiar with his work through a drawing, Mud Foot Circles, and a sculpture, Limestone Circle, in the permanent collection. |
1994 | Drawing Albums and Print Portfolios: Early Collectors in Philadelphia | April 24, 1994–June 19, 1994 | Prints, Drawings, and Photographs | A little-known aspect of the rich cultural life in Philadelphia in the 19th century is revealed in an extraordinary group of some 42,000 European prints and 2,500 drawings spanning more than four centuries. This exhibition of 100 prints and 50 drawings traces the history of this vast collection by reviewing a century of collecting accomplishments by the principal Philadelphians responsible for its assembly between the 1830s and 1920s. |
1994 | Contemporary Art on Paper | May 4, 1994–September 25, 1994 | Prints, Drawings, and Photographs | Contemporary Art on Paper features twenty works on paper by American and European artists. Most of the works date from the 1980s and 1990s and all are from the Museum's permanent collection. Among the artists whose work is included in this installation are Jorg Immendorf, Peter Campus, Richard Serra, and Carrol Dunham. |
1994 | Highlights of the Alfred Stieglitz Center Collection of Photographs | May 7, 1994–October 9, 1994 | Prints, Drawings, and Photographs | Highlights of the Alfred Stieglitz Center Collection of Photographs displays fifty of the most important photographs from the Museum's Alfred Stieglitz Center. |
1994 | Madness, Mania, and Melancholy: Images from the Ars Medica Collection | May 18, 1994–June 23, 1994 | Prints, Drawings, and Photographs | |
1994 | Form in Art: Works by Visually Impaired Adults | June 1994 | ||
1994 | A New Look at Old Masters: Selections from the Permanent Collection of the Philadelphia Museum of Art | June 4, 1994–July 10, 1994 | European Painting before 1900, Johnson Collection | A New Look at Old Masters is an experimental, temporary installation of old master paintings selected from the Museum's permanent collection. Some of these works are familiar and celebrated masterpieces while others have not been displayed for years. Many of the works on view will be included in the third and final phase of the Museum's reinstallation, which will encompass European art from 1550 to 1850. |
1994 | Metamorphoses: Photography in the Electronic Age | June 22, 1996–August 18, 1996 | Prints, Drawings, and Photographs | |
1994 | Eastern State Penitentiary at Fairmount: Crucible of Good Intentions | July 16, 1994–September 11, 1994 | Prints, Drawings, and Photographs | Eastern State Penitentiary, begun in 1821, is one of the most important and innovative structures built in Philadelphia during the dynamic period of city planning and faith in large scale public works that followed the War of 1812. This exhibition will include 80 objects, including prints, drawings, paintings, watercolors, photographs, maps and models and will be accompanied by a book about Eastern State Penitentiary and its influence. |
1994 | Intimate Visions: The Photographs of Dorothy Norman | July 16, 1994–September 11, 1994 | Prints, Drawings, and Photographs | Dorothy Norman's photographs have been compared to the private, quiet, and intimate poems of Emily Dickinson, but recognition of her work as a photographer tended to be eclipsed by her activities as a prominent writer, biographer, editor, and social activist. Intimate Visions: The Photographs of Dorothy Norman, a retrospective exhibition of 93 photographs, brings the artist's prolific photographic career into balance with her other talents. |
1994 | Marcel Duchamp: Videos by, about, with Marcel Duchamp | August 15, 1994–September 15, 1994 | Modern and Contemporary Art | This exhibition includes four short videos: A Conversation with Marcel Duchamp, Entr'Acte, Marcel Duchamp in His Own Words, and Anemic Cinema. |
1994 | Japanese Design: A Survey Since 1950 | September 25, 1994–November 27, 1994 | East Asian Art | The Philadelphia Museum of Art will exhibit over 250 objects—ranging from furniture, housewares, and consumer electronics to posters, packaging, and clothing—in the first comprehensive survey anywhere of Japan's original and important contribution to modern design. |
1994 | Face to Face: Willa Snalit & Dean Ericson | October 2, 1994–November 10, 1994 | ||
1994 | Video Art: The First 25 Years | October 1, 1994–November 27, 1994 | Modern and Contemporary Art | The works in Video Art: The First 25 Years were produced between 1967 and 1992. Articulate and independent-minded, these works raise questions about sexual stereotyping, offer up autobiographical portraits, examine video process, and trace body-related performance art issues. The exhibition demonstrates that artists' approaches to similar subject matter have evolved radically over the past quarter century: these videotapes reflect and help define shifts in the past quarter-century's cultural and theoretical climate. |
1994 | Alone in a Crowd: Prints by African American Artists of the 1930s and 40s from the Collection of Reba and Dave Williams | October 9, 1994–December 4, 1994 | Prints, Drawings, and Photographs | The WPA print workshop set up in the 1930s gave many young African Americans their first prolonged exposure to the teachers and materials they needed to develop their art. This exhibition of over 100 prints by 45 artists reflects the rich variety of techniques, subjects, and philosophical approaches adopted by African American artists in the 1930s and 1940s. The exhibition is selected from the 3,500 prints assembled by Reba and Dave Williams, the largest private collection of the little known graphic work produced by African Americans in this period. |
1994 | 18th Annual Craft Show | October 10–13, 1994 | ||
1994 | Skill, Care, and Wit: Miscellaneous Objects from Japanese Markets | October 26, 1994–January 30, 1995 | European Decorative Arts and Sculpture | This exhibition is a loan installation of approximately 100 to 200 objects of popular culture collected in Japan. |
1994 | Two Naifs in Japan: Robert Venturi and Denise Scott Brown | October 26, 1994–January 30, 1995 | ||
1994 | Selections from Camera Work | November 5, 1994–March 12, 1995 | Prints, Drawings, and Photographs | |
1994 | Made in Philadelphia, 1965–93 | November 15, 1994–August 6, 1995 | ||
1994 | Moving Pictures: Videos on AIDS | November 29, 1994–December 4, 1994 | Modern and Contemporary Art | This two-hour program of videos was organized by the Philadelphia Museum of Art in recognition of World AIDS Day and Day Without Art, observances held each December 1 to commemorate the loss of family and friends to AIDS. |
1994 | Museum Studies 3: Lawrence Weiner | December 7, 1994–February 5, 1995 | Lawrence Weiner has been using language as his medium since the 1960s. He uses words in the context of visual art, rather than poetry or literature, to make works about familiar materials and processes. This project for the Philadelphia Museum of Art, using the text COPPER & NICKEL & SWEAT MIXED UPON THE GROUND, was originally conceived by the artist for the empty pediment on the outside of the Museum building, flanking the East Courtyard. | |
1994 | Show and Tell: Selected Videos by Lawrence Weiner | December 7, 1994–February 5, 1995 | Modern and Contemporary Art | This program of videos accompanies a new work made by the artist for the Philadelphia Museum of Art as part of the "Museum Studies" series. |
1994 | 19th and Early 20th Century British Drawings | December 14, 1994–April 9, 1995 | Prints, Drawings, and Photographs | |
1994 | Dorothea Lange: American Photography | December 24, 1994–February 19, 1995 | Prints, Drawings, and Photographs | Dorothea Lange was an unabashed champion of the common person. Using the record making properties of the camera, she documented the plight of ordinary people during the Great Depression, and was able to study and record the social and economic conditions of migratory laborers entering California in the 1930s and 40s. |
1995 | From Cezanne to Matisse: Great French Paintings from the Barnes Foundation | January 31, 1995–April 23, 1995 | European Painting before 1900, Johnson Collection | The Barnes Foundation is home to one of the world's finest collection of Impressionist, PostImpressionist, and early modern paintings ever assembled by an individual. Eighty of the greatest masterpieces from this outstanding collection have been selected for a historic exhibition which marks the first and only time that the works will be on view outside the Barnes Foundation galleries in Merion, PA. |
1995 | Revising Romance: New Feminist Video | February 14, 1995–April 2, 1995 | Modern and Contemporary Art | The tapes in this four part program are united by the question "What is the true meaning of Romance?" which has found new urgency in the work of feminist art and art criticism. Sources as varied as television soap opera, literature for adolescent girls, movie genres like film noir and "weepies," and the gothic novel and its pulp descendants all serve as subtexts for thise xhibition's video meditations on Romance. |
1995 | Between War and Utopia: Prints and Drawings of the German Avant-Garde, 1905–1933 | March 18, 1995–July 23, 1995 | Prints, Drawings, and Photographs | This exhibition of about 75 prints and drawings selected from the Museum's rich collections, many of which will be on view for the first time, traces the artistic development of some of the most influential artists working in Germany during the first decades of the twentieth century |
1995 | Himalayan Paintings for Buddhist Meditation: Visualization of Passion and Enlightenment | March 25, 1995–May 28, 1995 | Indian and Himalayan Art | The display includes ten Himalayan meditation paintings called thangkas—vividly colored, extremely complex visualizations of the Buddhist pantheon—that are intended to help the viewer-meditator gain the experience of enlightenment. Some portray the union of compassion and wisdom symbolized by the sexual embrace of a god and goddess, while others are mandalas that represented the Buddhist enlightened universe surrounding a palace-temple of the gods. Also on view are a number of ritual objects depicted in the paintings. |
1995 | The House of Art: Drawings and Prints from the Artist Community at Gugging | April 1, 1995–August 13, 1995 | Prints, Drawings, and Photographs | During the last twenty-five years outsider art—produced at a distance from the world of museums, galleries, and academic art schools—has been widely collected and exhibited in cities from London to São Paolo to Milwaukee and Philadelphia. The prints and drawings shown here are by nine individuals who are or were patients at the Austrian State Psychiatric Hospital near Vienna. Their work has formed a highly visible part of recent international interest in the phenomenon of outsider art. |
1995 | 19th Century Philadelphia Interiors: Watercolors by Joseph Shoemaker Russell (1795–1860) | April 4, 1995–July 2, 1995 | American Art | |
1995 | Videos and Films by Philadelphia Artists | April 4, 1995–June 11, 1995 | Modern and Contemporary Art |
Video and Film by Philadelphia Artists will be presented at the Philadelphia Museum of Art from April 4 through June 11, 1995. This program presents work by 13 artists who are Discipline Winners in Media Arts from the 1993–94 Pew Fellowships in the Arts. These artists are finalists and winners in this program that has awarded grants to individual artists since 1991, providing them with the opportunity to dedicate themselves to their artistic work for up to two years. |
1995 | Tibetan Buddhist Sand Painting: The Kalachakra Mandala for World Peace | April 25, 1995–May 27, 1995 | Indian and Himalayan Art | The Kalachakra ("circle of time") sand mandala is a sacred ritual design belonging to the Tibetan Buddhist tradition called Vajrayana. It is a brilliantly colored, symmetrical design of geometric patterns measuring about five feet in diameter. Mandalas are used to intensify the imagination and to stimulate the creativity needed by the Buddhist practitioner for visualized mediations. |
1995 | Form in Art | May 19, 1995–June 25, 1995 | ||
1995 | Potions, Pills, and Purges: The Art of Pharmacy | June 3, 1995–October 29, 1995 | Prints, Drawings, and Photographs | The year 1996 marks a milestone in the history of Philadelphia as a leader in medical education and pharmaceutical manufacturing. The Philadelphia College of Pharmacy and Science began offering courses in pharmacy in 1821, and in 1997 celebrated its 175th anniversary, making it the oldest school of pharmacy in the United States. Potions, Pills, and Purges: The Art of Pharmacycommemorates this historic occasion, and also reminds us that in Philadelphia the arts and sciences have a venerable tradition of creative interaction that continues today. |
1995 | John Cage: Rolywholyover, A Circus | June 4, 1995–July 30, 1995 | Modern and Contemporary Art | Rolywholyover A Circus is a composition for museum created by the composer, writer, philosopher, and visual artist John Cage (1912–1992). One of the last large-scale projects that Cage conceived prior to his death, Rolywholyover A Circus transforms the Philadelphia Museum of Art into the setting for a constantly changing array of art, performances, film and video screenings, readings, and special programs. |
1995 | John Cage: A Portrait Series | June 4, 1995–July 30, 1995 | Prints, Drawings, and Photographs | |
1995 | Nam June Paik: Videos, 1966–1992 | June 13, 1995–September 10, 1995 | Modern and Contemporary Art | Nam June Paik is one of the pioneers of video and television as art forms. Born in 1932 in Korea and trained as a pianist and composer, Paik was first known in the late 1950s and early '60s for his often outrageous performances with altered instruments. Early sources of inspiration came from his association with Fluxus, an international group that challenged traditional notions about art, and from his collaborations with other avant-garde artists such as John Cage. This exhibition features some of Paik's most important single-channel videos over the last 30 years. |
1995 | The Culture of Flowers | June 20, 1995–May 30, 1996 | East Asian Art | |
1995 | 20th Century Mexican Painting | August 12, 1995–February 18, 1996 | Modern and Contemporary Art | |
1995 | August 26, 1995–November 26, 1995 | Prints, Drawings, and Photographs | ||
1995 | Downsizing the Image Factory | September 12, 1995–November 12, 1995 | Modern and Contemporary Art | Downsizing the Image Factory is a touring program of American independent and experimental film and video organized originally by video artist Jason Simon for exhibition in France. This group ofworks presents what Simon calls "a fractured and chaotic accounting of American life as seen in and from its cracks and corners." |
1995 | Tina Modotti: Photographs | September 16, 1995–November 26, 1995 | Prints, Drawings, and Photographs | Tina Modotti: Photographs is the first comprehensive exhibition of the photography of Tina Modotti (1896–1942). In the catalogue which accompanies the exhibition, guest curator Sarah M. Lowe refers to Modotti as "the best-known unknown photographer of the twentieth century." |
1995 | Art Beyond Sight | September 25, 1995–October 11, 1995 | ||
1995 | Contemporary Crafts Installation | October 1995–September 1996 | American Art | |
1995 | Constantin Brancusi | October 8, 1995–December 31, 1995 | Modern and Contemporary Art | Born in Romania in 1876, Constantin Brancusi studied the fine arts in his native country before immigrating to Paris in 1904. After completing his training at the École des Beaux-Arts, he broke with traditional sculptural practices, creating a language of sculpture that reduced forms to their essential elements. As influential today as during the artist's lifetime, Brancusi's sculpture and his ideas about art continue to challenge and inspire contemporary artists. |
1995 | Michael Graves: The Architect and the Tea Kettle | October 25, 1995–February 25, 1996 | European Decorative Arts and Sculpture | This installation chronicles the process that Michael Graves, one of the twentieth century's most renowned architects and product designers, followed in developing the design of three teakettles. |
1995 | Recent Acquisitions: Richard Torchia, “Reckoning" | November 20, 1995–February 1996 | Modern and Contemporary Art | |
1995 | Works on Paper from the Collection of H. Richard Dietrich, Jr. and The Dietrich American Foundation | November 25, 1995–February 12, 1996 | American Art | This exhibition presents a selection of works on paper that illustrates the wide historical range of the foundation's interests. Objects from the foundation's collections of eighteenth- and nineteenth-century American decorative art and painting can be seen in the American galleries of this Museum. |
1995 | Photographs by Frederick H. Evans | December 7, 1995–February, 1996 | Prints, Drawings, and Photographs | |
1995 | Mediterranean: Photographs by Mimmo Jodice | December 16, 1995–February 18, 1996 | Prints, Drawings, and Photographs | Jodice's photographs, taken between 1990 and 1995 at archaeological sites from Spain to Syria, link viewers with a historical and mythic past that continues to influence the present. This exhibition is the artist's first one-person show in the United States. |
1995 | The Culture of Flowers | December 15, 1995–June 15, 1996 | East Asian Art | This exhibition features paintings of flowers and plants by Chinese artists of the 15th to early 19th centuries, including works by leading masters of the Ming Dynasty (1368–1644) such as Hsu Wei (1551–1593) and Hsia Ch'ang (1388–1470). |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
1996 | Stella Kramrisch Collection: Manifestations of Shiva, Krishna, Durga | Through Spring 1996 | Indian and Himalayan Art | |
1996 | City Into Country: Nineteenth-Century French Paintings from the Charlotte Dorrance Wright Bequest and Other Collections of the Philadelphia Museum of Art | February 3, 1996–March 31, 1996 | European Painting and Sculpture before 1900 | Barbizon, Impressionist, and early Modernist works curated by Christopher Riopelle, PMA; Arthur Ross Gallery, Fisher Fine Arts Library, University of Pennsylvania. |
1996 | Sidney Goodman: Paintings and Drawings, 1959–95 |
February 11, 1996–March 31, 1996 |
Modern and Contemporary Art | Sidney Goodman, a major exhibition presenting over 50 paintings and drawings from public and private collections throughout the country, is the first retrospective of the nationally renowned Philadelphia artist to be shown in his hometown. Goodman emerged in the early 1960's as one of the leading American artists in the return to the human figure as a primary subject, and has remained an influential force in contemporary art for some 30 years. |
1996 | Wall Flowers: Prints Drawings and Photographs from the Permanent Collection | February 24, 1996–April 21, 1996 | Prints, Drawings, and Photographs | This exhibition will include works by a broad chronological range of artists, including Albrecht Dürer, Pierre Joseph Redouté, Currier and Ives, Henri Matisse, Ansel Adams, and Andy Warhol. These artists depict flowers in a variety of ways: as purely decorative elements in larger compositions, as symbols of virtues and emotions, or as subjects in themselves. |
1996 | Japan in Flower | February 25, 1996–March 3, 1996 | East Asian Art | While China is known as the "mother of gardens," and had a strong tradition of floral iconography that influenced the art of its neighbors, the Japanese developed their own esthetic and literary traditions in the world of flowers. Japan in Flowershowcases both works reflecting the Chinese influence and others that are distinctly Japanese. The exhibition will be on view during the week of the Philadelphia Flower Show from February 25 through March 3, 1996. |
1996 | Peter Fischli and David Weiss, “The Way Things Go” | March 5, 1996–May 26, 1996 | Modern and Contemporary Art | |
1996 | Masterpieces of 20th Century Glass | March 6, 1996–August 31, 1996 | European Decorative Arts and Sculpture | Twentieth Century Glass is an installation of approximately 13 pieces of glass drawn from the Museum's extensive collection of twentieth-century design objects. Ranging in date from the 1920s to the present, the pieces illustrate various stylistic movements of the twentieth century, from the sculptural approach to the medium by glass artists such as Maurice Mariot, to the revival of engraved decoration most notably by the Swedish firm of Orrefors, to the playfulness of the glass of the 1980s produced for the Italian firm of Memphis. The installation also includes the work of a number of the twentieth-century's greatest glass artists including René Lalique and Paolo Venini. |
1996 | New Art on Paper 2: The Hunt Manufacturing Co. Collection | March 17, 1996–May 26, 1996 | In 1979, the Hunt Manufacturing Co. initiated a series of generous grants to the Philadelphia Museum of Art for the acquisition of "adventurous and risk-taking" contemporary art on paper. The first phase of acquisitions culminated in an exhibition of the works of forty-six artists in 1988. New Art on Paper 2 celebrates the conclusion of the second phase and presents new works by thirty-five artists made and acquired between 1988 and 1995. | |
1996 | Power in Practice | Spring 1996 | ||
1996 | Correspondences with Rodin: Photographs by Ernestine Ruben | March 30, 1996–June 2, 1996 | Prints, Drawings, and Photographs | This first exhibition of contemporary art ever mounted in the Rodin Museum presents some 20 photographs by Ernestine Ruben (born 1931). |
1996 | American Art in the Machine Age, 1913–1940: Prints, Drawings, and Photographs from the Collections | May 5, 1996–August 11, 1996 | Prints, Drawings, and Photographs | In the early decades of this century, rapid technological advances were radically changing life in this country. American artists searched for a new identity, a means of expressing their commitment to the modernist movements coming out of Europe in a purely American way. This exhibition traces American responses to the machine age through prints, drawings, and photographs from the permanent collection by such artists as Paul Strand, Edward Weston, Charles Sheeler, John Marin, and Louis Lozowick. |
1996 | Cézanne | May 30, 1996–September 1, 1996 | European Painting before 1900, Johnson Collection | An international loan exhibition spanning the career of Paul Cézanne (1839–1906) has been organized by the Philadelphia Museum of Art in collaboration with the Réunion de Musées Nationaux / Musée d'Orsay in Paris and the Tate Gallery in London. The three organizing museums will be the only venues for this unprecedented gathering of some 100 oil paintings, 35 watercolors, and 35 drawings from public and private collections. |
1996 | Paul Cézanne: The Sketchbooks | May 30, 1996–September 1, 1996 | Prints, Drawings, and Photographs | Eighty-one drawings from two Cézanne sketchbooks given to the Museum in 1987 by Ambassador and Mrs. Walter H. Annenberg will present the full range of the artist's subject matter from the early 1880s to about 1900. On view in Gallery 165 in the 19th-century galleries, first floor, adjunct to the rotunda. |
1996 | Marie-Ange Guilleminot, “Mes Poupees” | June 9, 1996–July 7, 1996 | Modern and Contemporary Art | Marie-Ange Guilleminot's video My Dolls is being shown in conjunction with a recently purchased work by this young Parisian artist entitled Navels (also on display in this gallery). Navels consists of plaster casts made on the bodies of seventy-four of Guilleminot's acquaintances. In My Dolls, the artist again uses the process of moulding, raising similar issues of intimacy and identity as she works the pliable blobs that are her "dolls" |
1996 | Metamorphoses: Photography in the Electronic Age | June 22, 1996–August 18, 1996 | Metamorphoses: Photography in the Electronic Age appears at a charged moment in the evolution of photography. With digital-imaging technology, photographs can now be created, enhanced, and altered in the computer. This breakthrough has forced a re-evaluation of still images and the widely accepted concept of "photographic truth." The exhibition celebrates the creative potential of the digital image and demands a fresh look at the relationship between photographs and the realities they represent. | |
1996 | Artists’ Interviews | July 9, 1996–September 1, 1996 | Modern and Contemporary Art | In this video program, several contemporary artists discuss their art and working methods. The program begins with a 1958 interview with Marcel Duchamp, whose influence as artist, advisor, and muse pervades these galleries. |
1996 | Solid Bone and Luminous Flesh: Ch’ing Dynasty Ceramics (1644–1911) | August 15, 1996–August 3, 1996 | East Asian Art | This exhibition, drawn from the Museum's permanent collection, explores the rich variety of ceramics made during the Ch'ing Dynasty. The 35 works on view include pieces made at royal and provincial kilns for emperors as well as for foreign markets. |
1996 | A Passion for Paisley: Indian and European Shawls | August 30, 1996–January 26, 1997 | Costume and Textiles | An exhibition of shawls, on view for the first time, includes about forty objects dating from the 18th and 19th centuries. The exhibition focuses upon the evolution of shawl design and corresponding artistic interchanges between India and Europe. Related articles of women's dress complement the shawls. |
1996 | Feminine/Masculine: Videos from the Centre Pompidou | September 2, 1996–November 3, 1996 | Modern and Contemporary Art | The selection of videos shown here originally accompanied the exhibition Féminin/Masculin, displayed at the Musée National d'Art Moderne (Centre Georges Pompidou) in Paris this past winter. The videos survey twenty-five years of works dealing with gender identity and relations between the sexes. |
1996 | Harry Callahan | September 14, 1996–November 24, 1996 | Prints, Drawings, and Photographs | Born in 1912, Harry Callahan has for more than fifty years used his photography to understand and reveal his relationship to the world around him. This exhibition of Callahan's expressive, autobiographical photographs charts his artistic development from its genesis in Detroit in the early 1940s and its flowering in Chicago in the late 1940s and 1950s to its maturation in Providence and Atlanta, where he now lives. |
1996 | Etchings and Lithographs by James Abbott McNeill Whistler | September 14, 1996–January 12, 1997 | Prints, Drawings, and Photographs | |
1996 | Gifts from the Collection of Edna S. Beron | October 6, 1996–December 1, 1996 | Organized by Philadelphia Museum of Art | The late Edna Beron was a cherished member of this Museum's community and a remarkable art collector. This installation includes the first painting that Mrs. Beron purchased — Young Love by Philip Evergood -- as well as the last object she bought — Love Boat, a soup tureen by the centenarian American ceramicist Beatrice Wood. |
1996 | Japanese Landscapes | October 6, 1996–September 14, 1997 | East Asian Art | This exhibition displays the two styles of Japanese landscape painting that evolved over the centuries along parallel lines: the Chinese monochrome ink painting tradition, and the native "Yamato-e" tradition. |
1996 | Richard Meier Builds: From Tabletop to Rooftop | October 30, 1996–February 28, 1997 | European Decorative Arts and Sculpture | The works on display in this exhibition present a survey of objects and furniture designed by the architect Richard Meier (American, born 1934). Meier follows a long and distinguished tradition of architects such as Frank Lloyd Wright, Josef Hoffmann, Alvar Aalto, and Walter Gropius who stressed, to varying degrees, the importance of the "total environment." In his product design as in his architecture, Meier adheres to a classically modernist vocabulary focusing on proportion, balance, and the manipulation of basic geometry. |
1996 | The Peale Family: Creation of an American Legacy, 1770–1870 | November 3, 1996–January 5, 1997 | American Art | Charles Willson Peale, his brother, sons, nieces and nephew were artists and naturalists whose works illustrate intellectual developments in 18th and 19th-century America. In addition to the artists' works, the exhibition explores themes including the family in America, the impact of changing social and political ideas on art, and the uses and functions of art. The Philadelphia Museum of Art is the first venue for this national touring exhibition. |
1996 | The Caldwalader Family: Art and Style in Early Philadelphia | November 3, 1996–February 2, 1997 | American Art | This exhibition examines the important patronage, influence, and support of the early artistic and cultural development of the American colonies and the new republic supplied by several generations of the Cadwalader family of Philadelphia. |
1996 | Demolitions and Other Works | November 5, 1996–December 29, 1996 | Modern and Contemporary Art | This two-hour program surveys three decades of videos and artworks made in the urban or industrial landscape. The program begins with the recently completed documentation of three of Robert Smithson's historical earth-works from the 1960s, and one of Gordon Matta-Clark's famous carvings of an abandoned building. The final works include a chronicle of Rachel Whiteread's controversial House, which stood in London for three months before being demolished, and a video compiled from footage of demolitions by blasting. |
1996 | Picasso and Braque: “After Cezanne” | November 9, 1996–March 2, 1997 | Modern and Contemporary Art | |
1996 | The Blue Four | December 3, 1996–March 23, 1997 | Modern and Contemporary Art | |
1996 | Susan Barron: Labyrinth of Time | December 14, 1996–March 2, 1997 | Prints, Drawings, and Photographs | Susan Barron's Labyrinth of Time is a unique, eleven-volume artist's book completed in 1987. Exhibited here for only the second time in this country, in an installation conceived by the artist, this book is a compilation of works by Barron made in different mediums over a fifteen-year period. |
1996 | In the Manner of…: Imitation, Emulation, and Forgery in Old Master Printmaking | December 21, 1996–March 16, 1997 | Prints, Drawings, and Photographs | Twentieth-century viewers have come to value originality as a crucial component of artistic talent. Our predecessors, however, had different views. For centuries the imitation of earlier artists was a major part of artistic training, with students learning to draw mainly by copying prints and drawings. The ability to work "in the manner of" another artist was widely praised, and some printmakers based their entire careers on this skill. Prints played an especially important role in this process. |
1996 | Up Close and Personal | December 31, 1996–March 2, 1997 | Modern and Contemporary Art | Much of today's most dynamic video art is made by younger women, and it is their work that is featured in Up Close and Personal. These artists often use a performance-based approach in which the artist herself is cast as the key performer in a staged situation in which she addresses the viewer directly. The Museum's exhibition features works by 13 artists from the United States and Europe, including Cheryl Donegan, Vanessa Beecroft, Alix Lambert, Sadie Benning, Gillian Wearing, and Alex Bag. |
1997 | John Sartain, 1808–1897: Philadelphia Printmaker | January 18, 1997–April 20, 1997 | American Art | London-born and London-trained, John Sartain set up as a printmaker in Philadelphia in 1830. He made his reputation in the United States by reviving the use of mezzotint engraving, a technique long favored in England — even after the advent of photography — as the most effective means of reproducing paintings as prints. To mark the centennial of the patriarch's death, the Philadelphia Museum of Art celebrates the accomplishments of the Sartain family with this installation of mezzotints by John Sartain drawn entirely from the Museum's own collection. |
1997 | Alfred Stieglitz: Early Work in Gravure | January 18, 1997–May 25, 1997 | Prints, Drawings, and Photographs | |
1997 | Photographs by Harold Edgarton: Recent Acquisitions | February 1, 1997–May 25, 1997 | Prints, Drawings, and Photographs | Dr. Harold Edgerton (American, 1903–1990) developed the stroboscope and electronic flash for high-speed, stop-action photography. His far-reaching experiments, begun at the Massachusetts Institute of Technology in the early 1930s and continuing into the 1980s, fundamentally changed the way we perceive the world by making visible the unseen, dynamic behavior of objects in motion. This exhibition presents a selection from the fifty-nine photographs most generously given to the Museum by The Harold and Esther Edgerton Family Foundation in 1996. |
1997 | The Pennsylvania Impressionists: Landscapes from Bucks County | February 1, 1997–July 27, 1997 | Modern and Contemporary Art | This installation celebrates the landscapes of the Pennsylvania Impressionists who worked closely together in New Hope at the beginning of the twentieth century. Also known as the New Hope School, these artists were rooted in the tradition of American Realism and influenced by the popularity of French Impressionism. |
1997 | Portraits of Franklin | February 15, 1997–April 20, 1997 | European Decorative Arts and Sculpture | The works of art in this gallery — drawn from the Museum's permanent holdings and lent by institutional and private owners — are displayed in celebration of the Museum's recent acquisition of Jean-Antoine Houdon's marble bust of Benjamin Franklin, on view in the rotunda nearby (gallery 284). Thanks to the gifts from Mr. and Mrs. Wharton Sinkler and the collection of prints given in 1964 by Mrs. John D. Rockefeller, Jr., and other donors, the Philadelphia Museum of Art possesses a notable collection of portraits of Benjamin Franklin, now crowned by Houdon's vivid likeness. |
1997 | Encounters with Modern Art: Works from the Rothschild Family Collections | March 2, 1997–May 11, 1997 | Modern and Contemporary Art | Herbert (1891–1976) and Nannette (1897–1979) Rothschild collected art with deep personal commitment. They were devoted to the major modernist schools of the early twentieth century, often traveling from New York to France in their search. Their collecting activities were inspired and encouraged by their daughter, the abstract painter Judith Rothschild (1921–1993). The collection is fascinating in its rich variety; in addition, important concentrations of works by Juan Gris and Piet Mondrian, with examples from the early careers of both artists, bring great depth to this presentation of early modernism. |
1997 | Philadelphia Stories | March 4, 1997–May 18, 1997 | Modern and Contemporary Art | This exhibition features recent works by local artists who use the landmarks, neighborhoods, and inhabitants of Philadelphia as their subjects. |
1997 | Scandinavian Design, 1930–1980 | March 17, 1997–October 1, 1997 | European Decorative Arts and Sculpture | Beginning March 18, 1997, the Philadelphia Museum of Art will present some 20 works by Aalto and his contemporaries in Scandinavian Design 1930–1980, an exhibition in gallery 170 on the Museum's first floor. The installation will be drawn from the Museum's extensive collection of 20th-century design and will include works by Swedish, Danish and Norwegian makers in wood, glass, metal, ceramics and plastic |
1997 | Rodin and Michelangelo: A Study in Artistic Inspiration | March 27, 1997–June 22, 1997 | European Painting before 1900, Johnson Collection | Auguste Rodin (French, 1840–1917) saw himself as the heir to a tradition of monumental nude sculpture in western art that stretched from ancient Greece and Rome, through the Renaissance, down to his own day. Within this tradition, Rodin expressed special esteem for the Italian Renaissance sculptor Michelangelo Buonarroti (1475–1564). As soon as Rodin began to achieve fame, around 1880, critics too recognized his debt to Michelangelo. This exhibition brings together drawings and sculptures by the two artists in order to suggest what Rodin learned from Michelangelo, and how he adapted the lessons of Michelangelo to his own, very different, sculptural concerns. |
1997 | The Hands of Rodin: A Tribute to B. Gerald Cantor | March 27, 1997–June 22, 1997 | European Painting before 1900, Johnson Collection | Auguste Rodin (French, 1840–1917) once spoke of his "intense passion for the expression of the human hands." This exhibition explores the range of meanings that the hand held for Rodin. It includes small studies of individual hands and full-scale figures in which the gestures of hands playan essential role in conveying meaning. For Rodin, the hand, and the sensuous interplay of hands within groups of figures, were defining components of his sculptures. |
1997 | Chuck Close/Paul Cadmus: In Dialogue | April 5, 1997–June 22, 1997 | Modern and Contemporary Art | Juxtaposing the work of two remarkable artists, this installation invites reflection on matters of figuration and abstraction, miniature and gigantism, calculation and imagination—conventional oppositions that appear not to be so purely opposite after all. The accompanying brochure features a conversation with Close and Cadmus that illuminates their association on both an artistic and a personal level. |
1997 | Recent Acquisitions in Asian Art | April 15, 1997–October 31, 1998 | East Asian Art | This exhibition features a selection of recently acquired art from Asia, including Chinese calligraphy, Japanese painting, Southeast Asian sculpture and Persian miniatures. |
1997 | The Ingenious Machine of Nature: Four Centuries of Art and Anatomy | April 19, 1997–June 15, 1997 | Prints, Drawings, and Photographs | What we now know as the Renaissance came into being in the arts at the end of the 15th century at the same time that European scientists were moving away from relying on ancient texts in favor of conducting their own research. This major loan exhibition, organized by the National Gallery of Canada, presents for the first time four centuries of creative collaboration between science and art through the display of some 120 prints, drawings, and anatomical atlases dating from the late 15th to the early 19th century. |
1997 | Rudolf Staffel: Searching for Light: Ceramics, 1936–1996 | May 3, 1997–August 3, 1997 | American Art | In a career spanning more than six decades, Philadelphia artist Rudolf Staffel (born 1911) has earned an international reputation for his revolutionary work in porcelain. This strong, white ceramic material can be made thin and translucent, and is perfectly suited to the artist's quest for luminous, freely-shaped forms. Rudolf Staffel: Searching for Light; Ceramics, 1936–1996, an exhibition on view at the Philadelphia Museum of Art from May 3 through August 7, 1997, presents a comprehensive overview of the the master ceramicist's work from 1936 to 1996. |
1997 | Public Service and Other Announcements | May 20, 1997–August 3, 1997 | Modern and Contemporary Art | This program presents two decades of videos made by artists using the formats of public service announcements and advertising. Many of the works were originally aired on broadcast or cable television. |
1997 | Liberating the Moment: American Modernism and the Stieglitz Circle | May 31, 1997–August 12, 1997 | Modern and Contemporary Art | This installation illustrates the American reaction to European modernism in the early years of the twentieth century, as seen in the work of a group of artists associated with the avant-garde photographer and collector, Alfred Stieglitz. |
1997 | Opening of the William P. Wood Gallery of Indian Art | June 1, 1997–November 30, 1997 | Indian and Himalayan Art | The special opening installation displays paintings and objects given to the Museum by and in appreciation of William P. Wood, to celebrate his life and legacy. |
1997 | Paul Klee: Works from the Bauhaus Years, 1921–1931 | June 19, 1997–mid September 1997 | Prints, Drawings, and Photographs | Paul Klee (Swiss, 1879–1940), celebrated for his luminous use of color and for the rich fantasy world he created in his art, once described his technique as "taking a line for a walk." His interest in line, tonality, and color resulted in an innovative body of works on paper, which constitute the greatest part of his artistic output. The years Klee spent at the Bauhaus in Germany (1921–31) proved to be his most fertile. |
1997 | India: A Celebration of Independence, 1947–1997 | July 6, 1997–August 31, 1997 | Prints, Drawings, and Photographs | India: A Celebration of Independence, 1947–1997 is a major travelling exhibition devoted to photographs of India. Organized by Michael E. Hoffman, Adjunct Curator of the Alfred Stieglitz Center of the Philadelphia Museum of Art, India will feature 250 images by 21 photographers, including Sunil Janah, Raghu Rai, Henri Cartier-Bresson, and Sebastiao Salgado. |
1997 | Prized Impressions: Gifts from the Print Center of Philadelphia | July 12, 1997–September 14, 1997 | Prints, Drawings, and Photographs | During its long life, The Print Center has worked closely with the Philadelphia Museum of Art to encourage the study and appreciation of prints and photographs. The prints in Prized Impressions have been selected from more than one thousand works on paper given to the Museum by The Print Center and its members over the past seventy years. |
1997 | Contemporary Art of Paper | August 3, 1997–November 30, 1997 | ||
1997 | Recent Acquisitions in Asian Art | August 15, 1997–October 31, 1998 | ||
1997 | The Spirit of Korea | August 15, 1997–August 1, 1998 | East Asian Art | |
1997 | The Body: Expression/Impression | September 9, 1997–December 31, 1997 | Modern and Contemporary Art | |
1997 | Frolicking Animals in Japanese Art | September 26, 1997–August 2, 1998 | East Asian Art | This installation explores the Japanese love of nature in its presentation of paintings, ceramics, and decorative arts bearing animal motifs. Featured are works bearing images of fish, fowl, and fauna from the seventeenth through the twentieth centuries, taken from the Museum's collection. |
1997 | Interiors: Drawings and Watercolors, 1800–1950 | September 27, 1997–January 11, 1998 | Prints, Drawings, and Photographs | Artists include: Pablo Picasso, Juan Gris, Mary Cassatt, Edgar Degas, Charles Demuth, Winslow Homer, John Singer Sargent, and others. |
1997 | Robert Capa, Photographs 1932–54 | October 4, 1997–January 4, 1998 | Prints, Drawings, and Photographs | The first true retrospective of one of this century's greatest photojournalists. |
1997 | Best Dressed: 250 Years of Style | October 21, 1997–January 4, 1998 | Costume and Textiles | 200 costumes and accessories covering nearly three centuries of fashion. |
1997 | Landscapes of the Mind | November 1997 | ||
1997 | Philippe Starck Designs | November 12, 1997–March 1, 1998 | European Decorative Arts and Sculpture | An installation of objects provides a sampling of the wit and individuality found in his work. Approximately thirty pieces are featured including furniture and household objects such as utensils, which Starck has called "micro-sculptures which enrich the kitchen." |
1997 | Epics from the Hills: Pahari Paitings of the Ramayana and the Mahabharata, 1750–1850 | December 17, 1997–June 28, 1998 | Indian and Himalayan Art | Pahari—"of the hills"—designates the Himalayan foothill region of northern India. Between 1750 and 1850 painters, patronized by the many local rulers of this area, strove in their art to create an ideally beautiful world of lush mountain landscapes and graceful, winsome figures. |
1998 | Friends Prints for Sale | January 1998 | ||
1998 | African American Art | January 1998 | ||
1998 | Partners | January 6, 1998–March 22, 1998 | Modern and Contemporary Art | |
1998 | Photographs from the Collection of Dorothy Norman | January 18, 1998–May 10, 1998 | Prints, Drawings, and Photographs | In 1968, Dorothy Norman supported the establishment of the Alfred Stieglitz Center at the Philadelphia Museum of Art with an initial gift from her splendid collection of over 500 photographs by Alfred Stieglitz, Ansel Adams, Paul Strand, Minor White, and other important twentieth-century photographers, many of whom she knew well. |
1998 | Paris in the 1890s: Painters’ Prints in the Age of Bonnard, Vuillard, and Toulouse-Lautrec | January 24, 1998–April 5, 1998 | Prints, Drawings, and Photographs | Selected from the Museum's collection, over 100 prints by leading Impressionist and Post-Impressionist painters are exhibited in Paris in the 1890s. |
1998 | Themes: Chair Design in the 20th Century | February 17, 1998–October 16, 1998 | European Decorative Arts and Sculpture | |
1998 | Self-Taught Artists of the 20th Century: An American Anthology | March 10, 1998–May 17, 1998 | American Art | Examines a powerful range of works by 31 American self-taught artists who span the entire twentieth century, from Horace Pippin, Grandma Moses, and Morris Hirshfield to Howard Finster, Purvis Young, and Thornton Dial. |
1998 | Recognizing Van Eyck | April 1, 1998–June 14, 1998 | European Painting before 1900, Johnson Collection | A small but extraordinary exhibition that brings together a group of works by one of the best known and most influential artists in the history of art, the great master of Netherlandish painting, Jan van Eyck (c.1385–1441). |
1998 | New Work by Contemporary Artist Zoe Leonard | April 1, 1998–September 6, 1998 | Modern and Contemporary Art | Strange Fruit (for David) is composed of over 300 banana, orange, grapefruit, lemon, and avocado peels with thread, zippers, buttons, sinew, needles, plastic, wire, stickers, fabric trim and wax. |
1998 | Museum Studies 4: Rirkrit Tiravanija | April 1, 1998–May 31, 1998 | Modern and Contemporary Art | In a joint effort, the Philadelphia Museum of Art and Educational Management Group (EMG) bring you the month-long journey across the US by motorhome of Rirkrit Tiravanija and five art students from Thailand. |
1998 | Chinese Export Porcelain for the American Market from the Collection H. Richard Dietrich, Jr. and the Dietrich American Foundation | April 17, 1998–September 6, 1998 | American Art | The collection includes punch bowls, cider jugs, a mantel garniture, custard cups, plates and a tea service. Featured are pieces that once belonged to George and Martha Washington, the Morris family of Philadelphia, the Van Rensselaers of Albany, New York, and other prominent families of the Federal period. |
1998 | Drawing on Copper: Etching in Italy before 1700 | April 19, 1998–May 31, 1998 | Prints, Drawings, and Photographs | This exhibition features about seventy-five Italian etchings from the Museum's permanent collection, including prints by Parmigianino, Guido Reni, and Castiglione. |
1998 | Heroes & Ghosts: Japanese Woodcuts by Kuniyoshi (1797–1861) | April 25, 1998–June 28, 1998 | Prints, Drawings, and Photographs | Drawn from public and private collections in Europe and the United States, the works of art in this exhibition present Kuniyoshi as a printmaker who embraced a broad range of subjects. |
1998 | From the Sculptor’s Studio: Italian Baroque Terracottas from the Hermitage | May 16, 1998–August 30, 1998 | European Decorative Arts and Sculpture | 35 sculptural models from the Farsetti collection, including works by the pre-eminent Giovanni Lorenzo Bernini and Alessandro Algardi, each born 400 years ago this year, and by a dozen other seventeenth-century Roman artists. |
1998 | John B. Flannagan: On Paper and In Stone | May 23, 1998–September 20, 1998 | Prints, Drawings, and Photographs | American artist John B. Flannagan's (1895–1942) rough-hewn stone sculptures of animals and women find their forerunners in pre-Columbian, African, Celtic, and Gothic art, while his expressive black line-drawings recall certain works by Rodin and Matisse. |
1998 | Images of the Spirit: Photographs by Graciela Iturbide | June 14, 1998–August 9, 1998 | Prints, Drawings, and Photographs | The first retrospective exhibition of photographer Graciela Iturbide (b. 1942) to be shown in the United States, Images of the Spirit is comprised of a range of the artist's images showing religious and cultural traditions of her native Mexico, the exhibition includes 104 gelatin silver prints. |
1998 | Ecclesiastical Vestments and Embroideries from the 14th to the 18th Century | June 23, 1998–April 18, 1999 | Costume and Textiles | This installation features a selection of ecclesiastical vestments and embroideries, made by professional embroiders and master weavers, whose work was regulated by Europe's elite craft guilds. |
1998 | Bengali Folk Art from the Kramrisch Collection | July 7, 1998–February 3, 1999 | Indian and Himalayan Art | |
1998 | Threads of Cotton,Threads of Brass: Arts of Eastern India and Bangladesh from the Stella Kramrisch Collection | July 7, 1998–June 13, 1999 | Indian and Himalayan Art | This exhibition will explore the art and ritual of the varied spheres of life, domestic, village, and temple through works made in the regions of eastern India and neighboring Bangladesh. |
1998 | Twenty Philadelphia Artists: Celebrating the Fleisher Challenge at Twenty | July 18, 1998–September 13, 1998 | Modern and Contemporary Art | The show will focus on a twenty year span of artists and their work and is planned to complement Fleisher's own show of new work by nearly 200 Challenge artists. |
1998 | 20 x 12: A Generation of Challenge Artists | July 18, 1998–August 28, 1998 | ||
1998 | Henry Moore: A Centennial Salute, an Exhibition in Celebration of Philip I. Berman | July 30, 1998–November 29, 1998 | Modern and Contemporary Art | An exhibition of sculpture and works on paper by one of the most renowned and beloved sculptors of the 20th century. |
1998 | Ink Traces: East Asian Calligraphy | August 11, 1998–August 2, 1999 | East Asian Art | Drawn from the Museum's permanent collections, Ink Tracespresents screens, albums, textiles and decorative arts that feature calligraphy by Chinese, Japanese and Korean artists. |
1998 | Ferdinand Olivier Prints | Fall 1998 | Prints, Drawings, and Photographs | |
1998 | American Self-Taught Artists 1730–1870 | September 10, 1998–February 1, 1999 | American Art | |
1998 | Contemporary American Crafts | September 11, 1998–March 19, 2000 | American Art | This installation features a new selection of work from the Museum's constantly growing collection of contemporary American crafts. |
1998 | Delacroix: The Late Work | September 15, 1998–January 3, 1999 | European Painting before 1900, Johnson Collection | This will be the first exhibition in a decade to examine the great genius of Delacroix. |
1998 | Delacroix and the Romantic Image | September 26, 1998–January 31, 1999 | Prints, Drawings, and Photographs | This installation features a collection of twenty-five works on paper by Eugène Delacroix (1798–1863) and several other French artists, all made between 1824 and 1854 at the height of the Romantic Era. |
1998 | Joseph Cornell/Marcel Duchamp...in resonance | October 8, 1998–January 3, 1999 | Modern and Contemporary Art | Organized jointly by the Philadelphia Museum of Art and The Menil Collection in Houston, Texas,this exhibition includes some 40 works by each artist, and examines interests shared by both artists, including film, optics, glass, games, the "portable museum," and the elusive yet potent force of desire. |
1998 | Cool Britannia: Recent British Design Selected by Sir Terence Conran | November 11, 1998–March 7, 1999 | European Decorative Arts and Sculpture | ir Terence Conran, Britain's best-known figure in design, home furnishing, and retailing, was the recipient of this year's Design Excellence Award from Collab, a group of design professionals who support the Museum's Modern and Contemporary design collections. |
1998 | Chinese Lacquer Boxes | November 21, 1998–June 1, 1999 | East Asian Art | Drawn from the Museum's permanent collections, this collection features decorated lacquer boxes from the Ming (1368–1644) and Ch'ing (1644–1911) dynasties. In China, such boxes served as storage container sholding documents, gifts, incense, cosmetics, jewelry, hairpins, or even medicinal herbs and minerals. |
1998 | Gherardo Starnina: Reconstructing a Renaissance Masterpiece | December 17, 1998–March 7, 1999 | European Painting before 1900, Johnson Collection | The exhibition will offer North American audiences the rare Renaissance altarpiece. |
1998 | Pipilotti Rist’s Pamela | October 6–18, 1998 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1998 | Rodney Graham’s Halcion Sleep | October 20, 1998–November 1, 1998 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1998 | Seoungho Cho’s Identical Time | November 3–15, 1998 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1998 | Peter Rose’s Understory | November 17–29, 1998 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1998 | Helen Mirra’s Third | December 1–13, 1998 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1998 | Abigail Lane’s Never Never Mind | December 15–27, 1998 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1998 | Bill Viola’s The Passing | December 29, 1998–January 10, 1999 | Modern and Contemporary Art | Part of the exhibition Trance: New Work in Video |
1999 | Steina Vasulka | January 12, 1999–March 7, 1999 | Modern and Contemporary Art | |
1999 | Jasper Johns: Process and Printmaking | January 23, 1999–April 4, 1999 | Prints, Drawings, and Photographs | More than 100 proofs and edition prints drawn almost entirely from the artist's personal collection. |
1999 | Georgia O’Keefe and Alfred Stieglitz | February 7, 1999–May 23, 1999 | Prints, Drawings, and Photographs | On view in the Museum's Eglin Gallery will be nine paintings and drawings by O'Keeffe (1887–1986) and a group of Stieglitz's renowned photographic portraits of her spanning over a decade in their tumultuous relationship. |
1999 | Mad for Modernism: Earl Horter and His Collection | March 7, 1999–May 16, 1999 | Prints, Drawings, and Photographs | Reassembling these works for the very first time, Mad for Modernism will close a long-recognized gap in the history of collecting modern art in the United States. |
1999 | German Art and Design of the Twentieth Century | March 15, 1999–October 31, 1999 | European Decorative Arts and Sculpture | This collection is drawn from the Museum's extensive permanent collection of twentieth-century decorative arts and paintings. The objects trace the development of the decorative arts from the Art Nouveau style at the beginning of the century to the modernism of the Bauhaus school in the 1920s to the functionalist design of the mid century. |
1999 | Crowning Achievements: Dentistry in the Ars Medica Collection of the Philadelphia Museum of Art | March 28, 1999–May 30, 1999 | Prints, Drawings, and Photographs | 100 images pertaining to dentistry are featured in this exhibition. |
1999 | Anne Katrine Dolven | April 6, 1999–June 28, 1999 | Modern and Contemporary Art | |
1999 | Goya: Another Look | April 11, 1999–July 11, 1999 | European Painting before 1900, Johnson Collection | An installation of original etchings and lithographs by Goya, selected from the Museum's permanent collections, will survey Goya's accomplishments as one of the greatest graphic artists of all time. |
1999 | Selections from the Seventies | April 17, 1999–March 19, 2000 | Modern and Contemporary Art | This installation of paintings from the Museum's permanent collections highlights the eclectic approaches to this medium by American artists working in diverse cultural contexts and geographic locations. |
1999 | Raymond Pettibon | April 30, 1999–July 25, 1999 | Modern and Contemporary Art | The exhibition will include approximately 500 drawings chosen from the thousands that Pettibon has made during the last two decades. |
1999 | Steeled for Style: Hoop Skirts of the Civil War Era | May 1, 1999–May 14, 2000 | Costume and Textiles | The installation includes a variety of hoop skirts suspended to show their types and constructions, a mannequin in a corset, hoop and other underwear, and two mannequins in the full-skirted dresses of the period. |
1999 | Neoclassical and Romantic Masterpieces from the Permanent Collection | May 7, 1999–July 20, 1999 | European Painting before 1900, Johnson Collection | |
1999 | A Grove of Trees | May 29, 1999–October 10, 1999 | Prints, Drawings, and Photographs | This collection—featuring some twenty-five western and Japanese prints by artists such as Camille Pissarro and Katsushika Hokusai, drawings by Jean Franois Millet and Winslow Homer, and photographs by Ansel Adams and Josef Sudek—celebrates the tree in all of its ever-changing aspects. |
1999 | Passages: Photographs from the Collection | June 5, 1999–November 14, 1999 | Prints, Drawings, and Photographs | This collection will feature some sixty works from the Museum's permanent collections representing the full range of photographic techniques and processes from 1840 to the present. |
1999 | Currents in Clay | June 5, 1999 (or September 13, 2000?)–May 9, 2004 | East Asian Art | This installation includes a focused selection of contemporary ceramics from the Museum's Japanese collections. |
1999 | American Illustrations in the Time of Maxfield Parrish: From the Museum’s Collection | June 12, 1999–September 25, 1999 | Prints, Drawings, and Photographs | American illustrations contemporary with Parrish's seventy-year career, which began in Philadelphia, where he was born and received his early art training. |
1999 | Making the Path to Perfection: Art for the Jains in India | June 26, 1999–January 16, 2000 | Indian and Himalayan Art | This collection explores the relationship between the Jain community and the sublime and inspiring art it commissioned during the past thousand years, all across the Indian Subcontinent. |
1999 | Form in Art | Through June 27, 1999 | ||
1999 | John Baldessari: Selected Video Tapes from the 1970s | June 29, 1999–September 26, 1999 | Modern and Contemporary Art | |
1999 | Changing Seasons: Three Generations of Pennsylvania Impressionists | July 27, 1999–December 5, 1999 | Modern and Contemporary Art | Widely known as the New Hope School, their work is featured in this exhibition of 16 paintings from the holdings of the Philadelphia Museum of Art and a private collection. |
1999 | Famed and Fabled in Chinese Painting | August 14, 1999–June 18, 2000 | East Asian Art | Supernatural Daoist Immortals and disciples of the Buddha (Lohans), powerful dragons, famous statesmen and beautiful women count among the famed and fantastic beings that were popular subject matter for Mind and Qing dynasty painters and their patrons. |
1999 | Fun and Games in Japanese Art | August 14, 1999–June 18, 2000 | East Asian Art | The subjects of this installation are the games, festivals, theater and amusements of children and adults in traditional Japan. |
1999 | Double-Blind | September 28, 1999–November 28, 1999 | Modern and Contemporary Art | |
1999 | Worldly Goods: The Arts of Pennsylvania, 1680–1758 | October 10, 1999–January 2, 2000 | American Art | Worldly Goods will highlight more than 350 fine examples of furniture, textiles, silver, metalwork, ceramics, prints, maps, books and paintings from this seminal place and time, lent by private collections and museums. |
1999 | The Kingdoms of Edward Hicks | October 10, 1999–January 2, 2000 | American Art | The exhibition will include paintings, decorated objects, as well as important manuscript materials that illuminate Hick's deep spirituality, artistic talent, and intense interest in the doctrinal controversies that divided his fellow Quakers in the early years of the 19th century. |
1999 | Thinking on Copper: Plates and Proofs by John Marin | October 16, 1999–February 13, 2000 | Prints, Drawings, and Photographs | This installation will include a variety of copper plates, trial proofs, and published prints Marin executed for ten separate projects dating from 1909 to 1948. |
1999 | Museum Studies 5: Gabriel Orozco | October 27, 1999–December 12, 1999 | Modern and Contemporary Art | Photogravity will cast fresh light on the world-renowned collection of Pre-Columbian sculpture that was given to the Museum in 1950 by Louise and Walter Arensberg, together with their remarkable collection of twentieth-century art. |
1999 | Designing the Future: Three Directions for the New Millennium | November 17, 1999–March 26, 2000 | European Decorative Arts and Sculpture | This exhibition showcases the work of three accomplished young designers who promise to have lasting influence on design in the 21st century. |
1999 | Just Desserts: An 18th Century Table Setting | November 23, 1999–June 18, 2000 | European Decorative Arts and Sculpture | Arrangement of the dessert's centerpiece was often patterned after designs like those illustrated by the famous French confectioner Joseph Gilliers in his 1751 Le Cannameliste français. Just Desserts: An Eighteenth-Century Table Setting is based on one such design. |
1999 | Recent Acquisitions: Prints and Drawings from the 1960s to the Present | November 26, 1999–April 2, 2000 | Prints, Drawings, and Photograph | This installation features a selection of some fifty prints and drawings dating from the 1960s to the present that were acquired during the last five years. |
1999 | Nocturnal and Melodic Romantic: Saverio Lucariello | November 30, 1999–February 6, 2000 | Modern and Contemporary Art |
Year | Title | Dates | Department | Additional Info |
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2000 | Earthly Gods and Heavenly Kings: Painting Royalty and Divinity in India | January 22, 2000–October 15, 2000 | Indian and Himalayan Art | This exhibition of works from the Museum's permanent collection explores not only the varied roles of royalty and divinity in India, but also the intriguingly blurred boundaries between the two. |
2000 | Revivals, Reveries, and Reconstructions: Images of Antiquity in Old Master Prints | February 5, 2000–April 16, 2000 | Prints, Drawings, and Photographs | The exhibition will feature a spectacular selection of paintings, sculpture, works on paper, decorative arts, architectural renderings and models—some 380 works. |
2000 | An Exuberant Bounty: Prints and Drawings by African Americans | February 5, 2000–April 16, 2000 | Prints, Drawings, and Photographs | A chronological survey of some 70 pieces selected from the Museum's holdings of over 200 works of art on paper by 20th-century African Americans. |
2000 | Sarah Morris | February 8, 2000–March 12, 2000 | Modern and Contemporary Art | |
2000 | New Acquisitions: Robert Motherwell’s A la Pintura and In Plato’s Cave | February 19, 2000–May 21, 2000 | Prints, Drawings, and Photographs | Recently acquired and important works by Robert Motherwell (1915–91), one of the foremost Abstract Expressionist painters in the United States, will be exhibited for the first time in this installation, featuring the print portfolio A la Pintura (1968–1972) and the painting In Plato's Cave (1973). |
2000 | The Splendor of 18th Century Rome | March 16, 2000–May 28, 2000 | European Painting before 1900, Johnson Collection | Includes a spectacular array of paintings, sculpture, works on paper, decorative arts, architectural renderings and models—some 380 works of art by more than 160 artists. |
2000 | Celebrating the Eight: American Modernism from the Potamkin Collection | March 23, 2000–July 2, 2000 | Modern and Contemporary Art | This installation focuses on a selection of spectacular paintings by The Eight given to the Museum as gifts from the noted collectors, Dr. and Mrs. Meyer P. Potamkin. |
2000 | Contemporary Fiber from the Permanent Collection | April 4, 2000–December 3, 2000 | Costume and Textiles | Selections from the Philadelphia Museum of Art's growing collection of contemporary works in fiber are exhibited in conjunction with the April 8 symposium, "Discovered Collections: Fiber Art in Museums," organized by the Friends of Fiber Art International. |
2000 | Works from the Collection by Philadelphia-Area Photographers | April 15, 2000–August 20, 2000 | Prints, Drawings, and Photographs | Among the Museum's treasures are images by photographers working in and around Philadelphia. This installation showcases their works, many of which are on view for the first time, in both color and black-and-white. |
2000 | Mary Ellen Mark: Photographs | May 13, 2000–August 6, 2000 | Prints, Drawings, and Photographs | The exhibition will feature some 141 black-and-white photographs, many of which have never been exhibited. |
2000 | For Your Eyes Only—Looking Closely at Works of Art on Paper | May 27, 2000–September 10, 2000 | Prints, Drawings, and Photographs | Close study of drawing materials—pastels, crayons, chalks, pencils, pens, inks and watercolors— lends insight to the creative approaches of artists and helps viewers understand works of art within the context of their period. |
2000 | Japanese Noh Costumes from the Collection | May 27, 2000–May 20, 2001 | Costume and Textiles | This installation, which coincides with The Arts of Hon'ami Koetsu, Japanese Renaissance Master (on view at the Museum from July 29 through October 29, 2000), will include eighteenth- and early nineteenth-century examples of several types of Noh robes from the Museum's permanent collection of Costume and Textiles. |
2000 | Armor from Dresden: Complementing the Collections | May 30, 2000–2004 | European Decorative Arts and Sculpture | |
2000 | Tea, Poetry, and Rimpa: Works from Japan | July 1, 2000–April 29, 2001 | East Asian Art | |
2000 | Wind in the Mountains: Chinese Ming Dynasty Painting and Calligraphy | July 1, 2000–June 17, 2001 | East Asian Art | Wind in the Mountains complements The Arts of Hon'ami Koetsu, Japanese Renaissance Master (on view from July 29 to October 29, 2000), an exhibition of more than 100 objects, ranging from calligraphy and printed books to ceramics and lacquerwork, drawn from collections throughout Japan, Europe, and the United States. |
2000 | Inside Out: Art Work by Inmates at the State Correctional Institution at Frackville Pennsylvania | June 30, 2000-August 6, 2000 | Division of Education | |
2000 | The Arts of Hon’ami Koetsu, Japanese Renaissance Master | July 29, 2000–October 29, 2000 | East Asian Art | An exhibition of more than 100 objects, ranging from calligraphy and printed books to ceramics and lacquerwork, drawn from collections throughout Japan, Europe and the United States. |
2000 | American Folk Paintings from the Collection | August 26, 2000–November 5, 2000 | American Art | |
2000 | When Reason Dreams: Drawings Inspired by the Visionary, the Fantastic, and the Unreal | August 26, 2000–October 29, 2000 | Prints, Drawings, and Photographs | The exhibition brings together a selection of works on paper from the Museum's collection that evoke the spiritual, dreamlike, or surreal. |
2000 | The Nightingale’s Song: Nurses and Nursing in the Ars Medica Collection of the Philadelphia Museum of Art | August 26, 2000–October 29, 2000 | Prints, Drawings, and Photographs | The 80 prints, drawings, and photographs in the show span six centuries and four continents. |
2000 | The Spirit of Korea | September 13, 2000–August 27, 2002 | East Asian Art | This installation highlights the Museum's Korean art collection. The earliest pieces include fourth-century stoneware vessels. The collection is particularly strong in Koryo Dynasty celadon wares. Also on view are Buddhist and secular subjects in paintings and sculpture, as well as furniture. |
2000 | Currents in Clay | September 13, 2000 (or June 5, 1999?)–May 9, 2004 | East Asian Art | This installation includes a focused selection of contemporary ceramics from the Museum's Japanese collections. |
2000 | Portrait Drawings from the Collection | September 16, 2000–January 7, 2001 | Prints, Drawings, and Photographs | This installation of about twenty-five drawings from the Museum's permanent collection has been organized to coincide with Van Gogh: Face to Face (October 22, 2000–January 14, 2001). Dating from the late eighteenth century to about 1940, the portraits are by established masters such as Edgar Degas, Dante Gabriel Rossetti, and Sir Thomas Lawrence, as well as by less-known artists such as Caroline Durieux and Knud Merrild. |
2000 | Gary Hill: Remarks on Color | October 6, 2000–November 20, 2000 | Modern and Contemporary Art | |
2000 | Van Gogh: Face to Face | October 22, 2000–January 14, 2001 | European Painting before 1900, Johnson Collection | This exhibition will focus, for the first time, on Van Gogh's evolving approach to the portrait throughout a tragically brief life. |
2000 | Picturing the Divine | October 24, 2000–June 10, 2001 | Indian and Himalayan Art | Exquisite and often unusual depictions of the multifaceted Hindu deities of India—their adventures, families, incarnations, and esoteric forms—are the focus of this exhibition of masterworks from the Museum's collection. |
2000 | Milton Glaser: Design, Influence and Progress | November 15, 2000–January 21, 2001 | European Decorative Arts and Sculpture | This focused retrospective exhibition illustrates the variety and invention of his design process |
2000 | Voyage of Discovery: The Landscape Photographs of Ray K. Metzker | November 18, 2000–February 11, 2001 | Prints, Drawings, and Photographs | More than 100 prints from a remarkable body of photographs created by Ray K. Metzker between 1985 and 1998, most of which has never before been exhibited. |
2000 | Andy Warhol: 15 Screen Tests | November 21, 2000–January 7, 2001 | Modern and Contemporary Art | |
2000 | Dorothea Tanning: Birthday and Beyond | November 24, 2000–January 14, 2001 | Modern and Contemporary Art | The exhibition will present a salute to Dorothea Tanning, the artitist first one-person exhibition in an American museum. |
2000 | Modern Hits Home: Mid-Century American Decorative Arts | December 9, 2000–October 22, 2001 | European Decorative Arts and Sculpture | This selection of mid-twentieth century American decorative arts from the collection, ranging from kitchenwares to lounge chairs, focuses upon Post World War II design innovations. |
2001 | Mariko Mori | January 10, 2001–February 11, 2001 | Modern and Contemporary Art | |
2001 | The City Beautiful: Photogravures by Alvin Langdon Coburn, 1909–10 | January 20, 2001–April 22, 2001 | Prints, Drawings, and Photographs | Some thirty cityscapes from the Museum's collection will demonstrate how Coburn employed photogravure, a photomechanical process using printer's ink, to reveal photography as an art in its own right. |
2001 | Flights of Fancy: Six Centuries of Ornament and Pattern on Paper | January 27, 2001–April 8, 2001 | Prints, Drawings, and Photographs | This exhibition presents vivid images of vines and arabesques, borders and frames, vases and vessels, architectural ornament, decorative letters, and works that demonstrate the calligraphic use of line. |
2001 | Alice Neel | February 18, 2001–April 15, 2001 | Modern and Contemporary Art | Organized with the full cooperation of the artist's family, this exhibition features 75 paintings and watercolors, many of which have never been previously exhibited. |
2001 | Intimate Worlds: Masterpieces of Indian Painting from the Alvin O. Bellak Collection | March 2, 2001–April 29, 2001 | Indian and Himalayan Art | The exhibition spans the period from before the rise of Islamic Mughal rule in northern India during the 1500s to the heyday of the British Raj in the late 19th century. |
2001 | Leaves of Gold: Treasures of Manuscript Illumination from Philadelphia Collections | March 10, 2001–May 13, 2001 | European Painting before 1900, Johnson Collection | The Philadelphia Area Consortium of Special Collections Libraries, in collaboration with the Philadelphia Museum of Art and other exhibition partners, surveyed the holdings in area libraries and museums. |
2001 | Howard Hodgkin | March 24, 2001–May 20, 2001 | Modern and Contemporary Art | Drawn from Philadelphia area collections, this focused installation of about a dozen paintings by Hodgkin range in date from the late 1960s, when the artist was associated with the British Pop Art movement; through the 1980s, when his vibrantly colored panel paintings brought him international recognition; to the present, with works revealing a dramatic change in scale and ambition. |
2001 | In Celebration: Needlework Treasures from the Philadelphia Museum of Art (The 2001 Philadelphia Antiques Show) | April 7, 2001–April 11, 2001 | Costume and Textiles | |
2001 | Inside and Outside Time: Finally Revealed! | April 18, 2001–June 3, 2001 | Modern and Contemporary Art | |
2001 | The World of Peggy Bacon | April 28, 2001–September 2, 2001 | Prints, Drawings, and Photographs | The installation of about 30 drawings and prints by the American artist Peggy Bacon (1895–1987) includes book illustrations, preliminary studies for prints, her earliest drypoints as well as etchings from the 1920s and 1930s. |
2001 | Philadelphia Modernism: Arthur B. Carles and His Circle | May 10, 2001–August 12, 2001 | Modern and Contemporary Art | This installation celebrates the adventurous paintings of Philadelphia artist Arthur B. Carles (1882–1952) and his circle of friends, students, and colleagues. |
2001 | West Meets East: China and Japan at the Centennial Exhibition | May 10, 2001–June 26, 2002 | East Asian Art | The Pennsylvania Museum and School of Industrial Art (now the Philadelphia Museum of Art) acquired many objects from exhibitors of the national displays of China, Japan, India, Tunis, Turkey, and Morocco. |
2001 | Needlework from the Nineteenth Century | May 26, 2001–March 3, 2002 | Costume and Textiles | Needlework from the Nineteenth Century highlights the artistic talent and technical skill of the needlewomen of the century. |
2001 | Desert Blizzard | June 5, 2001–July 8, 2001 | Modern and Contemporary Art | |
2001 | Out of the Ordinary: The Architecture and Design of Robert Venturi, Denise Scott Brown and Associates | June 10, 2001–August 5, 2001 | European Decorative Arts and Sculpture | One of the most influential architectural design and planning firms of the last half-century is the subject of this first-ever retrospective exhibition. |
2001 | Spiritual Seekers: Asceticism and Piety in Indian Painting | June 19, 2001–December 9, 2001 | Indian and Himalayan Art | Indian painters are the subject of this exhibition of painting and textiles from the Museum's collection. Dating from the mid-fifteenth century to the early-twentieth century, the works convey aspects of the search for spiritual realization. |
2001 | Jacques Villon, Poet of Precision: A New Acquisition in Context | June 23, 2001–September 30, 2001 | Prints, Drawings, and Photographs | The exhibition demonstrates the Museum's rich context for the new acquisition and its impact upon the Museum's existing holdings. |
2001 | Transcendent Bliss: Chinese Buddhist Art from the Collection | June 23, 2001–August 11, 2002 | East Asian Art | This exhibition takes as its subjects these beings and the transcendent bliss they seek. Featured are selected examples of carved and molded sculptures, colorful textiles and paintings, and sacred texts created for devotion and display. |
2001 | Elemental Landscapes: Photographs by Harry Callahan | June 23, 2001–September 30, 2001 | Prints, Drawings, and Photographs | Callahan took many of his photographs within proximity of one another and the exhibition explores his interest in these variations. |
2001 | Masterpiece in Focus: Cezanne’s The Feast (c. 1870) | June 23, 2001–December 15, 2001 | European Painting before 1900, Johnson Collection | |
2001 | Tea, Poetry, and Rimpa: Works From Japan | July 1, 2000–April 29, 2001 | Hon'ami Koetsu, the seventeenth-century Japanese artist, renowned for his contributions to the arts of tea, poetry, and Rimpa (a bold decorative style that took imagery from the natural world and native classical literature as its subject.) | |
2001 | Running Tape | July 10, 2001–August 19, 2001 | Modern and Contemporary Art | |
2001 | A Most Exquisite Display: European Ceramics at the Centennial Exhibition | July 28, 2001–October 28, 2001 | European Decorative Arts and Sculpture | European ceramics figured prominently among the objects acquired from the exhibition by the newly founded Pennsylvania Museum and School of Industrial Art, later the Philadelphia Museum of Art, whose founders were committed to providing the public and those in industry with objects of good design and craftsmanship. |
2001 | Keith Sonnier, Video Work of the 1970s | August 21, 2001–October 14, 2001 | Modern and Contemporary Art | |
2001 | The Discerning Eye of Julien Levy: Selections from a New Acquisition | September 8, 2001–December 2, 2001 | Prints, Drawings, and Photographs | Among the highlights are works by such artists associated with Surrealism as Max Ernst, Dora Maar, Manuel Alvarez Bravo, and Man Ray, along with examples from the more than 360 images by Eugène Atget. Also on view are two photographs taken in Bucks County, Pennsylvania, by Charles Sheeler, along with three Joseph Cornell boxes. |
2001 | Lorenzo di Credi’s Venus | September 15, 2001–December 9, 2001 | European Painting before 1900, Johnson Collection | In conjunction with Philadelphia's Splendor of Florence Festival (October 10–14, 2001), a major Renaissance painting, Venus, by Florentine artist Lorenzo di Credi (about 1456–1536) will be on view at the Museum. |
2001 | From Sacred Groves to Country Roads: Pastoral Themes in European and American Drawings, 1730–1980 | September 15, 2001–January 20, 2002 | Prints, Drawings, and Photographs | The installation of some thirty drawings, watercolors, gouaches, and pastels reflects a variety of rustic themes: sacred groves; herdsmen and their animals; idyllic landscapes with classical allusions; and the earthy produce of field and farm so often invoked to celebrate autumn. |
2001 | Thomas Eakins: American Realist | October 4, 2001–January 6, 2002 | American Art | The exhibition presents a spectacular loan exhibition surveying, for the first time in nearly 20 years, the career of this enormously challenging, controversial, and influential artist. |
2001 | Recent Video from Belgium | October 16, 2001–January 20, 2002 | Modern and Contemporary Art | |
2001 | Dox Thrash: An African American Master Printmaker Rediscovered | October 27, 2001–February 25, 2002 | Prints, Drawings, and Photographs | This major retrospective, which includes some 60 prints and 30 drawings and watercolors, documents for the first time the artistic achievements of Dox Thrash, an important African American artist who rose to national prominence during the late 1930s. |
2001 | Hands On: Japanese Craft and Design of the 20th Century | November 7, 2001–September 15, 2002 | East Asian Art | This exhibition from the permanent collection at the Philadelphia Museum of Art features a range of Japanese objects of striking form and design. Included are furniture, lighting, textiles, ceramics, lacquerware, posters, and even sporting equipment. |
2001 | Collab Collects: Notable Acquisitions in Design, 1970–2000 | November 14, 2001–April 21, 2002 | European Decorative Arts and Sculpture | This installation celebrates Collab's thirty years of enthusiastic support for contemporary design at the Philadelphia Museum of Art. |
2001 | Calligraphy for the Queen: Indo-Islamic Art at the 1876 Centennial | November 14, 2001–October 20, 2002 | East Asian Art | Among the items shown at the 1876 Philadelphia Centennial were calligraphy pages specifically penned as offerings for Queen Victoria. |
2001 | Pennsylvania Impressionism | November 17, 2001–March 31, 2002 | Modern and Contemporary Art | Widely known as the New Hope School, their work is featured in this exhibition of 18 paintings drawn from the holdings of the Museum and from local private collections. |
2001 | Italian Renaissance Ceramics: The Howard I. and Janet H. Stein Collection | December 8, 2001–April 28, 2002 | European Decorative Arts and Sculpture | An exhibition of Renaissance maiolica in which the collection formed by Mr. Stein and his late wife is combined with related ceramics from Museum holdings. |
2001 | Celebrating 125 Years: A Museum Family Album | December 15, 2001–April 7, 2002 | Through photographs, documents, and artifacts, the rich history of the Philadelphia Museum of Art is recounted in honor of its 125th anniversary. | |
2001 | Monkey Tales: Images of Hanuman in Indian Art | December 18, 2001–June 2, 2002 | Indian and Himalayan Art | This exhibition of paintings, puppets, and textiles from the Museum's collection is an introduction to this revered figure of Indian culture as well as a journey through India's rich and varied arts. |
2002 | Human Interest | January 22, 2002–June 2, 2002 | Modern and Contemporary Art | |
2002 | Hot off the Press: American Publishers’ Posters of the 1890s | January 25, 2002–May 19, 2002 | Prints, Drawings, and Photographs | The bold shapes and bright colors of Penfield's design introduced an American audience to the Art Nouveau style in the graphic arts, which had been broadly launched in Paris two years earlier. |
2002 | The Plot Thickens: Narrative in British Printmaking, 1700–1900 | March 16, 2002–June 23, 2002 | Prints, Drawings, and Photographs | This exhibition, featuring some fifty prints drawn from the Museum's permanent collection, explores Britain's fascination with narrative art during the eighteenth and nineteenth centuries |
2002 | Barnett Newman | March 24, 2002–July 7, 2002 | Modern and Contemporary Art | This retrospective exhibition assembles more than 100 works not seen together in over 30 years. |
2002 | Out of the Box: 20th Century Print Portfolios | March 30, 2002–June 23, 2002 | Prints, Drawings, and Photographs | This exhibition examines the portfolio as a vital format in twentieth-century European and American printmaking. |
2002 | Toile Tales: Conservation of European Printed Textiles | March 30, 2002–June 1, 2003 | Costume and Textiles | This installation from the department of Costume and Textiles shows how curators and conservators preserve printed textiles in the Museum's collection. |
2002 | Michael Hoffman: A Tribute in Pictures | April 27, 2002–August 11, 2002 | Prints, Drawings, and Photographs | The groups of photographs on view here, acquired by gift and purchase for the Museum's collection, pay tribute to Hoffman's abiding vision of the importance of photography as an art form and as a powerful expression of the human spirit. |
2002 | Dogs in Art | April 27, 2002–June 2003 | European Painting before 1900, Johnson Collection | Paintings of working dogs, pet dogs and a caricature of the important Philadelphia art collector John G. Johnson are included in this installation. |
2002 | Calders on the Parkway | May 13, 2002–March 31, 2009 | Modern and Contemporary Art | |
2002 | Form in Art | May 17, 2002–June 30, 2002 | Division of Education | |
2002 | It’s Your Move: Chess Sets from the Collection | May 18, 2002–July 21, 2002 | European Decorative Arts and Sculpture | The Philadelphia Museum of Art explores the art of chess with It's Your Move, an installation from the Museum's collection that brings together chess sets from across many centuries and cultures. |
2002 | Ellsworth Kelly: Series of Ten Lithographs | May 25, 2002–August 25, 2002 | Prints, Drawings, and Photographs | Ten Lithographs (1970) was the first of many successful projects undertaken by Ellsworth Kelly (American, born 1923) with Gemini G.E.L., a print workshop that became known for its willingness to produce prints of large size and unusual complexity. |
2002 | Gabriel Orozco ́s Jaipur Kites | June 4, 2002–August 18, 2002 | Modern and Contemporary Art | |
2002 | Love by the Book: Painting and Poetry in India | June 18, 2002–January 12, 2003 | Indian and Himalayan Art | Poetic treatises on the nature of love inspired the subject matter of many Indian paintings made during the seventeenth and eighteenth centuries. |
2002 | Munakata Shiko: Japanese Master of the Modern Print | July 27, 2002–November 10, 2002 | Prints, Drawings, and Photographs | More than 100 prints from all phases of the artist’s career, along with a selection of his paintings, calligraphy, and ceramics, are on view. |
2002 | Indivisible: Stories of American Community | August 10, 2002–October 6, 2002 | Prints, Drawings, and Photographs | This nationally touring museum exhibition focuses upon the challenges faced by communities in cities across the United States. |
2002 | Design: Recent Acquisitions | August 10, 2002–November 3, 2002 | European Decorative Arts and Sculpture | This installation features recent additions to the Museum's collection of modern and contemporary design, and includes a range of objects, from posters and wallpaper to kitchen utensils, furniture, and lighting. |
2002 | Time/Travel | August 20, 2002–November 3, 2002 | Modern and Contemporary Art | |
2002 | Odyssey of Light: Photographs from the Collection | August 24, 2002–February 9, 2003 | Prints, Drawings, and Photographs | This exhibition of more than fifty-five photographs demonstrates the breadth of the Museum's collection, tracing the development of the medium from the early 1840s to the present. |
2002 | Museum Studies 6: Richard Hamilton | August 31, 2002–November 3, 2002 | Modern and Contemporary Art | For the sixth installment of the Museum Studies program, Hamilton has created a computer-generated diagram of The Large Glass, over which he has superimposed the English translations of Duchamp's notes, so that each visual element is united with the written ideas and schematic designs that preceded it. |
2002 | The Arts of Korea: Selections from the Collection | August 31, 2002–June 25, 2006 | East Asian Art | |
2002 | The Etching Club of London: A Taste for Painters’ Etchings | August 31, 2002–February 9, 2003 | Prints, Drawings, and Photographs | This installation, displaying over thirty rare prints primarily from the Muriel and Philip Berman Gift of European Prints, examines the revival of etching in 19th-century Britain by the Etching Club of London. |
2002 | Crafting a Legacy: Contemporary American Crafts in the Philadelphia Museum of Art | September 26, 2002–August 10, 2003 | American Art | Selections from the Museum's American contemporary craft collection are showcased in this exhibition of ceramics, glass, fiber, metalwork, wood, and furniture pieces by both locally and nationally known artists. |
2002 | Gifts in Honor of the Museum’s 125th Anniversary | September 29, 2002–December 8, 2002 | Anniversary acquisitions encompasses a number of exciting purchases, made possible by generous contributions of funds raised for the specific purpose of enhancing the Museum's collections. | |
2002 | Divine Union: The Transformation of Desire in Himalayan Art | October 8, 2002–July 2003 | Indian and Himalayan Art | This installation of paintings and sculptures from Tibet, Nepal and northern India features divine couples from the Buddhist and Hindu pantheons. |
2002 | Scenes from the Shahnama and Khavarannama | October 22, 2002–November 27, 2005 | East Asian Art | This installation features seven fifteenth-and sixteenth-century miniatures, originally made for bound books, which combine text and images from the Shahnama. |
2002 | Giorgio de Chirico and the Myth of Ariadne | November 3, 2002–January 5, 2003 | Modern and Contemporary Art | This exhibition brings together, for the first time, the entire Ariadne series. |
2002 | Shirin Neshat: Passage | November 5, 2002–January 26, 2003 | Modern and Contemporary Art | |
2002 | The Light Magic of Ingo Maurer | November 20, 2002–March 30, 2003 | European Decorative Arts and Sculpture | Installations of this internationally acclaimed artist's work will illuminate the Museum's eighteenth-century French salon as well as contemporary design gallery 170 this winter. |
2002 | Translations and Transformations: Chinese Themes in Japanese Art | November 30, 2002–October 31, 2003 | East Asian Art | A group of thirty screens, hanging scrolls, and decorative arts from the Museum’s collection illustrate these and other themes from Chinese art by Japanese artists. |
2002 | Taken by Design: Photographs from the Institute of Design, Chicago, 1937–1971 | December 7, 2002–March 2, 2003 | Prints, Drawings, and Photographs | In addition to important works by Moholy-Nagy, Callahan, and Siskind, the exhibition will feature the work of Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and others. |
2003 | Stories, Ceremonies, and Souvenirs: Popular Painting from Eastern India | January 21, 2003–July, 2003 | Indian and Himalayan Art | painters who made souvenirs for pilgrims at holy sites; minstrel-painters who walked from place to place singing and selling their wares; painter-magicians who delivered the souls of the dead from the afterworld; village women who decorated the walls of their homes for celebrations and festivals. |
2003 | Dance & Video: Interactions | January 28, 2003–May 11, 2003 | Modern and Contemporary Art | |
2003 | Mary Cassatt and Edgar Degas | February 12, 2003–May 11, 2003 | European Painting before 1900, Johnson Collection | Drawn from the Museum's collection, these works reveal the intersection—both personal and artistic—of these two great Impressionist painters. |
2003 | Degas and the Dance | February 12, 2003–May 11, 2003 | European Painting before 1900, Johnson Collection | Edgar Degas and the ballet are virtually synonymous. Dancers—shown in every phase of their complex and demanding art form—make up more than fifty percent of his abundant output. |
2003 | Nineteenth-Century Pastels | February 18, 2003–ongoing | Prints, Drawings, and Photographs | |
2003 | Street Smarts: Photographs by William Klein | February 22, 2003–July 13, 2003 | Prints, Drawings, and Photographs | Klein extended his technical experimentation—harsh flash, wide-angle shots, blurring, and grainy printing—to create gritty, chaotic pictures in other major cities in the late 1950s and early 1960s. |
2003 | The Art of the Burin: Engraving in Northern Europe in the Age of Durer | March 22, 2003–May 25, 2003 | Prints, Drawings, and Photographs | This exhibition focuses on the first century of engraving, a meticulous new printmaking technique that developed in the Medieval goldsmith's workshop in the mid-1400s. |
2003 | Have a Bite: 20th Century Flatware from the Collection | April 12, 2003–October 26, 2003 | European Decorative Arts and Sculpture | The installation will include some thirty flatware sets from the Museum's collection of modern and contemporary design. |
2003 | Bruce Nauman | May 13, 2003–August 3, 2003 | Modern and Contemporary Art | |
2003 | Museum Studies 7: Christian Marclay, the Bell and the Glass | May 17, 2003–July 27, 2003 | Modern and Contemporary Art | The project is the seventh in a series of Museum Studies installations by living artists created specifically for the Philadelphia Museum of Art, and it is the fifth in the 2002/03 Future Sounds series by Relâche Ensemble |
2003 | Ladies’ Choice: American Women’s Fashions, 1950–1965 | June 6, 2003–May 16, 2004 | Costume and Textiles | Fashion in the 1950s and early 1960s reflected this resurgence of idealized femininity. In an era of American history that has often been called conformist, the taste of the time extolled circumspect feminine behavior and a ladylike appearance. |
2003 | Louis Faurer: A Photographic Retrospective | June 14, 2003–September 7, 2003 | Prints, Drawings, and Photographs | Featured are 137 photographs spanning the years 1937 to 1983, with a special emphasis on Faurer's highly innovative photographs from 1947 to 1951. |
2003 | Warren Rohrer: Paintings 1972–1993 | June 22, 2003–August 17, 2003 | Modern and Contemporary Art | This exhibition will explore the art of one of the premier abstract painters to work in Philadelphia in the twentieth century, bringing together a selection of approximately 30 exemplary paintings from the years 1972–1993. |
2003 | American Viewpoints | July 1, 2003–early September 2003 | American Art | |
2003 | Eye on Mexico: Photographs from the Collection | July 26, 2003–December 7, 2003 | Prints, Drawings, and Photographs | This installation of more than fifty works from the collection features photographs by Mexican artists including Manuel Alvarez Bravo, Emilio Amero, and Graciela Iturbide, alongside images taken in Mexico by photographers from outside the country, such as Henri Cartier-Bresson, Helen Levitt, Paul Strand, Danny Lyon, and others inspired by the landscape and culture of Mexico. |
2003 | Seriously Animated | August 5, 2003–November 16, 2003 | Modern and Contemporary Art | |
2003 | Learned Lamas: The Teacher in Tibetan Art | August 16, 2003–February 29, 2004 | Indian and Himalayan Art | Learned Lamas: The Teacher in Tibetan Art brings together a selection of expressive and powerful works to explore this unique portrait tradition, one that reveals the interplay between the flaws of being human and the vision of the ideal. |
2003 | India’s Middle Ground: Art of the Deccan | August 16, 2003–February 29, 2004 | Indian and Himalayan Art | India's Middle Ground: Art of the Deccan gathers together works from the Museum's collection to showcase the region's artistic, cultural, and religious diversity. |
2003 | Mountain Dreams: Contemporary Ceramics by Yoon Kwang-cho | September 2, 2003–January 4, 2004 | East Asian Art | This exhibition includes over 25 works drawn from various museum and private collections and marks the artist's first solo exhibition in an American museum. |
2003 | Syng of Philadelphia, Tercentenary 2003: Philadelphia Silversmith and American Patriot | September 9, 2003–December 31, 2003 | American Art | |
2003 | Shocking! The Art and Fashion of Elsa Schiaparelli | September 28, 2003–January 4, 2004 | American Art | The first major retrospective exhibition and catalogue to examine the ways in which Elsa Schiaparelli's creations mirrored the social, political, and cultural climate of her times. |
2003 | Popular, Pop & Post-Pop: Color Screenprints 1930s to Now | October 11, 2003–January 25, 2004 | Prints, Drawings, and Photographs | This exhibition surveys the development of the screenprint from its popular commercial origins, through its depression-era struggle for artistic legitimacy, to the peak of production in the Pop Art era and absorption into the multi-media orientation of printmaking today. |
2003 | Chinese Export Porcelain for India | November 2003– | East Asian Art | |
2003 | The Morrison Triptych: A Visiting Masterpiece | November 6, 2003–January 11, 2004 | European Painting before 1900, Johnson Collection | Study of the painting has revealed, among other things, how the artist took the common triptych form (a central painting flanked by paintings on two shutters that close over it) and by dispensing with the frames that typically surrounded the shutters, achieved incomparable qualities of illusion. |
2003 | Libations: Wine and Tea in East Asia | November 13, 2003–May 15, 2005 | East Asian Art | This exhibition explores the art and artifacts of tea and wine from the most ancient Chinese ritual wine vessels to a contemporary Korean teapot. |
2003 | Elegant Innovations: American Rookwood Pottery, 1880–1960: The Gerald and Virginia Gordon Collection | November 15, 2003–March 21, 2004 | American Art | This exhibiton illustrates the international artistic movements that inspired the designs of Rookwood artists—such as Art Nouveau, Art Moderne, and Art Deco—and includes splendid examples that reflect an interest in Persia, Japan, and American Indians. |
2003 | Burt Barr, Autumn: One of the Four Seasons | November 18, 2003–January 25, 2004 | Modern and Contemporary Art | |
2003 | Work in Process: Gluckman Mayner Designs the Perelman Building | November 19, 2003–April 4, 2004 | European Decorative Arts and Sculpture | This installation focuses on Gluckman’s work in progress for the Perelman Building. |
2003 | The Faceless Figure: Photographs from the Collection | December 20, 2003–June 27, 2004 | Prints, Drawings, and Photographs | In this exhibition of more than fifty photographs from the Museum's collection, artists purposely defy our expectations and the conventions of portraiture by taking pictures of people whose faces we can’t see. |
2004 | Flying High: Selections from the Permanent Collection | January 27, 2004–April 18, 2004 | Modern and Contemporary Art | |
2004 | Fiske Kimball | February 3, 2004–February 8, 2004 | ||
2004 | Manet and the Sea | February 15, 2004–May 31, 2004 | European Painting before 1900, Johnson Collection | The exhibition includes approximately one hundred objects—paintings, watercolors, and drawings—from sixty public and private collections in the United States and abroad. |
2004 | American Marine Paintings | February 15, 2004–May 31, 2004 | American Art | On view in the Dorrance corridor and American galleries are ship portraits, naval battle scenes, whaling pictures, and seascapes by a wide range of American artists, including Thomas Birch, Edward Moran, William Trost Richards, Winslow Homer, and Childe Hassam. |
2004 | To Instruct and Delight: Prints and Illustrated Books in 18th Century France | February 21, 2004–May 16, 2004 | Prints, Drawings, and Photographs | The prints in this exhibition capture the ebullient spirit of the eighteenth century in France during the Age of Enlightenment. |
2004 | Rembrandt as Printmaker | March 8, 2004–July 1, 2004 | Prints, Drawings, and Photographs | The Philadelphia Museum of Art is proud to present two recently acquired masterpieces of printmaking by Rembrandt van Rijn, Christ Preaching and Christ Crucified between Two Thieves, more popularly known as The Three Crosses. |
2004 | Primary Colors: Paintings from 17th Century Central India and 18th Century Nepal | March (or May?) 13, 2004–October 11, 2004 | Indian and Himalayan Art | Featuring some thirty works from the Museums collection. |
2004 | One or Many: Modern Design and Craft from the Collection | April 17, 2004–October 23, 2004 | European Decorative Arts and Sculpture | This installation, drawn from the Museum's collection, juxtaposes objects of modern design and craft in thought-provoking and occasionally whimsical ways. |
2004 | Gary Hill: Remarks on Color | April 20, 2004–June 13, 2004 | Modern and Contemporary Art | |
2004 | Small Worlds: Portrait Miniatures from the Jeannette B. Stern Whitebook Collection | May 1, 2004–July 11, 2004 | American Art | The Whitebook collection contains works painted on ivory, parchment, porcelain and copper that span more than four centuries and includes important miniatures by Robert Field, Jean Baptiste Isabey, Edward Greene Malbone, James Peale, and Christian Friedrich Zincke. |
2004 | The Big Nothing | May 1, 2004–August 1, 2004 | Modern and Contemporary Art | The project aims to explore "nothing," a concept that has intrigued artists since the beginning of the twentieth century, when abstract art came to the fore. |
2004 | Woven for Comfort and Joy: 19th Century American Coverlets | May 22, 2004–April 10, 2005 | Costume and Textiles | View coverlets illustrating the characteristics of various weaving techniques. |
2004 | Glorious Harvest: Photographs from the Michael E. Hoffman Tribute Collection | June 12, 2004–October 3, 2004 | Prints, Drawings, and Photographs | Seen for the first time in this comprehensive exhibition, the group of pictures was assembled in honor of legendary curator and publisher Michael E. Hoffman (1942–2001) with donations from artists with whom he worked during his active career. |
2004 | Anne Katrine Dolven: Still Life | June 16, 2004–August 1, 2004 | Modern and Contemporary Art | |
2004 | Jacques Lipchitz and Philadelphia | June 27, 2004–August 22, 2004 | Modern and Contemporary Art | This exhibition traces the development of Lipchitz’s art as represented in the Museum’s holdings and selected objects from local area private collections, as well as some related works by other artists. |
2004 | Underfoot: Photographs by Irving Penn | July 10, 2004–November 28, 2004 | Prints, Drawings, and Photographs | Now in his seventh decade as a working photographer, Penn has recently turned his attention to patches of discarded chewing gum on the sidewalks of New York City. |
2004 | Korea Now! | July 19, 2004–February 23, 2005 | East Asian Art | Recent acquisitions of Korean contemporary art in all media. |
2004 | Chinese Snuff Bottles from the Collection | July 20, 2004–ongoing | East Asian Art | |
2004 | Andrea Fraser: Museum Highlights: A Gallery Talk | August 3, 2004–October 24, 2004 | Modern and Contemporary Art | |
2004 | The Poetry of Clay: The Art of Toshiko Takaezu | August 7, 2004–March 6, 2005 | American Art | This exhibition features ceramics, weavings, and a monumental bronze bell by the American artist Toshiko Takaezu. |
2004 | A Young Woman Seated at the Virginals by Johannes Vermeer | August 11, 2004–April 26, 2005 | European Painting before 1900, Johnson Collection | The opportunity to see a Vermeer in Philadelphia has been very rare since the Widener Collection went to the National Gallery in Washington in 1942. |
2004 | Echoes: Celebrating 75 Years of Rodin in Philadelphia | September 10, 2004–June 15, 2005 | European Painting before 1900, Johnson Collection | On the occasion of the 75th Anniversary of this celebrated showcase of works by the great French sculptor Auguste Rodin (1840–1917). |
2004 | African Art, African Voices: Long Steps Never Broke a Back | October 2, 2004–January 2, 2005 | European Painting before 1900, Johnson Collection | The exhibition includes approximately 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art. |
2004 | Masterpieces of Indian Painting from the Alvin O. Bellak Collection, A Tribute | October 9, 2004–April 24, 2005 | Indian and Himalayan Art | Twenty "miniature" paintings from the Rajput courts of India, dating from the seventeenth through the nineteenth centuries. |
2004 | Himalayan Texts and Charms | October 23, 2004–April 24, 2005 | Indian and Himalayan Art | This installation showcases diverse examples of books, book covers, illuminated manuscripts, and printed charms, as well as paintings and sculptures of book-holding deities to explore the art and the power of the written word in Nepal and Tibet. |
2004 | Peter Rose: Odysseus in Ithaca | October 26, 2004–February 9, 2005 | Modern and Contemporary Art | |
2004 | Italian Master Drawings: 1540–Present | October 30, 2004–February 21, 2005 | Prints, Drawings, and Photographs | This exhibition draws largely on two acquisitions that have greatly enhanced the Museum’s reputation in the field of Italian art. |
2004 | Florence Knoll Bassett: Defining Modern | November 17, 2004–April 10, 2005 | European Decorative Arts and Sculpture | The exhibition includes some eleven pieces of the furniture she designed for Knoll, Inc., as well as photographs of interiors that demonstrate the designer’s ability to relate interior design to the building, and furniture and textiles to the interior. |
2004 | Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence | November 20, 2004–February 13, 2005 | European Painting before 1900, Johnson Collection | The exhibition includes some forty works and is enriched by a group of drawings from the Gabinetto Disegni e Stampe degli Uffizi (the Drawing and Print Room of the Uffizi) in Florence, which holds the greatest cache of drawings by Pontormo and Bronzino. |
2004 | Bill Viola: The Greeting | November 20, 2004–February 13, 2005 | Modern and Contemporary Art | Special video exhibition. |
2004 | Lewis and Clark Revisited: A Trail in Modern Day, Photographs by Greg MacGregor | December 11, 2004–February 6, 2005 | Prints, Drawings, and Photographs | The exhibition is part of a city-wide celebration of the bicentennial of the Lewis and Clark expedition. |
2005 | Stuart Davis and American Abstraction: A Masterpiece in Focus | January 15, 2005-April 17, 2005 | Modern and Contemporary Art | An array of paintings, prints, and drawings from the Philadelphia Museum of Art, including Davis’s early nautical work. Also on view is work by Davis’s contemporaries. |
2005 | Altogether American: Tucker Porcelain from the Philadelphia Museum of Art (The New York Ceramics Fair 2005) | January 19, 2005-January 23, 2005 | American Art | |
2005 | Dalí and the Cinema | February 11, 2005-May 30, 2005 | Modern and Contemporary Art | |
2005 | Salvador Dali | February 16, 2005-May 30, 2005 | Modern and Contemporary Art | This exhibition considers all aspects of the artist's long and controversial career. Over 200 works of art are on view, many of which are being shown in the United States for the first time. |
2005 | The Silver Garden | February 19, 2005-July 17, 2005 | Prints, Drawings, and Photographs | Coinciding with Philadelphia’s annual Flower Show, this choice bouquet of more than fifty photographs from the Museum’s collection illustrates the enduring fascination with flowers and plants from the first decades of the medium to the present. |
2005 | Paradise Found: Buddhist Art of Korea | February 26, 2005-June 25, 2006 | East Asian Art | Paradise Found: Buddhist Art of Korea celebrates the varied and little known Buddhist art of Korea. It features ancient art objects from the Three Kingdoms period (57 B.C.– A.D. 668) to the Chŏson period (1392–1910) in various mediums: sculpture, painting, metalwork, and ceramics. |
2005 | Quack, Quack, Quack: The Sellers of Nostrums in Prints, Posters, Ephemera & Books | March 19, 2005-July 17, 2005 | Prints, Drawings, and Photographs | This lively exhibition traces the history of the colorful purveyors of patent and quack medicines over the past four centuries. |
2005 | Contemporary Crafts from the Collection | March 19, 2005-August 20, 2006 | American Art | With over thirty objects from the Museum's esteemed crafts collection, this exhibition highlights postwar and contemporary crafts from the United States and Japan. |
2005 | At the Window: Etchings by Edward Hopper | April 9, 2005-July 31, 2005 | Prints, Drawings, and Photographs | This exhibition traces the evolution in his prints of many of the signature subjects of the artist’s mature style, such as the isolated figure by a window and other intimate glimpses of contemporary American life. |
2005 | Transformed: Uncommon Materials in Contemporary Design | April 23, 2005-October 9, 2005 | European Decorative Arts and Sculpture | This installation from the Museum's collection includes furniture, lighting, textiles and utilitarian objects, many of them recent acquisitions, which reflect contemporary designers' interest in varying materials. |
2005 | Fashion’s Favorites: From Rococo to Romantic | April 23, 2005-June 18, 2006 | Costume and Textiles | Women's dresses underwent dramatic changes in silhouette and ornamentation between the 1750s and 1830s. This exhibition will highlight their stylish evolution, from an elaborate Rococo gown worn over wide panniers to a slim, high-waisted Neoclassical frock to a romantic creation with large leg-of-mutton sleeves. |
2005 | The Academy Goes Modern | April 30, 2005-October 16, 2005 | Modern and Contemporary Art | This year marks the 200th anniversary of the Pennsylvania Academy of the Fine Arts, the oldest art museum and school in the United States. |
2005 | Irish Silver | May 5, 2005 - August 31, 2008 | European Decorative Arts and Sculpture | The great age of domestic Irish silver began in the closing decades of the seventeenth century and lasted until the years shortly after the Act of Union of 1800, when Ireland merged with the Kingdom of Great Britain (today split into the United Kingdom of Great Britain and Northern Ireland, and the Republic of Ireland). |
2005 | The Arts of Korea: Selections from the Collection | May 5, 2005-June 25, 2006 | East Asian Art | This exhibition includes recent acquisitions of major works of Korean painting, sculpture, ceramics, metalwork, lacquer, and furniture. Among the works on display are a cast iron and stone sculptures, outstanding examples of Korean potter's art, fine celadon wares, and a rare dragon jar. |
2005 | Mongols, Manchus, and Monks: The Art of Tibetan Diplomacy | May 7, 2005-November 6, 2005 | Indian and Himalayan Art | In 1779 and 1780, Mongolian artists worked feverishly to paint, sculpt, and sew images of elegant Buddhist deities to adorn Xumifushou Temple in time for the Emperor's seventieth birthday celebrations. |
2005 | Book Arts of India | May 7, 2005-November 6, 2005 | Indian and Himalayan Art | Examples of bound books, book covers, loose folios, and other items from the Museum's collection, this exhibition will explore facets of the India's rich tradition of book production and illustration. |
2005 | Kacho-ga: Flowers and Birds in Japanese Art | May 28, 2005-September 24, 2006 | East Asian Art | This exhibition includes paintings and decorative art, and shows continuity and comparisons over time and across media in Japanese art |
2005 | Homage to Duchamp (Part I): Yasumasa Morimura's Cometman, 1991 | May 31, 2005-August 28, 2005 | Modern and Contemporary Art | |
2005 | Poussin to Cézanne: French Drawings from the Prat Collection | July 16, 2005 - September 25, 2005 | Prints, Drawings, and Photographs | The Prat Collection is one of the finest private collections of drawings in the world, highlighting some three centuries of work by French artists active before 1900 and including drawings by great masters as well as superb examples by lesser known artists. The one hundred drawings on display in the exhibition will reflect the panorama of French draftsmanship and will include some of the finest examples from the collection. |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
2005 | Eighteenth- and Nineteenth- Century French Drawings from the Collection | July 16, 2005-September 25, 2005 | Prints, Drawings, and Photographs | |
2005 | Mavericks of Color: Photographs from the Collection | July 30, 2005-December 4, 2005 | Prints, Drawings, and Photographs | This exhibition presents a rare look at more than fifty photographs from the Museum’s collection by several of the most dedicated early practitioners of color photography: Eliot Porter, William Christenberry, Joel Meyerowitz, and William Eggleston. Prints, Drawings, and Photographs |
2005 | Homage to Duchamp (Part II): Nam June Paik and Shigeko Kubota | August 30, 2005-November 6, 2005 | Modern and Contemporary Art | |
2005 | Looking at Atget | September 10, 2005-November 27, 2005 | Prints, Drawings, and Photographs | This exhibition and its accompanying catalogue contrast some of the compelling accounts of Eugène Atget's photography and provide a close look at the Museum's recently acquired group of 350 works by the artist from the estate of the influential art dealer Julien Levy. |
2005 | Edvard Munch’s Mermaid | September 24, 2005-December 31, 2005 | European Painting before 1900, Johnson Collection | This exhibition will include approximately twenty paintings, drawings, and prints, chronicling Munch’s development of the mermaid subject and exploring relationships between Philadelphia’s painting and central themes that run throughout the artist’s work. |
2005 | Jacob van Ruisdael: Dutch Master of Landscape | October 23, 2005-February 5, 2006 | European Painting before 1900, Johnson Collection | This exhibition allows modern viewers to rediscover the breathtaking beauty of one of the greatest and most beloved practitioners of landscape art. |
2005 | Beauford Delaney: From New York to Paris | November 13, 2005-January 29, 2006 | Modern and Contemporary Art | The groundbreaking exhibition presents for the first time the story of this African American artist's development from a vibrant figurative painter of New York City scenes to a mature abstract expressionist capturing the moods of Paris. |
2005 | Beauford Delaney in Context: Selections from the Collection | November 13, 2005-February 26, 2006 | Modern and Contemporary Art | Beauford Delaney in Context situates Delaney's creative output within a broader framework by presenting paintings, sculptures, works on paper, and furniture from the Museum's collection that relate to various aspects of the artist's extraordinary career. |
2005 | Gary Simmons, Desert Blizzard | November 15, 2005-April 7, 2006 | Modern and Contemporary Art | |
2005 | Gaetano Pesce: Pushing the Limits | November 18, 2005-April 9, 2006 | European Decorative Arts and Sculpture | Gaetano Pesce, multidisciplinary artist in design, visual art, architecture, and planning, collaborates with the Museum in creating his first museum exhibition in the United States in nearly a decade. |
2005 | Why the Wild Things Are: Personal Demons & Himalayan Protectors | November 23, 2005-May 28, 2006 | Indian and Himalayan Art | Why the Wild Things Are brings together seldom-exhibited paintings and sculptures from the Museum’s superb collection of Tibetan and Nepalese art. Gory, fearsome, and bursting with energy, images of the "Angry Ones" reveal a distinctive Himalayan vision of the awesome power hiding within each of us, our own "personal demons." |
2005 | Adventures in a Perfect World: North Indian Narrative Paintings, 1750-1850 | November 23, 2005-July 6, 2006 | Indian and Himalayan Art | Between about 1750 and 1850, painters in the Himalayan foothill region of northern India perfected a vision of a courtly world where flowering trees framed uniformly beautiful people. These painters often illustrated the texts favored by their royal patrons—especially popular were sections of the ancient Hindu epics. |
2005 | The Arts of War and Peace: Persian Miniatures from the Collection | November 29, 2005-December 17, 2006 | East Asian Art | The Arts of War and Peace: Persian Miniatures from the Collection features a selection of illuminated manuscript pages by Persian artists dating from the fourteenth through seventeenth centuries. |
2005 | The Secret Life of Buildings: Photographs by Clarence John Laughlin | December 17, 2005-April 30, 2006 | Prints, Drawings, and Photographs | Haunting, suggestive, and poetic, this selection of photographs made between 1940 and the mid-1960s examines how Clarence John Laughlin used architecture— particularly the architecture of New Orleans—as a point of departure for his own explorations of human psychology. |
2005 | A Natural Attraction: Dutch and Flemish Landscape Prints from Bruegal to Rembrandt | December 17, 2005-February 12, 2006 | Prints, Drawings, and Photographs | This exhibition of some sixty sixteenth- and seventeenth-century prints from the Museum's extensive collection of Dutch and Flemish prints traces the growth of landscape as a hallmark of Netherlandish printmaking. A special highlight of the presentation is seven etchings by Rembrandt Harmensz van Rijn. |
2006 | American Cornucopia: Treasures from the Philadelphia Museum of Art | January 21, 2006–February 26, 2006 | American Art | |
2006 | Ellsworth Kelly: Paris/New York, 1949–1959 | March 11, 2006–August 13, 2006; October 3, 2006–February 24, 2008 |
Modern and Contemporary Art | |
2006 | Recent Acquisitions: Prints and Drawings from Durer to Doig | March 11, 2006–May 21, 2006 | Prints, Drawings, and Photographs | This exhibition features a choice selection of prints and drawings, from old master prints to contemporary art on paper, acquired in the last five years. Over one hundred works are featured, spanning from the fifteenth century to the present day. |
2006 | An American Anthology: Paintings from the Philadelphia Museum of Art | March 28, 2006–September 21, 2006 | American Art | |
2006 | Andrew Wyeth: Memory and Magic | March 29, 2006–July 16, 2006 | Modern and Contemporary Art | Andrew Wyeth, one of America’s most recognized and beloved artists, is the subject of a compelling retrospective that takes a fresh look at seven decades of accomplishment. The exhibition includes approximately one hundred tempera paintings, watercolors, and drawings, many from the personal collection of Andrew and Betsy Wyeth. |
2006 | Andrew Wyeth in Context | March 29, 2006–July 16, 2006 | Modern and Contemporary Art | |
2006 | Fit for a Princess: Grace Kelly’s Wedding Dress | April 1, 2006–May 21, 2006 | Costume and Textiles | To commemorate the fiftieth anniversary of the fairy tale wedding of Grace Kelly to Monaco’s Prince Rainier III, the Museum presents an exhibition focusing on Princess Grace’s famous wedding dress. |
2006 | Saving a Colonial Masterpiece: Mount Pleasant Restored | April 7, 2006–April 2007 | American Art | |
2006 | Notations: Energy Yes! | April 8, 2006–October 30, 2006 | Modern and Contemporary Art | The "Notations" series explores contemporary art in the Museum’s expanding collection, allowing for experimentation with various exhibition alternatives. Energy Yes!, the first installment in the series, highlights works that address both the literal and metaphorical meanings of energy |
2006 | Live Cinema: Gordon Matta-Clark | April 15, 2006–July 9, 2006 | Modern and Contemporary Art | A new series of film and video programs, Live Cinema explores the diversity of single channel video and film work by number of local, national, and international artists. |
2006 | Someone’s in the Kitchen: Culinary Design Objects from the Collection | April 22, 2006–October 22, 2006 | European Decorative Arts and Sculpture | Featuring objects created for use in the preparation of food, this exhibition illustrates some of the creative approaches designers have taken to these utilitarian objects as well as how changes in technology, materials, and lifestyle have influenced their design. |
2006 | In Pursuit of Genius: Jean-Antoine Houdon and the Sculpted Portraits of Benjamin Franklin | May 13, 2006–July 2006 | European Decorative Arts and Sculpture | Focusing on Jean-Antoine Houdon's marble portrait bust of Benjamin Franklin, this exhibition explores the nature of this famous image as a distinguished artistic creation and illuminates its place within French Enlightenment sculpture. Significant sculpted portraits by Houdon, as well as renderings of Franklin by other French artists are included. |
2006 | Summer Vacation: Photographs from the Collection | May 13, 2006–September 10, 2006 | Prints, Drawings, and Photographs | Kick off your own summer celebration with images of sailors and swimmers, baseball and bike riding, and carnivals and cookouts. This exhibition of more than fifty works reflects the sizzle of the summer season from a variety of perspectives, with pictures by Harry Callahan, Elliott Erwitt, William Klein, George Krause, Robert Adams, and others. |
2006 | Crouching Spider by Louise Bourgeois | May 24, 2006–March 26, 2007 | Modern and Contemporary Art | Crouching Spider, a gigantic sculpture of bronze and stainless steel made up of a globular body and long, attenuated legs, is part of a celebrated series of spider sculptures that Louise Bourgeois produced beginning in the early 1990s. Measuring 106½ x 329 x 247 inches, this extraordinary work is at once both threatening and playful. |
2006 | Andrew Wyeth and the American Landscape Tradition | May 27, 2006–July 16, 2006 | Modern and Contemporary Art | Coinciding with the Andrew Wyeth: Memory and Magic exhibition, this installation draws upon the Museum’s extensive holdings of landscape paintings, specifically highlighting works dated from 1900 until today. |
2006 | Gilding the Lotus: Enriching the Himalayan Collection | June 10, 2006–November 26, 2006 | ndian and Himalayan Art | As symbols of material and spiritual wealth, gold, ivory, and gemstones are especially revered in the Buddhist and Hindu art of Tibet and Nepal. This exhibition not only reflects this love of visual opulence, but also emphasizes the Museum’s historic and continuing dedication to enriching understanding of the sophisticated religious arts of the Himalayan region. |
2006 | Dreaming in Black and White: Photography at the Julien Levy Gallery | June 17, 2006–September 17, 2006 | Prints, Drawings, and Photographs | This exhibition celebrates the centenary of the birth of Julien Levy, one of the most prominent and impassioned champions of Surrealism, with a survey of Levy’s personal collection of photographs. Works by Americans such as Walker Evans, Man Ray, Ralph Steiner, Joseph Cornell, and Lee Miller are included, as well as several examples gathered from Levy's travels to France, Germany, and Mexico. |
2006 | Pop Art and Its Affinities | July 29, 2006–June 2008 | ||
2006 | Presidential China | July 1, 2006–2007 | American Art | |
2006 | The Bizarre and the Beautiful: Silks of the Eighteenth Century | July 1, 2006–November 11, 2007 | Costume and Textiles | Opulent and exuberant, this focused exhibition explores silk—indisputably fashion's favored fabric in the eighteenth century—with 13 objects from the Museum's collections. |
2006 | Celebrate Korea: A Decade of Collecting | July 8, 2006–September 23, 2007 | East Asian Art | Featuring screen paintings, hanging scrolls, furniture, and ceramics, this exhibition examines a decade of Korean art collecting at the Museum, made possible through the support of the Korean Heritage Group. |
2006 | Lines of Thought: Indian Drawings from the Dean Walker Collection | July 15, 2006–November 26, 2006 | Indian and Himalayan Art | As part of his fascination with the creative process, Dean Walker (1948–2005), the Museum's Henry P. McIlhenny Senior Curator of European Decorative Arts and Sculpture for over fifteen years, collected sketches and preparatory drawings from India, exhibited here for the first time. With their visible revisions of composition, idiosyncrasies of hand, color notations, didactic exercises, and much more, these charming works on paper demonstrate the stages of creating "miniature" paintings and provide a fascinating insight into the thought processes of the artists. |
2006 | Pop Art and Its Affinities | July 29, 2006–February 29, 2008 | Modern and Contemporary Art | Highlighting works from the 1960s and early 1970s, this installation captures a pivotal moment in the history of American art and features artists such as Andy Warhol, Roy Lichtenstein, and Claes Oldenburg. |
2006 | Celebrating American Craft: 30 Years of the Philadelphia Museum of Art Craft Show | September 19, 2006–October 21, 2007 | American Art | This exhibition celebrates the 30th year of the Philadelphia Museum of Art Craft Show, organized annually by the Women's Committee of the Museum. The outstanding objects on view in this exhibition demonstrate the vitality of the field of contemporary American crafts. |
2006 | Tesoros/Treasures/Tesouros: The Arts in Latin America, 1492–1820 | September 20, 2006–December 31, 2006 | European Painting before 1900, Johnson Collection | Drawn from public and private collections throughout the Americas and in Europe, Tesoros / Treasures / Tesouros: The Arts in Latin America, 1492–1820 spans the centuries from the arrival of Columbus to the emergence of national independence movements, including spectacular examples of painting, sculpture, feather-work, shell-inlaid furniture, objects in gold and silver, ceramics, and textiles. |
2006 | Modern People: A Tribute to Arnold Newman | September 23, 2006–March 4, 2007 | Prints, Drawings, and Photographs | This exhibition, drawn from the Museum collections, is a tribute to Arnold Newman (1918–2006)—one of the great portrait photographers of his time. It includes a number of photographs that were part of his first solo exhibition at the Philadelphia Museum of Art in 1945, as well as a selection of portraits by his contemporaries that demonstrate the range of modern portrait photography. |
2006 | Latin American Colonial Art from the Collections | September 29, 2006–January 31, 2007 | European Painting before 1900, Johnson Collection | This exhibition celebrates the Museum's long-standing interest in the art of the New World with paintings on copper and canvas, ceramics, and textiles. |
2006 | Live Cinema: Museum Highlights: A Gallery Talk | September 30, 2006–November 10, 2006 | Modern and Contemporary Art | A series of film and video programs, Live Cinema explores the diversity of single channel video and film work by number of local, national, and international artists. Andrea Fraser's humorous and subversive Museum Highlights: A Gallery Talk brings to light the subtle, yet intrinsic, preconceptions that shape the public's relationship to art institutions. |
2006 | Ellsworth Kelly: Paris/New York, 1949–1959 | October 3, 2006–April 8, 2009 | Modern and Contemporary Art | The paintings in this exhibition illustrate the significant changes in the work of Ellsworth Kelly during a formative period, when the artist experimented with strategies that would prove to be instrumental to his artistic development. |
2006 | Ellsworth Kelly in Resonance: Selections from the Collection | October 7, 2006–February 4, 2007 | Modern and Contemporary Art | Between 1948 and 1954, American artist Ellsworth Kelly lived in Paris, where he met a number of artists and developed the distinctive artistic practices for which he is known. The remarkable range of styles in this exhibition, featuring a selection of works by various artists, reveals the impressive reach of Kelly’s artistic practice, particularly his xperimentation with color, technique, and composition. |
2006 | Japanese Literati Culture in the Edo Period | October 7, 2006–November 11, 2007 | East Asian Art | In the seventeenth century, in response to the ideas of self-expression traveling from China, the Japanese created their own, highly sophisticated version of the Chinese literati culture. This exhibition explores the works of art that flourished as a result, including collaborative works such as handscrolls, albums, and sets of fans, as well as unique objects created by individual artists |
2006 | Mexican Modernism and Its Influence | October 13, 2006–end of March 2007 | Modern and Contemporary Art | |
2006 | New York Dada | October 19, 2006–ongoing | Modern and Contemporary Art | The New York Dadaists were an eccentric, international group that gathered at the Manhattan apartment of art collectors Walter and Louise Arensberg between 1915 and 1921. Their works reflect a shared interest in everyday, readymade objects, and their impact reached far beyond their brief existence as an avant-garde group. |
2006 | Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920–1950 | October 21, 2006–January 14, 2007 | Prints, Drawings, and Photographs | This exhibition presents 125 prints and posters that emerged in post-Revolution Mexico as the ideal means for disseminating political, social, and artistic ideas. It represents the groundbreaking contributions of 50 Mexican and foreign-born artists at a pivotal moment in Mexican art |
2006 | Live Cinema/Mircea Cantor: The Title is the Last Thing | November 11, 2006–February 27, 2007 | Modern and Contemporary Art | A new series of film and video programs, Live Cinema explores the diversity of single channel video and film work by local, national, and international artists. The Title Is the Last Thing features a series of eight videos by Mircea Cantor as well as a selection of photographs and objects that offer poignant commentary on the relationship between time and labor, politics, tourism, and history. |
2006 | George Jensen Silversmiths | November 17, 2006–April 1, 2007 | European Decorative Arts and Sculpture | This exhibition focuses on the Danish silversmith Georg Jensen (1866–1935) and the renowned group of designers who helped establish the company he founded as one of the world’s most important silverwares firms. |
2006 | Notations: Out of Words | November 24, 2006–June 24, 2007 | Modern and Contemporary Art | Gathering works of art in which words are conceived not only as communicational tools but also as visual and physical things in themselves, this exhibition highlights objects from the Museum's collections that date from the 1960s to the present, and points to the importance of text in contemporary art. |
2006 | Conserving a Tibetan Altar | December 9, 2006–May 27, 2007 | Indian and Himalayan Art | This installation displays—for the first time—a newly cleaned Tibetan altar adorned with intricately carved niches and lively paintings. It explores both the conservation of the altar as well as its cultural context, and reveals hidden mysteries of the altar’s construction and decoration. |
2006 | Fantastic and Functional Animals in Indian Art | December 9, 2006–June 30, 2007 | Indian and Himalayan Art | This exhibition draws from the Museum's rich collection of "miniature" paintings to explore the many meanings of India's scaly, feathery, and furry inhabitants, both natural and supernatural. |
2007 | Thomas Eakins’ The Gross Clinic | January 5, 2007–March 4, 2007 | American Art | This exhibition focuses on Portrait of Dr. Samuel D. Gross (The Gross Clinic), an icon of Philadelphia since it was painted in 1875. The masterpiece of the young Thomas Eakins, an artist born and educated in Philadelphia, this is acclaimed as the greatest American painting of the nineteenth century |
2007 | Contemporary Art on Paper | February 9, 2007–April 22, 2007 | Prints, Drawings, and Photographs | Selected from one of the liveliest sectors of the Museum's collection of works of art on paper, this exhibition presents mostly large, contemporary art from the Department of Prints, Drawings, and Photographs. Many of these objects have only been seen recently by visitors to the department’s study room and several have never before been shown in the galleries. |
2007 | Thomas Chimes: Adventures in ‘Pataphysics | February 27, 2007–May 6, 2007 | Modern and Contemporary Art | This retrospective exhibition celebrates the life and work of Thomas Chimes, arguably one of the most important artists to emerge on the Philadelphia art scene since World War II. It includes approximately 100 paintings and works on paper, many previously unseen, along with extensive biographical and archival material. |
2007 | Bosch and Bruegel in the John G. Johnson Collection | March 1, 2007–February 7, 2008 | European Painting before 1900, Johnson Collection | This exhibition features a selection of works from the John G. Johnson Collection by Hieronymus Bosch and his followers, as well as the family and followers of Antwerp printmaker and painter Pieter Bruegel the Elder. |
2007 | Jennifer Allora and Guillermo Calzadilla's "Under Discussion" | March 3, 2007–April 16, 2007 | Modern and Contemporary Art | |
2007 | Room for Revolution: George Washington and His Philadelphia Friends | March 16, 2007–August 30, 2007 | American Art | Charles Willson Peale's George Washington at Princeton is on view at the Museum on an extended loan from a private collection. This visually striking and finely executed life-size portrait records Washington's 6-foot-2-inch frame in a pose projecting strength, composure, and elegance. |
2007 | Live Cinema/Marine Hugonnier: Trilogy | April 20, 2007–July 22, 2007 | Modern and Contemporary Art | Marine Hugonnier's Trilogy, the third installment of Live Cinema, engages with what Hugonnier refers to as the "politics of vision": the notion that perception is determined by cultural, political, and actual perspective. |
2007 | Particulars of Place: Photo Portfolios from the Collection | April 21, 2007–December 9, 2007 | Prints, Drawings, and Photographs | This exhibition from the Museum's collections showcases a variety of artists who have created portfolios—boxes containing series of prints—that capture a sense of place. |
2007 | Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush | May 1, 2007–July 22, 2007 | East Asian Art | This presentation marks the first time an exhibition in the United States has focused on the eighteenth-century Japanese master of ink painting Ike Taiga (1723–1776) and his wife Tokuyama Gyokuran (1727–1784), with 200 exceptional and rarely seen works of art. |
2007 | Portrait of Professor Benjamin H. Rand by Thomas Eakins | May 17, 2007–May 3, 2010 | American Art | The first in a celebrated series by Thomas Eakins to focus on physicians and scientists, this magnificent portrait is on loan from Crystal Bridges Museum of American Art. It is being shown at the Museum in context with major works by Eakins and his contemporaries, including Cecilia Beaux, Thomas Moran, and Henry Ossawa Tanner. |
2007 | William H. Johnson’s World on Paper | May 19, 2007–August 12, 2007 | Prints, Drawings, and Photographs | This exhibition examines, for the first time, the achievements of African American modernist William H. Johnson (1901–1970)—often considered one of the most inventive artists of his generation—as a graphic artist. Eighty works of art on paper provide an overview of the artist's career both in Europe in the 1930s and in New York in the 1940s. |
2007 | Tibetan Ritual Arts | June 2, 2007–December 9, 2007 | Indian and Himalayan Art | This exhibition, built around the Museum's recently conserved Tibetan-Buddhist altar, explores Tibetan art intended for ritual use. It reveals the coded meanings not only of Tibetan ritual implements, but also paintings, sculptures, textiles, prints, and the altar itself. |
2007 | Forging an American Identity: The Art of William Ranney | June 26, 2007–August 19, 2007 | American Art | The first retrospective of nineteenth-century narrative painter William Ranney's (1813–1857) work to be held in 40 years, this exhibition brings together over 60 paintings that significantly contributed to the concept of the American character. |
2007 | The Artist as Witness: Images of Native Americans by William Ranney's Contemporaries | June 26, 2007–August 19, 2007 | American Art | |
2007 | The Book of War: The Free Library of Philadelphia’s Mughal Razmnama Folios | July 14, 2007–December 9, 2007 | Indian and Himalayan Art | Among the many treasures of the John Frederick Lewis Collection in the Free Library of Philadelphia are 25 elaborately illustrated folios from a single Mughal manuscript, the Razmnama (literally, "Book of War"), dated to 1598–99. This exhibition is the first time since 1923 that all 25 of the Free Library's pages are being shown together, affording a rare opportunity to explore, through the lens of a single manuscript, an exciting moment of artistic experimentation and cultural exchange. |
2007 | Notations: Kiefer, Polke, Richter | July 21, 2007–November 25, 2007 | Modern and Contemporary Art | This exhibition explores the ways in which Anselm Kiefer, Sigmar Polke, and Gerhard Richter, three of the most important European contemporary painters of the postwar period, question the relevance of history painting; examine the relationship between painting and photography; and emphasize the necessity for experimentation to redefine the technical possibilities of painting. |
2007 | 18th Century English Silver from the Collection | July 28, 2007–March 23, 2008 | European Decorative Arts and Sculpture | Drawn from the Museum's permanent collection, this exhibition presents some 30 pieces of silver by such important eighteenth-century English silversmiths as David Willaume and Paul de Lamerie. It also includes examples of the major eighteenth-century styles, from the simple forms of the Queen Anne style in the early years of the century, to the exuberant shapes and decoration of the Rococo style at mid-century, to the refinement of the antique as represented by the Neoclassical style at century's end. |
2007 | A Landmark Transformed: The History and Architecture of the Ruth and Raymond G. Perelman Building | September 15, 2007–Fall 2008 | ||
2007 | Alfred Stieglitz and the Philadelphia Museum of Art | September 15, 2007–February 17, 2008 | Prints, Drawings, and Photographs | This inaugural exhibition in the Levy Gallery, in its new location in the Ruth and Raymond G. Perelman Building, pays tribute to the Museum's integral and treasured holding of photographs by Alfred Stieglitz. The exhibition features a selection of approximately 40 masterpieces that demonstrate the range of both Stieglitz's work and the collection. |
2007 | A Passion for Perfection: James Galanos, Gustave Tassell, Ralph Rucci | September 15, 2007–March 9, 2008 | Costume and Textiles | The opening exhibition in the Joan Spain Gallery, A Passion for Perfection highlights works from the Museum's costume collection by three award-winning fashion designers from Philadelphia: James Galanos, Gustave Tassell, and Ralph Rucci. |
2007 | A Conversation in Three Dimensions: Sculpture from the Collections | September 15, 2007–May 26, 2008 | Modern and Contemporary Art | Literally bringing to light infrequently seen sculpture from the Museum's collections, this inaugural exhibition features large-scale works of art by twentieth-century masters such as Pablo Picasso, Anselm Kiefer, Sol LeWitt, Mark diSuvero, and Richard Long. |
2007 | From the Renaissance to the Surreal: Gifts to the Library and Archives | September 15, 2007–December 11, 2008 | Complementing works of art donated to the Philadelphia Museum of Art over the years, generous patrons have also given thousands of books and manuscripts to the Library and Archives. The Library and Archives is showcasing these wonderful treasures in a series of exhibitions in its new home in the Perelman Building. | |
2007 | Designing Modern: 1920 to the Present | September 15, 2007–September 14, 2008 | European Decorative Arts and Sculpture | Designing Modern: 1920 to the Present opens Collab's new gallery in the Ruth and Raymond G. Perelman Building with a chronological look at the Museum's collection of modern and contemporary decorative art. On entering the gallery, object platforms joined together and punctuated by four vertical display cases illustrate major movements in design history: Art Deco and the Bauhaus; American and Scandinavian Modern Design; Italian Design; and Postmodernism. |
2007 | The Art of Lee Miller | September 15, 2007–January 4, 2009 | Prints, Drawings, and Photographs | This exhibition celebrates Lee Miller (1907–1977), one of the most original and ambitious photographic artists of the twentieth century. From model to photographer to war correspondent, her extraordinary career is chronicled in this first complete retrospective, exploring her transformation from artist's muse to ground-breaking artist. |
2007 | American Art in the Age of Impressionism | October 4, 2007–January 6, 2008 | American Art | |
2007 | Renoir Landscapes | October 4, 2007–January 6, 2008 | European Painting before 1900, Johnson Collection | This exhibition is the first to explore the inventiveness and importance of landscapes during the first decades of Pierre-Auguste Renoir's (1841–1919) career. Approximately 60 paintings reveal the subtlety of touch; vaporous effects; and lush, full-blown color that mark the painter as one of the most audacious and original landscape artists of his age. |
2007 | Clay, Wood, and Paper: Materials for Korean Art | October 6, 2007–February 28, 2009 | East Asian Art | |
2007 | Antonio Mancini: 19th Century Italian Master | October 20, 2007–January 20, 2008 | European Painting before 1900, Johnson Collection | Marking the first exhibition in the United States devoted exclusively to Antonio Mancini, one of the most prominent Italian painters of the late nineteenth century, this exhibition highlights a unique group of paintings and pastels that recently entered the Museum's collections as a gift from the estate of the American art collector and dealer Vance N. Jordan. Additional paintings complement and provide context for the Museum’s acquisitions. |
2007 | Costumes and Textiles: Recent Acquisitions from A to Z | November 3, 2007–April 27, 2008 | Costume and Textiles | The inaugural installation in the Costume and Textiles Study Gallery features a selection of textiles, historic costume, and contemporary fashion acquired by the Museum during the past decade. Illustrating the encyclopedic nature of the costume and textiles collection, the objects on view include works of amazing beauty and rarity, examples of exquisite workmanship and design, items of historic significance—and sometimes the unexpected. |
2007 | Precious Possessions: The American Craft Collection | November 3, 2007–October 26, 2008 | American Art | Precious Possessions celebrates the breadth of the Philadelphia Museum of Art’s American craft collection, with its luxurious works of art in glass, metal, clay, fiber, and wood. The objects on view demonstrate the Museum’s early commitment to contemporary craft and encompass a wide range of highlights from the collection: old favorites that have not been displayed for some time and several works that are making their first appearance in the galleries. |
2007 | Live Cinema/The Return of the Image: Video from Central Asia | November 16, 2007–February 17, 2008 | Modern and Contemporary Art | This survey of video works by contemporary artists from Kazakhstan, Kyrgyzstan, and Uzbekistan, Live Cinema/The Return of the Image: Video from Central Asia, explores recent developments in the artistic production of a region currently underrepresented in the international art world. |
2007 | Cornucopia: Recent Acquisitions in Japanese Art | November 24, 2007–November 16, 2008 | East Asian Art | Showcasing a variety of objects that celebrate the Museum's steadily growing collection of Japanese art, this exhibition features paintings, a display of lacquer vessels, and a selection of contemporary works of art. |
2007 | Imagining Cathay: 18th and Early 19th Century Chinoiserie Textiles and Embroideries from the Collection | December 8, 2007–December 2008 | Costume and Textiles | For Europeans during the eighteenth and early nineteenth centuries, China—or Cathay as it was sometimes called—was a magical place. This exhibition includes nine Chinoiserie textiles and embroideries from the Museum's outstanding collection. |
2007 | Notations/William Kentridge: Tapestries | December 12, 2007–April 6, 2008 | Modern and Contemporary Art | With work encompassing drawing, video, sculpture and theater, William Kentridge has become one of the strongest artistic voices to emerge in post-apartheid South Africa. This exhibition, part of the Museum's ongoing "Notations" series, showcases a group of tapestries from a series conceived by Kentridge and executed under his artistic direction between 2001 and 2007. Additional works on view include etchings, bronze sculptures, and drawings. |
2007 | A Flute in the Forest: Tales of Young Krishna | December 22, 2007–June 1, 2008 | Indian and Himalayan Art | This exhibition draws together 25 paintings from the Museum's collections as well as sculpture, textiles, and ritual arts that depict the beloved young god Krishna who, for many Hindus, is the ultimate deity, as well as an avatar of Vishnu. |
2007 | Marvels of the Malla Period: A Nepalese Renaissance 1200–1603 | December 22, 2007–December 7, 2008 | Indian and Himalayan Art | In this exhibition, the Museum presents masterpieces from its outstanding collection of rarely seen Malla Period art. Vibrant Buddhist ritual paintings burst with energy, a marvelous goddess coyly dances, and golden Hindu and Buddhist sculptures regally invite adoration. |
2008 | American Folk Painting from the Collection | January 12, 2008–March 23, 2008; July 19, 2008–December 2008 |
American Art | |
2008 | Fragile Demon: Juan Soriano in Mexico, 1935–1950 | February 16, 2008–May 11, 2008 | Modern and Contemporary Art | This is the first U.S. exhibition in a major museum to focus on the early work of Juan Soriano, a pivotal painter in the history of modern Mexican art. Soriano has been cited as a bridge between the Mexican School of realistic painting of the 1930s and 1940s and the internationalist avant-garde trends of mid-century. |
2008 | Juan Soriano in Context | February 16, 2008–May 11, 2008 | Modern and Contemporary Art | |
2008 | Renaissance Lombardy in the John G. Johnson Collection | February 16, 2008–November 23, 2008 | European Painting before 1900, Johnson Collection | Drawing from the John G. Johnson’s rich collections in Italian Renaissance painting, which included every region of Italy, this installation consists of 10 rare paintings from late fifteenth and early sixteenth-century Lombardy of which Milan was the capital. |
2008 | Frida Kahlo | February 20, 2008–May 18, 2008 | Modern and Contemporary Art | Organized in celebration of the centenary of the artist's birth, this exhibition of over 40 paintings focuses on Frida Kahlo's extraordinary self-portraits. Also on view are portraits and still-life paintings, in which Kahlo projects her passions, both personal and political, onto other people's likenesses or everyday objects. |
2008 | Frida Kahlo in Context | February 20, 2008–May 18, 2008 | Modern and Contemporary Art | |
2008 | Transcending the Literal: Photographs by Ansel Adams from the Collection | March 1, 2008–August 17, 2008 | Prints, Drawings, and Photographs | More than 20 years after his death, Ansel Adams (1902–1984) remains one of the world’s most beloved and widely exhibited American photographers. Comprised of more than 40 photographs selected from the Museum’s extensive holdings of the artist’s work, this exhibition focuses on Adams’s less-familiar landscape images in order to demonstrate his innate understanding of graphic form and balanced design. |
2008 | Colonial Philadelphia Porcelain: The Art of Bonnin and Morris | March 8, 2008–June 1, 2008 | American Art | In this landmark exhibition, the 19 known surviving examples of soft-paste porcelain made at Philadelphia’s American China Manufactory between 1770 and 1772 and commonly referred to by the names of the proprietors, Bonnin and Morris, are being brought together for the first time. |
2008 | Turned and Thrown: English Pottery 1660–1820 | March 29, 2008–July 27, 2008 | European Decorative Arts and Sculpture | These exceptional objects celebrate the inventiveness and ingenuity of anonymous potters active in England from the end of the seventeenth century to the early decades of the nineteenth century. |
2008 | Emerging to Established: 25 Years of the Center for Emerging Visual Arts | April 5, 2008–July 6, 2008 | Prints, Drawings, and Photographs | Organized to celebrate the twenty-fifth anniversary of a dynamic Philadelphia arts institution—the Center for Emerging Visual Artists (CFEVA)—this exhibition presents a varied and accomplished selection of works on paper by twenty-five artists. |
2008 | Live Cinema/Carlos Amorales: Four Animations, Five Drawings, and a Plague | April 11, 2008–July 13, 2008 | Modern and Contemporary Art | Over the last decade, Carlos Amorales has developed a unique visual vocabulary that he has used and reused, both alone and in collaboration with other artists, in mediums ranging from drawing and animation to installation and performance. |
2008 | Fashioning Kimono: Art Deco and Modernism in Japan | April 26, 2008–July 20, 2008 | Costume and Textiles | The Japanese kimono is celebrated worldwide for its elegant, distinctive silhouette. Though quintessentially Japanese, the kimono form has influenced fashion designers around the globe. This exhibition features kimono created in the early to mid-twentieth century, one of the most dynamic periods in the history of Japan's national costume. |
2008 | Notations: Gilbert and George | May 2, 2008–November 2, 2008 | Modern and Contemporary Art | From the outset of their joint career, Gilbert and George explored and redefined picture making while bridging the gap between art and life. |
2008 | Hello! Fashion: Kansai Yamamoto, 1971–1973 | May 24, 2008–August 2009 | Costume and Textiles | Kansai Yamamoto is one of the founding fathers of Japanese contemporary fashion. Best known for his work during the 1970s and 1980s, his avant-garde designs are inspired by the colorful Azuchi-Momoyama period (1568–1600) and traditional Kabuki theatre. The exuberant Pop-like quality of his work contrasts with what is today associated with Japanese fashion, Zen-like simplicity and deconstructed silhouettes. |
2008 | Curious and Commonplace: European Popular Prints of the 1800s | May 31, 2008–August 24, 2008 | Prints, Drawings, and Photographs | This exhibition of more than eighty works selected from the Museum’s rich collection of popular prints invites the public to enter a forgotten world of fantastic and familiar imagery. |
2008 | Multiple Modernities: India, 1905–2005 | June 14, 2008–December 7, 2008 | Indian and Himalayan Art | This exhibition brings together over twenty-five drawings, prints, and watercolor paintings to explore “contemporary” art on the Indian subcontinent over the past century, a period that witnessed dramatic social and artistic transformations |
2008 | Rhythms of India: The Art of Nandalal Bose (1882–1966) | June 27, 2008–September 1, 2008 | Indian and Himalayan Art | This is the first exhibition to travel outside of Asia showcasing the exquisite and historically groundbreaking work of Nandalal Bose, a major artist who has been called "the father of Indian modernism" and one of the "patriarchs of India’s cultural revival." |
2008 | The Fix on Colonial Philadelphia Furniture: A Secret Guide to Cabinetmakers’ Prices | July 3, 2008–February 22, 2009 | American Art | In 1772, a group of Philadelphia master cabinetmakers published Prices of Cabinet and Chair Work, a 36-page book listing furniture forms and their decorative variations, retail prices for furniture in mahogany and walnut, and the wages to be paid to the journeymen who made the furniture. This exhibition features furniture that is delineated in the book of prices, including three large case pieces with the three types of tops, or "heads", from least expensive to most expensive: flat, pitch pediment, and scroll pediment. |
2008 | Calder Jewelry | July 12, 2008–November 2, 2008 | American Art | This exhibition focuses on the jewelry of artist Alexander Calder (1898–1976), which functions as sculpture on a small scale while retaining the linear yet three-dimensional aspect of the monumental mobiles for which he is known. |
2008 | American Folk Painting from the Collection | July 19, 2008–December 2008 | American Art | The paintings in this exhibition illustrate the diverse practice of folk artists working in the northeastern United States during the late eighteenth and nineteenth centuries. The selection demonstrates the array of individual styles inspired by different creative environments outside the "academic" art world, from the professional painter trained in a commercial workshop to the self-taught artist or amateur. |
2008 | Philadelphia Treasures: Eakins's "Gross Clinic" and Saint-Gaudens's "Angel of Purity" | August 2, 2008–July 19, 2009 | American Art | The Museum welcomes two masterpieces made for Philadelphia by two of nineteenth-century America’s finest artists, Thomas Eakins and Augustus Saint-Gaudens. Close contemporaries and friends, they both trained in Paris and traveled in Europe before returning to the United States about 1870 to begin distinguished careers. Sharing a belief in the expressive power of the human body as a subject for modern painting and sculpture, they developed different styles. |
2008 | Quilt Stories: The Ella King Torrey Collection of African American Quilts and Other Recent Quilt Acquisitions | August 16, 2008–March 1, 2009 | Costume and Textiles | This exhibition includes thirteen examples by leading Southern quilt makers. The collection was formed between 1981 and 1983 while Ms. Torrey was conducting fieldwork on African American quilt-making with Maud Southwell Wahlman. |
2008 | Pictured in Blue and White: English Ceramics of the Nineteenth Century | August 31, 2008–June 15, 2009 | European Decorative Arts and Sculpture | Among the some thirty pieces in this installation are a number with views of Philadelphia landmarks including the Dam and Water Works on the Schuylkill River, the Bank of the United States and the Philadelphia Library Company building. |
2008 | Photo Mandalas: Bill Armstrong and Milan Fano Blatný | September 6, 2008–February 1, 2009 | Prints, Drawings, and Photographs | This visually bold exhibition of more than thirty photographs brings together two contemporary artists, Bill Armstrong and Milan Fano Blatný, whose work has been inspired by the ancient form of the mandala |
2008 | Linda Day Clark: The Gee’s Bend Photographs | September 16, 2008–December 14, 2008 | This installation features compelling images of the women of Gee's Bend and their life in rural Alabama, taken by visual artist Linda Day Clark. | |
2008 | Gee’s Bend: The Architecture of the Quilt | September 16, 2008–December 14, 2008 | Costume and Textiles | This exhibition takes a fresh look at the quilting tradition in Gee’s Bend, Alabama, introducing new artists and new motifs in works ranging from the early twentieth century through 2005. |
2008 | Thomas Chambers (1808–1869): American Marine and Landscape Painter | September 27, 2008–December 28, 2008 | American Art | The mysterious Thomas Chambers arrived in the United States from England in 1832, worked for three decades as a marine and landscape painter, and then disappeared after 1866, leaving behind a boldly expressive and puzzling body of work. This exhibition—the first major survey of Chambers’ work since his rediscovery in 1942—seeks to define his style, examine his sources, and investigate the popular audience for landscape and marine painting in the mid-nineteenth century. |
2008 | Heroism and Treachery: Paintings from the Safavid and Mughal Empires | October 1, 2008–June 28, 2009 | Indian and Himalayan Art | What makes a king or noble honorable? How does a hero act? The seven illustrations in this exhibition come from manuscripts created in the sixteenth and seventeenth centuries under the Safavid rulers of Iran (Persia) and the Mughals of India. Each demonstrates a feat of heroism or an act of justice befitting a good Islamic ruler. |
2008 | Live Cinema/Anita Sieff: Films | October 3, 2008–January 4, 2009 | Modern and Contemporary Art | This installment of Live Cinema focuses on the video work of Italian artist Anita Sieff. Inspired by filmmakers such as Ingmar Bergman, Jean-Luc Godard, and Luchino Visconti, Sieff explores in non-linear narratives the interactions between disparate characters bestowed with allegorical qualities |
2008 | James Castle: A Retrospective | October 14, 2008–January 4, 2009 | Prints, Drawings, and Photographs | James Castle: A Retrospective marks the first comprehensive museum exhibition of the work of James Castle, an artist who, despite undergoing no formal or conventional training, is especially admired for the unique homemade quality combined with an acute visual sensibility that characterizes his work. |
2008 | Cultural Convergence: Recent Acquisitions of Contemporary Craft | November 1, 2008–April 19, 2009 | American Art | This exhibition highlights a selection of purchases, gifts, and bequests since the year 2000—a group so varied it encompasses the Museum’s departments of American Art, Costume and Textiles, East Asian Art, and European Decorative Arts. |
2008 | Frank O. Gehry: Design Process and the Lewis House | November 8, 2008–April 5, 2009 | European Decorative Arts and Sculpture | This exhibition explores for the first time how a decade-long residential commission for Peter Lewis in Lyndhurst, Ohio (1985–1995), gave Frank Gehry a unique opportunity to experiment, and in the process, achieve the formal and technological breakthroughs that have made him one of the most influential architects of our time. |
2008 | Notations: The Closing Decade | November 21, 2008–November 2009 | Modern and Contemporary Art | Arguably the last decade of the twentieth century started in 1989, with the fall of the Berlin Wall, and ended twelve years later, with the horrific attacks of September 2001. That extended decade witnessed some of the most profound and lasting transformation in society since the postwar period. This presentation of works from the Museum’s collection exemplifies the vast range of artistic practices during this time of profound transition, bringing together a diverse group of artists working in a variety of media. |
2008 | Willem Kalf and the Sumptuous Still Life in the John G. Johnson Collection | November 28, 2008–June 5, 2010 | European Painting | John G. Johnson acquired many seventeenth-century Dutch and Flemish still-life paintings, including three by Willem Kalf; an early kitchen scene and two of the later pronk, or sumptuous still lifes, for which Kalf is best known. |
2008 | The Art of Japanese Craft: 1875 to the Present | December 6, 2008–October 18, 2009 | East Asian Art | This exhibition offers one of the first surveys of Japanese crafts in all their rich diversity of media and techniques through the entire 20th century, from Japan’s first forays on to the international stage of World’s Fairs to the heady internationalism of the 1920’s and 1930’s, to the dynamic creativity of the post-WW II period and to the present. |
2008 | Henri Matisse and Modern Art on the French Riviera | December 13, 2008–November 1, 2009 | Modern and Contemporary Art | Including 42 works total, 35 paintings and 7 sculptures, from the Museum’s collection and local private collections, this year-long installation celebrates the French Riviera’s mythic allure for modern artists. |
2008 | Peaks of Faith: Buddhist Art of the Himalayas | December 20, 2008–Fall 2009 | Indian and Himalayan Art | The masterpieces in this exhibition encompass nearly a millennium of art from across the Himalayan region (centered on Tibet and Nepal) and from neighboring areas under its cultural influence. |
2008 | The Privilege of Paint: Portraits from the Courts of India | December 20, 2008–June 28, 2009 | Indian and Himalayan Art | During the sixteenth and seventeenth centuries, the royal painting workshops of the Mughal emperors introduced to the Indian subcontinent a type of portraiture based on accurate renderings of physiognomy and individualized facial features. This new, more naturalistic manner of representing the human figure was at the same time highly idealized and formulaic. |
2009 | Andrew Wyeth: In Memoriam | January 29, 2009–May 3, 2009 | Modern and Contemporary Art | A painter of profound imagination, skill, and staying power across seven turbulent decades, the late Andrew Wyeth was both admired and criticized for the tenacity of his realist approach and the unabashed emotion in his paintings. He produced some of the most famous and haunting images of the twentieth century. Celebrating Wyeth’s extraordinary life and work, this installation consists of two paintings and seven drawings. |
2009 | Grand Scale: Monumental Prints in the Age of Dürer and Titian | January 31, 2009–April 26, 2009 | Prints, Drawings, and Photographs | Grand Scale assembles more than forty oversize and multi-part woodcuts and engravings from United States collections. Except for an exhibition of giant Renaissance woodcuts in the 1970s, this is the first exhibition in more than 100 years to explore the origins of this genre in printmaking with works by some of the most important artists and printmakers of their day. |
2009 | An Enduring Motif: The Pomegranate in Textiles | February 21, 2009–June 20, 2010 | Costume and Textiles | Artists have been inspired by the inner and outer beauty of the pomegranate since biblical times. The objects on view in this exhibition represent a cross-section of textiles from the Museum’s collection that feature this richly symbolic fruit. |
2009 | Cézanne and Beyond | February 26, 2009–May 31, 2009 | European Painting and Modern and Contemporary Art | This exhibition explores the vital role of Paul Cézanne in the history of modernism and as an extraordinarily rich resource for artists into the twenty-first century. |
2009 | Daidō Moriyama: Tokyo Photographs | February 28, 2009–August 23, 2009 | Prints, Drawings, and Photographs | Daidō Moriyama is one of the most important and exciting Japanese photographers of our time, having made prolific, often experimental pictures of modern urban life since the 1960s. This exhibition showcases a group of approximately 45 photographs made in and around Tokyo in the 1980s, when Moriyama focused his mature aesthetic on the city with renewed intensity. |
2009 | Stories and Images in East Asian Art | March 12, 2009–February 24, 2010 | East Asian Art | Drawn from the Museum's collection, this exhibition features Korean screen paintings with auspicious Chinese narratives juxtaposed with the Chinese ceramics of the Qing dynasty (1616–1912) that are decorated with the similar themes. |
Year | Title | Dates | Department | Additional Info |
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2009 | Arts of Bengal: Town, Temple, Mosque | March 13, 2010–September 19, 2010 | Indian and Himalayan Art | The cities and towns of Bengal (modern Bangladesh and parts of eastern India) have long functioned as hubs of commerce, religious activity, and the arts where professional painters, potters, weavers, and sculptors catered to diverse audiences. Through works from the Museum’s collections, this exhibition explores the rich texture of the “sacred” and the “mundane” in Bengal’s cities from the eighteenth to mid-twentieth centuries. |
2009 | Live Cinema/Tim Hyde: Building in Reverse | March 20, 2009–June 21, 2009 | Modern and Contemporary Art | Live Cinema/Tim Hyde focuses on the work of the Brooklyn-based artist whose video and photographic practice investigates the relationship between architecture, temporality and visuality. Taking the architectural urban context as a point of departure, Hyde strives to capture the inconspicuous changes in its details as well as the place it holds in the mental landscape of its inhabitants. |
2009 | Richard Schultz: Five Decades of Design | April 5, 2009–August 23, 2009 | In this exhibition, several works created over half a century by legendary outdoor furniture designer Richard Schultz are being presented by Collab and the Philadelphia Museum of Art on the Perelman Building's Cafe Terrace. | |
2009 | Something to Wear: Fashion in Print 1850–1925 | April 11, 2009–August 15, 2009 | Library | The fashion industry during 1850–1925 was a period of tremendous change and innovation. This exhibition, designed to complement Shopping in Paris: French Fashion 1850–1925, explores the world of fashion and consumer culture through printed publications. On display are books, periodicals, department store souvenirs, trade catalogs, and fashion plates from the Library’s collection of fashion-related material. |
2009 | Shopping in Paris: French Fashion 1850–1925 | April 11, 2009–November 1, 2009 | Costume and Textiles | The glamorous and cutting-edge fashions created in Paris have always inspired American dress. This exhibition explores the American experience abroad between 1850 and 1925. Such luxurious designs as the House of Worth and the classic elegance of Lanvin are being paired with American fashions based on these Parisian prototypes. |
2009 | A Director’s Vision: The Legacy of Anne d’Harnoncourt | April 25, 2009–July 19, 2009 | Anne d’Harnoncourt (1943–2008), the Philadelphia Museum of Art’s late and beloved Director who served the Museum and its audiences for four historic and transforming decades, reveled in the art of all ages and cultures. This exhibition celebrates Anne, her passion for art, and her drive to share creativity’s treasures with all. | |
2009 | Wrought and Crafted: Jewelry and Metalwork 1900–Present | May 9, 2009–February 7, 2010 | American Art | Today, Philadelphia is home to many emerging and established metalsmiths who teach, create, and exhibit their work here and elsewhere. On display in this gallery are pieces by several significant Philadelphians—Olaf Skoogfors, Stanley Lechtzin, Jan Yager, Bruce Metcalf, and Sharon Church, to name just a few—as well as recognized artists from around the country. |
2009 | Visual Delight: Ornament and Pattern in Modern and Contemporary Design | May 16, 2009–September 20, 2009 | This exhibition, drawn primarily from the Museum’s modern and contemporary design collection, features some thirty objects dating from the mid-1960s to the present. | |
2009 | A Taste for Modern: The Jeanne Rymer Collection of Twentieth-Century Chairs | May 16, 2009–September 20, 2009 | European Decorative Arts | This installation of twenty-three chairs is selected from an important group given to the Museum in 2007 by Jeanne Rymer, a retired professor and head of the Interior Design Program at the University of Delaware. |
2009 | Skyscrapers: Prints, Drawings, and Photographs of the Early Twentieth Century | June 6, 2009–November 12, 2009 | Prints, Drawings, and Photographs | Icons of modernity and testaments to human achievement, skyscrapers rose to towering heights in major cities across the United States during the early decades of the twentieth century. More than fifty prints, drawings, and photographs chosen from the Museum’s collection demonstrate the many ways artists chose to portray the new giants in their landscape. |
2009 | Bruce Nauman: Topological Gardens | June 7, 2009–November 22, 2009 | Modern and Contemporary Art | *Location: Venice, Italy Bruce Nauman: Topological Gardens is the official United States representation for the 53rd International Art Exhibition—La Biennale di Venezia. A three-part presentation in Venice, Italy, Topological Gardens exhibits works by Bruce Nauman in the U.S. Pavilion of the Biennale’s Giardini, as well as in spaces located on the premises of two of the most highly esteemed academic institutions in the city. |
2009 | Spectacle: Photographs from the Collection | June 18, 2009–September 7, 2009 | Prints, Drawings, and Photographs | Comprising more than 40 photographs from the Museum’s collection, this exhibition explores the manner in which photographers from the nineteenth-century through the present day have documented spectacular scenes and events along with the curious spectators who observe them. |
2009 | May Your Glass Be Ever Full: Drinking in Seventeenth- and Eighteenth-Century Europe | July 5, 2009–Summer 2010 | European Decorative Arts | This installation, drawn from the Museum’s permanent collection, brings together objects employed in the service and consumption of alcoholic beverages. |
2009 | Ragas and Rajas: Musical Imagery of Courtly India | July 11, 2009–February 28, 2010 | Indian and Himalayan Art | Members of India’s elite have long been great patrons of both music and the visual arts. This exhibition explores some of the ways court artists have sought to create a bridge between these two rich artistic traditions, by translating the aural qualities of music into a visible form. |
2009 | The Two Qalams: Islamic Arts of Pen and Brush | July 11, 2009–September 19, 2010 | Indian and Himalayan Art | The Two Qalams explores the relationship between calligraphers and artists through five exemplary works of calligraphy, drawing, and painting dating from the seventeenth through nineteenth centuries. |
2009 | Adventures in Modern Art: The Charles K. Williams II Collection | July 12, 2009–September 13, 2009 | Prints, Drawings, and Photographs | Drawn from the collection of Charles K. Williams II, a distinguished archaeologist and Director Emeritus of the Corinth Excavations of the American School of Classical Studies at Athens, this exhibition includes approximately 100 paintings, sculptures, watercolors, and drawings from the early decades of the 20th century. |
2009 | Marcel Duchamp: Sources for Research | August 15, 2009–November 7, 2009 | Archives | This exhibition features several manuscript collections and institutional records that support research on Marcel Duchamp. |
2009 | Marcel Duchamp: Étant donnés | August 15, 2009–November 29, 2009 | Modern and Contemporary Art | Marcel Duchamp’s enigmatic assemblage Étant donnés: 1. La chute d’eau, 2. Le gaz d’éclairage (Given: 1. The Waterfall, 2. The Illuminating Gas) has been described by the artist Jasper Johns as “the strangest work of art in any museum.” Permanently installed at the Museum since 1969, this three-dimensional environmental tableau offers an unforgettable and untranslatable experience to those who peer through the two small holes in the solid wooden door. |
2009 | Jun Kaneko | September 5, 2009–April 18, 2010 | American Art | Jun Kaneko, born in Nagoya, Japan in 1942, began his formal studies in art in the United States at the Chouinard Art Institute and continued at Berkeley and Claremont Graduate School. These four sculptures represent a larger body of work called the Mission Clay Project, which created a total of forty-one new sculptures. This project took three years to complete. |
2009 | Inspiring Fashion: Gifts from Designers Honoring Tom Marotta | September 12, 2009–September 6, 2010 | Costume and Textiles | The diverse examples of contemporary special occasion and evening wear in this gallery, obtained through the auspices of Saks Fifth Avenue, are a welcome addition to the Museum’s outstanding collection of costume and textiles. These gifts showcase the individual designers’ creative flair and serve as a lasting tribute to the esteem and affection that Tom Marotta inspired. |
2009 | Isamu Noguchi at the Philadelphia Museum of Art | September 14, 2009–August 16, 2010 | Modern and Contemporary Art | The inaugural installation in the Museum's new Sculpture Garden, Isamu Noguchi at the Philadelphia Museum of Art is a fascinating selection of sculptures by an artist who had longstanding ties with the Museum and our late Director Anne d’Harnoncourt, and is represented in the collection by the extraordinary cast-bronze biomorphic Avatar. |
2009 | Common Ground: Eight Philadelphia Photographers in the 1960s and 1970s | September 12, 2009–February 3, 2010 | Prints, Drawings, and Photographs | Common Ground examines a critical period for the art of photography and for the Philadelphia art scene. In the 1960s, photographers including Emmet Gowin, Will Larson, and Ray K. Metzker, among the first generation of photographers trained in university art departments, all came to Philadelphia to teach in the city’s renowned art schools, bringing with them experimental approaches to the medium. |
2009 | Frederick Sommer Photographs | October 3, 2009–January 3, 2010 | Prints, Drawings, and Photographs | The first exhibition of Sommer’s work in Philadelphia since 1968, Frederick Sommer Photographs presents some forty images spanning the artist’s career, along with a small number of drawings and collages. Included is a rare suite of macabre yet poignant photographs the artist made in 1939 using chicken parts collected from his local butcher. |
2009 | Arshile Gorky in Context | October 16, 2009–January 10, 2010 | Modern and Contemporary Art | This exhibition draws from the Museum’s extensive collections of modern art to place Gorky among European artists who inspired him, American artists whom he influenced, and expatriate Russian artists with whom he exhibited and worked while living in New York. |
2009 | Arshile Gorky: A Retrospective | October 21, 2009–January 10, 2010 | Modern and Contemporary Art | Arshile Gorky: A Retrospective celebrates the extraordinary life and work of Arshile Gorky (c.1902–1948), a seminal figure in the movement toward abstraction that transformed American art. This exhibition, which includes about 178 works of art, surveys Gorky’s entire career from the early 1920s until his death by suicide in 1948. |
2009 | A Purer Taste of Forms and Ornaments: Josiah Wedgwood and the Antique | October 24, 2009–March 14, 2010 | European Decorative Arts | In 1759, the young Josiah Wedgwood (1730–1795), who would become one of England’s most famous potters, established his first factory at the Ivy House Works in Burslem, England. A Purer Taste of Forms and Ornaments: Josiah Wedgwood and the Antique celebrates the 250th anniversary of this vastly influential factory and its extraordinary founder. |
2009 | Notations/Bruce Nauman: Days and Giorni | November 21, 2009–April 4, 2010 | Modern and Contemporary Art | Days and Giorni, Nauman’s compelling sound installations recorded in two languages, English and Italian, have traveled from the 53rd International Art Exhibition (La Biennale de Veneziato) to Philadelphia. |
2009 | Notations/Bruce Nauman: Giorni | November 21, 2009–May 31, 2010 | Giorni, Bruce Nauman’s most recent sound installation, made its international debut in Bruce Nauman: Topological Gardens, the official U.S. entry to the 53rd Venice Biennale organized by the Philadelphia Museum of Art in collaboration with the Università Iuav di Venezia and the Università Ca’ Foscari di Venezia. The installation was produced in Venice in collaboration with students and staff members of these universities, some of whom participated in the recordings that would give voice to this work, a recitation of the days of the week in permutations enriched by the distinctive timbre of the Italian language. The resulting installation becomes an experiment in rhythm, cadence, and progression. | |
2009 | Marcel Wanders: Daydreams | November 22, 2009–June 13, 2010 | European Decorative Arts | The visionary and revolutionary Dutch designer Marcel Wanders (born 1963) is creating for the Museum a dreamlike, multimedia installation of objects personally selected by the artist to represent pivotal points in his extraordinary career. Using shifting video images, lighting, and sound to illuminate the development of his boldly inventive body of work, Wanders provides the visitor with a unique visual and sensory experience dramatizing the evolution of his designs over the past twenty years. |
2009 | Arts of Bengal: Wives, Mothers, Goddesses | November 25, 2009–September 19, 2010 | Indian and Himalayan Art | Bengal (modern Bangladesh and eastern India) is a lush region of lotus pools, fish-filled rivers, and tiger-haunted forests punctuated by rice and banana fields, rural villages, and teeming cities. The domestic arts made by and for Bengali women during the 19th and 20th centuries include intricate embroidered quilts called kanthas, vibrant ritual paintings, and fish-shaped caskets and other implements created in resin-thread technique. |
2009 | Kantha: The Embroidered Quilts of Bengal from the Jill and Sheldon Bonovitz and the Stella Kramrisch Collections | December 12, 2009–July 25, 2010 | Indian and Himalayan Art | Stitching kanthas was an art practiced by women across Bengal, a region today comprising the nation of Bangladesh and the state of West Bengal, India. Lovingly created from the remnants of worn garments, kanthas are embroidered with motifs and tales drawn from a rich local repertoire and used especially in the celebration of births, weddings, and other family occasions. This exhibition presents some forty superb examples created during the nineteenth century and first half of the twentieth century. |
2009 | Cai Guo-Qiang: Fallen Blossoms | December 11, 2009–March 21, 2010 | Modern and Contemporary Art | Cai Guo-Qiang: Fallen Blossoms is the result of a close collaboration between the Philadelphia Museum of Art and The Fabric Workshop and Museum. Conceived as an homage to the late Anne d’Harnoncourt, former director of the Philadelphia Museum of Art, the exhibition gracefully addresses time’s passing and the role that memory and memorials play in attending to the past. |
2009 | Hans Memling’s Virgin Nursing the Christ Child and the Early Netherlandish Tondo | December 19, 2009–March 14, 2010 | European Painting | This exhibition brings together for the first time the two surviving tondos by the great Flemish master Hans Memling (c.1433–1494). These small round oil paintings of the Virgin Mary nursing the infant Jesus are peculiarly personal and affective devotional objects that could be held in the hand or hung on a wall. |
2009 | The Montiers of Philadelphia | December 30, 2009–Spring 2011 | American Art | The earliest surviving portraits of an African American couple, Hiram and Elizabeth Brown Montier, provide a first-person perspective on their lives in nineteenth-century Philadelphia. On public view for the first time while on long-term loan to the Museum, the portraits invite special consideration as documents of marriage and family life within the city’s free African American community. |
2010 | Pleasures and Pastimes in Japanese Art | January 9, 2010–January 2011 | East Asian Art | From classical Noh theater to poetry competitions to the joys of fishing, the pleasures and pastimes depicted in Japanese art are many and varied. This exhibition features masks and gorgeous costumes of the Noh theater as well as libretti and musical instruments that accompany the Noh performances. |
2010 | PHILAGRAFIKA 2010: The Graphic Unconscious―Works by Oscar Muñoz and Tabaimo | January 29, 2010–April 11, 2010 | Prints, Drawings, and Photographs | The vital role of the printed image in contemporary art is the focus of the international festival, PHILAGRAFIKA 2010, to be held throughout the city of Philadelphia January 29 through April 11, 2010. The core exhibition of the festival, PHILAGRAFIKA 2010: The Graphic Unconscious, will be shown across five venues, including the Philadelphia Museum of Art. The Museum will display installations by two artists, the Japanese artist Tabaimo (b. 1975) and the Colombian artist Óscar Muñoz (b. 1951), that explore the translation of printmaking into other mediums and expand the conceptual boundaries of printmaking. |
2010 | Picasso in Context | February 24, 2010–April 25, 2010 | Modern and Contemporary Art | This exhibition, held in conjunction with Picasso and the Avant Garde in Paris, explores American Modernism through artists such as Arthur Dove, Marsden Hartley, and Georgia O’Keeffe. A selection of American photographer Paul Strand's portraits of Picasso and Georges Braque are also on view. |
2010 | Picasso and the Avant-Garde in Paris | February 24, 2010–May 2, 2010 | Modern and Contemporary Art | Internationally recognized as one of the most innovative and influential artists of the twentieth century, Pablo Picasso (Spanish, 1881–1973) was at his most ferociously inventive between 1905 and 1945. Picasso and the Avant-Garde in Paris surveys his work during these crucial decades, when he transformed the history of art through his innate virtuosity and protean creativity. |
2010 | The Platinum Process: Photographs from the Nineteenth to the Twenty-First Century | February 27, 2010–May 23, 2010 | Prints, Drawings, and Photographs | An exhibition of some 75 works dating from the late nineteenth century to the present, The Platinum Process showcases a selection of outstanding platinum prints drawn from the Museum’s collection. Highlights include photographs by early masters of the platinum process including Frederick H. Evans and Paul Strand, as well as works by skilled contemporary practitioners such as Lois Conner. |
2010 | Informed by Fire: Highlights of American Ceramics | March 6, 2010–July 13, 2011 | American Art | Clay used in artistic expression dates back to the dawn of civilization. In the past three centuries, artists from the United States have contributed to this rich ceramic tradition with vibrant, original and intelligent expressions in clay. Varied forms, surface decoration, use of glaze for color combined with science and skill shows the full breadth of possibilities as demonstrated by this selection of ceramics from the Museum's collection. |
2010 | Celebrating Picasso | March 9, 2010–June 14, 2010 | Library | The Philadelphia Museum of Art was among the first U.S. museums to own a Picasso when it acquired the 1906 painting Woman with Loaves in 1931. This installation shows how, after bringing the work of Picasso into its collection, the Philadelphia Museum of Art introduced his art to its audience for both enjoyment and scholarship. |
2010 | Flora and Fauna in Korean Art | March 13, 2010–Spring 2011 | East Asian Art | Drawn from the Museum's permanent collection, this exhibition features approximately 50 objects depicting symbolic interpretations of particular plants and animals—from mythical creatures such as dragons and phoenixes to the four friends; plums, orchids, chrysanthemums, and bamboo. |
2010 | Railways of Hope and Fear: Selections from the Fernberger Print Collection | March 17, 2010–June 30, 2010 | The steam locomotive shaped the American landscape by expanding the nation’s borders, energizing trade, and promising to unite communities in the aftermath of the Civil War. A recent gift from Kathy and Ted Fernberger, this installation of colored lithographs published by Currier & Ives examines the nineteenth-century fascination with trains and travel while addressing the dangers of new technology in modern life. | |
2010 | Interactions in Clay: Contemporary Explorations of the Collection | March 31, 2010–July 11, 2010 | American Art | Interactions in Clay involves four artists who have been commissioned to create new artworks in response to the collection at The Philadelphia Museum of Art. The artists, Ann Agee, Walter McConnell, Paul Sacaridiz, and Betty Woodman, will interact with historical work and spaces in order to discover new meanings and formal strategies in different galleries throughout the Museum's main building |
2010 | Art in Revolutionary Philadelphia | April 17, 2010–April 3, 2011 | American Art | As the political climate in Philadelphia grew increasingly charged throughout the 1770s, art became currency. This presentation allows Museum visitors to see the featured works of art through the lens of a truly seminal period in American history—to consider the unexpected roles art played in the lives of individuals and families during the American Revolution. |
2010 | Visions of Venice: Eighteenth-Century Prints from the Collection | April 24, 2010–July 18, 2010 | Prints, Drawings, and Photographs | The exhibition surveys the broad range of Venetian print production, featuring over 70 works by artists such as Canaletto, Marco Ricci, Giovanni Battista and Giovanni Domenico Tiepolo, and Pietro Longhi, along with a small selection of drawings and paintings by notable Venetian masters. |
2010 | Notations/Forms of Contingency: New York and Turin, 1960s–1970s | April 24, 2010–September 26, 2010 | In collaboration with the Sonnabend Collection, New York, the Philadelphia Museum of Art presents Notations/Forms of Contingency: New York and Turin, 1960s–1970s, an installation charting the changing attitudes toward sculptural practice in a formative period that marked the shift from the severe geometry of Minimalism to the unbounded, eccentric, elemental, energetic, and expressive forms of Post-Minimalism and Arte Povera. | |
2010 | Live Cinema/Histories in Motion: Jennifer Levonian, Martha Colburn, Joshua Mosley | April 30, 2010–July 25, 2010 | Modern and Contemporary Art | Histories in Motion presents new animations by three young artists who infuse their work with personal reflections on contemporary life and its complex dynamics. Characterized by a critical engagement with the world at large, their films are representative of a generation for whom the moving image and its cinematic qualities have become the prevailing form of expression. |
2010 | Water Work | May 15, 2010–July 18, 2010 | Prints, Drawings, and Photographs | This exhibition features images in which water is the principal theme, highlighted in a selection of modern and contemporary prints, drawings, and photographs from the permanent collection. Included are works on paper by Ed Ruscha, Roni Horn, Robert Moskowitz, Vija Celmins, Hiroshi Sugimoto, Ellsworth Kelly, and Georgia O’Keeffe. |
2010 | David Teniers’s Theatrum Pictorium and the John G. Johnson Collection | June 12, 2010–January 2011 | European Painting | In 1660, the Antwerp artist and court painter David Teniers II (1610–1690) published the Theatrum Pictorium, the first illustrated printed catalogue of a major paintings collection. This opulent book contained etchings that reproduced 243 paintings in the collection of Archduke Leopold Wilhelm, the governor of the Southern Netherlands. The selection of paintings highlighted the archduke’s sixteenth-century Venetian masterpieces, largely acquired from the estate of the Duke of Hamilton, who had perished in the English Civil Wars (1642–51). |
2010 | Revisiting the Centennial: Resources from the Library and Archives | June 14, 2010–December 2010 | Library and Archives | The invaluable resources in this exhibition—including books, pamphlets, scrapbooks, and ephemera—document an extraordinary civic event as well as the broader aesthetic and manufacturing forces at work in the Victorian era, which drove considerable social and economic change both here and abroad. |
2010 | Late Renoir | June 17, 2010–September 6, 2010 | European Painting | Late Renoir follows the renowned painter Pierre-Auguste Renoir through the final—and most fertile and innovative—decades of his career. At the height of his creative powers and looking toward posterity, Renoir created art that was timeless, enticing, and worthy of comparison to the greatest of the old masters, such as Raphael, Titian, and Rubens. |
2010 | Plain Beauty: Korean White Porcelain/Photographs by Bohnchang Koo | June 19, 2010–September 26, 2010 | East Asian Art | Plain Beauty brings together exquisite porcelains made in Korea during the Joseon dynasty (1392–1910), Joseon-inspired ceramics by contemporary artists, and large-scale photographs by Bohnchang Koo (Korean, born 1953). |
2010 | To Love, Honor, and Obey? Stories of Italian Renaissance Marriage Chests | July 3, 2010–July 3, 2011 | European Decorative Art | In Renaissance Italy, betrothal and marriage were celebrated with a variety of events as well as commemorative works of art. Often elaborate, these objects marked the joining of a couple while symbolizing wealth and demonstrating alliances between powerful families. |
2010 | Threaded Adornment: Four Centuries of English Embroidery | July 10, 2010–July 31, 2011 | Costume and Textiles | This concise exhibition presents nine examples of English embroidery from the sixteenth through the nineteenth century, from opulent examples made for ecclesiastical and secular use, to embroideries used as subtle displays of wealth and status, to reflections of contemporary social and aesthetic developments. |
2010 | Hanging Around: Modern and Contemporary Lighting from the Permanent Collection | July 17, 2010–October 10, 2010 | European Decorative Art | In the early twentieth century, with the introduction of electric light, designers began to focus on lighting fixtures, hanging lamps among them. Interest in lighting design experienced a particular surge in the decades after World War II, when many young artists, the American George Nelson among them, responded to a demand for fixtures that were both functional and modern in their aesthetic. Drawn from the Museum’s extensive collection of modern and contemporary design, this exhibition features some twenty hanging lamps. |
2010 | An Eakins Masterpiece Restored: Seeing The Gross Clinic Anew | July 23, 2010–January 9, 2011 | American Art and Conservation | Acquired by the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts in 2007 after a stirring public campaign to keep the painting in Philadelphia, Thomas Eakins’s masterpiece, Portrait of Dr. Samuel D. Gross (The Gross Clinic) of 1875, has been cleaned and restored for the first time in almost fifty years. The painting emerges from the conservation studio as the centerpiece of this exhibition, which throws new light on a work acclaimed as the greatest American painting of the nineteenth century. |
2010 | Porcelain for the Emperor: Chinese Ceramics of the Kangxi Reign (1662–1722) | August 7, 2010–September 5, 2011 | East Asian Art | The Kangxi emperor, who ruled China from 1662 to 1722, was a connoisseur of the arts who took a particular interest in ceramics. In the 1680s, he ordered the reactivation of the imperial porcelain factory at Jingdezhen; by the end of his reign there were more than three thousand workshops producing wares for the imperial court as well as for China’s thriving domestic and export markets. Porcelain for the Emperor showcases the extraordinary technical and aesthetic achievements of the Kangxi-era potters. |
2010 | Picturing the West: Yokohama Prints 1859–1870s | August 28, 2010–November 14, 2010 | Prints, Drawings, and Photographs | The landscapes and scenes of Japanese life and culture depicted in ukiyo-e color woodcuts made in Japan in the eighteenth and nineteenth centuries are widely known and admired. Less familiar are the “Yokohama Prints” portraying Westerners who came to Japan after the island nation opened its borders to international trade in the late 1850s. Picturing the West showcases approximately ninety of the latter woodcuts, selected from the Museum’s extensive collection of nineteenth-century Japanese prints, that reflect the Japanese fascination with their newly arrived Western visitors and the transformation of Yokohama as a trade port. |
2010 | The Women’s Committee of the Philadelphia Museum of Art Photography Portfolio 2010 | September 4, 2010–September 19, 2010 | Prints, Drawings, and Photographs | The Women’s Committee of the Philadelphia Museum of Art organized its 2010 Photography Portfolio Competition in recognition of photography’s broad significance as a contemporary art form, and to increase awareness of the Museum’s photography collection. The competition was designed to foster the discovery of new talent internationally. |
2010 | Desert Jewels: North African Jewelry and Photography from the Xavier Guerrand-Hermes Collection | September 4, 2010–December 5, 2010 | Costume and Textiles | An exhibition of spectacular jewelry and historic photographs from Algeria, Libya, Morocco, Egypt, and Tunisia, Desert Jewels presents never-before-exhibited pieces of stunning North African jewelry and late nineteenth- and early twentieth-century photographs by some of the period’s most prominent photographers. |
2010 | Eakins on Paper: Drawings and Watercolors from the Collection | September 4, 2010–December 19, 2010 | American Art | In honor of the 150th anniversary of the Philadelphia Sketch Club, the Philadelphia Museum of Art is placing on display ten rarely seen drawings and watercolors that survey the early work of Thomas Eakins (1844–1916), celebrated as one of the greatest draftsmen in the history of American art. |
2010 | Live Cinema/In the Round: Contemporary Art from the East Mediterranean | September 17, 2010–February 13, 2011 | Modern and Contemporary Art | Live Cinema/In the Round features the works of Ziad Antar, Inci Eviner, Gülsün Karamustafa, Hassan Khan, Maha Maamoun, and Christodoulos Panayiotou, six artists from the Eastern Mediterranean who, in varying ways, explore how the moving image informs representations of reality. Responding to the 'live' reference used in the program title Live Cinema, video and sculptural works create a dialogue around the shift from the live performance of theatre to the suspension of reality of cinema. |
2010 | Tailoring Philadelphia: Tradition and Innovation in Menswear | October 2, 2010–October 16, 2011 | Costume and Textiles | Drawn from the Museum’s rich collection of menswear, this exhibition focuses on one of Philadelphia’s most important industries in the late nineteenth and early twentieth centuries: tailoring. Francis Toscani (1915–1973), one of the city’s most successful tailors, is featured, with over fifteen of the designer’s innovative garments on view. |
2010 | A Glimpse of Paradise: Gold in Islamic Art | October 9, 2010–April 2011 | Indian and Himalayan Art | A Glimpse of Paradise explores the unique status of gold in Islam through a small group of objects drawn from the Museum’s collection. The diverse selection includes a fourteenthcentury Qur’an folio from Central Asia or Turkey with gold decoration added in India and a resplendent eagle-shaped pendant made in Iran during the nineteenth century. As these works show, gold was put to multiple uses in the arts of Islam, serving both as a sign of the divine and as an ornament for earthly pleasure. |
2010 | Monumental “Miniatures”: Large-scale Paintings from India | October 9, 2010–April 2011 | Indian and Himalayan Art | Drawing from the Museum’s collection, Monumental "Miniatures" features a selection of paintings dating from the fifteenth through twentieth centuries. With highlights including an elaborate storytelling scroll from the southern Indian state of Andhra Pradesh and a sumptuous depiction of Krishna and his beloved, Radha, from Kishangarh in the western state of Rajasthan, this exhibition explores the great regional and thematic diversity of India’s tradition of largescale painting. |
2010 | Mark Cohen: Strange Evidence | October 23, 2010–March 13, 2011 | Prints, Drawings, and Photographs | This exhibition surveys a select group of some fifty of Mark Cohen’s black-and-white and color photographs made over the past forty years. Together, these pictures chart the transformations that have happened in cities such as Scranton and Wilkes-Barre in those decades, demonstrating that even the most subjective photographs can reveal historical truths. |
2010 | Michelangelo Pistoletto: From One to Many, 1956–1974 | November 2, 2010–January 17, 2011 | Modern and Contemporary Art | Michelangelo Pistoletto (Italian, born 1933) is widely recognized in Europe as one of its most influential contemporary artists and is increasingly gaining recognition in the United States. As the artist’s first focused survey in the U.S. in more than two decades, Michelangelo Pistoletto: From One to Many, 1956–1974 places Pistoletto’s work in the context of the postwar sociocultural transformations of Italy, Western Europe, and North America while also exploring its relationship to Pop, Minimalism, and Conceptual Art. |
2010 | Michelangelo Pistoletto: Cittadellarte | November 2, 2010–January 17, 2011 | Modern and Contemporary Art | This exhibition presents Michelangelo Pistoletto’s current work from his interdisciplinary laboratory, Cittadellarte—the name of which implies both a fortified enclave and a city of art. Examples of Pistoletto’s tables in the shapes of seas from across the globe will be on view. These “mediterranean” tables metaphorically represent the spaces that exist in the “middle of land,” places whose in-between character provides a conceptual platform for conversation and exchange across cultures. |
2010 | Alessi: Ethical and Radical | November 21, 2010–April 10, 2011 | European Decorative Arts | Alessi is widely regarded as the world’s most innovative and influential maker of kitchen utensils, or in the company’s parlance, “house-hold objects.” Alessi: Ethical and Radical presents the company’s history in objects while exploring ecological concerns, new technologies, and other themes. |
2010 | Virtues and Vices: Moralizing Prints in the Low Countries, 1550–1600 | December 11, 2010–February 27, 2011 | Prints, Drawings, and Photographs | This exhibition brings together a group of lively moralizing prints created between 1550 and 1600 in Antwerp and Haarlem, the two major print-publishing centers in the Low Countries. Both sobering and satirical, prints of this type were popular best-sellers, offering both moral instruction and visual delight to a newly expanded audience of educated Dutch and Flemish consumers. |
2010 | Alex Katz | December 16, 2010– December 11, 2011 | Contemporary Art | |
2010 | A Royal Passion: Meissen and Asian Porcelain from Augustus the Strong’s Japanese Palace | December 18, 2010–April 3, 2011 | European Decorative Arts | A Royal Passion, which celebrates the 300th anniversary of the founding of the Meissen factory, features nineteen pieces of porcelain from the Japanese Palace collection and highlights a pair of goats from the Museum’s permanent collection that was originally intended for Augustus’s porcelain menagerie. |
2011 | The Peacock Male: Exuberance and Extremes in Masculine Dress | January 22, 2011–September 18, 2011 | Costume and Textiles | Men’s apparel is often thought of as staid and restrained, especially when compared to feminine fashions. Until the late eighteenth century, however, elite men flaunted their social position with rich fabrics and ornamentation. After men generally adopted somber suits, colorful accessories could add spice, and more ostentatious masculine flash and flair was sometimes permissible. The Peacock Male, drawn from the Museum’s collection of Western fashion, examines three hundred years of men’s sartorial display. |
2011 | Late Gothic and Renaissance Cologne: Paintings from the John G. Johnson Collection | February 12, 2011–July 21, 2011 | European Painting | The Philadelphia Museum of Art boasts the largest group of old master paintings from Cologne in the United States. This is thanks to John G. Johnson (1841-1917), to whom all of the paintings in the exhibition once belonged. |
2011 | George Inness in Italy | February 19, 2011–May 15, 2011 | American Art | A canonical figure in American painting, George Inness (1825–1894) is widely admired as the pioneer of the evocative aesthetic known as Tonalism, which is distinguished by soft focus and diaphanous layers of paint. This is the first exhibition to examine the artist’s two Italian sojourns (1851–52 and 1870–74) and their formative impact on his work. Italy—its art and its landscape—offered Inness a font of inspiration as he developed his own unique artistic vision. |
2011 | Notations/Everyday Disturbances | February 25, 2011–July 7, 2012 | Modern and Contemporary Art | From the banal to the bizarre, the real to the surreal, and the readily recognizable to the seductively ambiguous, the works in Notations/Everyday Disturbances survey the tensions, or disturbances, that arise out of a collective and subversive reimagining of the world as we know it. |
2011 | Paris Through the Window: Marc Chagall and His Circle | March 1, 2011–July 10, 2011 | Modern and Contemporary Art | As a symbol of culture, freedom, and modernity, the city of Paris held a magnetic attraction for artists from Eastern Europe during the early decades of the twentieth century. The exhibition will focus in particular on the paintings that Marc Chagall made between 1910 and 1920, including the artist’s early masterpiece Half-Past Three (The Poet), of 1911, which has long been considered one of the great treasures of the Philadelphia Museum of Art. |
2011 | Francesco Vezzoli/An Embroidered Trilogy | March 10, 2011–June 5, 2011 | Modern and Contemporary Art | |
2011 | Roberto Capucci: Art into Fashion | March 16, 2011–June 5, 2011 | Costume and Textiles | Italian fashion designer and artist Roberto Capucci (born 1930) is revered by contemporary designers for his innovative silhouettes and masterful use of form, color, and materials. This exhibition—featuring over eighty works, as well as original drawings and sketches—will be the first survey of his work in the United States. |
2011 | Kobe: Japan's Window on the World | March 26, 2011–July 31, 2011 | East Asian Art | The year 2011 marks the twenty-fifth anniversary of the Friendship City relationship between Philadelphia and the Japanese city of Kobe. This exhibition celebrates this important event by exploring Kobe’s history as a seaport as well as its role in nurturing cross-cultural influences in Japanese art. |
2011 | Health for Sale: Posters from the William H. Helfand Collection | April 1, 2011–July 31, 2011 | Prints, Drawings, and Photographs | In the mid 1950s, William H. Helfand began to collect prints with medical subjects, gradually moving his focus from fine to popular art. Over four decades, he has donated more than one thousand posters, prints, and ephemera to the Philadelphia Museum of Art. This exhibition presents some fifty of the nearly two hundred posters in this collection. |
2011 | Unsettled: Photography and Politics in Contemporary Art | April 9, 2011–September 19, 2011 | Prints, Drawings, and Photographs | Unsettled: Photography and Politics in Contemporary Art presents work by nine artists who used photography to address some of the most controversial political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism. |
2011 | Collab: Four Decades of Giving Modern and Contemporary Design | May 21, 2011–October 21, 2012 | European Decorative Arts | This exhibition highlights Collab’s gifts from the last four decades, celebrating the organization’s contributions to the Museum as well as presenting a chronological overview of modern and contemporary design in the twentieth and twenty-first centuries. |
2011 | Romancing the West: Alfred Jacob Miller in the Bank of America Collection | June 4, 2011–September 18, 2011 | American Art | Baltimore native Alfred Jacob Miller (1810–1874), one of the first American artists to paint the Far West, is best remembered for his vivid chronicles of the Western fur trade and his romanticized depictions of mountain men, American Indian subjects, exotic wildlife, and the region’s stunning topography. |
2011 | Rembrandt and the Face of Jesus | August 3, 2011–October 30, 2011 | European Painting | This exhibition reunites, for the first time since 1656, seven paintings of Jesus by Dutch master Rembrandt van Rijn. Abandoning traditional sources, Rembrandt created these exceedingly rare portraits of Christ with the use of a human model—a step which was totally unprecedented at the time. In viewing them today, visitors are presented with a number of religious, historic, and artistic questions to ponder. |
2011 | Here and Now: Prints, Drawings, and Photographs by Ten Philadelphia Artists | September 10, 2011–December 4, 2011 | Prints, Drawings, and Photographs | The works featured in this exhibition are a lively, arresting, and timely celebration of ten Philadelphia artists, ranging in age from 25 to 50, who are currently making art on paper. |
2011 | Zaha Hadid: Form in Motion | September 20, 2011–March 25, 2012 | European Decorative Arts | Iraqi-born British architect Zaha Hadid, who in 2004 became the first female recipient of the renowned Pritzker Architecture Prize, has thoroughly advanced the vocabulary of contemporary architecture and design. For this exhibition, Hadid has created a sculptural environment for a selection of her recent furniture, decorative art, jewelry, and footwear innovations. |
2011 | Live Cinema/Peripheral Stages: Mohamed Bourouissa and Tobias Zielony | October 15, 2011–January 16, 2012 | Modern and Contemporary Art | In Live Cinema/Peripheral Stages, the latest Live Cinema exhibition, the condition of social marginality and urban decay is explored through the video and photography work of two contemporary artists: Mohamed Bourouissa and Tobias Zielony. |
2011 | Tristin Lowe: Under the Influence | October 22, 2011–January 29, 2012 | Costume and Textiles | Provocative, mysterious, and altogether otherworldly, Under the Influence features two interconnected works by Philadelphia artist Tristin Lowe—Lunacy, a giant rendering of the moon created in felt, and Visither I, a neon light sculpture. Both objects were commissioned by the Rhode Island School of Design’s Museum of Art in 2010, where they were first shown. This exhibition marks their Philadelphia debut |
2011 | Dutch Treat: A Glimpse of Holland’s Golden Age | November 22, 2011–January 1, 2012 | European Painting | Continuing the Museum’s season of exhibitions devoted to the art and culture of the Netherlands, Dutch Treat offers visitors the rare opportunity to examine the work of one of the most accomplished painters of the Dutch Golden Age, Gerrit Dou (1613–1675), in depth. |
2012 | Zoe Strauss: Ten Years | January 14, 2012–April 22, 2012 | Prints, Drawings, and Photographs | Zoe Strauss: Ten Years is a mid-career retrospective of the acclaimed photographer’s work and the first critical assessment of her ten-year project to exhibit her photographs annually in a space beneath a section of Interstate-95 in South Philadelphia. |
2012 | Van Gogh Up Close | February 1, 2012–May 6, 2012 | European Painting | Vincent van Gogh was an artist of exceptional intensity, not only in his use of color and exuberant application of paint, but also in his personal life. Drawn powerfully to nature, his works—particularly those created in the years just before he took his own life—engage the viewer with the strength of his emotions. This exhibition focuses on these tumultuous years, a period of feverish artistic experimentation that began when van Gogh left Antwerp for Paris in 1886 and continued until his death in Auvers in 1890. |
2012 | 35mm: Photographs from the Collection | February 11, 2012–June 3, 2012 | Prints, Drawings, and Photographs | From the first roll-film Leica in the 1920s to the familiar disposable cardboard Kodak, the handheld 35mm camera became a ubiquitous and indispensable photographic tool in the twentieth century. |
2012 | Secret Garden | March 3, 2012–August 26, 2012 | Costume and Textiles | Three groundbreaking single sculptures, three leading contemporary artists: Secret Garden unites works in fiber by Ted Hallman, Sheila Hicks, and Jim Hodges. |
2012 | Cy Twombly: Sculptures | April 14, 2012–May 27, 2013 | Modern and Contemporary Art | Taking cues from the Dada movement and from the work of Swiss sculptor Alberto Giacometti, Cy Twombly (American, 1928–2011) created poetic objects whose serene white surfaces and allusive forms seem to recall remote worlds of myth and the ancient past. After reaching an indisputable maturity in his early sculpture, created from 1946 to 1959, Twombly returned to working in three dimensions in the mid-1970s and continued to cast new works up until his passing in 2011. |
2012 | Craft Spoken Here | May 5, 2012–August 12, 2012 | American Art | Crafts were prominent among the first works of art to enter the collections of the Philadelphia Museum of Art when it was founded in 1876, and the Museum has continued to collect and exhibit crafts. |
2012 | The Art of German Stoneware | May 5, 2012–August 5, 2012 | European Decorative Arts | From the fourteenth through eighteenth centuries, stoneware ceramics from Germanspeaking centers in modern-day Germany and the Low Countries were valued and widely traded throughout northern Europe. In the 1600s—the heyday of stoneware production—they found an enthusiastic market in colonial North America. |
2012 | Rockwell Kent—Voyager: An Artist’s Journey in Prints, Drawings, and Illustrated Books | May 19, 2012–July 29, 2012 | Prints, Drawings, and Photographs | Famous in his own time as a painter, author, arctic adventurer, and political activist, Rockwell Kent (1882–1971) left his most enduring legacy as a printmaker and illustrator of books. His bold and enigmatic images of mysterious, statuesque figures in spiritual communion with the natural world proved equally effective in corporate advertising campaigns and book projects alike. |
2012 | Ralph Eugene Meatyard: Dolls and Masks | May 19, 2012–August 5, 2012 | Prints, Drawings, and Photographs | Ralph Eugene Meatyard (American 1925–1972) is not a very familiar name in 20th-century photography, yet his impact on contemporary art, belatedly recognized, is significant. An optician in Lexington, Kentucky, Meatyard sustained a life-long interest in visual perception. Well read and deeply connected to a circle of poets and philosophers, he made photographs rich in literary allusion. |
2012 | Sol LeWitt: Lines in Four Directions in Flowers | May 24, 2012–April 5, 2015 | Modern and Contemporary Art | In 1981, leading conceptual artist Sol LeWitt (American, 1928–2007) was invited by the Fairmount Park Art Association to propose a public artwork for a site in Fairmount Park. Installed thirty years after its conception, Lines in Four Directions in Flowers is a work of monumental scale, made up of more than 7,000 plantings arranged in strategically configured rows. |
2012 | Gauguin, Cézanne, Matisse: Visions of Arcadia | June 20, 2012–September 3, 2012 | European Painting | The theme of an earthly paradise, or Arcadia, has been popular in theater, poetry, music, and art since antiquity. This exhibition explores the theme in three such paintings of the time: Paul Gauguin’s Where Do We Come From? What Are We? Where Are We Going? (1898), Paul Cézanne’s The Large Bathers (1906), and Henri Matisse’s Bathers by a River (1909–17). |
2012 | Prom: Photographs by Mary Ellen Mark | July 1, 2012–October 28, 2012 | Prints, Drawings, and Photographs | Between 2006 and 2009, American photographer Mary Ellen Mark visited thirteen high school proms to create portraits of attendees with a 20-by-24-inch Polaroid Land Camera. Only five such cameras exist, and they make extraordinary and unique large-format prints |
2012 | Notations: Sean Scully | July 28, 2012–July 14, 2013 | Modern and Contemporary Art | Sean Scully’s paintings speak eloquently to the history of abstraction, engaging in a passionate conversation with the legacies of Abstract Expressionism and Minimalism while offering new models for the continuing role of nonfigurative art. |
2012 | Full Spectrum: Prints from the Brandywine Workshop | September 7, 2012–November 25, 2012 | Prints, Drawings, and Photographs | Cultural identity, political and social issues, portraiture, and landscape, as well as patterning and pure abstraction, are some of the many concerns explored by the artists in this exhibition. The spectrum of artistic voices and approaches to image-making represented in the exhibition reflects the increasingly pluralistic character of contemporary art. |
2012 | Shipwreck! Winslow Homer and The Life Line | September 22, 2012–January 1, 2013 | American Art | Winslow Homer’s masterpiece The Life Line(1884) is the center of an exhibition about the making and meaning of an iconic American image of rescue. One of the great popular and critical successes of the artist’s career, the painting engages age-old themes of peril at sea and the power of nature, while celebrating modern heroism and the thrill of unexpected intimacy between strangers thrown together by disaster. |
2012 | Ronaldus Shamask: Form, Fashion, Reflection | October 6, 2012–March 10, 2013 | Costume and Textiles | In the late 1970s and early 1980s, Ronaldus Shamask (American, born Netherlands 1945) burst onto the runway with thoughtfully spare, minimalist works during a time of buoyant excess. Disregarding trends, Shamask drew on his background in illustration, architecture, theater, and dance as well as collaborations with choreographers and artists to create a timeless body of work that paved the way for the minimalist fashions of today. |
2012 | Learning from Frank Furness: Louis Sullivan in 1873 | October 6, 2012–December 30, 2012 | American Art | Frank Furness (American, 1839–1912) was the leading architect in Philadelphia during the second half of the nineteenth century. Working in a city known as the “workshop of the world,” Furness turned away from contemporary European historical forms to design buildings out of the materials and formal vocabulary of the Industrial Revolution. |
2012 | Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp | October 30, 2012–January 21, 2013 | Modern and Contemporary Art | Dancing around the Bride is the first exhibition to explore the interwoven lives, works, and experimental spirit of Marcel Duchamp (American, born France, 1887–1968) and four of the most important American postwar artists: composer John Cage (1912–1992), choreographer Merce Cunningham (1919–2009), and visual artists Jasper Johns (born 1930) and Robert Rauschenberg (1925–2008). |
2012 | Live Cinema/Manon de Boer: Resonating Surfaces–A Trilogy | November 17, 2012–May 5, 2013 | Modern and Contemporary Art | Resonating Surfaces–A Trilogy presents for the first time in a museum exhibition a series of three cinematic portraits defined by narratives of time and memory, and structured around the relation between images and sounds. |
2012 | All Dressed Up: Fashions for Children and Their Families | December 2, 2012–December 18, 2013 | Costume and Textiles | All Dressed Up: Fashions for Children and Their Families focuses on clothing from the late eighteenth through mid-twentieth centuries, comparing and contrasting adults' apparel with children’s smaller styles. |
2012 | Double Portrait: Paula Scher and Seymour Chwast, Graphic Designers | December 2, 2012–April 14, 2013 | European Decorative Arts | With a shared sensibility and approach to design, graphic designer Paula Scher and illustrator Seymour Chwast have transformed their fields of practice. Celebrating the achievements of this remarkably creative couple, whose work is being shown together for the first time, this exhibition includes images in a wide range of formats, selected and installed by Chwast (American, born 1931) and Scher (American, born 1948). |
2012 | Treasures of the Alfred Stieglitz Center: Photographs from the Permanent Collection | December 22, 2012–April 7, 2013 | Prints, Drawings, and Photographs | This exhibition showcases diverse highlights from the Museum’s photography collection, tracing the medium’s history as a visual art form |
Year | Title | Dates | Department | Additional Info |
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2013 | Journeys to New Worlds: Spanish and Portuguese Colonial Art from the Roberta and Richard Huber Collection | February 16, 2013–May 19, 2013 | European Painting | With a rare group of paintings, decorative arts, and sculptures from the collection of Roberta and Richard Huber, Journeys to New Worlds explores the artistic exchanges between Spain and Portugal and their colonies in the Americas and Asia during the seventeenth and eighteenth centuries. |
2013 | "Great and Mighty Things": Outsider Art from the Jill and Sheldon Bonovitz Collection | March 3, 2013–June 9, 2013 | Prints, Drawings, and Photographs | The power of self-taught artistic talent, the drive of the human spirit to create, and the wonders of highly original inner worlds revealed. These are just a few of the reasons why the Philadelphia Museum of Art is proud to debut the Jill and Sheldon Bonovitz Collection, a promised gift to the Museum of more than two hundred works by self-taught artists. |
2013 | The Art of Golf | March 16, 2013–July 7, 2013 | European Painting | The Golfers (1847), an iconic work by Scottish painter Charles Lees (1800–1880), is the centerpiece of The Art of Golf, an exhibition celebrating what has been called “a game of considerable passion” on the occasion of the U.S. Open Championships, which will be played in June at the Merion Golf Club, in Ardmore, Pennsylvania. |
2013 | Photogravure: Master Prints from the Collection | May 11, 2013–August 11, 2013 | Prints, Drawings, and Photographs | Photogravure, a printmaking process that combines elements of aquatint etching and photography, was a prized medium among artist-photographers of the late nineteenth century, who labored over their hand-pulled prints. |
2013 | Homage to Ellsworth Kelly | April 27, 2013–August 25, 2013 | Modern and Contemporary Art | Presented on the occasion of the artist’s ninetieth birthday, this installation brings together a selection of four works that span Ellsworth Kelly’s prolific oeuvre. One of the most prominent artists of the postwar period, Kelly is known for his explorations of contrasting formal relationships: flat color versus depth, shape, and scale. |
2013 | CandyCoated Wonderland | May 4, 2013–November 17, 2013 | Costume and Textiles | Multimedia artist Candy Coated blends nineteenth- and twentieth-century children's fancy dress costumes from the Museum's collection into a rich wonderland of colorful vinyl decals, ceramic wall gems, hand-screened fabrics, and wallpapers in the Ruth and Raymond G. Perelman Building's Joan Spain Gallery. |
2013 | Starting from Scratch: The Art of Etching from Dürer to Dine | May 11, 2013–August 11, 2013 | Prints, Drawings, and Photographs | Starting from Scratch showcases more than seventy of the Museum’s finest etchings, demonstrating the ways in which some of history’s most famous artists have embraced the medium to create original and dynamic works of art. |
2013 | Design for the Modern Child | May 25, 2013–October 14, 2013 | European Decorative Arts | This exhibition will feature some of the latest furniture, toys, tableware, wallpaper, and textiles designed internationally in Australia, Asia, Europe, Great Britain, and the United States, along with classics from the Museum’s design collection. |
2013 | Family Portrait | June 8, 2013–November 10, 2013 | Prints, Drawings, and Photographs | Family Portrait examines the many ways photographers picture family, from amateurs who document their own households, to progressive reformers who make views of domestic life to encourage social change, to artists who explore the deeply personal and often private nature of familial relationships |
2013 | Witness: The Art of Jerry Pinkney | June 28, 2013–September 22, 2013 | Prints, Drawings, and Photographs | This exhibition of drawings and watercolors by Jerry Pinkney (American, born 1939) presents an overview of the artist’s long and varied career as a designer and illustrator. |
2013 | First Look: Collecting for Philadelphia | July 13, 2013–September 8, 2013 | European Painting | The holdings of the Philadelphia Museum of Art are constantly changing, and every year, hundreds, if not thousands, of new works are added to the permanent collection. These acquisitions would not be possible without the remarkable generosity of donors, whose dedication to philanthropy has sustained the Museum since its origins. |
2013 | Barbara Chase-Riboud: The Malcolm X Steles | September 14, 2013–January 20, 2014 | Modern and Contemporary Art | Bringing together more than forty works from the United States and Europe, this exhibition examines Barbara Chase-Riboud's artistic career, focusing primarily on her important Malcolm X sculptures. Five works from that series—among them the Museum’s Malcolm X #3 of 1970— and five closely related sculptures are included. |
2013 | The Enchanted World of German Romantic Prints | September 21, 2013–December 29, 2013 | Prints, Drawings, and Photographs | Prints created by Austrian, German, and Swiss artists included in this exhibition reflect the dramatic shifts in taste in the arts during a time of significant cultural and political transformation throughout the German-speaking regions of Central Europe during the Romantic period. |
2013 | Cy Twombly: Sculptures | September 24, 2013–March 27, 2016 | Contemporary Art | Taking cues from the Dada movement and from the work of Swiss sculptor Alberto Giacometti, Cy Twombly (American, 1928–2011) created poetic objects whose serene white surfaces and allusive forms seem to recall remote worlds of myth and the ancient past. After reaching an indisputable maturity in his early sculpture, created from 1946 to 1959, Twombly returned to working in three dimensions in the mid-1970s and continued to cast new works up until his passing in 2011. |
2013 | Léger: Modern Art and the Metropolis | October 14, 2013–January 5, 2014 | Modern and Contemporary Art | This interdisciplinary exhibition takes as its inspiration and point of departure Fernand Léger’s 1919 painting The City, a cornerstone of the Philadelphia Museum of Art's collection and one of the most important works in the history of modern art. |
2013 | Vermeer’s Young Woman Seated at a Virginal | October 26, 2013–September 21, 2014 | European Painting | Vermeer painted less than forty pictures during his career and this one, Young Woman Seated at a Virginal, is believed to be one of his last. It is also the only remaining canvas by this great Dutch master to be in private hands. The Museum is immensely grateful to the Leiden Collection for the exceedingly rare opportunity to display this work; indeed, it has been almost ten years since a painting by Vermeer has been on view in Philadelphia. |
2013 | The Surrealists: Works from the Collection | November 3, 2013–March 2, 2014 | Modern and Contemporary Art | This exhibition provides an account of Surrealism as told through the Museum’s unique collection of great masterpieces and lesser-known works of the movement, as well as its deep holdings of period journals, catalogues, and archival material. Bringing together a diverse and exceptional group of more than seventy paintings, sculptures, photographs, drawings, prints, and books, the exhibition will highlight the inspired minds and imaginations of the most celebrated Surrealists. |
2013 | Marc Newson: At Home | November 23, 2013–April 20, 2014 | European Decorative Arts | The most influential industrial designer of his generation, Marc Newson (Australian, born 1963) has designed everything from a dish rack to a personal jet, some pieces mass-produced, others one-offs, for both companies and art galleries. As creative director of Qantas Airways, Newson redesigned the interiors and fittings of the airline's Airbus fleet, including cabin lighting and seats as well as its in-flight tableware. |
2013 | Live Cinema/Fiona Tan: Inventory | December 14, 2013–May 11, 2014 | Modern and Contemporary Art | Fiona Tan: Inventory is a multiprojection installation inviting viewers to consider museum collections as well as the human compulsion to capture the transience of time and lived experience. Filmed at the Sir John Soane Museum in London over a period of four days in September 2012, Inventorypresents intimate details of the British architect's (1753–1837) personal antiquities collection housed in one of the most unique private residences to become a public museum. |
2014 | Michael Snow: Photo-Centric | February 1, 2014–April 27, 2014 | Contemporary Art | Conceived in close collaboration with Michael Snow—one of the most important experimental filmmakers of his generation—this exhibition is a focused survey of the Canadian artist's photography-based work, which has not been the subject of a solo museum exhibition in the United States since the 1970s. Throughout a career that has also included painting, sculpture, installations, and music, Snow (born 1928) has employed photography in unique and innovative ways. This exhibition presents the best examples of his use of the medium from 1962 to 2003. |
2014 | Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392–1910 | March 2, 2014–May 26, 2014 | East Asian Art | Treasures from Korea celebrates the artistic achievements of the Joseon dynasty, a line of monarchs that ruled for more than five hundred years and left a substantial legacy for modern Korea. A variety of objects—including painted screens, scrolls, calligraphy, furnishings, costumes, accessories, and ritual wares—explore the roles of king and court, the distinct spheres of men and women in society, and religious beliefs. This is the first full-scale American exhibition to be devoted to art of the Joseon dynasty. |
2014 | Patrick Kelly: Runway of Love | April 27, 2014–December 7, 2014 | Costume and Textiles | This retrospective presents the joyful and colorful fashions of African American designer Patrick Kelly, who took Paris by storm in the 1980s. Inspired by his Mississippi roots, the nightclubs of New York and Paris, Josephine Baker, and celebrated couturiers Coco Chanel and Elsa Schiaparelli, Kelly infused his bold designs with a sly sense of humor, subverting not only fashion but also racial stereotypes. |
2014 | Gerlan Jeans Loves Patrick Kelly | April 27, 2014–December 7, 2014 | Costume and Textiles | The legacy of the late African American fashion designer Patrick Kelly (c. 1954–1990) endures in the whimsical street-wear brand Gerlan Jeans. Launched in 2009 by New York–based designer and graphic artist Gerlan Marcel (born 1976), Gerlan Jeans reinterprets Kelly’s signature bows, buttons, and other bold embellishments to create clothes for men and women “who have a sense of fearlessness in the way they dress.” |
2014 | Picasso Prints: Myths, Minotaurs, and Muses | May 24, 2014–August 3, 2014 | Prints, Drawings, and Photographs | This exhibition focuses on Pablo Picasso’s response to the world of classical antiquity in nearly fifty prints from four critical decades of his career. His wide-ranging interests in ancient art, mythology, and literature were a continual source of inspiration for the compulsively creative artist, who infused them with his personal mythology. |
2014 | Artificial Light: Flash Photography in the Twentieth Century | May 24, 2014–August 3, 2014 | Prints, Drawings, and Photographs | Explore diverse examples of flash photography, which gained widespread use in the 1920s with the invention of the mass-produced flashbulb. |
2014 | Making a Classic Modern: Frank Gehry’s Master Plan for the Philadelphia Museum of Art | July 1, 2014–September 1, 2014 | Executive Office | Presented for the first time in this exhibition is the comprehensive design for the renewal and expansion of the Philadelphia Museum of Art by internationally celebrated architect Frank Gehry. Best known for the expressive sculptural forms of buildings such as the Guggenheim Museum in Bilbao, Spain, Gehry’s approach to this project is dramatically different and virtually unique. |
2014 | The Main Dish | July 1, 2014–September 28, 2014 | European Decorative Arts | One of the most common assumptions about the kitchen is that it is a woman’s space. With this in mind, The Main Dish looks at how modern and contemporary kitchenware reflects attributes of the model homemaker. |
2014 | In Dialogue: Wolfgang Tillmans | July 1, 2014–October 26, 2014 | Prints, Drawings, and Photographs | In 2013 the Museum acquired Nachtstilleben (Night Still Life) by Wolfgang Tillmans, one of the most influential photographers working today. This exhibition places works by artists including Andy Warhol, Thomas Demand, and Gerhard Richter in dialogue with Night Still Life and seven additional photographs by Tillmans. |
2014 | Full Circle: Works on Paper by Richard Pousette-Dart | September 13, 2014–November 30, 2014 | Prints, Drawings, and Photographs | Full Circle surveys the long and extremely prolific career of one of the twentieth century’s most creative draftsmen, Richard Pousette-Dart (American, 1916–1992). Focused on his works on paper, the exhibition explores his remarkably varied use of materials and techniques, which often involved layering and scraping, scribbling and dripping, dotting and blotting. Over the course of nearly seventy years, his imagery evolved through various approaches in an attempt “to express the spiritual nature of the universe.” |
2014 | Paul Strand: Master of Modern Photography | October 21, 2014–January 4, 2015 | Prints, Drawings, and Photographs | This major retrospective presents the work of a critical figure in the history of modern art, American photographer and filmmaker Paul Strand (1890–1976), whose archive of nearly 4,000 prints stands as a cornerstone of the Museum’s collection. It surveys Strand’s entire life’s work, including his breakthrough trials in abstraction and street portraits, close-ups of natural and machine forms, and extended explorations of the American Southwest, Mexico, New England, France, Italy, Scotland, Egypt, Morocco, Ghana, and Romania. |
2014 | Vitra—Design, Architecture, Communication: A European Project with American Roots | November 22, 2014–April 26, 2015 | European Decorative Arts | The family-owned Swiss company Vitra is one of the most innovative design firms in the world. Renowned for its functional yet inspiring interior designs, furniture, and accessories, it is internationally recognized for its creative partnerships with design visionaries such as Philippe Starck, Ron Arad, and Verner Panton. Its remarkable ensemble of contemporary architecture and strong commitment to education set Vitra apart from other design companies. This exhibition tells Vitra’s story through an immersive presentation of furniture and design objects, models and material studies, drawings, aerial photographs of its campus, and videos. |
2014 | Allora & Calzadilla: Intervals | December 12, 2014–April 5, 2015 | Contemporary Art | This exhibition of new and recent projects by Puerto Rico–based artists Jennifer Allora and Guillermo Calzadilla explores music’s capacity to evoke an ancestral time and interrogate what makes us human. Through films, sound, live performances, and sculpture, the artists take on various notions of the interval in order to discover possible ways to reconsider the distance between our present and our past. Allora & Calzadilla: Intervals, the artists’ largest solo exhibition in the United States to date, unfolds over two sites: the Perelman Building at the Philadelphia Museum of Art and The Fabric Workshop and Museum. |
2015 | Represent: 200 Years of African American Art | January 10, 2015–April 5, 2015 | American Art | This exhibition highlights selections from the Museum’s exceptional holdings of African American art and celebrates the publication of a catalogue examining the breadth of these noteworthy collections. With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear, and Carrie Mae Weems, the exhibition showcases a range of subjects, styles, mediums, and traditions. Since the Museum’s acquisition of Tanner’s painting The Annunciation in 1899, its collections of African American art have grown significantly, especially during the last three decades. |
2015 | Drawn with Spirit: Pennsylvania German Fraktur from the Joan and Victor Johnson Collection | February 1, 2015–April 26, 2015 | Prints, Drawings, and Photographs | This exhibition celebrates a recent promised gift of fraktur to the Museum from art collectors Joan and Victor Johnson. One of the most admired forms of American folk art, fraktur are decorated documents featuring brilliant colors and often whimsical imagery. Transplanted to Pennsylvania by German-speaking immigrants in the 1700s, these hand-drawn or printed works on paper are distinguished by a broken (or “fractured”) style of lettering. Small yet exuberant, fraktur celebrated important moments in the personal and domestic lives of Pennsylvania Germans. |
2015 | Ink and Gold: Art of the Kano | February 16, 2015–May 10, 2015 | East Asian Art | This exhibition explores the stunning artistry of the esteemed Kano painters, the most enduring and influential school of painting in Japanese history. Established in the late fifteenth century, the Kano lineage of artists served as painters-in-attendance to Japan’s powerful shoguns for four hundred years. The exhibition presents more than 120 works of art spanning the school’s long and illustrious history, including large-scale, gold leaf folding screens and sliding doors as well as ink paintings, hanging scrolls, and folding fans. Ink and Gold is the first outside Japan—and the first anywhere since 1979—to so fully examine the Kano painters’ legacy. |
2015 | Shelley Spector: Keep the Home Fires Burning | March 7, 2015–September 24, 2015 | Costume and Textiles | Shelley Spector has been actively engaged in Philadelphia’s arts community for years as a respected artist, innovative gallery owner, and champion of emerging talent. Her inventive use of pattern and salvaged materials intrigued senior curator Dilys Blum, who invited Spector to explore the Museum’s collection of textiles and create an installation of new artwork. Spector’s moving response is Keep the Home Fires Burning, a walk-through presentation of wood and textile-based sculpture that reflects on the universal quest for hope, home, and connectedness. |
2015 | Take One: Contemporary Photographs | April 25, 2015–August 9, 2015 | Prints, Drawings, and Photographs | This is the first in a two-part series of exhibitions to feature photographs made since roughly 1975. Together these presentations offer two views of a period in which photography emerged as a key medium of contemporary art. By the last decades of the twentieth century, photography had established traditions of genre and craftsmanship, which an increasing number of artists chose to engage, revise, or reject. |
2015 | Dance: Movement, Rhythm, Spectacle | May 9, 2015–August 2, 2015 | Prints, Drawings, and Photographs | Dance has long fascinated artists interested in capturing the human body in motion and the spectacle of performance. Beginning in the late 1800s, new forms of dance coincided with the development of modern visual art, leading to a dynamic exchange between the two forms of creative expression. This exhibition presents prints, drawings, and photographs that celebrate the world of dance, including lively imagery of famous performers, bustling scenes of nightlife, and abstract explorations of motion, rhythm, and atmosphere. It also features video excerpts of engaging performances of dances by Loie Fuller, Isadora Duncan, and Martha Graham, as well an act by Bill “Bojangles” Robinson and a recent production of the Ballet Russes’ Le Dieu Bleu (The Blue God). |
2015 | Adventures in Photography: Gifts from Harvey S. Shipley Miller | May 9, 2015–August 2, 2015 | Prints, Drawings, and Photographs | This exhibition celebrates a recent gift by one of the leading American photography collectors of the 1970s and 1980s, Harvey S. Shipley Miller. The diverse works on view include rare early pictures, major examples of the Pictorialist art movement by figures such as Peter Henry Emerson and George Seeley, and a broad range of twentieth-century art and vernacular photographs. |
2015 | Inside Out | May 15, 2015–November 20, 2015 | This summer and fall, sixty high-quality replicas of Museum masterpieces have found their way into communities around the region. Each participating neighborhood features about ten artworks within a short distance of each other. Join your family and friends and encounter art in unexpected places. Walk through the park, hop on a bike, or meander down Main Street through each exciting outdoor exhibition. | |
2015 | Northern Lights: Scandinavian Design | May 23, 2015–October 4, 2015 | European Decorative Arts | This exhibition surveys Scandinavian design from its triumphant showing at the 1900 World’s Fair in Paris to the present day, placing a special emphasis on objects made in the midtwentieth century, when an interest and appreciation for Scandinavian design reached new heights. A geographically diverse region, Scandinavia comprises five countries—Denmark, Finland, Norway, Sweden, and Iceland—each with its own distinct cultural identity and traditions. Yet their shared socioeconomic and political history has played a significant role in the creation of a unique and largely unified approach to design. |
2015 | Into Dust: Traces of the Fragile in Contemporary Art | June 6, 2015–October 25, 2015 | Contemporary Art | This exhibition features recent acquisitions and other contemporary works from the Museum’s collection that confront the fragile nature of the human condition, including compelling examples by Gabriel Orozco, Alina Szapocznikow, and Peter Fischli and David Weiss. Probing the distinctions between the corporeal and transcendental, emergence and decay, belonging and displacement, life and death, the works in this exhibition both reveal and question the political, spiritual, and psychological forces that shape who we are. |
2015 | Discovering the Impressionists: Paul Durand-Ruel and the New Painting | June 24, 2015–September 13, 2015 | European Painting | This extraordinary gathering of paintings reveals the story of Monet, Renoir, Degas, Manet, Pissarro, and their visionary art dealer and champion, Paul Durand-Ruel. The artists now known as the Impressionists once struggled to introduce their new style of painting to critics and the public. With Durand-Ruel, they forged an identity and moved from the margins to international fame. Recaptured in this exhibition are the often forgotten setbacks and breakthrough triumphs of Impressionism. Monet’s visions of graceful poplar trees, Renoir’s joyous dance paintings, and Pissarro’s luminous cityscapes showcase the talent recognized by Durand-Ruel. |
2015 | Take Two: Contemporary Photographs | August 22, 2015–November 15, 2015 | Prints, Drawings, and Photographs | This is the second of two exhibitions in the Julien Levy Gallery to feature photographs made since roughly 1970, a period during which photography emerged as a key medium of contemporary art. Explore how contemporary artists have responded to changes in culture and technology by refashioning or rejecting photography’s conventions. |
2015 | The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian | September 12, 2015–December 6, 2015 | European Painting | The Wrath of the Gods focuses on Peter Paul Rubens’s masterpiece, Prometheus Bound, a singular vision of pain, torment, and creative struggle. This unprecedented exhibition places the work—one of the most important and beloved in the Museum’s collection—in conversation with paintings, drawings, and prints that inspired it. Highlights include Michelangelo’s Tityus, perhaps the artist’s most famous drawing, and Titian’s Tityus, the largest nonreligious painting on canvas of the Renaissance. The Wrath of the Gods brings together these and other pivotal works, offering a fresh opportunity to delve into the creative process of one of art history’s most important figures. |
2015 | Multitude, Solitude: The Photographs of Dave Heath | September 19, 2015–February 21, 2016 | Prints, Drawings, and Photographs | From a crowd gathered in Central Park to solitary figures lost in thought, Dave Heath’s images conjure feelings of alienation and a desire for human connection. Multitude, Solitude highlights the photographer’s black-and-white pictures of the 1950s and 1960s, an intense period of selfdiscovery and innovation for the artist. During these pivotal years, Heath developed groundbreaking approaches to narrative and image sequence, producing exquisite individual prints, handmade book maquettes, his poetic masterwork, A Dialogue with Solitude, and multimedia slide presentations. His sensitive explorations of loss, pain, love, and hope reveal Heath to be one of the most original photographers of those decades. |
2015 | AMOR by Robert Indiana | September 22, 2015–October 23, 2016 | The Museum and the Association for Public Art are pleased to present Robert Indiana’s monumental sculpture AMOR atop the Museum’s famous steps. The colorful, six-foot-high sculpture has been described by the artist as a one-sentence poem. | |
2015 | Plays of / for aRespirateur’ An Installation by Joseph Kosuth | October 21, 2015–October 30, 2016 | Contemporary Art | Conceived by Conceptual art pioneer Joseph Kosuth, this installation includes a selection of his work along with a group of works by Marcel Duchamp from the Museum’s collection. The installation takes as its point of departure Duchamp’s notion of “elementary parallelism,” coined to refer to his pictorial treatment of time and movement in Nude Descending a Staircase (No. 2), from 1912. |
2015 | Audubon to Warhol: The Art of American Still Life | October 27, 2015–January 10, 2016 | American Art | The first survey of American still life in three decades, this exhibition offers 130 oil paintings, watercolors, and works in other media representing the finest accomplishments in the genre. Featuring masterpieces by John James Audubon, the Peale family, William Michael Harnett, Georgia O’Keeffe, Andy Warhol, and others, this exhibition explores American still life from its beginnings in the late 1700s to the Pop Art era of the 1960s. |
2015 | Art of the Zo: Textiles from Myanmar, India, and Bangladesh | November 11, 2015–March 20, 2016 | Costume and Textiles | This exhibition offers a look at beautiful woven textiles of the Zo people of Myanmar, India, and Bangladesh. It spotlights traditional weavings worn for daily life and ceremonial occasions, such as weddings, funerals, and feasts of merit. Patterns, techniques, and local variations are closely examined, revealing the extraordinary beauty and craftsmanship of these distinctive creations. |
2015 | Notations/Joseph Marioni: Paintings, 2000–2015 | November 14, 2015–May 22, 2016 | Contemporary Art | Selected by artist Joseph Marioni, the paintings in this installation represent a focused survey of his work. At first appearing monochromatic, Marioni’s canvases produce color sensations that shift with changes in light and viewpoint. In fact, each work features several distinct layers of acrylic paint of contrasting colors and intensities. Through unhurried contemplation, we can gain a deeper understanding that color is not a fixed entity, but rather subject to fluctuations of light and our own perception. |
2015 | Work on What You Love: Bruce Mau Rethinking Design | November 21, 2015–April 3, 2016 | European Decorative Arts | Bruce Mau is internationally recognized for his achievements in design, including visual identities, brand systems, books, packaging, and exhibition graphics. His most recent work applies design tools and concepts to environmental, social, economic, and political problems. This exhibition offers examples of Mau’s innovative solutions for clients like Coca-Cola, the country of Guatemala, and Biomuseo in Panama City, presenting a portrait of a tireless designer at the vanguard of the field’s search for solutions to global concerns. |
2015 | Picture This: Contemporary Photography and India | December 6, 2015–April 3, 2016 | Prints, Drawings, and Photographs | Picture This features the work of four contemporary photographers for whom India is an important subject or setting: Gauri Gill, Sunil Gupta, Max Pinckers, and Pamela Singh. Diverse in nationality and place of residence, each of these artists brings a cosmopolitan perspective to his or her work. Whether photographing in rural Rajasthan or major cities like Mumbai or New York, they offer points of view that do not fit easily into categories of “insider” or “outsider.” |
2015 | Drawn from Courtly India: The Conley Harris and Howard Truelove Collection | December 6, 2015–March 27, 2016 | South Asian Art | This exhibition presents masterful drawings from the royal courts of northern India. Lovingly amassed by artist Conley Harris and architectural designer Howard Truelove, the collection features practice sketches, preparatory drawings, subtly modeled scenes, and lightly colored compositions created between the 1500s and 1800s. With images at different stages of completion, the collection allows for a fascinating look at Indian workshop practice. Although the majority of the drawings served as preparatory studies for paintings, they are accomplished works of art in their own right. |
2016 | International Pop | February 24, 2016–May 15, 2016 | Contemporary Art | International Pop navigates a fast-paced world packed with bold and thought-provoking imagery, revealing a vibrant cultural period shaped by widespread social and political revolution. This exhibition chronicles Pop art’s emergence as a global movement, migrating from the UK and the US to western and eastern Europe, Latin America, and Japan. Although Pop arose in distinct forms within each region, artists expressed a shared interest in mass media, consumerism, and figuration. |
2016 | Breaking Ground: Printmaking in the US, 1940–1960 | March 26, 2016–July 24, 2016 | Prints, Drawings, and Photographs | Breaking Ground reveals the ways in which artists in the 1940s and 1950s pushed the boundaries of printmaking. Through a selection of prints as well as ceramics, textile, and sculpture—all drawn from the Museum’s collection—this exhibition conveys the vibrant spirit and extraordinary growth of the arts during these decades. |
2016 | Inside Out | April 15, 2016–November 1, 2016 | Inside Out brings large-scale, high-quality replicas of favorite works from the Museum’s collection to neighborhoods throughout the region. Head outdoors and experience beautiful images by Vincent van Gogh, Georgia O’Keeffe, Andy Warhol, and others right in your community. Inside Out brings treasures from the collection to you. Picnic in the park alongside Monet’s waterlilies, visit Brancusi’s Kiss on a romantic stroll, or get transported to Paris while brunching with friends on Main Street. | |
2016 | Threads of Tradition | April 30, 2016–February 20, 2017 | Costume and Textiles | Threads of Tradition focuses on the time-honored techniques used to create patterns in Central and West African textiles. Among the examples on view are complex strip-woven kente cloths made by the Asante and Ewe of Ghana, an impressive resist-dyed display textile (or ndop) from Cameroon, and raffia skirts that the Kuba of the Democratic Republic of the Congo create using piecing, appliqué, and embroidery. |
2016 | Vlisco: African Fashion on a Global Stage | April 30, 2016–January 22, 2017 | Costume and Textiles | Explore how Vlisco became one of the most influential textile brands in African fashion and a design inspiration around the world. Known for its bold and colorful patterns, Vlisco creates fabrics that marry tradition with luxury. This exhibition highlights the company’s classic and new designs, follows the creation of a textile, and showcases a selection of contemporary fashions. |
2016 | Three Photographers/Six Cities | April 30, 2016–September 25, 2016 | Prints, Drawings, and Photographs | This exhibition offers an in-depth look at three photographers who create powerful pictures of African cities: Cairo, Nairobi, Lagos, Johannesburg, Bamako, and Tombouctou. From Akinbode Akinbiyi’s observation of urban centers and Seydou Camara’s examination of Islamic manuscripts to Ananias Léki Dago’s pictures of offbeat locales, the images in this exhibition offer unique perspectives on contemporary African experience. |
2016 | Creative Africa | May 14, 2016–September 25, 2016 | From contemporary photography, fashion, and architecture to centuries-old sculpture, Creative Africa presents the visionary work of artists throughout Africa. At the heart of the season is Look Again: Contemporary Perspectives on African Art, a major exhibition drawn from the Penn Museum’s distinguished African collection. | |
2016 | The Architecture of Francis Kéré: Building for Community | May 14, 2016–September 25, 2016 | European Decorative Arts | This exhibition sheds light on Francis Kéré’s inventive approach to building. Born in Burkina Faso and based in Berlin, Kéré integrates traditional knowledge and craft skills into innovative and sustainable buildings worldwide. In many of his projects, he maximizes local materials and community participation to reduce costs and ecological impact. This exhibition offers a look at some of his award-winning designs within an colorful interactive environment. |
2016 | Look Again: Contemporary Perspectives on African Art | May 14, 2016–December 4, 2016 | This exhibition, which draws from the Penn Museum’s esteemed African collections, showcases works created in West and Central Africa from the 1500s to the early 1900s. It includes carved ivories and bronzes from the kingdom of Benin, Akan gold weights, Kongo power figures, Kuba textiles and vessels, Kota reliquary figures, and much more | |
2016 | Embracing the Contemporary: The Keith L. and Katherine Sachs Collection | June 28, 2016–September 5, 2016 | Contemporary Art | This exhibition celebrates one of the nation’s leading collections of contemporary art. Assembled by Philadelphians Keith and Katherine Sachs, this collection features some of the most prominent European and American artists of the past fifty years. Many of the works have been generously donated or pledged as promised gifts to the Museum, marking a pivotal moment for the city as a premier destination for contemporary art. |
2016 | Classical Splendor: Painted Furniture for a Grand Philadelphia House | September 3, 2016–January 1, 2017 | American Art | Classical Splendor showcases a suite of furniture designed in 1808 by Benjamin Henry Latrobe for the house of Philadelphia merchant William Waln and his wife, Mary. Inspired by the classical art of ancient Greece and Rome, the painted and gilded furniture is one of the greatest artistic triumphs of the early national period. This exhibition presents ten pieces from the Walns’ original set—all from the Museum’s collection—in a new light after comprehensive research and conservation treatment. |
2016 | Bruce Nauman: Contrapposto Studies, I through VII | September 18, 2016–April 16, 2017 | Contemporary Art | This exhibition presents a new work by Bruce Nauman, Contrapposto Studies, I through VII,which continues the artist’s exploration of video, sound, and performance. Characteristic of his work over the last five decades, Nauman transforms a simple and subtle gesture into a complex network of images and sound. |
2016 | Paint the Revolution: Mexican Modernism, 1910–1950 | October 25, 2016–January 8, 2017 | From the start of the Mexican Revolution to the aftermath of World War II, artists and intellectuals in Mexico were at the center of a great debate about their country’s destiny. The exhibition tells the story of this exhilarating period through a remarkable range of images, from masterpieces by Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, Frida Kahlo, and Rufino Tamayo to transfixing works by their contemporaries Dr. Atl, María Izquierdo, Roberto Montenegro, Carlos Mérida, Manuel Álvarez Bravo, and many others. | |
2016 | Lino Tagliapietra: Painting in Glass | October 29, 2016–July 16, 2017 | American Art | Best known for his glass vessels, Lino Tagliapietra has also devoted himself to realizing twodimensional glass works that match the scale and complexity of paintings. While these largescale abstract panels may initially be read as paintings on canvas, closer inspection reveals they have been made of kiln-fused glass that captures and transmits light. This exhibition highlights five vibrant works from his panel series, the culmination of a lifetime spent learning how the union of glass and heat unleashes a rare, transformative power. |
2016 | Jitish Kallat: Covering Letter | November 13, 2016–March 5, 2017 | Contemporary Art | Covering Letter is an immersive installation and video projection by Mumbai-based artist Jitish Kallat. Projected onto a traversable curtain of cascading fog, this work presents a historical letter by Mahatma Gandhi to Adolf Hitler, written just weeks before the start of World War II. In the spirit of his doctrine of universal friendship, Gandhi begins the letter with the greeting “Dear friend.” Mist diffuses Gandhi’s projected text, echoing the fate of his message, which went unheeded. |
2016 | Design Currents: Oki Sato, Faye Toogood, Zanini de Zanine | November 19, 2016–March 12, 2017 | European Decorative Arts | This exhibition presents the work of three contemporary designers—Oki Sato of Tokyo, Faye Toogood of London, and Zanini de Zanine of Rio de Janeiro—who deftly use industrial and handcrafted materials and techniques to create functional yet deeply expressive objects. It looks at the links between context and creativity by examining the distinct culture and methods of each designer’s studio. It also shares how their versatile skills, focus on collaboration, and experimentation with artisanal and industrial materials help shape our experience of the objects and their surroundings. |
2017 | American Watercolor in the Age of Homer and Sargent | March 1, 2017–May 14, 2017 | American Art | This extraordinary gathering of rarely seen masterpieces traces the rise of a uniquely American medium. Shaped by the genius of Winslow Homer and John Singer Sargent, the watercolor movement tells a story about innovation, experimentation, and the creation of bold new ways of seeing the world. |
2017 | Phulkari: The Embroidered Textiles of Punjab from the Jill and Sheldon Bonovitz Collection | March 12, 2017–July 9, 2017 | Costume and Textiles and South Asian Art | Discover the beauty of phulkari, ornately embroidered textiles from Punjab, a region straddling Pakistan and India. In addition to stunning examples from the Jill and Sheldon Bonovitz Collection, this exhibition features traditional phulkaris from the Museum’s collection and highfashion ensembles by one of India’s leading designers, Manish Malhotra. |
2017 | Marcel Duchamp and the Fountain Scandal | April 1, 2017–December 3, 2017 | European Painting | One hundred years ago, Duchamp’s Fountainturned the art world upside down. Was it art? A hoax? Join us as we celebrate the centennial of the provocative and influential work that changed the course of modern art. Learn the story of Fountain, with period photographs, publications, and more of the artist’s readymades from our unrivaled Duchamp collection. |
2017 | Another Way of Telling: Women Photographers from the Collection | April 8, 2017–July 16, 2017 | Prints, Drawings, and Photographs | This exhibition features exceptional and rare photographs spanning the history of the medium. Included are works by pioneers Diane Arbus, Julia Margaret Cameron, and Anne Brigman and contemporary artists Kelli Connell, Ann Parker, and Elaine Stocki. In this diverse selection, women explore identity in and out of the studio, interrogate female roles in the domestic sphere, and disrupt perceptions of the world through street photography. |
2017 | Witness: Reality and Imagination in the Prints of Francisco Goya | April 22, 2017–September 6, 2017 | Prints, Drawings, and Photographs | Francisco Goya witnessed decades of political turmoil and social upheaval as court painter to four successive rulers of Spain. Among his greatest achievements were four series of etchings that chronicle the transformation of Spanish society and his own personal visions: Los Caprichos (The Caprices), Los Desastres de la Guerra (The Disasters of War), La Tauromaquia (Bullfighting), and Los Disparates (The Follies). Near the end of his life, Goya also produced a set of four grand lithographs known as the Bulls of Bordeaux. This exhibition highlights prints from each series, exploring the imagery and techniques that make Goya one of the greatest graphic artists of all time. |
2017 | Channeling Nature by Design | April 22, 2017–July 16, 2017 | European Decorative Art | From the botanical wallpaper of William Morris to the streamlined cutlery of Zaha Hadid, design has always found inspiration in nature. This exhibition examines how designers of handmade and industrial objects—including furniture, pottery, kitchenware, and even a 3Dprinted neckpiece—have responded to the beauty and fragility of the natural world. |
2017 | Inside Out | May 15, 2017–Mid-December 2017 | Inside Out brings large-scale replicas of favorite works from the Museum’s collection to neighborhoods in and around Philadelphia. Head outdoors and experience beautiful images by artists like Vincent van Gogh, Georgia O’Keeffe, and Andy Warhol right in your community. Picnic in the park alongside Monet’s waterlilies, visit Brancusi’s Kiss on a romantic stroll, or get transported to Paris during brunch on Main Street. | |
2017 | Cy Twombly’s Iliad | May 20, 2017–October 8, 2017 | Contemporary Art | Cy Twombly’s Fifty Days at Iliam returns to the Museum from a retrospective of the artist’s work at the Centre Pompidou in Paris. Experience the celebrated painting cycle alongside related drawings and sculptures before it goes back to its permanent gallery later this year |
2017 | Wild: Michael Nichols | June 27, 2017–September 17, 2017 | Prints, Drawings, and Photographs | Explore the work of legendary photographer Michael “Nick” Nichols: artist, technical innovator, and ardent advocate for preserving natural habitats. Be transported through the split-second magic of images captured in some of the most remote areas of the world. Nichols’s stunning photographs offer intense confrontations with the power and fragility of the wild and a reflection of our own humanity. |
2017 | Philadelphia Assembled | September 9, 2017–December 10, 2017 | The first exhibition of its kind at the Museum, Philadelphia Assembled joins art and civic engagement. Initiated by artist Jeanne van Heeswijk, together with hundreds of collaborators from across the city, the project explores Philadelphia’s changing landscape and tells a story of active resistance and radical community building. Challenging, inspiring, and as expansive as the city, Philadelphia Assembled asks: how can we collectively shape our futures? | |
2017 | Old Masters Now: Celebrating the Johnson Collection | November 3, 2017–February 19, 2018 | European Painting | In 1917 John G. Johnson, the most famous lawyer of his day, left his astonishing trove of European art to the city of Philadelphia. One hundred years later, we’re taking a new look at one of this country’s most remarkable collections. Encounter treasures by the likes of Botticelli, Bosch, Titian, Rembrandt, and Monet—and see how we keep making new discoveries about the collection. In this exhibition, get a behind-the-scenes look at a living, breathing collection and experience first-hand how our understanding and appreciation of these works have evolved over the years. |
2017 | Patricia Urquiola: Between Craft and Industry | November 19, 2017–March 18, 2018 | European Decorative Art | Internationally acclaimed designer Patricia Urquiola creates cool, innovative objects for the home and office. Perhaps more than any other designer working today, she has successfully fused the artisanal and the industrial. In November 2017, she received the Design Excellence Award from Collab, a group that supports modern and contemporary design at the Museum. |
2018 | Varujan Boghosian: Master Manipulator | January 12, 2018–April 25, 2018 | Prints, Drawings, and Photographs | Varujan Boghosian (American, born 1926) holds a deep fascination with objects that evoke the past. As much a collector as an artist, he scours antique shops and flea markets for materials to use in his imaginative sculptures and collages. By cleverly combining and recontextualizing our castoffs—books, cards, toys, figurines, tools, glass, twine—he exploits their expressive power in sly, often poetic ways. |
2018 | Design in Revolution: A 1960s Odyssey | February 3, 2018–September 9, 2018 | European Decorative Art | From Pop Art and psychedelia to the civil rights and anti-war movements, the 1960s was a decade of liberation—and of great loss. See how designers, artists, and architects responded to the tumultuous period that still looms large in the American imagination. Highlights include the Museum’s surprising collection of vintage rock ‘n’ roll posters and a series of powerful images of Martin Luther King Jr. |
2018 | Keith Smith at Home | February 17, 2018–July 8, 2018 | Prints, Drawings, and Photographs | Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and—his specialty—handmade artist’s books, most from his own collection. |
2018 | Jean Shin: Collections | March 24, 2018–July 15, 2018 | Contemporary artist Jean Shin (American, born South Korea 1971) transforms everyday objects—worn-out shoes, fashion remnants, military uniforms—to create dynamic works about connection and belonging. Her installations, often made from donated and discarded materials, raise provocative questions about what, and how, we consume. On view in this exhibition are six large-scale installations and one video that tell powerful stories about the military, the fashion industry, and Shin’s own Asian American community. | |
2018 | Modern Times: American Art 1910–1950 | April 18, 2018–September 3, 2018 | American Art | From jazz and the jitterbug to assembly lines and skylines: the early twentieth century was a time of great social, artistic, and technological change. Artists responded with a revolutionary language of shapes and colors. See how Georgia O’Keeffe, Marsden Hartley, Jacob Lawrence, and others challenged convention and forged bold new styles to fit the times. |
2018 | Experiments in Motion: Photographs from the Collection | April 21, 2018–August 19, 2018 | Prints, Drawings, and Photographs | Photography distills the flow of time into singular, still moments. The artists in this installation stop, extend, and rearrange time for their own creative ends, whether to convey personal memories, render visible overlooked aspects of nature, contemplate mortality, or document the passage of time. Through their unique approaches to capturing motion, they encourage us to look at what may and may not be in plain view. |
2018 | Rachel Rose: Wil-o-Wisp/The Future Fields Commission | May 2, 2018–September 16, 2018 | Contemporary Art | Rachel Rose’s mesmerizing new video explores magic and coincidence in the life of a woman in 1500s England. This is the first work resulting from the Future Fields Commission in Time-Based Media, a collaborative initiative between the Museum and the Fondazione Sandretto Re Rebaudengo in Turin, Italy. |
2018 | Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s | May 4, 2018–December 5, 2018 | Prints, Drawings, and Photographs | This exhibition reveals the widespread appeal of caricature in Georgian England and demonstrates the ways in which such images teased and provoked audiences. Featuring over sixty brightly colored etchings from the Museum’s large collection of British satirical prints, it presents images of the everyday with a riot of color and a roar of laughter. |
2018 | Agnes Martin: The Untroubled Mind/Works from the Daniel W. Dietrich II Collection | May 19, 2018–October 14, 2018 | Contemporary Art | Visionary and idiosyncratic, Agnes Martin (1912–2004) aimed to express universal emotional states in her precise compositions. This intimate installation explores the ideas that shaped Agnes Martin’s minimalist art, and reflects upon her enduring friendship with longtime supporter Daniel W. Dietrich II. |
2018 | Baroque: The Art of Drama | June 8, 2018–October 18, 2023 | European Painting and Sculpture European Decorative Arts |
Experience the grandeur and theatricality of the Baroque style. |
2018 | Face to Face: Portraits of Artists | June 26, 2018–October 14, 2018 | Prints, Drawings, and Photographs | See how photographers helped craft the public personas of their creative subjects in this stunning collection of rare photographs from the Museum’s collection. The exhibition features works by Dorothy Norman, Man Ray, Richard Avedon, Alice O’Malley, and many others who captured some of the most fascinating artists and performers of the past 150 years. |
2018 | Larry Fink: The Boxing Photographs | August 11, 2018–January 1, 2019 | Prints, Drawings and Photographs | Larry Fink’s powerful, unsentimental photographs reveal the heart of close-knit communities. Here, he takes us inside what he calls “the deep fraternity” of the boxing gym, its intimacy and its grit, captured in more than seventy-five luminous gelatin-silver prints. |
2018 | Between Nature and Abstraction: Edwin Dickinson and Friends | August 18, 2018–February 10, 2019 | American Art | Edwin Dickinson’s inventive work sets him apart from any other American painter of the twentieth century. Drawing from nature, heroes like El Greco and Cézanne, and the many styles of modernism, Dickinson worked with a singular independence. See how he and contemporaries Edward Hopper, Willem de Kooning, and others followed their own stars and pursued idiosyncratic paths to modernism |
2018 | The Duchamp Family | August 18, 2018–August 11, 2019 | European Painting | Marcel Duchamp was one of the most original figures of his era. He also belonged to a closeknit clan of artistic innovators, each of whom made distinctive contributions to modern art. This exhibition highlights the Duchamps and the many connections linking their groundbreaking works. |
2018 | Yael Bartana: And Europe Will Be Stunned | September 21, 2018–January 1, 2019 | Contemporary Art | Blurring fact and fiction, artist Yael Bartana reimagines historical narratives to spur a dialogue about urgent social and geopolitical issues of our time. This immersive exhibition presents her provocative film trilogy And Europe Will Be Stunned, which chronicles the radical vision of the fictional Jewish Renaissance Movement in Poland. |
2018 | Fabulous Fashion: From Dior’s New Look to Now | October 16, 2018–March 3, 2019 | Costume and Textiles | Experience the drama and glamour of some of the most creative feminine fashions ever designed, from romantic ball gowns to audacious contemporary ensembles, and everything in between. See how designers have used color and pattern, shape and volume, draping, metallics, and embellishments to continually reinvent the art form. The pieces in the exhibition—daywear, bridal wear, and more—showcase the Museum’s outstanding costume collection. Many are on view for the first time. |
2018 | Arte Povera: Homage to Amalfi ’68 | October 27, 2018–July 7, 2019 | Contemporary Art | Fifty years ago, a three-day exhibition and happening in Amalfi changed the course of contemporary art in Italy. Arte Povera reacted against the dominance of Minimalism and Pop Art and engaged in a type of guerrilla art-making emphasizing process and the use of humble, inexpensive materials. This installation pays tribute to that groundbreaking event and features a number of works originally exhibited in Amalfi. |
2018 | Little Ladies: Victorian Fashion Dolls and the Feminine Ideal | November 11, 2018–March 3, 2019 | Costume and Textiles | Before Barbie and American Girl, there was Miss Fanchon. The ultimate toy for privileged girls in the 1860s and 1870s, she and her friends were seen as models of ladylike perfection. These dolls came with an amazing array of dresses, undergarments, and meticulously crafted accessories, from gloves and jewelry to roller skates and calling cards. Bring the kids—or just your love of all things miniature—and marvel at these tiny Victorian treasures. |
2018 | Dieter Rams: Principled Design | November 18, 2018–April 14, 2019 | European Decorative Art | Love the look and feel of your smartphone? Thank Dieter Rams. His quietly innovative versions of household products, stripped of any extraneous features, continue to influence industrial design today. Throughout a celebrated career at the German manufacturer Braun and the furniture company Vitsœ, Rams created elegant and intuitive forms that remain timeless monuments to understatement and ease of use. |
Year | Title | Dates | Department | Additional Info |
---|---|---|---|---|
2019 | Antony Gormley: STAND | January 24, 2019–June 16, 2019 | Executive Office | Perched high on the museum’s Rocky steps, ten cast-iron ”blockwork” sculptures by British artist Antony Gormley bring art outside, releasing it into the city’s shared space. |
2019 | Long Light: Photographs by David Lebe | February 9, 2019–May 5, 2019 | Prints, Drawings, and Photographs | Long Light, the first museum survey devoted to American photographer David Lebe, examines his remarkable artistic range and experimentation over five decades, including his powerful representations of gay experience and living with AIDS. |
2019 | Whitman, Alabama | February 23, 2019–June 9, 2019 | Prints, Drawings, and Photographs | Filmmaker Jennifer Crandall’s Whitman, Alabama brings Walt Whitman’s “Song of Myself” to life through the voices of Alabama residents. The film installation also features photographs that suggest the richness of American identity. |
2019 | We the People: American Prints from Between the World Wars | March 21, 2019–July 24, 2019 | Prints, Drawings, and Photographs | Explore prints depicting the good times, hard times, and war-time experiences of everyday Americans in the 1930s and 1940s. |
2019 | The Impressionist’s Eye | April 16, 2019-August 18, 2019 | European Painting | Peer over the shoulder of Claude Monet, Mary Cassatt, Vincent van Gogh, and others as they make their indelible mark on canvas, paper, and bronze. |
2019 | Yoshitoshi: Spirit and Spectacle | April 16, 2019–August 18, 2019 | Prints, Drawings, and Photographs | Discover the brilliant colors and spirited lines of Yoshitoshi, the great master of the traditional Japanese woodblock print. This exhibition showcases some seventy works from the Museum’s extraordinary collection of Yoshitoshi prints, the largest repository of his work outside Japan. |
2019 | The Art of Collage and Assemblage | June 8, 2019–September 2, 2019 | Prints, Drawings, and Photographs | From Joseph Cornell’s curious found-object boxes to Jess’s fantastical “paste-ups,” discover the seemingly limitless ways that modern and contemporary artists have mixed materials to create something entirely new and surprising. |
2019 | Souls Grown Deep: Artists of the African American South | June 8, 2019–September 2, 2019 | Discover an extraordinary collection of textile art, sculpture, and painting acquired from the Souls Grown Deep Foundation. | |
2019 | Horace Pippin: From War to Peace | July 2019 – June 21, 2021 | American Art | Injured during World War I, Horace Pippin turned to painting to help mend his body and spirit. In the process, he distinguished himself as one of the most original artists of his generation. This gathering of six paintings highlights Pippin’s pursuit of a range of themes, from racial violence and the alienation of war to the serene beauty of his home in Chester County, Pennsylvania. |
2019 | Herbert Ferber: Form into Space | July 2, 2019–January 5, 2020 | American Art | A Herbert Ferber sculpture animates the air around it. In the 1940s, inspired by Surrealism, the artist began creating increasingly abstract works composed of energetic flourishes and intertwining forms, like lines of bold calligraphy. This exhibition showcases Ferber’s sculptures and related drawings from the mid-twentieth century, offering viewers a glimpse into this distinctive and innovative artist’s mind as he grappled with space and form. |
2019 | Present Tense: Recent Gifts of Contemporary Art | July 27, 2019–February 4, 2020 | Contemporary Art | In this gallery, a selection of works gifted to the museum over the last decade testifies to the generosity and commitment of our patrons to enrich our collection of contemporary art. |
2019 | Photography and Memory | August 3–October 23, 2019 | Prints, Drawings, and Photographs | Many of the pictures displayed in this installation highlight significant monuments, memorials, and landscapes. Some focus on the senses, especially touch and sound. And others connect recollection and imagination. Documentary works jostle alongside wildly experimental ones, and historical images hang next to contemporary counterparts. |
2019 | Marisa Merz | August 16, 2019–June 20, 2022 | Contemporary Art | A selection of sculptures and drawings celebrates the life and legacy of pioneering Italian artist Marisa Merz (1926–2019). Occupying a unique and pivotal position in postwar European art, Merz’s work combines keen attention to materials with a deeply personal symbolism. |
2019 | Kōgei: Art Craft Japan | August 31, 2019 – April 4, 2022 | East Asian Art | Craftsmanship is a major hallmark of Japanese design. This installation celebrates Japanese kōgei—one-of-a-kind, handcrafted objects made with traditional techniques and natural materials. The works on display highlight the specialized skills of contemporary kōgei artists working in clay, glass, and fabric. |
2019 | Designs for Different Futures | October 22, 2019–March 8, 2020 | European Decorative Arts | Journey through an electrifying landscape of designs that respond to the future in surprising, ingenious, and occasionally unsettling ways. From daring flights of imagination to products already on the market, the works on view explore what lies ahead for the earth and its inhabitants—through the interplay of design, art, science, and technology. |
2019 | New to the Museum | October 30, 2019–February 19, 2020 | European Decorative Art | Exceptional new additions to the museum’s collection of works on paper, including photographs by Kati Horna and Irving Penn, prints by Nicole Eisenman and Emma Amos, and drawings by John Sloan and Pablo Picasso. |
2019 | Off the Wall: American Art to Wear | November 10, 2019–March 13, 2020 | Costume and Textiles | Delight in the astonishing inventiveness and techniques of a generation of mixed-media artists who pioneered a new art form designed around the body. |
2020 | A Collector’s Vision: Highlights from the Dietrich American Foundation | February 1, 2020–November 15, 2020 | American Art | A rare selection of American art from the 1700s and 1800s, including portraits of George Washington, a teapot made by Paul Revere, and silver from colonial Philadelphia. Explore H. Richard Dietrich Jr.’s vision as a collector and his foundation’s mission to share important examples of American art with the public. |
2020 | Woodcuts: Groove and Grain | February 28, 2020–September 7, 2020 | Prints, Drawings, and Photographs | Explore a selection of woodcuts—from the 1500s to the present—that illustrates the many ways that artists have pushed the boundaries of the medium. |
2020 | Art of Care | September 16, 2020–April 4, 2021 | Prints, Drawings, and Photographs | Examine the ways artists over the last century have pictured and envisioned acts of caregiving as observers, practitioners, patients, and activists. |
2020 | Ghosts and Fragments | October 3, 2020–January 8, 2023 | Contemporary Art | See how contemporary artists like Nick Cave and Robert Gober explore the nature of presence and absence, reconsidering the physical form of the body or emotional and political states of being. |
2021 | The Undertaker by Yael Bartana | February 12, 2021–December 5, 2021 | Contemporary Art | Watch the American debut of Yael Bartana’s latest film, staged and shot at sites across Philadelphia—including the museum, Independence Hall, and Laurel Hill Cemetery—as part of the artist’s 2018 public performance organized by the museum, Bury Our Weapons, Not Our Bodies! |
2021 | Expressions | March 19, 2021–August 23, 2021 | Prints, Drawings, and Photographs | Explore the ways artists make visible the inner emotions, thoughts, and motives of their subjects. |
2021 | Unexpected Surfaces | April 16, 2021–August 16, 2021 | Prints, Drawings, and Photographs | Explore how artists like Howardena Pindell, Cai Guo-Qiang, and Robert Rauschenberg have used surprising materials to create curious and beautiful effects in their drawings and prints. |
2021 | Senga Nengudi: Topologies | May 2, 2015–July 25, 2021 | Contemporary Art | Situated at the intersection of sculpture and performance, Senga Nengudi’s provocative works reimagine the possibilities for abstract art through an exploration of both the Black female body and the collective practices of community and ritual. |
2021 | New Grit: Art & Philly Now | May 7, 2021–August 22, 2021 | Contemporary Art | Twenty-five emerging and established artists with strong Philadelphia connections explore ideas of being and belonging through ceramics, fiber, glass, painting, photography, sculpture, video, and more. |
2021 | Teresita Fernández: Fire (United States of the Americas) | May 7, 2021–January 2, 2023 | Contemporary Art | Teresita Fernández unearths and exposes hidden histories embedded in landscape. In this striking installation, she renders the continental United States, Alaska, Hawaii, and all the US territories as scorched earth. Through the use of charcoal and hand-drawn smoky shadows, she invokes fire as a symbol of both destruction and regeneration. |
2021 | Painting Identity | August 13, 2021–October 17, 2021 | American Art | This installation explores how fifteen American artists—including Barkley Hendricks, Edith Neff, and Jacob Lawrence—used portraiture to frame their perceptions of people, experiment with techniques, and reflect upon social issues. |
2021 | Pop Art: A New Vernacular | August 21, 2021–February 6, 2022 | Contemporary Art | See how artists like Rosalyn Drexler, Andy Warhol, and Billy Apple transformed images of celebrity, kitsch, and advertising into potent statements. |
2021 | Seascapes | August 26, 2021–April 30, 2022 | Prints, Drawings, and Photographs | The sea’s power and beauty have long commanded the attention of artists. This concise installation of prints, drawings, and photographs explores some of the ways the ocean has fired the imaginations of artists working in France, the United States, the Netherlands, and Japan from the 1600s to today. |
2021 | Authentic: Truth and Perception in Chinese Art | September 25, 2021–July 3, 2022 | East Asian Art | Through a close look at a selection of works from the collection, explore the act of copying from the Chinese artistic perspective, and learn how attitudes toward authenticity are nuanced and culturally specific. |
2021 | Jasper Johns: Mind/Mirror | September 29, 2021–February 13, 2022 | Contemporary Art | This vast, unprecedented retrospective—simultaneously staged at the Philadelphia Museum of Art and the Whitney Museum of American Art in New York—features a stunning array of the artist’s most celebrated paintings, sculptures, drawings, and prints as well as many lesser-known and recent works. Each a self-contained exhibition, the two related halves mirror one another and provide rare insight into the working process of one of the greatest artists of our time. |
2021 | Richard Benson: The World Is Smarter Than You Are | October 3, 2021–January 23, 2022 | Prints, Drawings, and Photographs | This exhibition surveys nearly fifty years of Benson's photography, a wide-ranging body of work that reflects his humility and boundless curiosity about the world. |
2021 | Emma Amos: Color Odyssey | October 11, 2021–January 17, 2022 | Prints, Drawings, and Photographs | Across her prolific career as a pioneering artist, educator, and activist, Emma Amos (American, 1937–2020) created boldly colorful and innovative works that explore the intersections of race and gender in American life. This exhibition surveys her body of work from the 1950s to the 2010s for the first time, spotlighting her inventive approach to printmaking, painting, and weaving as well as her signature practice of combining distinctive materials and artistic techniques. |
2021 | Circus: Bouroullec Designs | November 20, 2021–May 30, 2022 | European Decorative Arts | Explore the work of brothers Ronan and Erwan Bouroullec, leading figures in contemporary industrial design and recipients of the 2021 Collab Design Excellence Award. |
2022 | Encounters In Exile | February 12, 2022–March 19, 2023 | South Asian Art | The Ramayana is an ancient epic that is recounted, visualized, and performed throughout South Asia. Explore diverse interpretations of this story from the 1200s to 2005, spanning different mediums including paper, stone, and fabric. |
2022 | Elegy: Lament in the 20th Century | February 12–July 24, 2022 | American Art | See how artists have responded to tragedy, grappled with mortality, and commemorated those who have passed. |
2022 | Waiting for Tear Gas | March 12–July 17, 2022 | Prints, Drawings, and Photographs | This installation offers many different visual interpretations of political protests, with works spanning from 1913 to 2017 and a geographic scope that runs from Philadelphia to Tokyo. |
2022 | Pictures in Pictures | March 12–July 17, 2022 | Prints, Drawings, and Photographs | Across the centuries and around the world, artists and makers have created images that include other images in their compositions. The artworks in this exhibition present a wide range of approaches to this motif, from the expected—embedded paintings, photographs, and drawings—to the surprising and immaterial—illusions, reflections, and shadows. This exhibition gathers works from across the museum’s collection to explore what this artistic device can do. |
2022 | Sean Scully: The Shape of Ideas | April 11–July 31, 2022 | Contemporary Art | Encounter the poetic sensibility and technical virtuosity of one of the leading abstract artists of our time. Sean Scully’s arresting paintings and works on paper, presented here in a comprehensive fifty-year retrospective, explore his signature stripes and reflect the artist’s bold experimentation with scale and composition. |
2022 | By Night | April 15–October 23, 2022 | Prints, Drawings, and Photographs | Artists have turned to the nighttime for inspiration for centuries. By Night presents nocturnal scenes from the museum’s collection and explores how artists have responded to the challenge of depicting darkness in the medium of printmaking. |
2022 | Ellsworth Kelly: Reflections on Water and Other Early Drawings | April 22–October 15, 2023 | Prints, Drawings, and Photographs | To celebrate the 100th anniversary of Ellsworth Kelly’s birth, this installation showcases an extraordinary loan of eighteen drawings. |
2022 | Johnson’s French Finds | April 23, 2022–July 23, 2023 | European Paintings and Sculpture | Discover the collection of John G. Johnson (1841–1917), who, from humble beginnings, became one of the most important lawyers of the Gilded Age. This installation explores Johnson’s efforts to collect French paintings from the 1700s, which were all the rage among wealthy Americans of his generation. |
2022 | Ink and Brush: The Beauty and Spirit of Japanese Calligraphy | May 3, 2022–July 3, 2023 | East Asian Art | Explore the rich history of Japanese calligraphy, from traditional forms to contemporary interpretations. This installation features works in our collection from the seventeenth to the twentieth century, showcasing the many varieties of calligraphy as an art form. |
2022 | Martine Syms: Neural Swamp / The Future Fields Commission | May 14, 2022–July 9, 2023 | Contemporary Art | This exhibition is the first in the United States to feature Martine Syms’s newly commissioned multichannel video installation, Neural Swamp. Embracing the tactics and technologies of sport, cinema, and surveillance, Syms’s work challenges racial and gender stereotypes and investigates what it means to be Black and a woman in a hyper-digitized world. |
2022 | Cultivating Design: Recent Acquisitions | June 25–October 16, 2022 | European Decorative Arts | Explore recent additions to the museum’s collection of modern and contemporary design. From furniture, textiles, and tableware to posters and consumer electronics, the diverse works in this installation illustrate how design shapes our lives in fundamental ways. |
2022 | Nam June Paik & John Godfrey: Global Groove | July 21–November 27, 2022 | Contemporary Art | Global Groove remixes pop culture and the avant-garde, envisioning a future media landscape saturated with a wide array of content. Sampling a vast audiovisual archive pieced together through lively editing and propelled by an upbeat soundtrack, Nam June Paik and John Godfrey generate a cross-cultural collage. Experimental performances by American artists Merce Cunningham, John Cage, and Charlotte Moorman, as well as by Korean artist Sun Ock Lee and Diné (Navajo) artist Cecilia Sandoval, are intercut and interspersed with Japanese commercials and US news broadcasts. |
2023 | Oneness: Nature & Connectivity in Chinese Art | July 30, 2022–October 29, 2023 | East Asian Art | This exhibition features the work of four contemporary artists whose practices examine the boundaries between humans and nature from a philosophical, spiritual, and material perspective. |
2022 | In With The New… | August 27, 2022–January 22, 2023 | Prints, Drawings, and Photographs | This installation features recently acquired works on paper alongside prints, drawings, and photographs in the museum’s collection since the 1980s. Together, these compelling objects, old and new, highlight the museum’s efforts to broaden the types of art and artists who enter the collection. |
2022 | Far & Away | August 27, 2022–January 22, 2023 | Prints, Drawings, and Photographs | Discover the rich variety of travel photographs from the museum’s collection. Spanning the nineteenth century to the present, these images offer an expansive view of a beloved genre of picture-making. |
2022 | River of Forms: Giuseppe Penone’s Drawings | September 24, 2022–February 26, 2023 | Contemporary Art | Discover transformative works by artist Giuseppe Penone that explore the relationship between human experience and the natural world. River of Forms examines the central role that drawing plays in his practice and how it has informed many large sculptural works from the 1960s until today. |
2022 | Macho Men: Hypermasculinity in Dutch & American Prints | August 27, 2022–March 20, 2023 | Prints, Drawings, and Photographs | See how artists from vastly different historical moments turned robust male physiques into symbols loaded with meaning. This exhibition explores important questions about masculinity, labor, and nationhood. |
2022 | Matisse in the 1930s | October 20, 2022–January 29, 2023 | European Painting | Matisse in the 1930s explores changes in the artist’s work across multiple formats, including easel and decorative painting, sculpture, printmaking, drawing, and the illustrated book. The exhibition also addresses the methods of working that renewed Matisse’s style, as well as his modern renderings of mythological themes from antiquity, his depictions of female models in the studio, and his partnership with his studio manager and model, Lydia Delectorskaya. |
2022 | Celebrating the Brandywine Workshop | October 27, 2022–May 15, 2023 | Prints, Drawings, and Photographs | This installation celebrates the fiftieth anniversary of the Brandywine Workshop and Archives, an important center for printmaking in Philadelphia. |
2022 | Rhythms of Nature: The Art & Design of DRIFT | November 20, 2022–September 10, 2023 | European Decorative Arts | The Amsterdam-based studio DRIFT creates sculptures, environments, and performances that offer striking commentaries and speculative imaginings about humanity’s relationships with nature and technology. |
2022 | Day With(out) Art 2022: Being & Belonging | December 1, 2022–January 2, 2023 | Contemporary Art | Presented in partnership with Visual AIDS, Being & Belonging highlights stories of people living with human immunodeficiency virus (HIV) and acquired immune deficiency syndrome (AIDS) from the perspectives of artists who are themselves living with HIV/AIDS. |
2023 | Fikret Atay: Tinica (2004) | January 6–June 1, 2023 | Contemporary Art | Through handheld filming and documentary video techniques, Tinica portrays a young man on a mountaintop improvising empty tin cans into a drum set. Overlooking the suburbs of Batman, a Turkish city near Iraq, he abruptly stops playing and kicks the cans down the hillside—a rebellious gesture as familiar to rock and roll as it is to performance art. |
2023 | Isaac Julien: Lina Bo Bardi—A Marvellous Entanglement | January 28–May 29, 2023 | Contemporary Art | Across nine screens, Isaac Julien’s Lina Bo Bardi—A Marvellous Entanglement (2019) explores the life, work, and legacy of the Italian-Brazilian modernist architect Lina Bo Bardi (1914–1992). |
2023 | House of Photographs: The Kasakoff-Adams Collection | February 18–July 10, 2023 | Prints, Drawings, and Photographs | This exhibition introduces a major gift of photographs from the collection of Alice Kasakoff Adams and John W. Adams. The Adamses were both anthropologists who began collecting art as graduate students in the late 1960s, at the very outset of what is now known as the “photo boom.” |
2023 | Scandal & Virtue: Staging Kabuki in Osaka Prints | March 30–July 24, 2023 | Prints, Drawings, and Photographs | This installation examines the way Kabuki actor prints in Japan during the Edo period (1615—1868) functioned as conduits of fame and scandal. |
2023 | Unbound: Islamic Arts of the Book | April 1–November 15, 2023 | South Asian Art | The artworks on view in this installation were once part of books created for Muslim patrons in India and Pakistan. |
2023 | Judith Joy Ross | April 24–August 6, 2023 | Prints, Drawings, and Photographs | The work of Judith Joy Ross marks a watershed in the lineage of the photographic portrait. |
2023 | A Century of Kanthas: Women’s Quilts in Bengal, 1870s–1970s | May 19, 2023–January 1, 2024 | Costume and Textiles South Asian Art |
Trace the changing techniques and meanings of Kantha, an exquisite textile form. |
2023 | In Bloom: Botanical Illustration through the Centuries | May 20–October 22, 2023 | Prints, Drawings, and Photographs | The works of art in this installation represent European and American artists’ enduring interest in the visual splendor of flowers. |
2023 | The Artist’s Mother: Whistler & Philadelphia | June 10–October 29, 2023 | European Painting and Sculpture | Examine the circumstances surrounding the creation of Whistler's iconic portrait and its legacy in Philadelphia. |
2023 | Documentary / Anti-Graphic: A Surrealist Eye on Photographs | July 29, 2023–January 17, 2024 | Prints, Drawings, and Photographs | This exhibition explores a pair of terms devised by the pioneering art dealer and dedicated surrealist Julien Levy. |
2023 | Golden State: California Prints from the Alan Selsor Collection | August 3, 2023–January 15, 2024 | Prints, Drawings, and Photographs | This exhibition showcases lithographs and screenprints that explore the Golden State's storied past, social upheavals, and scenic landscapes. |
2023 | Stripped Bare: The Academic Male Nude | August 4, 2023–January 15, 2024 | Prints, Drawings, and Photographs | Works in the galleries illustrate the long tradition of male nude drawing. |
2023 | The Shape of Time: Korean Art after 1989 | October 21, 2023–February 11, 2024 | American Art | Discover contemporary Korean art through the uniquely creative works of 28 internationally celebrated artists. |